I Scanned from the collection of The Museum of Modern Art Library Coordinated by the Media History Digital Library www.mediahistoryproject.org Funded by a donation from David Sorochty i I Digitized by tine Internet Archive in 2013 http://arcliive.org/details/indepe16film I The Museum o< Modern Art 300311993 $3 per Year 25c per Copy BULlE JANUARY 5, 1948 ANDY W. SMITH. Jr. Sanity and Sound Sense Prevail Pages 3 and 6 Eagle Lion Films presents JOHN SYLVIA mm SIDNEY RICHARDS ANN who found... THERE'S DANGER in ISOBEL ELSOM ERNEST COSSART • PHILIP TONGE • ANITA SHARP-BOLSTER • FREDERIC WORLOCK kittn^Ur hi MocDenold • frtm o play by fioiik »««p«i • loud on i Story by Agolhi Chriitio OIKECTEO RY PRODUCED er RICHARD WHORF JAMESiGELLER EOllOli Vol. 16, No. 1 January 5, 1948 Page Three it THINK IT OVER The Failure The men ivho try to do some- thing and fail are infinitely bet- ter than those who try to do nothing and succeed. — Lloyd Jones. UNFAIR TO AMERICA Heads will roll in high production and distribution ranks this year. In Hollywood, some of the industry's most powerful figures must face an account- ing for a year's poor product (have they outlived their usefulness for success- ful studio management?), while in distribution circles, certain top executives have become panic-stricken because easy money is less plentiful and are adopt- ing short-sighted and foolish policies that are bound to boomerang. With boxoffice returns in this country levelling off to a strong normalcy following the binge years of the war and post-war periods, these policy-makers have set a course for their companies that can only result in creating a depres- sion psychology in the still-abundantly profitable American market. Grasping at the loss of British revenue as a cause for economy, these bright men of our industry decide upon an effect that is wholly foreign to that cause. Because there will be less money from England, they lay off AMERICAN salesmen, fire AMERICAiV publicity and exploit a lion men, cut their AMERICAN advertising budgets! No one denies that the British tax makes economies necessary, but is anything more than common sense required to see that the savings must be effected in pi market? ^ e\ tributors will Since t boxoffice, wh; CA, exert LE in AMERICA for this: the BULLETIN An Independent Motion Ficture Trade Paper pub- lished every other Monday by Film Bulle in Com- pany. Mo Wax. Editor and Publisher. BUSINESS OFFICE: Suite 622, Manufacturers Trust BIdg., 1819 Broadway, New York 23. Circle 6-9i;9: David A. Bader, Business Manager; Paul Perez. Editorial Representative. PUBLICATION-EDITOKIAL OFFICES: 1239 Vine Street, Philadelphia 7, Ps., Rlttenhouse 6-7424; Barney Stein, Managing Edi- tor; Robert Heath, Circulation Managtr. HOLLY- WOOD OFFICE: 9126 Sunset Boulevard. Hollywood 46, Calif., CRestview 5-6489; Sara Salzer, Holly- wood Representative. Subscription Rate: ONE YEAR. $3.00 in the United Ftates; Canada, $4.00; Europe, $5.00. TWO YEARS: $5.00 in the United States; Canada, $7.50; Europe, $9.00. I i admission scale is bad for their l)usiness, they have it as a result ot tremely spotty grosses on "Life With Father' . We say "extremely", because the boxoffice returns has rolled from one extreme to the other in engagements to date. From what FILM BULLETIN has been able to learn via its exhibitor leaders, the average subsequent-run house that hiked its admission scale to $1.25 from a normal 35-cents to 50-cents top took a licking, and a bad one. In some jjetter-class sub-runs, where the patronage is of the higher-income variety, grosses were good, but these situations were in the minority. Perhaps even more vital than the boxoffice statistics on "Life With Father" is the adverse public reaction the $1.25 ticket prices leaves behind when the engagement is over. We have heard a number of reports that patrons (Continued on Next Page) EDITORIAL (Continued from Preceding Pugtt) expressed tlu;ir unfiiendly attitude in no uneerlain language. And, mark you, iheee reports came from theatres whieh had sueeessful engagement?, as well a.) from those in nhieh "Father" flopped. Warner Bros.' general sales manager, Ben Kalmen- son. told FILM BIJLLETIJN last week that he is now taking a realistic view of the situation and has in- structed his sales staff not to press for deals on the picture where, in their judgment, the advanced price policy might hoomcrang. Warners, he said, look for- ward lo selling these accounts hefore long on the reg- ular, no-advance deals. That raises a moot point, too. Isn't much of the public's appetite for a picture dissipated hy a long lapse between such a«lvaneed-price runs and the time it becomes available for the great mass of moviegoers to see? Isn't that delay tantamount to squandering the ex- pensive pre-release publicity-exploitation campaign and the first-run ads — even the value of word-of-mouth, when it is favorable? A '"Gone With the Wind ' c omes along only once in a decade or so. Let no producer or sales executive, delude himself with fallacious reasoning that a pretty good picture can be sold in the same way. It cannot. And untold harm is done the whole industry, particular- ly the rank and file exhibitors, when such advanced price deals are forced upon theatres and upon the public. criticism of their conduct, their policies, or their pictures. They seem to expect carte blanche to pursue any folly that pleases them, no matter how harmful, wasteful, or idiotic, without note being made of it in the trade press. Some of the moguls imagine that a .^5000 per week salary (plus $1000 for expenses^ endows them with a cloak of infallibility. The motion picture industry must gird itself to undergo some changes in its modus operandi in '48. You can bet your next to last dollar (save just one in case we're wrong) that the U. S. Supreme Court will toss out the New York Statutory Court's decree in the monopoly case and order a new set of rules written for future operations of the Big Five. We believe the odds are about 6 to 2 that complete, or almost eompb le, divestiture will be ordered by the Supreme Court. If and v^hen that happens, look for the major studios lo buckle down to the job ol turning out first-rate product, because tin- competition will onK then become keen and the j»remium will really be on quality. Every once in a while we encounter the sad spec- tacle of an important executive v,ho believes his duty rcijuires him to retaliate against a tra«le i)aper for an unfavorable review or a critical editorial. Like, as not, he i." one of those? chaps who spouts pretty words about freedom of speedi and the press at testimonial banquets. When one of the reviewers is barred from a com- pany's preview screenings because he feels called upon to say a particular picture stinks, we always manage to see tlie pictures and review them despite the inconven- ience. And we assume that the thin-skinned movie executive who can't take it functions under the nervous strain of a sense of inferiority, so we pity him a little. This year should finally bring about some degree of stability in the affairs ol turbulent United Artists. We predict that Miss Mary Picktord and/or Mr. Charles Chaplin will come to realize that their exclusive owner- ship is dragging this company down to the brink of disaster and they will dispose of their interests. Lnder new and progressive ownership, and if En- terprise can be retained as a nucleus, UA might well start its clind) back to the heights during '48. We believe in the greatness of the motion picture. We believe in the fine capabilities of many of the in- dustry's leaders. We also are sure that some of them arc — forgive us the expression — fatheads. In 1948, even more, the need for conscientious criticism is vital to our industry, if it is not to stagnate and die. W e pledge ourselves anew' to point our finger fearlessly at both right and wrong. Any less determina- tion to serve our readers honestly Avould make this just so much waste paper. INDISCREET'? friend, P. S. "Pete" Harrison, ever alert or's interest, warns the industry in the ssue of his "Reports" of dire effects re- e release of the new Universal-Inter- ''The Senator ^^ as Indiscreet"', both in abroad, because it "depicts our politi- tten to the core."' He advises exhibitors efuUv the possibility of repercussion* before they buy the film and urged it, rather than cause "great harm" to to the country, the opinion that "it will be a calamity ere to be released in the I nited States, particularly at this time when the industry is fighting hard to prevent Federal censorship," Harrison says the picture will give Congressman J. Parnell Thomas an opportunity to "accuse Hollywood of having deliberate- ly produced it to discredit the Senate and the President of the United States." He warns exhibitors that it may hamper their ef- forts to obtain cooperation from their legislators in fighting monopolistic practices and adverse legislation. In the present, sensitive international situation, Harrison feels that "The Senator Was Indiscreet" will do untold damage to our nation's standing in foreign lands. It will "undo all the good work that has been done by Secretary of State Marshall, and will discredit us even among our friends abroad," he says. FILM BULLETIN Big Exchanges May Be Taboo In Future Taking a gander into the crystal ball, this seer predicts the gradual and general discarding of big buildings to house film exchanges. The exchange of the future will consist of limited office space quartering branch execu- tives, salesmen, bookers, bookkeepers and clerical staff. The factors lending credence to this vaticina- tion are twofold: the centralization of advertising accessory de- partments in National Screen Service and the inevitable develop- ment of the centralized physical distribution system recently set up on a nation-wide scale by National Film Service, Inc. The storage and handling of advertising material and the storage, inspection and shipping of films require the greatest bulk of space in an exchange. With these facets of exchange opera- tions eliminated, huge economies can be effected by the distribu- tors through the disposition of their real estate in some 30 ex- change centers. National Screen Service already has demonstrated its ability to handle the ad accessories of all the distributors. The newer National Film Service, composed of experienced film carriers, has given the industry a taste of efficient film handling on a national scale in the seven or eight months smce it was organized. Depots are established in 31 centers, including a number of newly con- structed buildings, and this outfit is growing fast. The enter- prising David O. Selznick was the first to recognize the efficacy of a central distribution outlet and NFS recently signed a con- tract with Selznick Releasing Organization to continue handling its physical distribution for an additional three years. Eagle-Lion, RKO, Republic, Monogram and Film Classics are now availing themselves of this service in various sections of the country. One day, we'll see all the majors using it, or we miss our guess. POLLS AND PREEMS. . .CARE, the food and clothing distrib for Europe's needy, will get a sizeable chunk of change when Republic's biggie, "The Flame," makes its world debut in Frisco, Jan. 5. All proceeds from the premiere, according to sales chief Jimmy Grainger, go to purchase CARE packages and attendees at the gala affair include Gen. Mark Clark, state and municipal luminaries and rep.s of each of the 14 countries served . . . 20th-Fox is mighty proud of the fact that six of its '47 features were named among the "Twenty Best" by CBS airwaver Bill Leonard on his "This Is New York" program. . .National Board of Review's selection for the best picture of 1947 was Charles Chaplin's "Monsieur Verdoux" . . .Paramount's "Albuquerque" will have its world premiere in, of all places, Albuquerque, N. M. on Feb. 2. A sizeable .junket of screen stars and journalists will participate and then will attend openings in Houston, San Antonio, Dallas and Fort Worth on the 4th, 5th, 6th and 7th, respectively. it AIR AGE: Airlines Terminal Theatres, Inc., first to install and oper.Tte motion picture theatres at major airports was formed in Detroit recently, with Paul Broder as president and Charles E. Skinner as treas. and gen. mgr. The houses will be of the "intimate" type, showing news and short subjects, plus a direct press teletype news service. A unique feature, developed by Skin- ner, will be a small screen alongside the regular one to relay arrivals, departures, personal messages, etc. First of the ATT houses will bow this month at the Willow Run Air Terminal.. Fred Mindlin, former National Screen Service special trailer mgr. for Chicago, has formed his own trailer outfit in the Windy City and expects to swing into action by the 15th . .Seymour Eichman, Astor Pictures ad manager, tied the marital knot Dec. 27. The bride is the former Esther Cohen of Miami and Palm Springs. ODDS AND ENDS. . Those millions of tons of snow that fell on New York the day after Xmas had all home offices and ex- changes limping along on short staffs for several days following. Many suburbanites couldn't dig their way out for three or four days . . . Selznick Releasing Organization's sales meeting, scheduled for Jan. 8-10 in Los Angeles was postponed to the end of the month due to the sudden demise of Mark Hellinger, who had just joined SRO with big things in view. . .Universal-International be- comes the first major to create a special subject for television- The five-minute short is being used on major networks to plug GRAINGER "The Senator Was Indiscreet" ... Richard F. Walsh, lATSE presi- dent, scotched rxunors that he was plugging any candidates in the NYC projectionists local election. U-I HITCHES TO A STAR ... Universal-International has launched its Constellation Sales Drive with the slogan, "U-I Soar- ing to New Heights," according to William A. Scully, v. p. and gen. sales mgr. To run until May 1, 1948, the new drive will have cash prizes as awards to district and branch managers, salesmen, bookers. The campaign also marks Scully's tenth anniversary with Universal. The line-up for the campaign will include "The Senator Was Indiscreet," "A Double Life." "A Woman's Ven- geance," the late Mark Hellinger's "The Naked City" and several others. Details of the drive were set at a series of confabs at- tended by Scully, E. T. Gomersall, A. J. O'Keefe, F. J. A. Mc- Carthy, C. ,T. Feldman, John J. O'Connor, E. L. McEvoy, James J. Jordan and Maurice A. Bergman . .Meanwhile, Scully announced the winners of the "Nate Blumberg-J. Arthur Rank Good Business Sales Drive." Manie M. Gottlieb, Chicago area supervisor, copped first money for district managers. Second place went to the Dave Miller district (Albany), while third prize was taken by the Bar- ney Rose (San Francisco) district. Leroy J. Miller's Minneapolis office won top honors in the branch field. Abe Swerdlow led the twelve winning salesmen in the Western division. UP AND ABOUT... Nate J. Blumberg, U-I president, gets the chairmanship of the Public Relations Committee of the MPAA board of directors. Other members of the committee include Jack Cohn, Columbia; Aus- tin C. Keough, Paramount; Sam Schneider, WB, and J. R. Vogel, Loew's. Charles Schlai- fer, 20th-Fox ad-publicity director, is chair- man of the adv'g-publicity directors committee, and Ken Clark becomes nat'l director of in- formation. The committee's program will plug the constructive activities and accomplishments of the entire industry — production, distribution and exhibition. .. Irving Helfont has been upped to home oflice assistant to Burtus Bi- shop, M-G-M midwestern sales manager . . . Two Eagle-Lion execs resigned last fortnight, A. W. Schwalberg, sales chief, disclosed. They are Ralph McCoy, southeastern dis- trict manager, and Milton J. Yeiman, manager of foreign branch operations . . Morton Van Praag has resigned his post as ASI- American News sales manager. BLUMBERG FILM JOTTINGS: First releases from 20th-Fox for the new year are "Captain from Castile" and "The Tender Years," sales topper Andy W. Smith, Jr., reveals. News that the former pic, originally scheduled for roadshowing, would be sold at regular admissions, gave exhibs a chance to volunteer kudos to the dis- tributor. . .Winner of the semi-annual M-(3-M Noval Award is Esther Forbers' "The Running of the Tide." The novelist is as- sured a minimum of 150 G's, with a possibility of $250,000 con- tingent upon sales, plus an extra $25,000 if the books cops the Pulitzer Prize. . ."Fighting Mustang," Astor's first Sunset Carson Western, gets its release this month, with five more scheduled for the go sign fortnightly, says prexy Bob Savini. THE FRONT PAGE .ANDY W. SMITH. JR. General Sales Manager, 20th Century-Fox Following a brief career as a newspaper reporter. Andy Smith entered movie business just a few weeks after the fatal shot at Sarajevo in 1911 had reverberated through the world and set off World War I, making him one of the real veterans of our industry. His first job was at Pathe and he later served with Hodkin- son. First National and Warner Bros.-First National. In 1935. he was named vice-president of Vitagraph, a position he left one year later to join Imited Artists as general sales manager. He resigned from U A late in 1938 and a year later joined RKO Radio as Eastern division manager, shortly thereafter, being appointed sales manager for that company. Smith came to 20th Century-Fox as Eastern division sales manager in 1912 and was upped to general sales manager in May. 1947. His boyish smile and diffident demeanor are belied by an industrious determination to perform any job he faces. He has a faculty for cutting red tape and getting to the core of a problem. Seemingly ill at ease in a Lincolnesque manner on the rostrum, he is nevertheless an effective public speaker. JANUARY 5, 1948 S MS DIGfST Bi -Weekly Reu/eu) of the Traders Eoents Ren Kalnidison, ^\arner BroK. Hiili-f^ topper, a(l- vi§es that "Life With Father" deals at advanced admissions are not being; |ire«Bed in situations where results are not promising. The pieture will be relea'^ed at popular prii'es later. Harold S. Dunn has be*n promoted to Eagle Uon's newly created position of assistant general sales manaser by A. W. Sehwalberg, E-L v.p. and general sales chief. At (he f •■stiiiiDiiiiil diiiiicr in ( liicaKO tendered to Ja<'k Kirscli, president of Allied, at whieh Spyros I'. Skouras, 2(Mli Century-Fox president, was (the principal speaker, are, in the usual order: Ed Donovan, .Skouras, A. A'an Nomlkos, Klrsch, Howard Lubliner and Sol IiOckwood. 'CASTILE' AT REGULAR PRICES; POLICY LAUDED Mounting i esistance fi om .'xhiliitois and the public to the advanced admissions policy probably played a large role in the recent announcement by Andy W. Smith, Jr., 20th Century-Fox general sales manager, that "Captain from Castile" would be released at regular admission prices. Smith's statement stirred a promptly favorable reaction in exhibitor circles. It was termed "a very distinct contribution to the welfare of the industry" by Edward Lachman, Allied Theatre Owners of N. J. president. Lachman in a letter to 20th-Fox president, Spyros P. Skouras, added that by the action, 20th is "helping directly the indepondent exhibitor, who is suffering at this time from a dearth of quality pictures." Smith had previously advised the trade that "Captain from Castile" was ear- niarkea for general distribution at advanced admissions. Although Lachman made no comment on the 50-50 percentage terms stipulated for the picture, it was expected that this would meet with strenuous opposition by exhibitors. Lachman cited the small town exhibitor's dependence on the good will of his community and claimed that the inde 'has suffered greatly in the past year because of experimentation with his established box-office scale." He said that the "Castile" policy was important not only for "providing good, wholesome entertainment at fair and nor- mal prices, but also re-establishes the principle that a theatre's scale is not to be trifled with because it is a contributory factor to the habit of going to the movies." The Allied leader also lauded the company's "Gentleman's Agreement," which has likewise been scheduled for regular admission scales after deliberation on whether to require advanced admissions. • • • HIGH COURT HEARINGS POSTPONED. BRIEFS FILED With the Supreme Court hearings on the Government's anti-trust suit against the majors pushed back to February 9, instead of the January 12 date originally scheduled, additional time to file briefs was granted special attorney general Robert L. Wright and his staff by the high court. The Government briefs are to be submitted by January 19, it was ruled by the high tribunal. The postponement was asked by the Government because of illness of Wright and several members of his staff. Meanwhile, the brief as amicus curiae submitted by A. F. Myers, Allied general counsel, on behalf of the Conference of Independent Exhibitors Association was ac- cepted by the Supreme Court, as was that of the Society of Independent Motion Picture Producers. The court accepted the briefs over the objections of the majors. Columbia filed its brief as one of the defendants. At the same time, the Con- federacy of Southern Assns. sought leave to intervene in the suit on the basis that it represents 2,000 exhibitors who will be affected by the decree, especially by the com- petitive bidding provision. The Motion Picture Theatre Owners of America, v/hich retained its identity de- spite its merger last year with American Theatres Assn. to form Theatre Owners of America in order to be permitted to file a brief as amicus curiae, took that action last week through Herman M. Levy, general counsel. ATA will seek leave to intervene under its former status. The MPTOA motion for permission to file an amicus curiae brief stressed its denouncement of the competitive bidding provisions of the Statutory Court decree and asked for Federal Court authorization of industry arbitration or its equivalent. The brief contended that auction selling would lead to increased film rentals and, conse- quently, to higher admissions. Elimination by injunction of the alleged unlawful prac- tices of the defendants, rather than divestiture of their theatre interests, was sought by MPTOA as relief. It was also pointed out by Levy that competitive bidding would permit a financially powerful exhibitor to eliminate competition by overbidding and operating temporarily at a loss, or by overbuying and backlogging product. • * • BLUMBERG DENIES ENTERPRISE DEAL Reports that Universal-International would become the distribution outlet for Enterprise Productions were denied by Nate Blumberg, president of U-I. Blumberg stated that no conversations of any kind had been held with Enter- prise officials and that no conferences on the situation were anticipated. He disclaimed any interest in the matter of Enterprise distribution. The first three Enterprise films, "Ramrod," "The Other Love" and "Body and Soul," have been released by United Artists. However, rumors that Enterprise has been looking for another outlet for its future product, including "Arch of Triumph," have been rampant recently. It was such reports that were partially responsible for UA prexy Grad Sears' blast at industry "jackals" and his subsequent warning to Enterprise that any attempt to withhold "Arch" from its contract with UA would lead to court action. • * * 'GENTLEMAN'S AGREEMENT' VOTED BEST The Twentieth Century-Fox picture, "Gentleman's Agreement," was selected by the New York Film Critics as the best picture shown in the New York area during 1947. The Hollywood film won out over the British J. Arthur Rank film, "Great Ex- ( Continued on Page 17) 6 FILM BULLETIN STUDIO SIZf-UPS JANUARY 5, 1948 Behind the Seems of Film Production COLUMBIA Program Cut Here A N IMMEDIATE RESULT Of prexy Harry Cohn's earlier state- ment that tlie emphasis for '48 will be on big pictures (See Film Bulletin. Dec. 28) is the slicing of the production schedule from 44 to 36 pictures. The eight films dropped are from the group of pictures which cost around $150,000 to make. Cohn pointed out t^at with production costs what they are, thess cheap pictures would no longer be cheap, so they are being dropped. At the moment, the studio is reported planning a substitution of One or two pictures in the high-budget bracket to take up the slack left by tile cut in programmers. Also in accordance with the chief executive's proclamation, Columbia is turning its full effort to lining up as many big names as possible from the freelance ranks for future films here. These people will be brought in on one-picture deals, to bolster boxolfice power of Columbia Alms. Dorothy Lamour starts next week in ''Let's Fall In Love.'' Others scheduled to come are Paulette Goddard, Robert Young, Rosalind Russell, Randolph Scott, Preston Foster, and Lucille Ball. The stu:Uo i5 also dicker- ing with Susan Peters, Cornel 'Wilde and Franchot Tone for future pictures. GODDARD SET FOR "LUCASTA" Paulette Goddard is definitely set for the title role in Philip Yordan's "Anna Lucasta,'' according to Yordan. The actress is in Europe at the moment but the picture has an April 1 starting date tentatively pencilled in. This is one of the big ones already discussed in Columbia's revised program. Harry Cohn will per- sonally supervise production on this with playwright Yordan working directly under him. Gene Autry is set for five Cinecolor productions here for the 1348 schedule. Autry. who works under his own unit called Autry Productions, will start shooting on his first film, "Hide- awaj','' after he returns from his current personal appearance tour.' He will make three more before he breaks for the summer interval in which he does his Madison Square Garden rodeo stint. The fifth will be shot after the rodeo is over. EAGLE-LION More Money Here TpHIS OUTFIT IS really all pepped up as the result of the recently completed $11,000,000 loan. The money (actually an additional $7,000,000 added to a renewed loan of $4,000,000) came from Serge Semenenko's First National Bank of Boston anrf is earmarked for the most part, for the 1918 production schedule. According to President Arthur L. Krim, the company is planning n increase in the number of high-budget pictures on the schedule ind the additional funds were required for this purpose. The Semenenko-Young combine h"s been fighting for weeks to get through the door of United Attests, but so far there has been no success. It may be that the executives have decided to concentrate on the Eagle-Lion growth, pour more money into it, and forget about UA, for the time being, at least. Me-inwhi1e, E-L is readying plans for early starts On a num- ber of films. Only film in work is Ben Stoloff's "The Cobra .Strikes,' with Sheila Ryan, Le.«lie Brooks and Richai^ Eraser. PRC, while still an autonomous group, recedes more and more into the background as Eagle-Lion expands its program. This unit may disappear altogether, or will finally come to be tre permanent unit for the programmers which will be needed to fill out E-L's schedule of releases. M-G-M Production Upped "rSJOVV THAT THF, dust of reorganization in the top M fi-M ■'■ ' ranks has settled (although we feel it did not go deep enough io correct the weaknesses shown during the p-'ist year), this studio is gearing itself for an increased 1948 work schedule. E, J. Man- .lANUARY 5, 1948 nix announced last week that 22 story properties have already been scheduled into production with at least four more set to go in to complete the 1948 program. At least seven of the films programmed will be done in color, which is an indication that Metro does not plan too drastic an economy in its usual production pattern. In reporting on Metro s production plans, E. J. Mannix stated that the entire schedule will be handled by 14 producers with the triumvirate of Mayer-Mannix-Thau supervising directly. The possibility of a series of "moderate" budget films has no', been definitely ruled out, as yet. Discussions are now in progress on the advisability of this program. 'With the number of lesser known people (not big enough to cari-y a first-line picture on a marquee) still on the Metro list, many of the executives feel this progra.m would be a means of using and building its talent roster. Since other studios are getting back to programmers, it is likely that Metro will, too. There is a report current that 17 old MGM pictures are slated for reissue. So far, however, the only one definitely Scheduled for a second try is "Ninotchka" (Greta Garbo-Melvyn Douglas). Ap- parently, someone in the organization interpreted this as some £ort of an answer to the un-American Committee's probe. ONLY T'WO GOING The new year started with only two pictures in work here. "Easter Parade ' (Fred Astaire-Judy Garland) enters its second month of production. "Date With Judy" is a new starter, with WalU.ce Berry, Elizabeth Taylor, Jane Powell, Carmen Miranda, Xavier Cugat and Robert Stack combining in a typical Pasternak comedy set to music. Big one just getting underway is the Technicolor production of the "Three Musketeers," starring Gene Kelly, Lana Turner, June Allyson and Van Heflin. S. Sylvan Simon, formerly under contract at this studio, wiW be back on this lot to guide the next Red Skelton picture for Producer Paul Jones. This will be Jones' first s nee he came to Metro from Paramount. Skelton worked with Simon at Colum- bia on the i-ecently completed "Fuller Brush Man" and asked for him in the directors spot on "A Southern Yankee." No effort is being spared to make this picture a good one, since Skelton has not been happy with his material from Metro nor has Metro (or, incidentally, exhibitors) been happy with the boxoffice results on Skelton films. The comic has a large following with the family trade, but it has not be capitalized. MONOGRAM Broidy Talks Sense STE'VE BROIDY, PRESIDENT of Allied Artists and Monogram, tossed a chailence to all taker,-? both within production ranks and among exhibitors when he decried the negative approach in the current situation of the slipping boxoffice. Two of Broidy's suggestions make good sense. First, the in- dustry must re-evaluate itself and with complete honesty cut from production schedules pictures that won't sell. Broidy's point: it's no good to make a picture you know is tough to sel'. and then attempt to force it onto the public. The public is in no mood for such forcing. He also uri^ed an increase in adver- tising and exploitation despite lagging sales. Here, Mr. Broidy has hit on one of the prime rules of advertising, which all too few movie executives understand. The Monogram chief pointed out that the over-publicized economy wave and revenue loss will soon condition the American public to thinking that they will be getting less entertainment for their movie dollar and thus will only act as a further blow to the boxoffice. Broidy put great stress on the point that the exhibitor must be pre-sold on the importance of the picture in advance of his buying. He urged that trade advertising be increased because only an exhibitor who is convinced he has a money-maker can sell it, in his turn, as such. He also urged greater participation by the exhibitor in the advertising program. As it .stands now, he stated, the distributor is putting up the bulk of the money in cooperative advertising programs with theatres. It is the Broidy opinion that such a program tends to lessen the exhibitors interest in his results and STODIO sizf-yps create again that "negative attitude" which Broidy feels is the current illness of the industry. PRODUCTION STAFF UP Indicative of the trend for expansion here is the fact that the producer roster for Monogram-Allied Artists hit a high of 26 during 1947. This list includes producers who have alte'idy turned in their assignments as well as those currently in prepara- tion. Prexy Broidy points to this expanded list as the major factor in the diversified program turned out by the two com- panies this year. He stated further that the 1948-49 program, which win carry even greater variety in quality and quantity, will be well covered by the newy reorganized production department. HEAVY BACKLOG, TOO Another straw in the wind of Monogram's future prospects is the backog which with this company closed 1947. Rated as the biggest in its history, the list includes five films from Allied Artists not yet released: "Song of My Heart," "Panhandle," "The Hunted," "Smart Woman" and "The Tenderfoot." The Monogram list of unreleased films totals ten, including several from the Monogram series groups of the Teen-Agers, the Bowery Boya, and the westerns, Johnny Mack Brown and Jimmy Wakely. PARAMOUNT Balabans Good News PRESIDENT BARNEY BALABAN'S recent letter to Paramount stockholders painted a bright picture that was in rather striking contrast to the actions of this outfit in recent months Balaban greatly minimized the loss of the British market in his company's case, stating that only ten percent of Paramount'S revenue comes from this market. He promised that Paramovmt's 1948 program is so geared as to more than offset this loss with a domestic increase. In the light of Mr. Balaban's glossy report, one wonders about Paramount's recent cuts in small-fry personnel and vast curtailment in advertising. How will the domestic gross be increased during this year with less salesmen to peddle Para- mount pictures (territories have been doubled for some of the retained salesmen) and with less exploitation and publicity? At a time when the movie industry is enjoying Its worst public relations since the Fatty Arbuckle scandal, at a time when the boxoffice trend is downward for the first time in a decade, some film moguls think this is the moment to expend less effort to sell their product. Amazing, isn't it! SCHEDULE SET HERE Studio chief Henry Ginsberg announced last week that Para- mount will make only 20 pictures during 1948, all of them carry- ing top-budget figures. Bolstering the Paramount program will be the initialers from Prank Capra, George Stevens and William Wyler, of Liberty Films. Leo McCarey will also add his contri- bution under the recent contract he signed with the company. Nine of the scheduled films are set for early starts with Mitchell Leisen's "Abigail, Dear Heart" leading the parade. This one stars Claude Rains, MacDonald Carey and Wanda Hendrix. Richa'rd Maibaum is the producer. Danny Dare has "It's Always Spring," with Veronica Lake, Mary Hatcher, Mona Freeman, Billj- De Wolfe, ready to go. John Farrow will direct "The Great Gatsby," with Alan Ladd starred, Maibaum, again producing. Hal Wallis will soon roll "Sorry, Wrong Number," starring Barbara Stanwyck and Burt Lancaster, with Anatole Litvak directing. Bob Hope will star in Damon Run>on's "Sorrowful Jones.' Charles Brackett has "Tatlock Millions" teaming Wanda Hendrix (watch this girl hit big in '48) and John Lund. "Diamond In The Haystack" reunites Crosby and Barry Fitzgerald. REPUBLIC ^ Fifty Scheduled Here 'pHIS STUDIO STARTS the new year with a minimum 50 pic- tures pencilled into its production schedule. Vice-President Allan Wilson, in charge of production, reported last week on the work status at Republic. Twelve producers are in preparation on 25 pictures, about half of which will carry the high-budget taz at this studio. Meanwhile, Herbert J. Yates reported to his board of directors m New York on the detailed results of cutting costs. The board approved the Yates program of economy and accepted bis predic- tion that !,he year ahead would show an increase in profits by reason of the cost-cutting and by reason of some of the planned production which Yates feels will tab higher boxoffice returns. With board approval on renewal of the production deal with Charles Feldman set, "Moonrise," starring Dane Clark, Gail Rus- sell and Ethel Barrymorc, started last week. As on the prior Feldman deal ("The Red Pony" starring Myrna Loy and Robert Mitchum), Republic collects a dhitiibution fee plus a share in the profits while Feldman does all hi:; own financing. "Moonrise" is tagged for a budget of about .$900,000. Marshall Grant, who ori- ginally planned to produce this one with John Garfield, is still in the production picture and Frank Borzage is directing. Others on the immediate production list include: two from Producer Edmund Grainger ("Wake of the Red Witch" and "Air- borne"); Allan Dwan will do "Woman of Destiny" and "The Mir- acle of Charlie Dakin," .John Auer will do "Mr. Mighty," "Un- tamed" and "Another Dawn." John Wayne will produce and star in "Eagles In Exile." Joseph Kane will have "Last of the West- erners" and "The Missourians." RKO Idling In January A LTHOUGH THE STUDIO is at this moment virtually at a standstill, the months ahead will be packed with approved production plans. Dore Schary will guide the program and em- phasis will fall on low-budget and experimental films and inde- pendent production. RKO was among the first of the major studios to see the value of taking in independent producers to bolster their own fare. They ended this year with 15 independent films on their schedule and the coming year will see equally as many spMDtted in. The inactive status will continue until Januarj' 26. Only one film is in production, "The Window" (Barbara Hale-Arthur Ken- nedy) and it is being shot in New York. John Ford and Merian Cooper have set one of their Arko Productions into work. This one is tagged "Mr. Joseph of Africa" (Ben Johnson-Robert Armstrong). SELZNICK "Duel" Take Soars ^NE YEAR FROM the day of its first-run release, "Duel In The ^ Sun," has tabbed a gross take of $1'?(221,000 with almost 1,000 first-run playing dates still to be filled. Out of this fabulous fig- ure, the foreign market contributed only $925,000, -with $500,000 of that coming from England. With "Duel" bidding fair to equal the records set by Selznick's "Gone With The Wind," it will be interesting to see how well the master-showman does with "The Paradine Case" previewed in Los Angeles (to make the Academy deadline) last week. Unquestion- ably, this is a better picture than "Duel," certainly by way of performance and story. * SEVEN SCREEN PLAYS READY With "The Paradine Case" launched auspiciously, "Portrait For Jenny" in the can, and "Duel In The Sun" taking care of it- self, Producer Selznick is turning his attention to his 1948 produc- tion schedule for which he holds seven completed screen plays. Not all of these will be made, of course. BMrst to go will probably be the Selznick version of "Romeo and Juliet." Louis Jourdan and Valli, the newcomers that Selznick projected into prominence with "The Paradine Case," will be co-starred in "Rupert of Hent- zau" which should provide perfect casting for the pair. Jennifer Jones is definitely set for "Tender Is The Night" with Selznick using the vehicle to laimch another of his newcomers. Christian Kelleen, a Swedish import. Dorothy MoGuire is set for "A Doll's House." 20th CENTURY-FOX Production Big Here TJ77ITH HOLLYWOOD ENTERING the new year at a three-year " production low (25 pictures in work), it is interesting to note that this studio heads the production activity with five films roll- ing. 20th hit its low peak early in the fall, when vast sums were tied up in un-released pictures like "Forever Amber," "Captain From Castile" and "Gentleman's Agreement." With these three out and doing solid business, Darryl Zanuck has turned his mind back to production. While only a small portion of the people laid off in the mass shearing last October have been rehired, the studio FILM BULLETIN siyoi siz -OPS is still at a rate of activity it has not had since about the middle of last year. Of the five films going, two are new starters. "The Street With No Name" (Mark Stevens-Barbara Lawrence) is a Sam En- gel production with William Keighley directing. This one, based on stories from the FBI files, is being shot in New York. "The Chair For Martin Rome" (Victor Mature-Richard Conti) has Rob- ert Siodniak directing for Sol Siegel. Here the studio has pre- pared a script guaranteed to promote the Mature personality as it was projected in "Kiss of Death." "That Lady In Ermine," formerly called "This Is The Moment ' (Betty Grable-Douglas Fairbanks, Jr.), "Walls of Jericho" (Linda Darnell-Cornel Wilde) and "The Iron Curtain" (Dana Andrews- Gene Tierney) continue in production. This last one has been pushed ahead two months on the release schedule because of the timeliness of the story content. It is the story of the ex-Russian agent who renounced the Communist party and is now living in Canada under the protection of that government. Sol Wurtzel has closed down his production unit until March 1. The producer, having just wound up "Arthur Takes Over," will recess until then while he works on five scripts which are com- pleted and ready for production treatment. Wurtzel's first, when he resumes, will be "Tucson," followed by "Ticket To Nowhere." UNITED ARTISTS UA Gets ''Arch*' T^ESPITE THE EFFORTS of Enterpii^e executives to take "Arch Of Triumph" elsewhere for distribution, the deal is finally settled and UA will handle the distribution. Earlier Enter- prise had insisted that the film was not ready for release, but it is now admitted that the picture is finished and will be released in February. One reason, apparently, for the change of heart by Enterprise is that in order to stay clear of "Joan," the Ingrid Bergman starrer just completed by Sierra Pictures and scheduled for September release, "Arch of Triumph" cannot be held up any later than February. The threatened suit against James Cagney for taking his "Time of Your Life" to Warner Brothers for distribution is on. Warner Brothers is also included in the suit. This suit, as well as the one against the Cagney company singly and the one against Enterprise for "Arch of Triumph" (apparently now settled) were brought because the company must have these films as well as "Red River" to release in order to stay in business after Marc'i. It is expected that the suits will be settled before they reach court proceedings. Mary Pickford's Triangle Production, "Sleep My Love" (Claud- ette Colbert-Robert Cummings) may cause a battle for UA, too, in 3pite of the fact that Miss Pickford wants UA to have her picture. It seems that Jack Cohn, Columbia executive, and father of Miss Pickford's co-producer, Ralph Cohn, would like to see the film a Columbia release. Since he has a financial interest in the produc- tion, he may have some influence there. But so far this one still belongs to UA. Miss Pickford has turned her mind to future production plans and this time they seem fairly definite. She and her husband, Buddy Rogers, and Ralph Cohn (Triangle Productions) have set up a corporation with Hoagy Carmichael called Stardust Road Pictures Corporation. The picture to be made is the life story of Carmichael called "Stardust Road." No production plans are set yet. PRODUCnriON STARTS Despite the continuous battle here and the months of activity, it looks as though UA may soon have pictures in production. United California Pictures will start "Let's Live A Little" starring Hedy Lamarr and Robert Cummings some time tliis month. Cum- mings is co-owner of UCP with Eugene Frenke and Philip Yordan. Sam Bischoff is also slated to start production in "Pitfall" with Dick Powell starred. Edward Golden's "Texas, Heaven and Brooklyn" is also pencilled for a January start although no cast- ing has been set yet. UNIVERSAL-INTERNATIONAL Busy Year Ahead TNVENTORY AT THIS STUDIO lists 17 producing units in work as we head into 1948. Most of these are either winding up or have completed pictures, but a number have pictures in pre- production stages ready to go within the next month or six weeks. Among these are Joseph Sistrom's "Saxon Charm," which will liave star casting; "You Gotta Stay Happy," Rampart's next for Joan Fontaine, "Mr. Peabody and The Mermaid" with William Powell and Ann Blythe, "The Judge's Wife" and "The Life of Riley." Douglas Fairbanks is preparing "The O'Flynn." John Beck is working on "The Countess of Monte Cristo" with Sonja Henie set to star. Burt Lancaster will produce and star in "Kiss The Blood Off My Hands" and "One Touch of Venus" is rumored near starting date. This last one is on and off so frequently no one seems to know just what will happen; but at this writing it is scheduled by Jolin Beck and Lester Cowan for early production. This promised production activity seems almost incredible in the face of the close cropping of staff that has been carried out through the entire studio here. It is i-umored that some re-hiring will be done when some of this looked-for production actually gets under way. AID FOR EXHIBITORS DROPPED One of those incomprehensible facets of film executive reason- ing, the policy of co-operative advertising with exhibitors is no more as far as U-I is concerned. If this trend takes hold, it will mean that exhibitors will be left to their own devices to sell the product they are buying from the studios. If this should come to pass, it is one more example of Hollywood's shortsightedness. It may well be that some curtailment of the program was needed, but surely there is some happy medium which would be a little less drastic and less harmful to all concerned. The money spent on advei'tising in first-run campaigns un- doubtedly helps exhibitors directly and indirectly. But let us not forget that a large portion of the benefit still redounds to the boys who own the picture. WARNER BROS. 10 Day Shooting Schedules! A LFIUCD HITCHCOCK'S ten-day shooting schedule for "The Rope," which goes into production here shortly, is a precedent- making project in the new "econohiy wave" program. If this one works out, the studio will adopt the policy insofar as possible on all of its production. If Hitchcock, long known for his hype-r- devotion to detail, camera angles, etc., can do the trick, others will have to follow his pattern. First step in the program is a period of pre-production re- hearsals. Three weeks will be given to such rehearsing before a camera turns. Sciipts are being tailored to fit this new schedule — with only the necessary plot development sequences being lilmed. Implication will be used instead of example where that use can eliminate the building of an expensive set for a brief scene. War- ner executives insist that this method will tie used only up to the , point where full production quality can be maintained. The cut- ting of shooting time and other corner-trimming devices will not, tiiey insist, lessen the value of a picture. No, but it will surely cut the costs of pictures if intelligently and assiduously practiced. Jerry Wald, now in production with "Key Largo" (Bogart- Bacall-Barrymore) experimented briefly in this new move with one week of pre-shooting rehearsals and a script worked over before shooting started so that not one loose end remained. This is the department where the bulk of money can be saved, not the secretarial and messenger staffs, and it's good to see a studio at least trying. EIGHTEEN SET HERE Eighteen films for the 1948-49 schedule have already been set here' by Jack L. Warner, studio chief, and a possible seven more will be added. Six independent productions are already set for release and if present plans go through, several more will be added to the schedule. Among those already set to go in addi- tion to the pair each from Michael Curtiz, United States Pictures, and the Hitchcock-Bernstein unit, are "One Sunday Afternoon," "John Loves Mary" and "Until Proven Guilty." Warners will have the Danny Kaye picture this year, also, and if the Cagney move hold, "Time of Your Life" will be an important Warner release, also. FLYNN SIGNS NEW DELAJL, Topped only by the contract this studio has with Humphrey Bogart is the new deal just signed with Errol Flynn. According to the terms of the deal, the actor gets $225,000 for one picture a year for 15 years. All films are to be made in Technicolor, the actor is guaranteed that no one film will run over 14 weeks in the making (if it does the actor gets a bonus) and the studio car- ries insurance against accidents which might prevent Flynn from fulfilling' his commitment. This is really a dream contract and must mean that the Flynn draw at the boxofiice is still at its peak. Although, why don't they use him in tho.«e colorful action stories that brought him his popularity? JANUARY 5, 1948 9 PRODUCTION % RELEASE mm JANUARY 5, 1948 In the Release Chart, the date under "Details" refers to the issue in which cast, director, plot, etc., appeared. "Rel," is the national release date. "No." is the release number. "Rev." is the issue in which the review appeared. There may be variations in the running time in States where there is censorship. All new productions are on 1946-47 programs unless otherwise noted. (T) immediately following title and running time denotes Technicolor production, (C) denotes Cinecolor. C O L U M B i A 4 1947-48 Features Westerns Serials 1946-47 Features Westerns Serials (36) (11) Completed Completed Completed ( 2) Completed (32) Completed Completed (14) ( 4) In Production (2) In Production (0) In Production (0) In Production (0) In Production (0) In Production (0) RELEASE CHART IN PRODUCTION Titl&— Running Time Cast Gallant Blade (C) Parki-Chapman Lovss of Carmen, The Hayworth-Ford COMPLETED 1947-48 Details . . .12-8. . .11-24. Rel. No. Rev. Adventures In Silverado Bishop-Henry .... Best Man Wins Buchanan-Lee . Black Arrow, The Hayward-Bialr Bla2lng Across The Pecos Starrett-Burnctte . . Blondle's Anniversary (67) Sinoleton-Lake ... Blondle In the Dough (69) slngleton-Lake Blondle'j Night Out Singleton-lake ... Brick Bradford Richmond-Johnson Buckaroo from Powder Blvar (55) Starrett-Burnette . . Coroner Creok (C) Scott-Chapman . . . Crime Doctor's Gamble (66) Baxter-Cheire! ... Devil Ship (62) Lane-Camphell Omtn To Earth (T) (101) Nayworth-Parks Eternal Melody. The Klepura Eggerth Filler Brash Man, The Skelton-Blair Glamour Girl Krupa-Reed Her Hotband's Affain (85) Tone-Ball Detallt inder title: Lady Kniw Hmr I Love Troible Tone-Blair .... Details indar title- Ombit Take It Had To Be You (98) Rogers-Wilde Key Witness (67) Beal-Marshall ... Otttlli inder title: Destiny Lady tnm Shanghai. The iiayworth-Wtllee Last Days of Boot Hill, The Starrett-Burnette . Last Roond-Uo, The (77) Autry-Heather . . . Little Spanish Town, A Autry-Marion . . . . Lone Wolf In London, The (68) Mohr-Saunders Lalo Belle Lamour-Montgomery Man From Colorad*. The (T) Ford-Drew Mary Loo Lowery-Barfon ... Mating of Millie, Tho Ford-Keyes My Dog Rusty Donaldson-Doran . Phantom Valley Starrett-Barnette Port Said Sishop-Henry Prince of Thieves (72) Hall-Morison .... Relentless Yenng-Chagman Details inder title: Three Were Thorough iireds Return of October, The Ford-Moore Retorn of The Whistler, The Duane-Aubert . . . Roie of Santa Rosa Hot Shots Sign of the Ram, The Peters-Knox .... Six Gon Law Starrett-Saunders Sea Hoond, The (Serial) Crabbe-Biake . . . . Song of Idaho Vincent-Grant . . . Strawberry Rnn, The Antry-Henry .... Bweet Genevieve (68) Porter-Lydon .... Swordsman, The (T) (81) Parks-Drew Tex Grainjor (Serial) Stcvens-Stewarl . . To the Ends of tho Earth Ptwell-Maylla ... Trapped by Boston Blackic Morris-Lane . . . . Two Blondes and a Redhead (70) Porter-Lydon . . . West of Sonora Starrett-Burnette Whirlwind Raiders Starreft-Saunders Woman from Tangier, The Jergens-Donne Wreck of The Hesperus, The Parker-White ... 1946-47 Blindle's Holiday (67) Lake-Slngleton . . . Bulldog Drommond at Bay (70) Randell-LoiUe . . . Bulldog Drummond Strikes -Back (65) . . . .Randell-Hcnry . . . Corpse Came C.O.D., The (87) Brent-Blondell . . . For the Love of Rusty (69) .,. .Oonaldson-Poweri . Fraaied (82) Ford-Carter DeUlli inder title: They Walk Alane Fuller Brush Man Skelton-Blair . . . Gillt of Janet Ante (83) Russell-Douglas Malli aider titli: ly Eafty Mtrni Gundohtert, The 'C) (87) Seott-Brltton . . . •elalb elder title: Tvtl Sankrerot Jack Armstrong (Serial) Hart LaPlanehe . . Keeper of The Bees (68) Henry-Doane .... King of Wild Hanoi (79) Foster- Patrick . . Last of Tha Redman (Color) (77) Hall-Ankers Lot If Tki Canyn $tarrett-Burnettc .11-10. 12-22. . . .8-4. .11-24. . .9-1. , .4-14. ..9-29. 10-27 . .5-26. . .9-29. . .8-4. .7-21. .4-15. .11-10. .10-27, . .9-1 . .3-3. 12-18. 10-16. 12-18. 10-14 ii'-27 '. 12-11. . 10-29 . .1-16. 11-47. .7-21 .5-26... 1-48. .5-26.. 12-47. 4-14. . .10-9. 10-14. .6-23. .5-26. . . .8-18. .5-26. 11-10. . .3-17 .9-15. . . .7-7. 11-20. 11-47. 11-13. .1-23. .11-24 . .8-4 .12-22 .5-12. . .1-48. .12-9 . .9-29 .10-27 . .9-1. .12-25. . . .8-4 ...7-7 .5-26. , .10-27. . . .7-7. . .1-9. .4-14. .10-23. .12-9.". .1-48. . . .8-4 .12-9 . 12-22 .4-14... 11-6. . .9-29 ..9-15 ..9-29 . .9-15 .11-25... 4-10. .12-23. ..5-15. . 9-4. , ...1-6. ..5-31. .12-23... 5-1. .9-30... 4-47. . .10-27 .808. . . .3-3 .820 .821 .840 .812 .834... 3-17 ,11-25.. . .3-17. .12-9. . .9-16. .10-28. .4-47. . . .836 ,7-15. . ..838 . .2-6. . .7-10. . . .802 .3-27. . . .809 .8^7. . . .837 .4-24. . . .867. .3-31 Little Mils Broadway (69) Porter-Shelton 2-3... 6-19 815 Details ander title: Broadway Biby MMIerson Case, The (72) Baxter-Saunders . . ,1-20. . .5-29. OeUlls under title: Crime Deetor'i VaaatiM Pacific Adventure (95) Randell-Steinbeek Prairie Raiders (54) Slarrett-Saunders ,,11-11. Riders of The Lone Star (55) Starrett- Hunter . . 12-23. Smoky River Serenade (67) Campbell-Terry 4-28. Son of Rusty, The (69) Oonaldson-Powen ..4-14. Secret il The Whistler («S) Olx Braaki 7-22. Sport of Kings (68) Henry-Campbell ...2-17. DeUlls inder title: Major Oennlnf'i Tnit Estate Stranger from Ponca City (56) Starrett-Burnette ..11-25. Swing the Weiteri Way (66) Leonard-Dugan 3-17. Vigilante, The (Serial) Byrd-Amet 3-3. When a Girl's Beaatifil Jergens-Platl 6-23. . .9-25 ... .827 . ..7-47.. . .5-29. . ..8-14.. . .8-21. . ...8-7.. ..U-7. . ..6-26.. . . .7-3. . . 6-26 . . .9-25. .817 .835 .868 .870 .85 J .813 .118. .11 i-j .811 8 9. 853. EAGLE-LlW 1947-48 Features Westerns 1946-47 Features Westerns Completed (25) Completed ( 3) Completed (22) Completed (12) In Production (1) In Production (0) In Production (0) In Production (0) NEW PRODUCTIONS THE COBRA STRIKES Mystery — Slatted December 19 Cast: Sheila Ryan, Leslie Brooks, Richard Eraser. Director: Charles Riesner Executive Producer: Ben Stoloff story: New hypodermic Inulrument seized by evil men wlio use it tor ilfrttrut tion until caijtur» Austin-Joyce . . . Tkree UB A Tiektt (62) Beaumont-Walkcr OetalU inder title: Thi Carpse Came Cilling Too Many Winnm (60) Beaumont-Marshall Timklemed Trail (97) Deaa-Atei Untamed Fury (58) Peodldttn-Whlpper Wdst T» Glory (61) Dcan Ates Wild Cointry (C) (59) De»a-At«i STREAMLINED WESTERNS (Me of the Plilni (38) Crabki-St. Frontier Flfhterj (39) Crablie St. Panhandle Trail ( — ) Crahbe-St. Ralderi ol Red Gap (38) Crabbe-St. Shootio' Irtnt (40) Newliill-8'Brlin Ihtrdergae Outlawi (39) Newlilll-8'Britn Jthn John John John 6-15.. ..745. ..3-3] . .10-14. . .8-16. . . . 107 . . . .8-4 1-6. . .5-30. . . . 105 . . . .6-9 . . Reissue . . 6-21 . . . .736. 2-3. . .6-7. . . .703. . .6-23 . .10-28. . . .4-5. . .715. . .4-28 .2-17 . . .5-24. . . .716. . . .6-9 9-2. . 10-28 . .74-i. .12-23 . .3-22. .SP72. ..3-1; ..4-13. . .746. . .5-12 ..1-17. . .744. ...2-3 4-26. . ..766. 4-26 . . . .761 .4-26. . . .765 4-26. . . .763 4 -26. . . .764 4-26.. ..762 1947-48 Features 1946-47 Features Completed (28 > Completed (25) In Production (2) In Production (0) NEW PRODUCTIONS A DATE WITH JUDY Cor ledy -Started December 12 Cast: Wallace Beery, Jane Powell, Elizabeth Taylor, Carmen Miranda, Xavier Cugat, Robert Stack. Director: Richard Thorpe Producer: Joe Pasternak Htory: Teen-.iKe girls and their proI>Ienis based on the radio .serial. RELEASE CHART IN PRODUCTION ritlo— Riiiint Tlac Cut Detalh Easter Parafie Astaire-Garland 12-8. 1947-48 Aiias The Gentleman Beery-Patrick 5-13. Arnelo Affair. The (87) Hodlak-Glfford 8-6. B. F's Daoghter Stanwyck-Heflin 9-29. Big City, The O'Brien-Murphy 10-27. Casj Timbfrlane (119) Tracy-Turner 5-12. Bride Goes Wild, The '. Jonnson-Allyson 7-7. Details under title: Virtaons Desire IMe '91) Garson-Hart 4-1 Details nr.iier title: A Woman ot My Owa Good News (T) (95) 3-31 lol. .Sept 803. . .2-17 .Jan. ....... .11-10 .Oct 9-29 Dec 12-22 .9-30. .Feb. Nov. .7-22 . .Sept 802. Groin Dolphin Street Tirner-Heflln Detalli ondef title: Tbi Personal ToMk High Wall, Tho Taylor-Totter 7-7... Feb. Homecoming Gable-Turner 9-15 If Winter Comes PIdgecn-Kerr 6-9. Killer McCoy (103) Rooney-E. Taylor ...6-23. Luxury Liner (T) Bront-Gifford 9-1 Kissing Bandit, Tho (T) Slnatra-Grayson 5-26 Master of Lassie Gwenn-Leigh 9-29 Details under title: Hills of Home Morton of the Movies (82) Skelton-O'Brlen 9-2.... Oct. NInotchka (112) Garbo-Doujias Reprint ... Dec . On An Island With Yoi Wllliams-Lawtord ..6-23 PIriU, The (T) Garland- Kelly 3-3 Song of Love. A (119) Hcpburn-Henreid ...11-25 Oct. Song ot The Thin Man (86) Powell-Loy 2-3... Sept. Summer Holiday Romey OfHaven .. .7-8 ... .. State Of The Union Tracy-Hepburn 10-13 TonUl Aienoe Ao|el O'Brien-Mi rpiiy 4-1. This Time for Keeps (T) (105) Williams-Melchlor ...8-6. Three Daring Daughters (T) MacDonalJ-lturbi .11-25. Details under title: The Birds and the Bees Unfinished Dance, The (T) (101) O'Brlen-Charisso Ddalls under title: Binurlaa 1946-47 Boflnnlng Or The End (112) B.irrymoro-Oonlevy ..5-27.. Cynthia (98) Taylor-Murphy 11-25. Dotalli under title: Tho Rich Full Life Dark Delusion (90) Ba-rymore-Bremer . .10-28. . .June. Details under title: Cynthia's Secret Fiesta (T) (104) Williams-Carroll ...12-24. High Barbaree (91) Johnson-Allyson 5-27. Holiday la Meilea (T) (127) PId-eon.Massey 9-17 . iTuehters. The (115) Gable-Kerr 1-20. It Happened In Brooklyn (103) sinatra-iirayson ....8-6 . Little Mr. Jiai (92) lenKins-urttoro . . . lU-Zii . . Living In a Big Way (104) Kelly-McDonald 8-6. Details under title: To Kiss and To Keep Roniance of Rosy Ridge (105) Johnson-Leigh 9-30. Sea of Grass (123) Tracy-Hepburn 7-8.. Undeftover Malsle (90) Sothern-Nelson 11-11 Yearling. The (T) (128) Petk-Jarman 8-20. REPRINTS Boom Town (120) Gakle-Traey Fo*., Great Walt? (T) (103) Raincr-Gravet July. Philadelphia Story. The (110) Hepburn Stuwart-Grant Raft IR Heatea (82) Berrnan-MMtgomen 8a1. Women, Tlie (133) Shearer-Crawford e«t. Jan .Dec 10-27 .805 . .7-21 . . .804 8-1 . . .801 8-4 .10-13 .8-4 Mar. July. .July .May. Sept. .Aug. Apr. .Apr. .June. .Aug. , .Apr. .May. . May. .726. . .3-3 .5-25 .724. . .4-14 .727. .721. .701. .728. .718. .719. .725. .729. .720. .722. .717. .6-23 .3-17 . .8-5 .6-23 . .3-3 .6-10 .6-9 . .7-7 .2-17 .3 17 .12-9 .723. .7t5. .9-2 MONOGRAM; 1947-48 Features Westerns 1946-47 Features Westerns Completed (12) Completed ( 2) Completed (24) Completed (16) In Production (1) In Production (0) In Production (0) In Production (0) RELEASE CHART IN PRODUCTION Tide — Running Time Cast Deta Is Tondrrfocit. The Albert-Storm 12-8 COMPLETED ^ 1947-48 Angels' Alley Gorcey-Gray 11-24.. Released originally under title: When StrMitcli'jm-Hunter Betrayed (66) angers Marry Denth On The Dowrilicat Stcwart-Preisscr Docks of New Orleans Winters- Youni) Fighting Mad Errol-Kirkwood Details under title: A Palooka Named Joe High Tide (72) Tracy-Castio ... Jijgs and Maggie In Society Yule-Rianu Joe Palooka in the Knockout (72) Kirkwood-Knoj Details under title: A Guy Named Palooka Louisiana (8.^) Davis-Lindsay .. Overland Trails Brown-Belmont Perilous Waters Castle-Long .... Rocky MoDowall-Barrier Smart Politics Preiss r-S*cwart Song of The Drifter Wakely-Colcs ... 1946-47 Chinese Rini, The (67) Winter-Currie . . Code of the Saddle (53) firown-Hatlon Dlllinger (72) TIcrncy-JeBries . Fall Guy (64) Plerce-Loring Flashing Guns (59) Brown-Hatton Gentleman Joe Palooka (72) trrol Kirkwood tiullty. The (71) Granv lle-Castle Gni Talk (58) Browii-Mclntyre . Details under title: Man from Powder River Hard Boiled Mahoney (63) Gorcey-Loring Details under title: Panto High Conquest (79) Leo-Roland .... Kilroy Was Here (68) Cocpet-Coojan King of The Bandits (66) Roland-Greene Land of The Lawless (59) Brown-Hatton Law Comes to Gonslfht. The (.'^6) Brown-Hatton Mutiny in the Big House (83) Bickford MacLane Newshoondi (68) .Gorcey-Hall .... Details under title: Scareheads Prairie Express (55) , Brown-Hatton Details under title: Dusty Trail Buoan of the Yikon (73) ilekford-Rlch .. Ridin' Down the Trail (53) Wakcly-Taylor .. Details under tlUo: Son| of tho Saddlu Robin Hood of Monterey (55) Roland-Brent ... Sarfe Goes To Culloge (64) Stewart- Prolssor . Silver Stallion (59) Sharpe-Mason .. SIx-Gun Sorenade (55) Wakely-White .. Soni of The Slerrai (5.5) Wakely-Carlln . Sweetheart ol Sigma Ckl (76) Boaian-Kaox . . Suspinsi (101) Bellta-Sullivan Detail) under title: Glamour GIfl Thunderbolt (T) (44) Documentary .. Traillni Danger (58) Brown-Hatton . . Violence (72) Coleman-t'Shea . Vallo) ol Feat (54) Brown-Hatton .. Wolf Call (61) Carroll- Movita ALLIED ARTISTS Black Gold (C) (92) Ouinn-DcMille . . (Sar.Qstcr, The (86) Sullivsn-Belita . . Heated, Th. . Bi?lita-Fostcr . . . II Happened on Fifth Avenio (115) Storm-DtFore panhandle Came-on Downs Sniart Woman Bennett-Aherne . Song of My Heart (89) 5und,trom-Lona . Details ander title: Traitc Symphony .Reissue. .12-27. . .4706. . .12-8 .11-24 .9-15. . .1-31. 3-31. .10-11. 9-29. . .1-10. . .5-26. .10-18. . . .3-3. .11-24. .9-1. . .8-18 . . . .9-15. .11-10. .9-1. . Reissue. .11-25. . .6-23. . .6-10. .11-25. . . .9-1. .11-1. . .2-7. .1-24 .3-14. . .1-3. .1-17. .12-6. .6-28. . .7-5. .3-15. .9-20. .10-5. , 3-22 12-20. .2-3. ..5-10. .12-23. . .3 31. . . .6-9. ..1-20. . Reissue. . .3-31. .6-21. .7-19. .11-8. .5-3. .5-24. ..7-5. .9-13. 5-4. .10-25. . Reissue. . . .7-7. . . .5-3. .10-4. .5-12. .9-6 .5-17. Reissue. .12-14. 4-5. . .8 19. .12-28. . . .7-22. .12-21 . . .10-29. . .6-15 7-26. 3-15. ,.12-23. . .4-12. 2-15. . Relstio. . . .6-7 . . 12-23 . .2-17. . .4-14. '. 7-23. . 10-27 . . . . .2-3 . .'■-16. .11-22. .4-19. . .3-7 . .1-31. .4709 .4701. .10-13 .4704 .4702. . .9-15 .4703. . .9-15 .4751 .4 0 .4705 . . 627 . .686 .626 12-22 .677 .3803 . .613 . .673 . . 602 . .614 . .674 .616... 3-31 ..620. . .5-1? . 622 . .624 . .671 . .672 .3803 ..622 • . .678 ..617... 5-12 . . 685 .623 . .618. . .3-12 . .612 . .6*4. . .4-23 . .681 . . 606 . .699. . .4-15 . .666 ..676 . .615. . .4-14 ..675 . .619. . .5-12 . . .2. . .7-21 . . .3.. 11-10 , . .6 . ..1...2-1) . .7. . . .4. 11-24 PARAMOUNT l»4"-4« Features 1946-47 Features Completed (27) Completed ('34) In Production (2) In Production (0) RELEASE CHART Details Affair, A . . 12-8. . .9-30. . . .3-3. . . .3-17. . .5-26. . .6-23. . .9-29. .11-10. . .5-12. .6-84. . . .8-19 .11-10. .12-23 .11-10. IN PRODUCTION Title — Running Time C.n^t Arthur-Lund 12-22 Fortign Sealed Verdict Milland-Mnrly . 1947-48 COMPLETED Adventure Island (C) (67) Calhoun-Flcming Alkerqnerque (C) Scott-Brition ... Big Clock, The Milland-O'Sulllvan Big Town After Dark (70) Reed-Brooks .... Big Town Scandal Reed-Brooks ... aHed Fury Oenning-Ryan .. Connecticut Yankee, A (T) ' tosby Fleming . Dream Girl Kutton-Carey Eoipartr Walti, Tka (T) Croiby-Foataino Goldtn Earrinos (95) Milland-Dletr.ch Harard Goddard-Carey . . , I Walk Alone (99) Lancaster-Scott DeUlli under title: Deadtoak Mr. Reckless Ejtlie-Britton Details under title: Hard To Kill My Own True Love Cou las-Calvert 7-7 Now and Forever Ladd-Reed 9-29 Details onder title: The Long Gray Line Night Has A Ttiousand Eyes Robinson-Rosjell 7-7 Paleface. The (T) Ko-e-Russdl 8-18 Ro.id To Rio (100) Crosby-Hope 1-6. Soloon Ladd-Lake 12-» Sainted Sisters Lake-Caolfleld-Fitzgerald 10-27 So Evil My Love i<;illand-Todd 5-26 .. Speed To Spare ArlnRogers 10-27.... Unconquered (T) (146) fooper GoJdard Waterfront At Midnioht Garfan Hug' es . Where There's Life (75) Hope-Has.o Whispering Smith 7) iVrlvkt-Mllland MMb iH* title UU mil Wtmtii Innili rilglit (fi7) Loweiv-Savage ... ladles' Man (91) Bracken-'Welks My Fa»«rlfi Brinitti (87) Hape-Lamsiir . Perfett Murrlafi. Tki (W1) Young-Mlxn Perils 01 Paillne (T) (96) Hytton-Land . St.>:n Wen Saved (73) Dennlpu Craln Suddenly If'i Spring (87) MacMurra>-Goddai<1 Trtiible with Weaien. The (gO> Millaiid Wrlght Tw« Uan Mm Hi* Miit (98) ... La^d-Doi'leiy Variety Girl (93) Hatclier Kell .y . . Weleome Stranger (107) Crotby.Caillleld Oalallt gndif title: Tki Blf Halrtit RE-ISSUES Jdnaif Prineeu. Tli» i84) l.-.mo-ir Mllland ,. Plalnimin, The (113) Coojiur-A.-thui . . 9-2 . * ^OlO . . . 9-2. . .8-15. . .4617. . . .8-4 10-29. . . .3 7. .4607. . .2-17 .4-29. . .4-18. 4621 . . . .3-3 6-10 . .7-25. . 4624 . . . .3-3 .10-1. . .4-25. 4610. . .3-17 . . 6-24 . . . 8-22 . . . 4625 . . . .3-3 11-26. . .2-7. .4605. . .1-20 .7-22. . . .4-4. . 460 1 . . .3-3 1-21. . .1-24 4604. .11-25 3-18. . . .7-4. .4615. 6-23 4-1. . .3-28. .4601 3-3 3 18. . .3-21 .4608. 2-17 0-11. . . 6-27 . .4615. ...'.-12 .i 1. 11 22. .4601 . .9 .£ 11-11. . .8-29. .4618 . .1-21 .3-18. ..4613. . .4-21 9-1.R5-3620. .9-1 B5-36a4. 1947-4;; Features Westerns Serials 194G-47 Features Westerns Serials Completecl CoiTipIetfd ( 5) Completed ( 2) Completed (23) Completed (18) Completed ( 4) In In In In In In Production (2) Production (0) Production (0) Production (0) Production (0) Production (0) NEW PRODUCTIONS UNTITLED Melodrn ma— Started December 26 CTst: William Wrignt, Janet Martin, William Henry, James Cardwell, Stephanie Bachelor, Thurston Hall, Wally Vernon. Director: George Blair Producer: Stephen Auer story: Expose of ciookeiliio.'js in prores.sional foiithall. MOONRISE Drama— Started December 29 Cast: Dane Clark, Gail Russell. Ethel Barrymore, Allvn Joslyn, Lillian Gis.'i, Rex Ingram. Director: Frank Borza.?rc Producer: Charles Haa.s (Charles K. Feldman Group-Marshall Grant Prod ) Slory: \ l,oy, pprseciDert by townspeople for his fatlu-.-'s crimp, turns io Inttprnrss anil crini? liiiD.spIf, RELEASE CHART COItfPI.ETED 1947-48 Title— Ru;ining Time Cast ' Details Bandits of Dark Canyon Lane Wal'er Bill and Coo (Tr.) Borton . "eirds Bold Frontiersman Lane-Waller 12-22' netails under title: Cimarron Trails California Firelirand Hale-Booth Campus Honeymoon Cianc-Wiide Dangers of The Canadian Mounted Bannon-Bein ont G-Men Ne»er Forjet ^Serial; Moore-Ame, Heart of Virginia Martin-Lowcry ""^ „;: ■.•• • V Hossey-Carroll Its A Grand Old Nag (Tr.) rg-toon Feature Rel. 12-15. No. Ret .752 . .10-13. .10-13. .10-27. . . 8-4 . . .12-22. . .11-24. .S-9. .792. .7S1. Matbtth We Ics-Nolan 7-7 12-20 761. U ? 21 I The Desert Castle-Roberts ill . I Pearce-Martin Oklahoma Badlands Lane-Coles Old Los Angelei Elliott- McLeod Barry-Evans . Hcnt-Lundiga;; Slippy MeGee Storm, The Details under title: End of tht Rainbow Thunder In The Forest Ri,iicrts-Douiia Under California Stars (Tr.) R n rs-Frap.p Wild Fr,nfl«, Til. Lane- Holt . 1946-47 — »«iln gf CeraldlM (68) Wlthers-Lyd^n •tUlie ■iid«r titit: Lonely Hiarti Clik Along the Oregon Trail (Trucolor) (64) . . .HnL-B olh tngel and the Badman, Th» (100) vvay,,e.Risie||' Oitalli indir titli: Angel and thi Ootla\ ApMhe Rest (Truioldf) (75) Rojerj-Evani Bells tl Sin Aiftl* (Tricolor) (79) Rt|ers-Evans Blackmail (67) Harshal'-Mara Ditalli ander title: Llghtnli' Strike! Twite Blaek Widow, Thi (Sirlal) Edwards-Lir.dley Calesdar Girl (SS) Ffaite-Marshall Cr ftwood (90) Brennan-Warrick Exposed (59) Mara-Scott Details •ider title: It's Mirtir Ski Sayi FakalMi Sinnne, The (71) Britton-Vallee . Fabulous Texan, The (55) Elliott-Carioll Flame. The (97) Carroll- Ralston Details under title: Ttae tuti^it Gay Ranchero. The (Tr.) Rogers-Frazee Ghett Gees WIK, The (66) Elllun-Swynne Hit Pamdi of 1947 (90) Alkrt-Meore 9-16. Hemisteadert of Paradise Valley (59) Laie-Blake lunile Girl (Serial) 6ifferd-N(»l Relsiie I'n Always Le>i« Yn (T) rilT) Meleed-Oera 8-20 •etilli m%: CMterti letii jamri Ridei Afali (Serial) Mnore-Sllrling •legolncerl Regee. Ihe '74) HOberts-Dogflas Marshal of Crippled Creek 158) Lane-Blakc Northwest Ootpwt (91) £ddy-M«(sey Detalh iDder: Bntltled On The Old Spanish Trail (Tr.) (75) Rogers-Frazee 11-10 9-29. 11-24 . . . 1-i ' .' 1 ... 10-13 9-1. 9-15 .1-15. . . .701 5-12. ..10-1.. . .751. .10-13 1-21. 11-18. . . .603 .... .4-29. . .8-30. . .2-15.. . .651. . .608. . .9-15 .2-17 9-2. 12-23. 1-6. ..2-15.. . 5-15. . . .7-24. . . .641. . .642. . . 617 . . .3-31 . . .6-9 . .8-lS .7-8. 5-26. 5-12. .6-23. .3-31. .8-4. .610. .1-31. . .9-15. . . .9-8. 12-15 ..11-9. 11-24. .1-48. . .5-8. . .4-1. .4-19. .12-2. .1-20. . . 7-8. . 11-25. . 11-25.. .3-21. 2-15.. .8-15. .6-25. .694 . .607. . .2-17 ..621.. 11-10 . .523. . .9-23 .604 . .624. .11-24 .628 .644 ..605... 4-14 .610... 5-12 .664 .6»2 .601. . .9-30 .633 .606 .667. ..9.15 . 615... 5-26 Lane-llaki 9-2. Laae-Blake 9-2. •reg«« Trail Sceiti (58) •'Ilirim Lady, Thi (67) , •ettlli ruder title, Tkt liter Unit Pretender, The (69. Dekker-Craig OeUlls under title: CAiplex Roliln Heed of Texii (71) /-Reberts 3-17. ieati-Fe Vprbltg (56) Lane-Blake 5-18. Slees City S«e (M) Aetnr-lebcrts 6-24. Jen ef 7erre (Serial) Terner-Stewart Spellers of The Herth (66) Keliy-Bootb .. S#ringtlme In The Sierras (Tr.) (75) ... Ro Gal (Trucelar) (66) E-rry Bobarts . Trail 10 Saa Anient (67) Aatry-Stewirt Triepasser. The (71) Evans-Dejglae Detalli indar title: Ike Flager W«mm Twllifiht on the Rio Grande (71) Aetry-Mwa ... Under ColoraiJo Skies (Tr.) (65) Hale-Booth . . Vliilantt! 01 Bnem Tewn (56) Lane-Blakt ... Wlntei WeadirUnd (71i Roberts-Drake Details ender title: Snow CMeralU Wyom.ng (84) Eli.otl Ral ten Web 01 Danger '58) Mara-O'Fiynn Vankei Fakir (71) Fowley-Weodbery ..5-15. ..5-i5. 3-31. .8-16. ..7-15. . . .71. .6il5 .11*13., .11 21. .1-18.. . .4-24. . .7-13. 12-23.. ...6-1. ...8-9. ...3 3. .'ii-ii. . . .8-6. \^ ..1-20. . .7-7. . .5-27. ..5-13. .11-25. .10-28. ..5-15. .1-25. ..7-3. . 4-1. .12-15 .2-15. .3-17. ...8-1. .6-10. ...4-1. ..«MS ..665. ..9-26 . .620 . .685 . .9-1^ . .661. . .7-21 .6»4...»-23 .861 .«U . ..12-9 .f»\ . .612...S-12 . .646 8-4 . .613 . .'.4-14 . .603 . . .*-23 .aC. . . .2-3 .619... 7-21 ..683 .4-23 . . 652 . . 12-22 .60. ..an . .C14...6-23 .618 8-4 .616 . .6-23 ..611... 4-28 RKO RADlQi 1947-48 Feature.s 1H4G-47 Features Completed (38) Completed (34) In Production (2) In Production (0) NEW PRODUCTIONS MR. JOSEPH YOUNG OF AFRICA Drama — Started December 16 Cast: Ben Johnson, Robert Armstrong, Regis Toomey, Terry Moore, Frank McHugh. Director: Ernest Schoedsack-Merian Cooper Producers: John Ford and Merian Cooper story: Not available. See next i.-isue. RELEASE CHART IN PRODUCTION Title— Running TiB« Cast Deta.is Rel. No. Re«. Window. The Hale-Kennedy 11-24 COMPLETED 1947-48 BLOCK NO. ONB Baeheler and The Babky-Soxer, The (94) . . .Grant-Loy 8-6 801.. Oessllre (86) Yoinj-Miichum 3-17 802.. Rinrafl (80) O'Br.en-Siezak 6-24 803.. Se«eo Key< to Baldpata (66; Terr/ White 11-25 804. Under Ike Tonta RIb (61; Holt-Lesiie 1-20 805. BLOCK NO. rVVO Dic:i Traey Meets Groesome (65) Byrd-Karioff 4-14 809. Nijh; Song (102) Andrews-Oberon 4-14 806. Det.iils ander title: Memory ef Lma Out o; the Past (97) K Uharo-Grte,- 810. 8-4. . . .11-10. . . . .9-1. . ...3-31. . . .8-18. . . . .12-22. ...5-9.. . . .1-20. . So Well Remembered (114) Scott-Miils 807. Wild Horse Mesa (60) Holt-Lesii 8-4 808. NOT DESIGNATED Arizona Ranger, The Ho'f-Les'ie Berlin Express Obe on-Ryan Fighting Father Donne O Brien-Oell Good Sam Coop r Sheridan Guiis of Wrath Holt Lesli! . I Remember Mama Donae-lieinolka if Yog Knew Sisle Caiitor-Datli . Indian Summer i'r,ox-3:thtrn Joan Brr;nian- Ferrer ...10-13.. Mai Abeul Tewn Chetaller-Derrler ..Farelfi.. Miracle of The Bells, The MseMerr y-Valli 8-4.. Mystry In Mexico Lindigan-White ...10-13.. Pearl. Tue Msrqjes-Amiendarii Foreign.. Race Street Raft-Maxweil 9-1.. Retorn of the Badman Scott-White Reeghshoe Steriing-Grahane ...7-7.. Station West PcwtH-Grter Tall, Dark S'.rangcr Yooni-Hdiden 9-1.. Details under title: Rachel Tar2an and the Mermaids Weissmoller-Joyee ...8-4.. Tyeeen (T) Wayne-Day 2-3. Under Arraona Skies Holt-Lesiie 9-1.. Velvet Touch, The Rnsscll-^enn ... War Party Fonc"a-Tempie . . Your Red Wagen O'Donnell-Granger .SPECIALS Bishop's Wife, The (109) Grant-Young 3-17 Fugitive. The (104) 'joda-OcI Rio ........1-6 Fun and Fancy Free (73) Disney Cartoon Feature 891.. Lenj Night, The (101) .'"onia-Bel Geddes ...9-16 861. Hagic Town (103) Stewart-Wyman 11-25 862.. mourning Becomes Elcctra (172) Russcll-Rcdgrave ...4 14. . .6 9 . .7-7 . .6-9 . .6-9 ..6-9 11-24 11-24 11-24 11-10 11-24 2-8 10-13 .8-18 ..7-7 Secret Life of Walter Mitty (T) (105) Song Is Born, A (T) Details ender title: That's Life .Kaye-Mayo 4-29. .Kaye-Maye 8-4. .851. 11-2-1 11-10 . .9-1 . .6-9 . .6-9 11-2! .?-21 5-12. .10-15 648. .10-27 BLOCTli NO. FOUR Beat the Bead (67) Code ef The West (57) Devil Theoibs A Ride, The (62) Farmer's Daigfeter. The '97) Details eadtr title: Katie far Cengren Trail Street f89) BLOCK NO. FIVE ■aale (C8) Bare Te Kill (92) Betaili inder title- niadllar Than the Male Lltil] Stery, A (88) VetaHi iHm title: Mastef Hlidi 1946-47 LaBfterd-Krepa . . .6-24 , 718. . .3-3 Warren-Alden . . .7-22 720. .3-31 Tierney-Leslle . . .7-8 719. ..3-3 Yoeng-Cotten . . .5-87 716. . .3-3 Seett-Jeffreys . . .8-19 717. . .3-3 Maffett-Whlti . . . . .9-16 725. 4-21 Trever-Tleraey . . .5-27 722. .4-21 Wililams-Nali . . . . .2-4 724. .4-28 12 FILM BULLETIN NfnmMt (74) TMi»l«-Mi«M« 4-1. .721. tnt tk* Hintnw 02) WtlNMllwOsyti ..10-14 723. BLOCK NO. SIX Dill TrMT"! DlJemtii (fiD) 8yr<-Christopher ...11-11 729.. ■•talli tnttr titlis IM Tfi«y n. tkt Haw DtsperiU (73) BrMlt-Ung 12-9 7Bi. . Dttalls tnitt title Fllfbt They Won't Btllm Ml (93) Young-Hay*ard 8-19 726.. Thun^ef Unitali (60) Holt-Hycr 10-28 730.. Woman on Tl>« Beiih, Tin (71) Bennett-Kyan 2-4 727.. Dttalli tltlo: •oolraMo WiM* SFSOIAUg Soit Yoan of Ov Ll»a«, Tho (172) Loy-Haroh 4-29 751.. If! A Wo« (94) DIjney Cartoon Foatoro 791 .4-2t .>-ll .5-« .3-M .i;-26 .5-26 .5-26 Slnba< Th. Sflllof (T) (ll7) Falrfcaaks-O'Kara REISSUES Bambi (70) Disney Car'oon F Gun Law (60) O'Brien-Ochman Bonier G-Man (60) O'Brien-Johnston Lawless Valley (60) O'Brirn-Sutfon Painted Desert (60) O'Br'en-Jolinstri;! .3-4. .12-9 12-23 . .8-3 11-11 .1-20 . . 2-1 . .10-3 .11-14. . 1-30 ,12-19 SCREEN GUILD 1947-48 Features 1946-47 Features Completed ( 9) Completed (24) In Frodu(itioti (0) In ProoIiceiiiaii. Ultimately the policein.^ti captures • ier, the other is Ula own {riend. RELEASE CHART IN PRODUCTION Title — Running Time Cast Details Iron Curtain. The Andrews-Tlcrney ...12-8, Lady in Ermine. The (T) Grable- Fairbanks ...11-10. Details under title: This Is tho Moment Walls of Jericho Wilde-Darnell 11-10. 1947-48 Boomerang (88) Androws-Wyatt 9-30 Brasher Doubloon, Thi (72) Mont|omery -Guild . . 7-22 Call Norfhsidc 777 Stewart-Walker .10 13 Captain From Castile (T) (140) Powers-Peteri 12-9 Cirnlval In Costa Rlea (T) (95) Haynoi-Holm 4-» Challenge, The Conway-Viacen' . . .11-24 Daisy Kenyon (99) Crawford-Andrews .7-7 Deed Water Andrews-Peters . ..10 13., Escape Harrison-Cammins ...9-16., Forever Amber (T) (140) Darnell-Wilde 11-11, Foxes of Harrow. The (118) Harrlson-O'Hara 4-28 Fury at Furnace Creek Mature-Gray 9-15. Details under title: Ballad of Furnace Crc^k Gentleman's Agreement (118) Peck-MeGuire 6-9. Ghost and Mn. Molr. The (104) Harrlson-Tlerney 12-9. Gl»e My Regards to Broadway (T) Guild-Daley 5-12. Green Grass of Wyoming (T) Cummirs-Coburn ....6-23., Homtstreteh (T) '96) Wlldo-O'Hara 7-22. Miracle on 34th Street (96) Payne-O'Han 12-9. B«talls indtr tltU: Bio Hwrt I Wonder Who's KIsjing Her Now (T) (104) Ha»or-8tevons 8-6. Kiss of Death (99) Mature-Donlevy 3-31. Lat( Goorgi Apley, Thi (98) Colman-Cummins 7-8 Let's Live Again Emery-Brooks ll-".4. Mamie (T) (94) Cralne-Toons 2-18. Moss Rose (82) Comailns-Mataro Mother Wore Tights (107) Grable-Dailey 1111. Nightmare Alley (IIH Power-Blondcll 6-9 Razor's Edge, The (14S) Power-Tlornoy 4-15. San Demetrio. London (76) Flfzflerald-Young ..Foreljn. Sitt nn P.-clty Young-O'Hara 11-10 Rel. No. Rev. . .Fo». . . .708. . .a-3 . . .Fe». . . .707. .1-17 ). . .Jan. . . .801 .12-8 ... A»r.. ..710. . .3-31 . . . Dee. . '.'.731. '. 12-8 Oct. .Oct. .733. .10-27 .729. . .9 29 .May. 11- • I .7l5...i-26 .12-10 , . 8-4 . . ..3-17 , . . ,9-1 ]2-22 . .6-10 . .7-22. .9-15. Shoekino MIsi Pilgrim, The (T) (86) . . . Grable-Havme' Snnke Pit. The deHavillaad-fienn Simme- LIg'itnlnj 'Ti Havtr-MoCallister Tend»r Years, The (SI) Brown-Hutchinson 13 Lead So!diers Conway-Wrscot* 13 Rio Madrlflni (95) Cam-y-Annahella Thunder in t';e '^illey (T) (103) Garncr-McCallistcr Rov. ander titie: Bob Son of Rattle Vou y/erc R'ea-' fo,- Me Crain-Oalley REISSUES Alexander'- Ragtime Band (lOS) Power-Faye Drums Ahi'n the Mohiwk (103) Colbert-Fonda . . . Granes of Wrsith (128) Konda-Oarncll ... How Green Was My Valley (118) Pidr-enn-O'Hara tes Miserablns (105) Marrh-Langhton Mark of Zorro (93) Power Darnell Stanley »nd Llvlnostoni (101) Trary-Creen« .... 5wr-mp Water (90* Brennan-Huston Tobacco Road (84) Tie'n y Andrews . . Western Union (95) Young-Sectt SOL WURTZEL PRODUCTIONS Arthur Take. Over Cellier-Cow.'n Backlash (66) Travlj-Roje" ... Crimson Kev (76) Tay'or-Oowling Dangerous Years. Tht (62) Halop-Todt Ha'f-Past Mi(inight Taylor-Kn'-d cn . . Inv'sihie Wall, The (73) Castle-Christine . Jewels of irandenherj (66) Travis -Choirol Roscr A-e Red 'ii7) Castle-Knnds n 6-23 Second Chance (62) T?v:or-Currie Sfriinf? loirnor (65) Kelly-Ma5<(n 5-27 Delalls ander tltlo: FlIlM T* tuUtU .Way. . . .713 . .4-2? June. . . .718. . .5-12 . Aug . . . .723. . .6 23 .Sept. . . .725. . . .9-1 . Apr. . . .712. . .2-17 .Nov. . . .646. . 10-/8 Jane. . ..717 ... 6-9 Sept . . . .724 Oct. . . .730 .10-13 . Jan . . ..701. .U-tS . Apr. . . .714 . .4-14 . Jan . . . .703. ... 1-6 .Jan. Jan. .Nov. .803. . .12-8 .702. .. .1-6 Mar . . Oct . . .Dec. Sept. Jan., . .Oct. .Jan. . .Serf . . Dec . .Jane. ,709 .741 .745 .727 ,704 .740 .705 .728 .744 .719 ,12-22, .9-30. . 3-51 .Mar .July. ,711. .722. ll-'^4 . . . .6-9. .Oct. M-v. .Dec. . Sent . .Feh. . .73?. . .71<^ . .734 . .726. . .708. ,12-2'. 10- 13 4-14 11- 10 . .7.2-' .9-16 1917-48 Features 194fi-47 Feattires Completed (26) Completed (34) In Production (0) In Production (0) KEY TO PBODUCEItS Small (Sml); Rogers (Bgs) ; Vanguard (Van); Crosby (Cby): Bill Boyd (BB) ; Pressburger (Psb) ; Ripley-Monter (RM^ ; Rogeaus (Bog); Stromberg (Smg); Levey (Lev); Cowan (Cow); Stone (Stn); Selxidck (Szk); Nebenzahl (Neb); Lesser (Les); I^ew-Lewin (LL) : Eagle-Lion (GFD); Cagney (Cgv): Bronston (Brn) : Cbaplin (Chn) ; Enterprise (Ent) ; Hughes digs); Comet (Com). RELEASE CHART 1947-48 ■ • COMPLETED Title— Running Time Areh tf Trlaaik Mlanfis Body and Sool (104) Cl>ristmas Eve (90) Dpad Don't Dream .... False Paradise Heaven Only Knows (97) Henry V (T) (134) Hoopy's Holiday (60) Inlriguo (90) La(I Time erse (116) March-DeHavilland Reissoe . 12-13 . . Rad Men of Missouri (71) Mcrgan-Wyman ... Reissoe. . .10-4. Each Dawn I Die (84) Cagney-Raft Relssie. . .lO-d. Jezebel (93) Davis- Fonda Reissoe. .12-13. Slight Case of Murder. A (85) Robinson R:i-soe. .12-13. 1946-47 Beait with Five Flnferj, Tho (88) Alda-Kiig 12-10 2-8.. Cheyenne (100) Morgan-Wyman 4-1... 6-14. Cry Wolf (83) Flynn-Stanwyck 5-27... 8-16. Haiiorosqge (125) Crawford-Garleld .12-24. . .1-25. . Love and Learn (83) Carson-Viekorj 9-16 5-3. Man I Love, The (96) Leplno-Alda 1-11.. Detalli ander tttio: Tko Soitonce Nora Prinllsi (111) Sheridaa-Saiith 1-21... 2-22. Poesessed (108) Crawfofd-Hellin 6-24... 7-26. DitalU onder Htio: Tko Soaret Porsoed (101) Wright- Mitchoai ...8-19 3-8. Stallion load (97) Reataa-SBllli 4-15... 4-12. That Way with Women (84) Greenitreet-Vlekers . 2-18. . . 3-29. , •otaih lid* tme: A Vary lick Mai Twe tin. Carrolii. The (100) Bogart-Stanwyek . .5 14. . .5-24. Unfaithful, The (109) Sheridan-Scott 12-9 7-5. IlEISSUES Sea Hawk, The (109) Flyno-Raln Riliioe. . .4-26. . Sea Wolf, The (87) Roklntoa-Loplao . . Ra^teo. . .4-2C. . Klni'i Row (127) SkorUaB-CoBBlaf] Reluoo. . .12-7. Wild Bill Hllkoek lldoi (72) BaMett-Cabat . . . Reltsoe. . .12-7 . . Rel. No. Rev. . .1-10. . . .713 .12-22 . .9-27. . . .703. .9 I3 . . .9-1. . . .701. ...8-4 .11-22. . -.708. .11-10 . 702... 6-1 . .715 .711. 12-22 5- 12 6- 23. . .11-1. . . .707. .10-2) .714 . .706. . .9-29 . . .7C9 . . .704 . . .705. . . . . . .710. . . . . . .712 .03. . .622. . .625. . .612. . .620. . .611.. .614.. .615.. .617.,. eit.. .621. . . .1-6 .4-28 . .7-7 . 1-6 .3-31 . .1-6 .2-1 ..6-9 . .3-3 .3-31 .2-17 .4-14 . .6-9 .618 .618 .608 609 14 FILM BULLETI^ 'VOICE OF THE TURTLE' FILM VERSION OF HIT PLAY A SHEER DELIGHT Rates • • • or better, except in action houses Warner Bros. 103 minutes Ronald Reagan, Eleanor Parker, Eve Arden, Wayne Morris, Kent Smith, John Emery, Erskine Sanford, John Holland. Directed by Irving Rapper. Here is superlative film entertainment, certain to delight all types of patronage and bring high grosses and goodwill to most theatres; the exception being action houses where comedy does not click. Performances by the popular and proficient cast are flaw- less, the story adult yet wholesome, the ro- mance poignant and appealing, the humor sparkling. It is diflflcult to single out any one member of the perfectly-balanced cast for special laurels since each is superlatively good in his or her role. And yet, perfect as are Ronald Reagan and Eleanor Parker in th^ir respective portrayals of the sergeant on furlough and the impressionable, love- fearful ingenue, one must credit Eve Arden with almost stealing the picture by her char- acterization of the rapacious actress. Irving Rapper has injected dozens of hilarious di- rectorial touches further to enhance the charm of John van Druten's script; in turn, van Druten has embellished his original play — now in its fourth year on Broadway — with several scenes of additional charm. Pro- duction quality is of high standard, recording and Sol Polito's photography are superior. EXPLOITATION: Mention its four rec- ord-breaking years on Broadvv-ay. Suggested caL<»hline: "As a play, it charmed thousands — as a picture it will delight millions!" For a novel window display, in a flat tank place 19 live miniature turtles on the back of each of which is painted one of the letters in the film's title. In vacant store windows and on telephone poles, fences, etc., place cards bear- ing individual head-photos of Reagan, Park- er and Arden captioned: "WANTED, by Ron- ald Reagan and Eleanor Parker, one Eve Arden (description) for Attempted Scene Stealing m 'The Voice of the Turtle' at the Gem Theatre Today." Jobless actress Eleanor Parker, her ro- mance with theatrical producer Kent Smith over, vows henceforth to eschew falling deep- ly in love. Next day Eleanor's gay actress- friend Eve Arden drops in to await the ar- rival of Sgt. Ronald Reagan, in town on a week-end furlough. Eve gets a phone call from Lieut. Com. Wayne Morris, just in from the Pacific, accepts his bid for dinner. When Ronald arrives, Eve tells him she must break their date as her "husband" is in town. She departs, leaving Ronald and Eleanor together. They dine at a table REVIEWS in This Issue Voice of the Turtle 15 If Winter Comes 15 A Woman's Vengeance 15 Intrigue 16 Heading for Heaven 16 Bill and Coo 16 Smart Politics 16 d'hote next door. Later Ronald, unable , to get hotel accommodations, accepts Eleanor's invitation to sleep on her living room day- bed. Ronald wants terribly to see Smith's new show, so Eleanor muffles her pride and calls her former boyfriend for tickets. At the theatre, Ronald and Eleanor run into Eve and Morris. Overlooking her own du- plicity, Eve is furious at Eleanor for "steal- ing" Ronald. In the all-too-few remaining hours of his furlough, Ronald falls in love with Eleanor, despite Eve's efforts to keep him for herself. After several amusing com- plications, Eleanor retracts her vow anent falling deeply in love. As his furlough ends, Ronald and Eleanor happily toast their future in champagne. MF WINTER COMES' OLD-FASHIONED MELODRAMA HAS NAMES Rates • • • — on name value Metro- Groldwyn-Mayer 97 minutes W'alter Pidgeon, Deborah Kerr, Angela Lans- bury, Binnie Barnes, Janet Leigh, Dame May Whittj-, Rene Bay, Virginia Keilev, Reginald Owen, John Abbott, Rhys Williams, Hugh French, Dennis Hoey, Nicholas Joy. Directed by Victor Saville. "If Winter Comes," the A. S. M. Hutchin- son story was a honey of a film melodrama back in the silent days of 1923, but the 1947 version seems like a composite of all the women's magazine stories and radio soap operas that have cloyed the years between. What with such names as Walter Pidgeon, Deborah Kerr and Angela Lansbury, plus a rewrite job that has broiight the period up to World War II, the mushv melodramatlcs will exert a draw on the distaff side that Should make for better than average grosses in all situations. Victor Saville'a direction is undisthiguished and slow-paced, with a few exceptions, and it is only in the time- honored situations of the poor little preg- nant girl, daughter of a despotic father; the fuiile love of two people each married to another; the viciousness of small-town gos- sip, and such that make this film palatable fov the housewife whose other love is the radio serial. The acting, too, is routine, and often overly muggy. PidgeOn will satisfy as the good man who receives the brunt of poisoned tongues and a jealous wife, Imt Deborah Kerr again fails to live up to the promise she showed in her British efforts. Angela Lansbury is quite disagreeably veno- mous in the role of the disturbed wife. Best of the prmcipals is Janet Leigh, who man- ages to convey a poignancy to the role of the wronged lass that shines through its triteness. EXPLOITATION: The Hutchinson novel, which was a best seller in its day and has remained popular through the years, is a selling point. The Pidgeon-Kerr names are the ones to sell, particularly the pairing of the tvro for the first time. The various melo- dramatic themes can be capitalized for stir- ring catch-lines. Walter Pidgeon, popular writer in an Eng- lish village, is placidly married to Angela Lansbury until the return to the town of Deborah Kerr, his former sweetheart who had im.pulsively married wealthy young Hugh French. Lansbury makes Pidgeon see Kerr to make sure he is cured of his former romance, but the two realize they are still in love. Nevertheless, they agree to be faith- ful to their respective spouse. When Pidgeon befriends young Janet Leigh, who has been thrown out of her father's house when he learns she is to have a balby, Lanstoury im- plies Pidgeon is the father and divorces him. Despite gossip, Pidgeon keeps the girl in his house until he can find a home for her. The distraught girl commits suicide and a coron- er's inquest sees Pidgeon vilified by the townspeople. Kerr comes to his aid as he suffers a heart attack and nurses him through the critical period. With the death of her husband in the war, they are free to marry. •A WOMAN'S VENGEANCE' PSYCHIATRY DRAMA IS EXPLOITABLE • • • — generally, if exploited Universal-International 96 minutes Charles Boyer, Ann Blj-th, Jessica Tandy, Sir Cedric Hardwicke, Mildred Natwick, Cecil Humphreys, Hugh French, Rachel Kempson, Valerie Cardew, Carl Harbord, John Williams, I,eland Hodgson. Directed by Zoltan Korda. Some daring dialog dealing with a teen- ager's pre-marital pregnancy and a sex- starved spinster's frustration give "A Woman's Vengeance" strong exploitation angles which alert sho^^■Tnen will capitalize. However, audiences generally will find this character study of a psychiatric murderess too pedestrian and lacking in surprise or suspense for their liking. Where it is sold heavily, grosses will be good, but word-of- mouth will cut into returns. The film, adapted by Aldous Huxley from his story, "The Gioconda Smile," will fare best in metropolitan areas. Charles Boyer is un- convincing as a middle-aged philanderer. and Ann Blyth has little to do as his se- duced victim. Best performances are those of Sir Cedric Hardwicke, cast as an under- standing physician, and Jessica Tandy, in the role of a vengeful neurotic. What few plot twists Huxley's script contains are tele- graphed far in advance, robbing the story of much of its potential suspense. Zoltan Kor- da's direction is slow-paced; production quality superior photography; excellent sound and recording above par. EXPLOITATION: Play this film up as a daring, adult picture that does not hesitate to deal in a forthright manner with sub- jects hitherto considered taboo on the screen. Stress Boyer's appearance in a new type of role, that of a murderer-suspect. Herald the return to the screen of talented Broadway star Jessica Tandy, in one of the finest characterizations of her eminent career. Wealthy Charles Boyer, incompatible for 18 years with his invalid wife, is overheard heatedly quarreling with her by nurse Mil- dred Natwick. That evening, , during Boyer's absence, his wife dies of a heart at- tack. Soon afterward, neighboring spinster Jessica Tandy confesses she has loved Boyer for years, expresses a willingness to become the second Mrs. Boyer. To her dismav she learns Boyer has already wed 18-year-oid Ann Blyth, made pregnant bv him before his wife's death. Supplied by Nurse Mildred with evidence incriminating Boyer, Jessica goes to the police, has them exhume the corpse. The ensuing autopsy reveals the dead woman's heart attack had been brought on by poison purchased by Boyer. Tried and convicted, Boyer is visited in the death cell by Jessica, who taunts him. Sud- denly realizing Jessica has killed his wife in order to wed him, he begs the police to seize her. His outburst ignored as a con- demned man's ravings, Boyer resigns him- self to his fate. Meanwhile, however, un- derstanding Dr. Sir Cedric Hardwicke sus- pects Jessica's acute insomnia is the result of some secret guilt. At the eleventh hour he tricks her into a confession, phones the prison in time to halt Boyer's execution. J A IV U ART 5;, 1 9.4,8 :: 15 'INTRIGUE' DULL, SLOW-MOVING RAFT VEHICLE Rates • • 4 where Raft has following; less elsewhere United Artists 90 minutes George Raft, June Havoc, Helena Carter, Tom TuIIy, Marvin Miller, Dan Seymour, Phillip Ahn, Jay C. Flippin, Marc Krah, Charles Lane, Edna Holland, Michael VisarofI, Peter Chong, Maria San Marco. Directed by Edwin L. Morin. This is a poor vehicle for George Raft. Weak in story, direction and cast, "Intrigue" will prove disappointing to Raft fans and a very dull hour and a half to others. It will get by in those action houses where the star has a faithful following, but elsewhere it will need strong support. Raft and June Havoc go through their performances like robots. Characterizations are, for the most part, broad to the point of caricatures, due in part to the stereotyped dialog of Barry Trivers and George Slavin, as well as to the listless direction of Edwin L. Marin whose handling of mobs in the climactic scenes is extremely inept. The picture is well mounted, particularly as regards set- ting, crowds and Miss Havoc's sumptuous wardrobes. Photography, camera effects, re- cording and music are all good. EXPLOITATION: Play up the topical black market angle, the popularity of George Raft and the gorgeous gowns worn by June Havoc, currently featured in "Gentleman's Agreement." Enlist the support of press, clergy, city officials, housewives' leagues and others interested in eliminating black mar- kets locally. Catchline: "See George Raft Break Shanghai's; Black Market!" Have In- quiring Reporter ask: "How Would You Break Up Black Markets?" Court-martialed and dishonorably dis- charged when smuggled dope was found in the bomber he and his crew had flown, George Raft now pilots planeloads of black market goods into Shanghai. Dissatisfied with his pay and refused an increase, he highjacks a truckload ot food he has flown in, is made a partner of the gang's chief, June Havoc. Through pretty Red Cross worker, Helena Carter, he learns of the haidship and starvation his black mar- keteering have brought to helpless women and children. His newspaper pal, Tom Tully, is killed at June's order because his forth- coming expose threatens the gang's opera- tion. Enraged by his friend's murder. Raft opens the gang's warehouse doors to the starving Chinese, forces June to write a confession clearing him and his bomber crew of complicity in the wartime narcotic smuggling. June's accomplice, Marvin Mil- ler, enters as Raft pockets the confession. Raft manages to disarm and overpower Mil- ler, aids the police to round up the gang. At end, he and Helena wed. 'HEADING FOR HEAVEN' SEER-EXPOSE KIDS THE SHEETS OFF SPOOKS Rates • • as supporting dualler for nab Eagle Lion 71 minutes Stuart Erwin, Glenda Farrell, Russ Vincent, Irene Ryan, Milbum Stone, George O'Han- lon, Janice Wilson, Ralph Hodges, Dick Elliot, Charier. Williams, Selmer Jackson, Harry Tyler, Ben Welden, Betty West, Jack Del Rio. Directed by Lewis D. Collins. Although weak in marquee names, "Head- ing for Heaven" should prove a satisfactory second feature in naborhood theatres. Full of good clean fun, most of it aimed at spurious seances, this program comedy will prove diverting to all audiences, regardless of age. Stuart Erwin, ably supported by orhood houses Glenda Farrell and a capable albeit little- known cast, supplies more than his share of laughs. Adapted from a play by Charles Webb and Daniel Brown, Lewis D. Collins and Oscar Mugge's script gives Director Collins ample opportunity to get the most out of many amusing situations. Produc- tion quality is fair. Small town realtor Stuart Erwin's wife Glenda Farrell and daughter Janice Wilson think him lacking in business acumen be- cause he refuses to sell his long-idle sub- division. Determined to use the land as a model-homes project, he turns down offers to convert the property into a golf course, a cemetery and a town dump. He even de- clines a bid of $125,000 from Charles Wil- liams and Milburn Stone of NTA, eager to use the property for an airport. To protect 'BILL AND COO' CLEVER ALL-BIRD TRUCOLOR NOVELTY Rates • • + as supporting dualler generally Republic 61 iTiinutes George Burton's Love Birds, Curly Twi- ford's Kimmy the Crow, George Burton, Ken Murray, Elizabeth Walters. Directed by Dean Riesner. Here is one of the cleverest and most in- genious novelty features ever made — an all- bird comedy. Save for a momentary ap- pearance in the prologue of Producer Ken Murray, George Burton and Elizabeth Wal- ters, the cast is 99 percent feathered, the odd percent furred. Burton's amazingly trained paraqueets — their costumes, props and settings scaled properly to miniature size — will divert even the most hard-boiled of audiences for almost the entire hour of running time. With a modicum of show- manship, "Bill and Coo" ought to register commendable grosses as a dualler in any house in the land. Made with considerable skill, this superlatively entertaining feature contains more imagination and laughs than, say, any cartoon or puppet feature or short seen in years. It is unqualifiedly recom- mended. EXPLOITATION: Play up the novelty of this film — a full-length feature with a cast comprising 273 extremely well-trained birds, plus a few animals. In West Coast situations, make mention of the fact the pic- ture is based oil an idea from Ken Mur- ray's "Blackouts," a popular revue that has been running for years. Window and counter tieups with pet shops, milliners, furrrers, feed stores, music dealers, wash- ing-machine salesrooms and novelty shops are indicated. Let patrons know the entire "SMART POLITICS' FAIR TEEN-AGERS MUSICAL Rates • • as supporting dualler in fann Monogram 65 minutes Freddie Stewart, June Preisser, Frankie Darro, Warren Mills, Noel Neill, Donald MacBride, Martha Davis, Butch Stone, Don Ripps, Candy Candldo, Harry Tyler, George Fields, Dick Paxton, Tommy Mack, Billy Snyder, Cappy Bara Harmonica Boys, Gene Krupa and His Orchestra. Directed by Will Jason. Handicapped by indifferent direction and hackneyed writing, the familiar Teen-Agers cast, abetted by several good numbers, man- ily spots ages to make this juvenile musical fair en- tertainment for adolescents. It will serve best where coupled with a good melodrama. The presence of Gene Krupa and His Or- chestra gives this a bit of marquee value. Of the five songs, best is "Household Blues," sung by Martha Davis. Production quality is poor, photography and recording satisfactory. EXPLOITATION: Feature Krupa and His Orchestra; Martha Davis' blues singing, and the playing of Cappy Barra's Harmonica Boys. Stress the film's topical angle— how to stamp out juvenile delinquency and at the same time erect a fitting memorial to the war dead. hit; own land. Erwin goes into debt and buys the adjoining property. To assure his family's future, he tries to insure his life for $50,000 through his lazy brother-in-law, George O'Hanlon. Following his medical examination, he mistakenly thinks he has but a month to live. Frantic at the thought o£ leaving his family destitute, he resolves to sell the land at any price. Phoney swami Russell Vincent plots with rival realtor Dick Elliott to trick Erwin. The latter, hav- ing gotten drunk and hit the road with some hoboes, is thought to be dead. At a seance, Vincent persuades Glenda to turn over the title deed to Elliot, but Erwin ar- rives in time to replace his supposed ghost, save the property and show up the swami and his realtor-accomplice as crooks. village of "Chirpendale" was assembled on a table fifteen feet wide and thirty feet long, and contains a hotel, school, theatre, park, garage, church, circus grounds, street- car, taxis and flrehouse. Taxi-driver Bill, a poor but honest para- queet, loves Coo, daughter of the rich pro- prietor of a hotel in the all-bird town of Chirpendale. The town is thrown into a panic when Joe, a malevolent and para- queet-hating crow, appears and .sets fire to the hotel. Bill leads the firefighters to the, blazing inn and rescues Coo spectacularly from the top floor. Next day, while all Chir- pendale's denizens arc regaling themselves at the circus, Joe makes a subsequent sortie on the town. Bill saves the day by tricking the crow into chasing him into a trap. His heroism rewarded with a purse of 500 ber- ries. Bill weds Coo in a public ceremony amidst the cheers of their fellow townsbirds. Fleeing from the police, Frankie Darro and his gang take refuge at a dance and show being held by Freddie Stewart and his fellow under-grads to obtain funds for their junior college's memorial fund for the town's war dead. The cops arrive but Darro and his gang escape detection by appearing on the program as entertainers. Later, Stewart and his committee ask Mayor Donald MacBride to let them have an old ware- house as a youth center. MacBride, how- ever, plans to buy the property secretly for his own profit. Complications ensue, but at the end the Mayor turns over the warehouse to the youngsters in time for them to pre- sent their big show. 16 FILM BULLETIN Charles Patlie is shown in Lausanne, Switzerland, reading congratulatory wires on tlie 50th anni- versary of IJis foundine of Patlie Industrie-. Joseph H. S-idelnian (right). Vniversal-Interna- tional v.l>. in cliarge of fireign operations, r,'- feives tlie decoration of (lievalier of tlie Order of the Legion "f Honor of Kranc ■ from I r-nch Consul General Ludovic Chancel. sp.^ ros I*. Skiiuras (left), JOth-Fox prexy, receives the Parents Magazine Medal for "(ienfleman's Agreement," outstanding faniil>' andienre film for .lanuar.v. HIS DIGfST {Continued from Page 6) pectations," in the balloting conducted by 16 New York newspaper critics at their thir- teenth annual conclave last week. Bests in acting and direction went to William Powell for Warner Bros. "Life With Father" and U-I's "The Senator Was Indiscreet," and to Ella Kazan for "Gentleman's >^greement." Best actress was Deborah Kerr, British actress pacted by M-Ci-M, for two English-made efforts, U-I's "Black Narcissus," and Eagle-Lion's "The Adventuress." The most outstanding foreign film was the Italian-made "To Live in Peace." Among those also nominated for consideration for best picture were: "Odd Man Out" (British); "Crossfire" (RKO); "Miracle on 34th Street" (20th-Fox); "The Fugitive" (RKO-Argosy), and "Boomerang" (20th-Fox). "Gentleman's Agreement" won out on the sixth 'oallot (a simple majority of all those voting is required after the fifth ballot) by two votes over the British film. Kazan topped the other directors nominated: Edward Dmytryk ("Crossfire"), John Ford ("The Fugitive") and Carol Reed ("Odd Man Out"), winning out on the sixth ballot, eleven to three, for Dmytryk and two for Ford. Powell won out over John Garfield ("Body and Soul"), Gregory Peck ("Gentleman's Agreement" and "The Year- ling"), Robert Ryan ("Crossfire") and Bernard Miles ("Great Expectations"). Miss Kerr ran away with the best actress award on the second ballot, beating out Dorothy Ma- guire, Anne Revere and Celeste Holm (Gentleman's Agreement"), Loretta Young ("Far- mer's Daughter" \ Martita Hunt ("Great Expectations") and Kathleen Byron ("Black Narcissus"). Presentation of awards will be made Jan. 19 at a reception in New York. * * » METRO PROFIT DOWN; INVENTORY UP M-G-M's net profit for the fiscal year ended Aug. 31, 1947 showed a $7,000,000 decline after provision for taxes and all other expenses, it was revealed last week. The net for 1947 was $11,626,427, compared with $18,691,533 for the preceding year. The first quarter report for the 1948 fiscal year, for the period ended Nov. 20, came to $1,354,761. as against $3,650,967 for the similar period the year before, but considerably higher than the $722,427 net reported for the last quarter of the 1947 fiscal year. Earnings for the year are equivalent to $2.26 on 5,142,615 shares of common stock outstanding in 1947 against $3.66 per share in 1946. This includes $1,093,736 of Metro's portion of net undistributed income of partially owned companies. Earnings for the first 12 weeks of fiscal 1948 are 26c per share, compared to 72c in the first quarter of 1947. Assets for the year 1947 increased to $132,171,887 against $127,830,012 in 1946, with total current liabilities showing a proportionate decrease in 1947, with a total of $26.- 941,991 against $30,844,315. Largely responsible for the increase was the higher picture inventory, set at $81,995,730 as compared with $75,894,364 for 1946. Gross sales showed a slight drop with $183,948,900 reported for the 1947 fiscal year, compared with $188,476,317. Gross for the first quarter of '48 was estimated at $37,- 960.000 against $41,460,000 estimated for the preceding year's compeirative quarter. Most noticeable increase in expenses was in production where the amortization for the 1947 period came to $64,274,210, whereas total amortization for 1946 was $59,443,388. The company pointed out that recent economies initiated by the company in recent months should be reflected in future profit statements. « « • $11,000,000 LOAN SET BY E-L A new $11,000,000 loan to Eagle-Lion Films to be used as partial financing for the CDinpany's domestic program for 1948 has been set with the First National Bank of Boston, it was announced last fortnight by Robert W. Purcell, chairman of the board of Pathe Industries, parent company of Eagle-Lion. Taking part in the negotiations, in addition to Purcell and Serge Semenenko. senior v.p. of the First National Bank, were Arthur B. Krim, E^-L president and Robert S. Benjamin, Pathe Industries board member. Krim declared that the loan is specifically earmarked to meet the increased num- ber of big-budgeted productions planned by E-L during the year. Eight are completed and four are scheduled to start shortly, in addition to three major J. Arthur Rank Brit- ish productions set for release during the first three months this year, Krim stated. At the same time, A. W. Schwalberg, E-L v.p. and general sales manager, an- nounced the appointment of Harold S. Dunn to the newly created position of assistant general sales manager, and of Herman Beiersdorf, former Southwestern district mana- ger, to the post of Western sales manager, succeeding L. E. "Nicky" Goldhammer, resigned. COLUMBIA'S TAKE SKIDS ^ > I' - ' Xnias Party in New York an- i nn ec lint, I ngcrtield. KKO star Robert Ryan and I'hil Williams, .4MPA vice-president. Columbia Pictures Corp. net profit of $370,000 for the 13 weeks ended Sept. 27, 1947, took a noticeable dip from the $965,000 reported for the comparable period in 1946, it was revealed with the issuance of the company's statement of estimated Consolidated earnings. Operating profit before taxes for the 13 weeks of this year was $630,000, compared with $1,540,000 for the 1946 period. Estimated provision for taxes for the third quarter (Continued on Page 18) JANUARY 5 , 1948 17 CLASSIFIED BUSINESS STIMULATORS Comic Books Ag'ain Available as premiums, give-aways at your kiddie matinees. Large variety, latest 48- page news stand editions. Comics Premium Co., 412 F. Greenwich St., New York, N. Y. nfUJS DIG{ST (Continued from Page 17) THEATRE WANTED Will lease or buy theatre in Eastern Penna. or New Jersey. Write FB, Box 72, Film Bulletin. POSITtON WANTED Experienced theatre manager; ag- gressive showman; wants to buy and book, as well as manage. Anywhere in the East. FB Box 75, Film Bulletin. THEATRE MANAGERS AND OWNERS We thank all theatre owners and managers who cooperated with us by putting return trailers in the proper addressed containers and for wrapping ond addressing all return advertising. We can serve all theatres better if they give us a copy of their program Tuesday each week. • IMPORTANT Don't put your return film in the lobby until all your patrons have left after the last show. • HIGHWAY EXPRESS LINES. Inc. 236 N. 23rd St., Philadelphia 3 1239 Vine St., Phlla. 7 LOcust 4-0100 Member National Film Carriers DEPENDABLE DELIVERY NEW JERSEY MESSENGER SERVICE Member Nat't Film Canlara 260 N. Juniper St., PhllA. 7, Pa. LOouBt 7-482S of 1947 was $260,000; for the .same period in 1946, $575,000 was allocated for Fedeial taxes. Earnintjs per share of common stock was 46c for the 1947 period; $1.39 for the 13-week period in 1946. « « « MPEA ASKS GOV'T AID ON FOREIGN COSTS Unless they receive assurance of sufficient dollar revenue to offset actual costs of distribution, the major American film companies, as represented by the Motion Picture Export Assn., will be forced to withdraw their films from occupied countries, Irving A. Mfias, v.p. and general manager of the MPEA, notified Washington and occupied area autnorities last week. Maas reported that since, and largely because of, the 75 per cent tax imposed on American film by England, "dollar starvation throughout most of the world is having a paralyzing effect on all businesses, especially ours." He also reported that the MPEA iiad spent more than $900,000 for distribution of American pictures in Germany and Japan since the beginning of the occupation, but hadn't "taken a penny out. We have reached a point where we can't afford to put more money mto the operation." He pomted that while other American mdustries in foreign countries received Government 5issistance, "we can't even get out-of-pocket money." Maas revealed that the pro'olcm is being considered by Washington and that Government and Army officials in Japan believed the problem important and favored the MPEA's continued operation. Maas recently returned from an eight-week tour of Japan, Czechoslovakia, the Netherlands and Java. * • • NOVEMBER TAX RECEIPTS SHOWS B.O. DROP Tax collections for November, 1947, reflect a slight drop m box-oftice grosses below the same month in '46 and a sharp drop below October. 1947, according to the published figures of the Bureau of Internal Revenue. Total admission tax collections during November, 1947, were $31,091,909, compared v/ith $31,265,451 in November, 1946, a drop of $173,542. In October, 1947, collections came to $37,743,023. The collections were on admissions paid during October in motion picture theatres, legitimate theatres, sporting events and other general admission events. Average for the first nine months of '47 was $32,135,928. EXHIBITORS FORUM Theatremen's Opinions Culled From Organization Bulletins ALLIED ITO OF IOWA-NEBRASKA Recent and opposing statements made by two leading sales managers are of much interest to exhibitors. Andrew W. Smith, Jr. of 20th Century-Fox states that due to increased production costs and loss of most of the f.jreign market. American exhibitors must pay more for Fox pictures. Mr. Smith goes on to say that the exhibitor must now be satisfied with one-third of the film rental as piofit instead of one-half. Charle,-? M. Reagan of Paramount states that American exhibitors are not expected to make up the loss of the foreign market. It is clear to us that our small exhibitors wou?d starve to death on their grosses and film rentals at one-half the rental as profit. How can they exist on one-third? Fox is still demanding percentages, local checkers and all the abnoxious trimmings, while Paramount is meeting its customers' de- sires and selling flat here. Charlie Reagan's st.atement renews our faith in his fairness. The inference is clear. ITO OF OHIO Over a period of these many, many years we havr; directed some heavy barrages to-- ward the tactics indulged in by some of the film distributing companies. In fact, on sev- eral occasions we thought some of our lang- guage verged upon the libelous, but when no one sued we came to the conclusion that the sky was the limit and anything we might say could easily be proven. However, it has taken one of their very own to really tell 'em what he thinks of their business ethics. Mr. Scars, who happens to be the paid President of United Artists, is the distrib- uting executive who charges some of his bcdfellov/s with being "jackals" and "fish- wives", and has announced that he has re- tained counsel to prove what he says. According to Mr. Webster, a jackal is "one who does base work for another," and flphv/ives are "abusive women." (In our opinion, it would have been much nicer ii Grad had lef the ladies out of this attack.) We feel certain that Grad can obtain the cooperation of many exhibitors in his at- temrjt to prove some of the charges he has made against his former cohorts. ALLIED ROCKY MOUNTAIN THEATRES 20th Centurv Fox h^s announced that CAPTAIN FROM CASTILE will be with- drawn from the road show classificat''-- and released for showing at regular adm's- sion prices. It seems also that Paramount will sell UNCONQUERED for showing at regular admissions after completing a few road show engagements. Apparently the ROAD SHOW GOUGE is at an end— thanks to the thousands ot independent exhibitors who refused to be- come a party to a scheme in which the pro- doicers and distributors were the principal beneficiaries. 18 PILM BULLBTIIf What the Newspaper Critics Say About Neiu F^^n^ N. Y. Critics Fall for 'The Bishops Wife' If a majority of the movie critics for New York newspapers have their way, Mr. Samuel Goldwyn will cop his second straight Academy Award with "The Bishop's Wife." Eileen Creelman, of the Sun, came right out and called it "the year's only outstanding: candidate" for filmdom's precious "oscar." "The Bishop's Wife," which is being released by RKO, was accorded one of Bosley Crowther's (Times) few raves for 1947. This hardboiled gent termed it no less than "superb," a picture that "comes very close to being the most enchanting picture of the year." Crowther was warm in his praise of the script by Robert Sherwood and Leonardo Bercovici and the direction by Henry Koster. Gary Grant's performance as the angel he found "one of his, most fluent and beguiling." In the Journal American, Rose Pelswick found the film a "heart- warming piece that sheds a warm glow over its audience." She applauded the "top flight cast," Koster's "eloquent dh-ection," Sherwood and Bercovici's "adroit scripting" and producer Gold- wyn s "film-making know-how.' "Wonderful fun for anyone with an imagination geared to this kind of make-believe" is the way The Post's Archer Winsten feels aibout "The Bishop's Wife," which he calls a "butterfly of ente rtaiiunent. " Somewhat less enthusiastic were Howard Bai'nes of the Her- ald Tribune and Cecelia Ager of PM. Barnes termed it "a de- lightful story idea" and "entertaining," but lacking in cohesion and credulity. Miss Ager's opinion: "A palpably rich dish, slightly spicy, more than a little gooey, not always too smoothly blended. Yet, being concocted with professional and instinctive showman- ship, it is at least, easy to digest. It was mads far mass ?.pp?ui, and hits it." Alton Cook, World-Telegram, complains a bit about some embarrassing sweetness, but found it "a gentle, s'ncere and moving film most of its length," It scores a "bull's eye" in catching the Christmas spirit, he says. •IT HAD TO BE YOU* COLUMBIA "parely funny, shenanigans. . .Timely at a season in which audi- ences are going hungry for motion picture hilarity; but this one contains only j'ust enough comedy for a between-meal snack." — GUERNSEY, N. Y. HERALD TRIBUNE. "■plain asinine. . .Ginger Hogers has played mad dames before but never such a sap'nead as she is asked to flutter through in this fit. . .Sorely afflicted parents of Miss Rogers are Percy Waram and Spring Byington, whose bewilderment may be over their progeny, but we suspect it is over how they got trapped in this film."- -CROWTHER, N. Y. TIMES. "Otory meets neither standards of reality nor those of wit or ^ imagination. There is such a thing as being too inoffensive for words. No one need object to 'It Had to Be You' but the customers."— WINSTEN, N. Y. POST. "Pilm reminds us inescapably that we are looking at nothing made out of nothing. There is no fun... There is no real style, no real wit to 'It Had to Be You.' There is only a clumsy, aggressive reaching in their direction." — PECK, PM. "A few more like this and Ginger Rogers will be finished as a screen actress... It is impossible to forgive her or anyone connected with 'It Had to Be You' for one of the poorest movies of the year."— LEE, PHILADELPHIA EVENING BULLETIN. "^hrill and silly farce involves the stars in some unbecoming, furiously unfunny antics ..Miss Rogers' grimaces, squenky reading of looney lines and jittery gestures are enough to drive her most loyal admirers to a nervous breakdown." — MARTIN, PHILADELPHIA INQUIRER. 'CAPTAIN FROM CASTILE' TWENTIETH CENTURY-FOX -"^J^either good history nor top adventure-romance. . .Although it does have some fast cape-slinging, sword-drawing and chases ■on horse and foot, plus a share of love-making al fresco, it lacks direction and suspense ..Indifferent, too, are the performances." — CROWTHER, N. Y. TIMES. ""Oig gaud of unstinting and conscientious Technicolor historical reproduction .. .The sight and thought of what went into it ...is staggering. The story unfortunately is not." — AGER, PM. "T ikely to be popular. It has all the ingredients, a lavish hand with costumes and settings, Tyrone Power and plenty of iiwordplay, and Technicolor splashed brightly all over the screen ...Just a great, big, handsome show." — CREELMAN, N. Y. SUN. "I" avish spectacle in Technicolor, a large scale, visually effective pageant ..Contains such a vast amount of detail that the story generally resolves itself into a series of tableaux. But they're colorful tableaux." — PELSWICK, N. Y. JOURNAL- AMERICAN. •THE VOICE OF THE TURTLE' WARNER BROTHERS "Tn many ways much more satisfying than the John van Drute-i comedy. . .Reassurance that there is nothing wrong with the boy-meets-girl formula that a deft presentation can not overcome ...A very pleasant entertainment." — PRYOR, N. Y. TIMES. "TTime and Hollywood have not been kind to 'The Voice of the Turtle'. . .There are still several good, sensitive scenes... but the im;Dortant, the romance ..is not given its full worth in the film... Nice little tale with a happy ending."— PECK, PM. ' 'TJlot is slight, the dialogue amusing ..Acts out only to be entei- taining. It succeeds nicely."— ^TREELliIAN, N. Y. SUN. John van Druten's play... has begat a reasonably charming movie The well of original charm was so fu"l as to be able to withstand the moderate depletion it suffers here." — MAY- NARD, N. Y. JOURNAL- AMERICAN. "Situation without much motion was pretty tough to turn into ^ material for a lively motion picture. One of the most suc- cessful plays that ever happened but in movie form, all its most insubstantial qualities seem to stand out." — COOK, N. Y. WORLD- TELEGRAM. "Repetitious bore of three nights of futility ... Director Irving Rapper deserves a nod for making the most of a weak play. " — PIHODNA, N. Y. HERALD TRIBUNE. 'HIGH WALL' M E T R O- G OLD W YN-MA YER "As straight movie melodrama, employing modern psycho- therapy, "High Wall' is a likely lot of terrors, morbid and socially cynical."— CROWTHER, N. Y. TIMES. "'T'be best picture Robert Taylor's had the great good fortune to work in, as well as the best written, best directed, best pro- duced and most interesting picture to come out of Metro in years ...It is a suspense story, it pretends to be no more . . . Acliieves a rare credibility."— AGER, PM. "nphis is stuff for lively melodrama. 'High Wall' is just that. . . ^ Slides along smoothly."— CREELMAN, N. Y. SUN. "Ooutine psychological mystery . .Undistinguished but fast and flashy whodunit."— GUERNSEY, N. Y. HERALD TRIBUNE. "Tl^ovies about men w'no commit atrocities while demented have been a drug on the market lately except when thev are as good as this one... Robert Taylor and Audrey Totter have top- notch mystery story behavior to their credit." — COOK, N. Y. WORLD-TELEGRAM. 'THE FUGITIVE' RKO-RADIO Strange and haunting ..A true companion piece to 'The In- former'. . .One of the best films of the year."— CROWTHER, N. Y. TIMES. "■y Tisually, 'The Fugitive' is a slow kaleidescope of primitive ^ beauty, turned by an artist's hand ..My appreciation of its pictorial beauty was constantly at war with my indignation at its story's dangerous half-truths, at its irresponsible distortions of fact."-AGER, PM. "par from the cops-and-robbers melodrama .. .Poem told with ' cameras ... Moves slowly. . .Each scene has a rare visual beauty. . There is little talk. Unfortunately, there is also little action... The theme is strong, the photography superb. The film, for all that, is often dull."— CREELMAN, N. Y. SUN. "/^ne of the most artistic pictures to come out of Hollywood... ^-"^ Series of beautiful camera effects ..Sombre narrative of re- ligious persecution."— PELSWICK, N. Y. JOURNAL-AMERICAN. "Qomber and unrelenting account of religious persecution ... In many respects it is reminiscent of 'The Informer' ..Build.s with tremendous melodramatic power. . .Direction is savage and sensitive . Photography is exquisite." — BARNES, N. Y. HEJRALD TRIBUNE. JANUARY 5, 1948 19 EUIEIU Off THE ISSUE JANUARY 5. 1948 'IT HAD TO BE YOU' TAKES PRIZE FOR ASININITY Rates • • generally on names only; more in first runs Columbia 98 minutes Ginger Rogers, Cornel Wilde, Percy Waram, Spring Byington, Ron Randall, Thurston Hall, Charles Evans, William Bevan, Frank Orth, Harry Hays Morgan, Douglas Wood, Mary Forbes. Directed by Don Hartman For sheer asininity, this Columbia picture takes the cake. Possibly the names of Ginger Rogers and Cornel Wilde will carry it through to fairly good grosses in first runs, but when the unfavorable word-of-mouth takes effect, re- turns in the sub-runs will skid to below average. Exhibitors operating action houses had better avoid it altogether, while family houses should keep the run to a minimum. Don Hartman, who produced, directed and had a hand in the script with Allen Boretz, no doubt had a funny idea in his mind, but how it turned out on film is something to behold! Ginger Rogers works herself into a lather trying to be funny as a rich girl who jilts three suitors at the altar because her subconscious keeps reminding her of an Indian in her dreams. The injun turns up in the person of Cornel Wilde (he kissed her in an Indian suit when she was six) , and a more energeti- cally unfunny role was never created. Lots of "It Had To Be You" is embarrassing, it's so lame. EXPLOITATION: Feature the two stars and ballyhoo the hectic comedy antics of the story. Ask the girls: "Do You Have A Secret Man In Your Dreams?" Unable to say "I do" at the altar, Ginger Rogers walks out on three potential husbands. Pending her try with a fourth, Don Randall, her parents. Spring Byington and Percy Warram, send her to the country to make her decision. En- route, she runs into Cornel Wilde, about whom she dreamt in an Indian suit, and he tells her he is the man of her dreams. He pursues her in New York, persuades her to introduce him to her family and throws everybody into confusion. Wilde then savs she is really in love with a fireman. She goes out to find him and he also turns out to be Wilde. She falls in love with the fireman, but when they quarrel. Ginger pre- pares to marry Randall. During the ceremony, Indian Wilde turns in a fire alarm and fireman Wilde appears and carries off Ginger. Follow me? "N o other distributor enters 1948 in a greater blaze of glory than CENTURY-FOX — Film Bulletin —because all of these reat attractions are in releaseA^O^/ GENTLEMAN'S AGREEMENT 9th WEEK, MAYFAIR, NEW YORK 10th WEEK, APOLLO, CHICAGO ;aptain from CASTILE Color by TECHNICOLOR DAISY KENYON FOREVER AMBER Color by TECHNICOLOR The A/o.st Acclaimed Picture In Screen flistory ! Darryl F. Zanuck presents GREGORY PECK, DOROTHY McGUIRE, JOHN GARFIELD in Laura Z. Hobson's "GENTLEMAN'S AGREEMENT" with Celeste Holm, Anne Revere, June Havoc, Albert Dekker, Jane Wyott, Dean Stockwell, Sam Joffe • Produced by DARRYL F. ZANUCK Screen Play by MOSS HART . Directed by ELIA KAZAN Now Setting Records Throughout The JLana I Darryl F. Zanuck presents "CAPTAIN FROM CASTILE" . Color by TECHNICOLOR . Starring TYRONE POWER with JEAN PETERS, CESAR ROMERO, JOHN SUTTON, LEE J. COBB, Antonio Moreno, Thomas Gomez, Alan Mowbray, Barbara Lawrence, George Zucco, Roy Roberts, Marc Lawrence • Directed by HENRY KING • Produced by LAMAR TROTTI . Screen Ploy by Lamar Trotti • From the Novel by Samuel Sheilaborger The W- AnJ-Man Picti r Oman J-i.na-i^lan ficture Of The Year JOAN CRAWFORD, DANA ANDREWS, HENRY FONDA in "DAISY KENYON" with Ruth Warrick, Martha Stewart, Peggy Ann Garner, Connie Marshall, Nicholas Joy, Art Baker Produced and Directed by OTTO PREMINGER • Screen Play by David Hertz . Based on the Novel by Elizabeth Janeway Motion Picture Herald Boxoffice Champion / Darryl F. Zanuck presents "FOREVER AMBES" • Color by TECHNICOLOR • Starring LINDA DARNELL, CORNEL WILDE, RICHARD GREENE, GEORGE SANDERS as King Charles II with Glenn Langan, Richard Haydn, Jessica Tandy, Anne Revere, John Russell • Directed by OTTO PREMINGER • Produced by WILLIAM PERLBERG • From the Novel by Kathleen Winsor • Screen Play by Philip Dunne and Ring Lardner, Jr. • Adaptation by Jerome Cady iUHHP CALL ORTHSIDE 777 YOU WERE MEANT FOR ME AN IDEAL HUSBAND Color by TECHNICOLOR It Heats ^^ith /4 Pulse That Becomes Your Very Own! JAMES STEWART in "CALL NORTHSIDE 777" with RICHARD CONTE, LEE J. COBB, HELEN WALKER and Betty Garde, Kasia Orzazewski, Joanne de Bergh, Howard Smith, Moroni Olsen, John Mclntire, Paul Harvey . Directed by HENRY HATHAWAY . Produced by OHO LANG Screen Play by Jerome Cady and Jay Dratler • Adaptation by Leonard Hoffman and Quentin Reynolds • Based on Articles by James P. McGuire The Love, Son^s. Laughter Of That Wonderful Flapper -A^e/ JEANNE CRAIN, DAN DAILEY in "YOU WERE MEANT FOR ME" with OSCAR LEVANT, BARBARA LAWRENCE, Selena Royle, Percy Kilbride, Herbert Anderson • Directed by LLOYD BACON . Produced by FRED KOHLMAR • Original Screen Play by Elick Moll and Valentine Daviet From /Alexander Korda ! PAULETT3 GODDAI^D in Alexander Korda s Production of Oscar WILDE'S "AN IDEAl HUSBAND" • Color by TECHNICOLOR with MICHAEL WILDING, DIANA WYNYARD Glynis Johns, Constance Collier, Sir Aubrey Smith, Hugh Williams • Produced and Directed by ALEXANDER KORDA • Screen Play by Lajos Biro • From the Play by Oscar Wilde LOOK at these reviews . . . e re\ LE UFE ^ gw'mg NEW greatness to the Screen in A DOUBLE LIFE with SIGNE HASSO • EDMOND O'BRIEN SHELLEY WINTERS • RAY COLLINS • PHILIP LOEB Written by RUTH GORDON and GARSON KANIN Directed by GEORGE CUKOR • Produced by MICHAEL KANIN A Universal-International Release THREE GOOD NAMES CAN BE SOLD TO ANY AUDIENCE! — Film Daily "ENGROSSING TALE OF PSYCHOLOGICAL MURDER! — Motion Picture Dai/) ' IMAGINATIVE MURDER STORY ...LUKAS EXCELLENT! ^Showmen's Trade Revievt Km m fOIIOIllflL Vol. 16, No. 2 January 19, 1948 Page Seven THINK IT OVER Ouch! The ladder of life is full of splinters, but they always prick the hardest uhen iie're sliding down. — William L. Brownell. ECONOMY -MOVIE STYLE Our industry is great in many ways — and quite awful in others. We wonder what two film salesmen think about it today. Last Monday they returned from their allotted vacations to find notices of dismissal awaiting them in the New York exchange of the major company that employed them. Of course, they had no reason to expect security iii their jobs, being rather new employees. You see, one had been with the company only thirty- three (33 ) years and the other a mere thirty-two I 32 I . The reason for the lay-offs? Economy. This company is tottering on the brink of collapse. Its recently publish- ed financial report for last year showed it barely in the black, thank heaven, by little better than twenty (20) million dollars — after taxes. Almost forty (40) millions before Uncle Sam's share. Therefore, the heads of this company are worried. English tax, you know. And the boxoffice reports in the good old U.S.A. aren't as bright as they were during those wonderful war years when all you needed to sell something was to have something — anything. Yes, they're worried about what the future has in store for them. There is a possibility that "48 will show no more than ten (10) or twelve (12) million net, perish forbid! It is evident, then, that economv to offset the British loss is necesrary. But where to cut? That is the question. The orders are issued: lay off salesmen. But, Sir, these are American salesmen, selling to American exhibitors, and American theatres are our very best (almost our only) accounts now. Wouldn't it he better policy to employ maximum sales and exploitation manpower in this country as the means of compensating for the British loss? And, Sir, our product hasn't been very good of late, despite enormous expenditures at the studio. Shouldn't the necessary economies be made in the production branch, w^here for so long stupidity and wanton extravagance have been scandalous? What did vou sav, Sir? Cut! But watch vour throat, Sir. MO WAX. BULLETIN An Independent Motion Ficture Trade Paper pub- lished every other Monday by Film Bulletin Com- pany. Mo Wax, Editor and Publisher. BUSINESS OFFICE: Suite 622. Manufacturers Trust BIdg., 1819 Broadway, New Yorl< 23. Circle 6-9159; David A. Bader, Business Manager; Paul Perez, Editorial Representative. PUBLICATION-EDITORIAL OFFICES: 1239 Vine Street, Philadelphia 7, Pa., RIttenhouse 6-7424; Barney Stein, Managing Edi- tor; Robert Heath, Circulation Manager. HOLLY- WOOD OFFICE: 9126 Sunset Boulevard. Hollywood ^16, Calif., CRestview 5-6489; Sara Salzer, Holly- wood Representative. Subscription Rate: ONE YEAR, $3.00 in the United States; Canada, $4.00; Europe, $5.00. TWO YEARS: $5.00 in the United States; Canada, $7.50; Europe, $9.00. HAPPY BIRTHDAY! January 15th marked the first birthday of Eagle Lion Films, for it was on tliat day a year ago that this promising addition to filmdom's family let out the first howl on behalf of its first release. In the one year of its existence. Eagle Lion has grown to be a bright, alert, well-developed organization which bids fair to be giving some of the oldtimers a run for their money before long. There's nothing of the smart aleck about this outfit, for throughout If ear One its leaders have seemed to be content to lay a firm foundation for the future, developing the physical studio and its personnel, acquiring valuable properties and personalities and, generally, building a solid base for operations in the years to come. Much experience was gained, much progress was made. Now, Eagle Lion enters Year Two with more ambitious plans than its executives ever imagined could be undertaken after so brief a period of organi- zation. On a projected budget of approximately $30,000,000, a program of 55 to 60 pictures will be released this year, including westerns. Among the top releases will be such imposing features as "T-Men" (a honey!), "The Noose Hangs High (Abbott and Costello), "Adventures of Casanova" (Arturo deCor- dova), "Corkscrew Alley" (Dennis O'Keefe-Claire Trevor), "Northwest Stam- pede" (Joan Leslie-James Craig), "The Man from Texas" (James Craig-Johnnie Johnston) and four Walter Wanger productions. The progressive spirit of this company was exemplified by the recent state- ment of advertising-publicity director Max E. Youngstein, who said that his doparnient would expand its policy of sharing dollar-for-dollar with theatres above normal expenditures on cooperative advertising to exploit E-L's top features. What a note of confidence in the future and an omen of success is manifested by this forward-looking policy, particularly in the light of the apprehensive and despairing moods pei-vading some other film companies today. Congratulations are due this entire Eagle Lion organization. To Robert Young, to president Arthur B. Krim, to production chief Bryan Foy, distribution head A. W. Schwalberg, Max Youngstein and to all those others in the ranks who have worked to make Eagle Lion a prominent factor on the industry scene, we say Many Happy Returns of the Day. THE LIONS Notes from the Lion's Den Published here Now and Then. WEATHER FORECAST: Good Box-Office Weather For M-G-M Exhibitoi OUR MOTTO FOR TODAY: "We can only profit if we profit together" EDITORIAL This is Leap Year. A time for proposals. We propose that there be a re-birth of showmanship in 1948. The kind that made fibn busi- ness famovis. Lusty, two-fisted, noisy and imaginative showmanship. Let's take off the dress suits and get back into overalls. This is a business for the masses. Together we won their attention with circus methods. Let's do it again. M-G-M has a flock of strong audience attractions ready for your audiences. And oiir Studio has just announced the start of an even greater program of Big Pro- ductions. The combination of fine entertainment and sock showman- ship is unbeatable! Let's go! a, SHORT POEM M-GM's Great In '48 SHORT PARAGRAPH M-G-M Tom & Jerry Cartoons in Techni- color (Fred Quimby, Producer) tops in Boxoffice Barometer and Showmen's Trade Review Leaders polls. Pete Smith "live- action" Specialties tops in STR poll and for 5th consecutive year tops in Fame (Quigley Magazine) vote. M-G-M STARS HEADLINE TH NEWS AT NATION'S BOX-OFFICE! Good News, ''High Wall Dolphin Street," ''Timherlane Killer McCoy" Big Everywher HELP POLICE! It was "Good News" at Radio City Music Hall for everyone but the cops who had to handle the crowds stretching around the block! There is rejoicing at M-G-M box-offices. Never in the long career of Leo the Lion has he started a New Year with such an array of solid audience attrac- tions. "Good News" splashed its Technicolor joy from Radio City Music Hall across the na- tion in hundreds of theatres. Business was terrific with hold- overs all over. "Cass Timber- lane" in its first few dates re- vealed its class with top receipts and "Green Dolphin Street" continues to pack them in every- where. "Killer McCoy" a new entry is already showing champ form. And now watch "High Wall's" high grosses as it generates high-tension thrills on your screen. Happy M-G-M Year to you! SPENCER TRA LANA TURNI ROBERT TAYL MICKEY ROONEY AUDREY TOTTER VAN HEFLIN PETER LAWFORD JUNE ALLYS( First Color Newsreel Disappointing Warner Bros, experi- ment with oolor in its newsreel shots of the Tournament of Roses and the Rose Bowl game came off quite badly. The Cine- color (2-color) process was used and the fact that it showed to such poor advantage was probably due to the hurry in striking the prints. The ball game, particularly, was so hazy that much of the action could hardly be distinguished and it was hard on the eyes. While the color in the parade shots was better, it was still below par. A garish orange tone dominated all the scenes and made the black-and- white of the feature following the WB news a welcome relief to your reporter. What effect this poor beginning will have on the future of cojcr in newsreels cannot be estimated at this time. Of course, special non-urgent items not needing immediate delivery could bo done in color, but the greater time required to deliver colo- p n^s makes it appear impractical for color to be used in ne s clips. BEHAVE. LANA!...The beauteous and well-round ?d L n:. Turner in recent months has been giving the movies the kind of publicity it can well do without. Lovely Lana has been running into one amorou>« affair after another and ducking her way right out of them. Latest was the heralded romance with rich Bob Topping, Jr., who, it was announced in some quarters, was "en- gaged" to Lana without bothering about the formality of disposing of his current \*ife (Arline Judge). We hear that MGM studio boss Louis B. Mayer finally read the riot act to his star and the big Topping-Turner "en- gagement" party arrajiged in Hollj-wood was TURNER hastily cancelled ... Are we mistaken, or did the bright idea to revive that old Garbo spoof of the Kremlin, "Ninotchka," lay an egg? .. .Warners' Princess, Phila., adopts a foreign pix policy starting Feb. 11. Aiming at the city's large Italian population, the first two entries will be "Shoeshine" and "To Live in Pea^-e." First plans had the foreigners slated for the Capitol, which has operated successfully for some years with reissue and minor first^run dual bills. Realizing that that switch in policy would hit Philly independent distributors hard, since the house was one of their few first-run outlets, zone chief Ted Sch- langer deeided on the Princess. GIVEAWAY BONANZA.. .Curtis Mitchell, retiring director of advertising and publicity for Paramount, is going into the theatre premium business with what looks to us like a bonanza for the exhibitor. The new organization, of which Mitchell is treasurer, Berkshire Enterprises, Inc., has acquired the exclusive use of RCA Victor records for theatre premiums. The deal is a 12 week series, one record (a choice of four) given to each adult evening admission plus a lOo handling charge. In addition, there is a door prize of an RCA Victor record player and a grand prize at the end of the series of an RCA Victor combination player and radio. The platters cost the theatreman 23c each, he gets back 10c and Mitchell informs that kids have been paying adult ad- missions to get the premium. It's been successful in New Eng- land, where tryouts have been attempted, doubling business in many cases, says Mitchell. William T. Powell is president and originator of the idea. Board chairman is James C. Fletcher. UP AND ABOUT. . Arthur Schmidt, Colunjbia's advertising counsel in Hollywood, becomes the company's Director of Adver- tising, Publicity and Exploitation, following the resignation of Benjamin H. Serkowich. . . John Davis, J. Arthur Rank's right- hand man, has been named managing director of General Cinema Finance, Rank's recent addition to his Odeon circiut. . Arthur Silverstone, 20th-Fox London exec, steps into the Canadian Divi- sion sales managership, recently vacated by Sydney Samson. Latter will be on an indeterminate leave of absence due to illness . . Sam Geison has been appointed Universal-International column and syndicate contact for Maurice Bergman's E^astern ad-publicity dept.. . .Norris Cresswell takes over as manager of Selected Pic- tures in Kansas City and Tom McCormick as special rep. Frank Chflds, president, holds the Realart franchise for that territory . . .Charles School, M-G-M field auditor, has been upped to office manager of the company's Boston branch. GROUND SWELLS. . .National Film Service's Denver rep,. Central Shipping and Inspection Bureau, is readying a $60,000 edifice for the physical handling of films, with 12 vaults available for service Feb. 1, and 24 more planned, NFS exec v.p. William J. Clark, informs . .Astor Pictures has acquired "Li'l Abuer,'" seven-year-old former RKO release, for distribution as a special on its new schedule. Prexy R. M. ' Bob" Savini, recovered from his recent illness, is also knee-deep in planning his next Sunset Carson western and Louis Jordan all-Negro musical. Latter will be shot on the West Coast with a dude ranch background. . .Al- bert Dezel Productions gets release rights to all Masterpiece pro- duct in his midwestern territories plus a package from Stage and^ Screen Productions, Inc., which includes 11 westerns and 8 action features. PLEASE NOTICE The house organ of a local I^ew York exhibitors organization appears to be seeking to capitalize on the reputation and fame of FILM BULLETIN. 0"p of our readers mailed us a copy of a subscription blank re- ce'ved from that organization which i^s an obvious copy of the type of subscription blank i/st-d by us. Apparently the thought behind this imitation is that some exhibitors tcill believe thev are subscribing to FILM BULLETIN. Please remember that there is only one FILM BULLETIN. HERE AND THERE ... Scott R. Dunlap. executive asst. to AA-Monogram prexy Steve Broidy, temporaiily returns to pro- ducing ranks this spring to film the big- budget period musical "Sweet Molly Malone'' ..Manny Reiner planed to Sydney, Austra- lia to set up SRO sales organizations down under... Top United Artists officialdom were in the entourage accompanying Mary Pick- ford to Ottawa last Monday (12th) for the launching of United Nation.s $100,000,000 ap- peal for children. In Miss Pickford's special car arc Grad Sears, president; J. J. Unger, general sales manager; Ed Schnitzer. Eastern and Canadian sales head; Paul N. Lazarus, Jr., ad-publicity director; Ralph Cohn, Miss Pickford's co-producer, and Sam Dembow, Jr. "Sleep My Love," Miss Pickford's Triangle Productions film, made its world bow, with proceeds turned over to the Appeal, while the little lady was an honored guest of Canada's top government officials. DUNLAP THE FRONT PAGE SPYROS P. SKOURAS President, Twentieth Century-Fox Film Corp. Find a campaign in the industry that concenis itself with aid to and betterment of humanity and you will discover, more often than not. at the helm. Spyros P. Skouras. The gentleman from Athens, or more .^pecihoally. Skourharian. his Hellenic birthplace, has been among the leaders in more humanitarian crusades than seems possible for a man who is at the head of one of the indus- try's b'ggest and busiest film companies. Yet this amicable executive is usually the first to be called on — and to accept — any ass'gnment 'n tlie name of philanthropy. After an early education in Greek schools and a theological s -miliary. Skour is came to St. Louis, attended Jones Commercial College, and while working in a hotel, salted away enough to hivrst in the Olympia Theatre, which he operated with his bro- ther Charles from until 1917, when he joined the U. S. Air Korcp. .After the war. he returned to Si. Lou's, and by 1926. controlled 37 theatres in that city, and. in collaboration with Paramount Puhlix, theatres in Kansas Ci'.y and Indianapolis. He sold h's St. Louis houses to Warner Bros, and, in 1929, joined Warners as general manager of its theatre circuit. Two years later he became president of Paramount's theatre subsidiary i'.i seven states, then to Fox as head of Wesco Corp. (later to become National Theatres) with brothers Charles and George. I iider his leadership, ihe circuit expanded to 564 theatres by 1942. In that year, he was elected president of Twentieth Century- Fox and Charles took over the presidency of NT. As pres dent of the Greek War Relief Ass'n, he has been a powerhouse in organizing aid to that harried country, all during the war and in the post-war rehabilitation. He has two sons, Spyros. Jr., and Plato, and three daughters. Daphne, Diana and Dianysia. oj A N U A R'Y 19, 1948 9 TARADINE CASE:' TRIANGLE DRAMA'S GREAT CAST WILL DRAW Rates • • © generally on name strength Selzniok International 130 minult'i Gregory i'eck, Ann Todd, Charles Laughton, Charles fobiirn, Ethel Barrymore, I^ouis Joiirdan, Valli, Leo G. Carroll, Jean Tetzel. iJirected by Alfred Hit<'h(^ock• David O. Selznick's latest production, "The Paiadine Case," while not a wholly satisfy- ing' film, spells good boxoflice because of its topflight cast (including a couple of highly- pubiicized Selznick discoveries), the renown of director Hitchcock and a typically smooth, glossy DOS veneer. It has the pull and it ofrers above-average entertainment for all types of audiences. As the British barrister v.'ho becomes infatuated with the women he is defending on a murder charge, Gregory Peck again demonstrates the wide ran^'c of his talents. He excels his perform- ance in "Gentleman's Agreement," yet act- ing honors go to two imports from over- seas, British star Ann Todd and French newcomer Louis Jourdan. You'll hear much of this cliap, mark us. Valli, highly touted Italian actiess, is strikingly photogenic, but gets little opportunity to display her widely- heralded talents- Due to the restricted back- ground (almost the entire story takes place in the courtroom), producer Selznick's scieeiiplay is somewhat static and a bit overlong. Limited as he is, Alfred Hitch- cofk,, in his inimitable style, ha.s squeezed co.'isiderable suspense and movement out of the tale by his unique effects and fluid camera. Lee Garmes photography is super- ior, and recording by Richard Van Hessen and muic ,by Franz Waxman are all that could be desired. EXPLOITATION: Play up Peck and the terrific cast, including newly-arrived for- eign stars Ann Todd, Louis Jourdan and Valli, as well as Hitchcock's direction. Base library ana bookstore tieups on Robert Hi- Ciisns' best-selling novel. Arrange counter and window displays at women's dress shops, men's outfitters and liquor dealers. Go aXter the bobby-soxers — Louis Jourdan is their dish of catnip — with a letter-writing contest with ticket prizes on the subject: I'd like to r.^mance with Louis Jourdan be- cause. . . ." Family lawyer Charles Coburn pers'aades young, irrpressionable, successful barrister Gregory Peck to defend beautiful Valli, charged with poisoning her blind husband. Peck'f frequent visits to Valli in her cell evoke a confession cf her sordid pre-marital life, but she denies having killed her hus- band Peck's wife, Ann Todd, becomes in- creasingly unhappy as she sees him gradual- 'SLEEP. MY LOVE' HAS GOOD CAST. GRIPPING SUSPENSE Rates • • © generally United Artists 97 minutes Claudette Colbert, Robert Cummings, Don Ameche, Rita Johnson, George Couloiiris, Hazel Brooks, Anne Triola, Queenie Smith, Keye Luke, Fred Nsirney, Maria San Marco, Raymond Burr, Lillian Bronson, Ralph Mor- gan. Directed by Douglas Sirk. Marked by excellent production quality, convincing performances by a strong cast, an.'l a novel plot filled with tense situations, this suspense-laden melodi-ama should find favor with every type of patron in all situa- tions. Based on Leo Rostr>n's novel, the screenplay by St. Clair McKelway and Ros- ten has enabled Director Douglas Sirk to bring in a well-mounted, fast-paced, capably- acted, chiller-thriller. Co-stars Colbert, Cum- mings and Ameche, together with George Cojlouris and Hazel Brooks, all give inter- est-holding, realistic characterizations. Miss Brooks being outstanding. Costly sets, taste- ful costuming, above-average photography and .'superior recording are in evidence thioughout. KXPLOITATION: Play up the names of Colbert, Cummings and Ameche. Give, free ticket.'^. for the best 25-word letter on "Why I Consider Hazel Brooks the Screen's Greatest 'Menace'. " Catchline: "Warning! If You Go to the Blank Theatre Tonight, You Won t 'Sleep, My Love' I" Claudette Colbert is horrified to find her- self inexplicably aboard a Boston-bound train, in her purse the revolver of Don Ameche, her husband. Robert Cummings, friend of her former classmate Rita John- son, flies back with her to New York. Ob- viously concerned about Claudette's mental condition. Ameche insists she let a psychia- trist visit her. Despite her protests, George Coulouris arrives, terrifies her with his ques- tioning, then abruptly and mysteriously dis- appears. When Ameche and Dr. Ralph Mor- ly succumbing to the accused Valli's charm. Her unhappiness maants further when he defers a long-promised marriage-anniver- sary holiday to vi,<:it the distant manse in which Valli's husband met his death. There the- suspicious behavior of the dead man's valet, Louis Jourdan, convince Peck the young, good-looking servant is the murderer. At the trial Peck, harassed by the constant needling of sadistic Chief Justice Charles i-iaughton and Valli's refusal to incriminate Jourdan, charges the valet with having killed his master. Driven to desperation by Peck's grilling, Jourdan hysterically declares his innocence and accuses Valli. Ensues a sensation in the court when Valli admits poisoning her hu.sband in order to be free ■to elope with her lover, Jourdan. Laughton sentences her to hand Peck, disconsolate at 'the prospect of his ruined career, cannot face Ann, his wife, but she seeks him out and a reconciliation is effected. REVIEWS in This Issue I'aradine Case 10 Sleep, My Love 10 Secret Beyond the Door 10 Tenth Avenue Angel 11 A Double Life 11 Treasure of Sierra Madre 11 To Live in Peace II Panic 11 Re^enge 14 Return, Most Beloved 14 To Live In Peace 24 Panic 24 Revenge 'H Return, Most Beloved 21 gan .show up subsequently, both regard her frenzied account of the earlier visitor as a hallucination. Cummings, alarmed by Clau- dette's increasing fears for her sanity, does some undercover sleuthing. He finds out Coulouris is a photographer with whose mod- el. Hazel Brooks, Ameche is deeply involved. Cummings manages to prevent CTlaudette, once again secretly drugged by Ameche, from commiting suicide. In order to get rid of both his wife and Coulouris and marry Hazel, Ameche plots a double killing. The timely arrival of Cummings foils Ameche, sending him and his accomplices to their just rewards. ■SECRET BEYOND THE DOOR' EXPLOITABLE. BUT TEDIOUS PSYCHODRAMA Rates • • + as bill-topper generally Universal-International 98 Mi minutes Joan Bemiett, Michael Redgrave, Ann Re- rere, Barbara O'Neill, Natalie Schafer, Ana- bel Shaw, Rosa Rey, James Seay, Mark Den- nis. Directed by Fritz Lang. This routine psychiatric-killer character study has some good exploitation angles, but it will prove more soporific than exciting to most filmgoers. Shrewdly exploited, it will probably get fairly good in metropiltan first- runs, but its overabundance of psuedo-scien- tific dialog dealing with psychoanalysis makes it hard to sell in naborhood and ac- tion spots. Rufus King's original story and Sylvia Richards' screenplay meander aim- lessly along the trail blazed years ago by the early psychological melodramas like "Suspicion", yet do not arrive at the sus- penseful climax achieved by such forerun- ners. Joan Bennett and Michael Redgrave, aided by a capaVjle and moderately well- known supporting cast, perform creditably in their respective roles. Production quality is excellent; settings are sumptuous: Miss Bennett's' wardrobe is lavish, and Stanley Cortez' brilliant camerawork reflects and augments t'ne film's changing moods. EXPLOITATION: Play up Miss Bennett's beauty and gowns, and the renown of Fritz Lang, director of some of the screen's most suspenseful thrillers. Arrange newspaper co- op ads on the idea: "Thrill to the 'Secret Beyond the Door" at the State Theatre — Y'ou'll Find No 'Secret Beyond the Door' at Blank's Where All Prices Are Plainly Marked." Ballyhoo: Have a pretty young woman distribute cards reading: "I'm Try- ing to Discover the 'Secret Beyond the Door' Now at the State Theatre." Comely heiress Joan Bennett jilts James Seay to wed Michael Redgrave, architectural magazine editor whom she meets in Mexico. In the midst of their idyllic honeymoon, his love suddenly chilling when she plays hard to get and prankishly locks her door to him, Redgrave abruptly leaves on a pur- ported business trip. Later he relents and summons her to join him at his home out- side New York. Arriving, she learns for the first time of his former marriage. She dis- covers Redgrave apparently hates his young son Mark Dennis. Elqually disquieting is the discovery that Redgrave's hobby is col- lecting rooms wherein murders were com- mitted, one room — No. 7 — always kept locked. Determined to learn the secret be- yond the door, she effects an entry and dis- covers the room is a replica of her own — Redgrave plans to kill her! She flees in terror but, drawn back by her great love for him, returns and. in a skillful psychoanalysis born of depression, probes his mind until she unlocks the secret, even as he advances to kill her. At end, he rescues her from a fire ignited by his jealous secretary Barbara O'Neill and, no longer obsessed by hidden fears, resumes married life with a new un- derstanding. 10 FILM BULLETIN •TENTH AVENUE ANGEL' WEAK HASH OF HOKUM AND CORN Rates 9 9 as dualler generally; slightly M-G-ai 76 Minutes 3Iarg::!ret O'Brien, Angela Lansbury, George Murphy, Phyllis Thaxter, Warner Anderson, Rhys VViiliams. Directed by Roy Rowland. If Metro was as proud of its label as it once was, this little epic would never See lh2 light cf a theatre screen. Having rested on the shelf almost two years, it should have remained there and the production executive who OKed the script given the boot for wanton waste of money. "Tenth Avenue Aj.gel," believe us, is as tastele.ss a dish of leff-over corn and hokum as has been ex- hibited In some time. Exhibitors will do well to hide it behind a strong top feature. It is the handiwork of a couple of very tired screen writers and a hapless director, who appear to have carried out their assignments more in rural areas under strict instructions to avoid any sem- blance of originality, good taste or humor. The trojan efforts of little Margaret O'Brien to breathe some life into this impossible fable go for naught as the result of the ridiculous, implausible material at hand, while the labored attempts to lend the pic- ture a spiritual tone prove far more em- barrassing than inspiring. This is proof on celluloid of some of the worst things being said about Hollywood today by so many people. It simply never should have hap- pened. Margaret O'Brien is the "angel" of a rather idyllic Tenth Avenue block because she helps the blind newspaper man (Rhys Williams) on the corner. She believes that mice turn into money, that white horses are good luck omens, and that George Murphy, her aunt Angela Lansbury's fiance, has been traveling around the world while he really was serv- ing- an 18- months s:ietch for dcinj his first "job." ijjrphy comes home, but refuses to marry An^iela, bacauss he doasn't believe in iecting gills marry e::-cons. All at once, the v/orld col'apses around little Margaret. Ohe learns that mice do not turn into money, she is accused of steaing the blind mm's cash, she discovers that Murphy was up the river and (yes!) she re.uses to believe that cows kneel on Christmas Eve. When her preg- nant mother, Phvilis Thaxter, falls down the steps, she rushes out to the s.ockyards to find a cow that knesls. There, by God, she runs into Murphy, who is doing his sec- ond "job" to raise some fast crsh. He ditch- es his hi-jacking companions and jcins her in quest of that cO'.v. Lo and behold, in a boxcar a cow kneels. And, believe it or not, she gets three pairs of s'-ates for Xmas, her mother recovers, her father gets a j'b play- ini; the fiddle and Mu -phy marries Angela! 'A DOUBLE LIFE' MASTERFUL DRAMA WILL ROLL UP BIG GROSSES Rates • • • H generally Universal-International 104V2 minutes Ronald Colman. Sigme Hasso, Edmond O'- Brien, SheUey Winters, Ray Collins, Phillip Loeb, Millard Mitchell, Joe Sawyer, Charles La Torre, Whit Bissell, John Drew Colt. Directed by Creorge Cultor. Here is great entertainment, a film des- tined to be a big moneymaker in all types of theatres, save perhaps western spots. Brilliantly directed by George Cukor, a large and proficient cast headed by Ronald Colman distinguishes itself with some of the best performances seen on the screen this season. Colman's searching study of a Broadway star, absorbed in his Othello role to the point of committing murder, is his best characterization in years. Edmond O'Brien, Shelley Winters and Millard Mit- chell are outstanding in their support, as are all the other lesser members of the cast. Written by Ruth Gordon and Garson Kanin, the story builds gradually to a series of smashing climaxes, each more dynamic than its predeces.sor. This reviewer felt, however, that the cutter could have pruned some of the earlier play-within-a-play foot- age and the final overly-longed death scene. But perhaps this is quibbling about a fine film. Production quality is excellent, photog- raphy and recording all that could be de- sired. EXPLOITATION: Stress this as some- thing new in psychiatry thrillers — exciting, understandable and believable. Hail Col- man's greatest performance. Have local In- quiring Reporter ask: "What wou'd YOU do if you found you were leading 'A Double Life'?" Circularize local amateur theatrical organizations; drama and film appreciation groups; techers and classes of Shakespear- ian and modern drama. A novel space-grab- bing stunt would be to offer ticket prizes to the reporters, policemen and detectives sending in the best 100-word account of "How a Hunch Helped Me Solve a. Crime." Hold on advance screening for physicians, psychiatrists and clergymen and get their written opinions on how they'd treat a case similar to the one portrayed by Ronald Col- man in the film. Prominent Broadway star Ronald Colman and Signe Hasso, his ex-wife and leading lady, love each other deeply; the one bar- rier to their successful remarriage is he be- comes so obsessed with his roles he lets them govern his real life personality. Thus, even before their rehearsals of "Othello" start, he becomes so absorbed in his ro'.e he wanders trance-like through che Italian section of New York and becomes friendly with pretty Shelley Winters, waitress in the Venice Cafe. The play is a hit, has an ex- tended run. Unable to separate himself from the role of Othella, Colman becomes unwar- rantedly jealous of press agent Edmond O'- Brien and seriously hurts Signe in the scene where he's supposed to choke Desiemona and smother her with a kiss. When the pl^iy has run a year, Signe arranges a quiet cele- bration for herself and Colman, but his continued jealousy of O'Brien leads to a violent quarrel and he storms out of her apartment. In a daze he wanders to Shel- ley's East Side flat, stranples her in the same way he supposedly kills De^demona. Suspecting Colman, and fearful for the safe- ty of Signe whom he secretly loves. O'Brien confides his suspicions to detective Joe Sawyer, but is laughed at for his pains. Later, however, he convinces Sawyer his sus- picions .are not unfounded. Enlisting the aid of a girl made up to look like the slain Shel- ley, thev trick Colman into revealing his guilt. Before Sawyer can arrest him, Col- man, realizing he has betrayed himself, kills himself during the Desdemona scene by plunging the dagger into his heart. ■TREASURE OF SIERRA MADRE' SUSPENSE-PACKED BOGART-STARRER Rates O • • generally: more in action houses Warner Bros. 12G minutef. Humphrey Bogart, Walter Huston. Tim Holt, Bruce Bennett, Barton MacLane, Alfonso Bedoya, A. Soto Bangel, Manuel Donde, Jose Torvay, Margarito Luna, Jacqueline Dalya, Bobby Blake. Directed by John Huston. This grimly realistic drama of a trio of hard-bitten pro.=pectors in the Mexican wil- derness is definitely a man's picture. Women patrons, other than ardent Bogart-fans, may not relish such masculine filmfare. Never- theless, its excellent direction, magnificent performances, mounting dram.a Pnd unflag- ging suspense will command attention, if not above-par grosses, in most flrstrun, nabor- hood and action spots. Directing from his own script, based on a novel by B. Traven, John Huston has evoked exciting and con- vincing characterizations from a talented cast of American and Mexican players, many of whom eclipse Bogart, .save in ihis Climatic scenes. Production quality is ex- cellent; exteriors and settings superior; re- cording good. Photography, save in certain process shots, is satisfactory-plus. EXPLOITATION: Herald the Oscar-de- serving performance of Walter Huston, Tim Holt and the hand-picked Mexican support- ing players. Go after the Bogart fans, prom- ising them their favorite in a role more rugged than any he has essayed in years. Tie-in the film's title with a Treasure Hunt, giving free tickets to the finest ten person.? bringing in the required objects. Ballyhoo: Streetman garbed as a gold prospector, on his blanket roll a placard, reading: "You'll Find 'The Treasure of the Sierra Madre' at the State Theatre." Stranded in Tampico, down-and-outers Humphrey Bogart and Tim Holt pitch in with aging desert-rat Walter Huston and go gold prospecting in the mountain wilder- ness. En route to the diggings, their train ambushed by Alfonso Bedoya's bandit band, the trio exchange shots with the desperadoes and drive them off. The surface friendship of the three barely withstands the gruelling trip through swamps and underbrush, but Huston's experience and understanding al- leviates Bogart's unfounded suspicions and bitterness toward his colleagues. American prospector Bruce Bennett tracks them to their diggings, coolly demands they cut him in as partner. The three are about to kill him when they're attacked by Bedoya's out- laws; Bennett is killed, the bandits scattered. Laden v/ith gold dust, the trio start back toward civilization; the trip becomes a nightmare, due to the fortune each man carries and his distrust of the others. Over- taken by friendly Indians, the three are told of a dying boy in the redskins' camp; Huston pulls the lad through, is forced by his grateful hosts to remain as their medi- cine man — a virtual prisoner — leaving Bo- gart and Holt to continue alone. Obsessed by his distrust of Holt, Bogart shoots him in the back. Leaving him for dead, he decamps with the combined treasure, but is overtak- en by Bedoya. The bandits kill Bogart for his shoes, unknowingly scatter the gold dust to the winds. Holt recovers, rejoins Huston and follow Bogart's trail. At end, they learn i of the gfrim joke fate has played on him — ; and themselves. ' JANUARY 19, 194 II i hen a truly grea knows it • • • the critics, th Here's what they're sayin "The year's only outstanding candidate for the Academy Award." — n. Y. SUN "A beautiful picture... a pure delight! An Acad- emy Award contender." — hEDDA HOPPER "Sam Goldwyn should harvest another crop of Academy Awards with his newest picture, 'The Bishop's Wife'." -LEONARD LYONS "All sunshine and moonbeams. Finds a home in the celluloid heavens." — WALTER WINCHELL "Pick of the pictures...Four Bells...if more such inspiring, delightful movies as this were pro- duced, the film industry would indeed be the greatest medium for spreading peace and con- tentment... Must-see." — JIMMIE FIDLER "High on the eligible list for 1948 Oscars." -COLLIER'S THE "I love every minute of 'The Bishop's Wife' I guarantee you will, too. I glowingly give it Cosmopolitan Citation." -LOUELLA PARSONj "Most appealing flicker I've seen recently: 'tl Bishop's Wife,' in which Cary Grant gives Academy Award performance." -ED SULLIV "Foremost contender for the Academy Awar -LOUIS SOB "Cary Grant's best." -N. Y. HERALD-TRIBU "First-class comedy -was made for mass ap and hits it." - CECILIA AGER (P "One of the best movies of the year. A-1 ent tainment for everyone in the family." - N. Y. DAILY MIRRO 'SHOP me comes along everybody lublic and the Box Office. "The Bishop's Wife" Congratulations to Producer Sam Goldwyn for nother winner." -SHEILAH GRAHAM lary Grant is guilty of some of the most brii- ant acting of the year in 'The Bishop's Wife/ hereby sentence him to an Academy Award, rhe Bishop's Wife' is a wonderful picture." -DOROTHY KILGALLEN ne of the most thoroughly satisfying films to ome around in a long time. Heartwarming . . » xtremely comic." -N.Y.SUNDAY MIRROR ne of the very best pictures of the year." - BOSTON RECORD The Bishop's Wife' should rate the Academy ward." - WORCESTER DAILY TELEGRAM HfUJS DIGfSI Bi'Weekly Reoievo of the Traders Eoents Max K. ViMiiiffstt^iii, Kaf;le-IJ(iii iiiiip:iii.v would "cuiitiiiiic iiiid f\|>aiid ' its «'0-<>j> ad-promo) ion |>(di<) w'.lU llir:itre'. rv- ceiveil u idcspie.id <'xhiI>itor acriairn. Grad Sears, I'liited Artists prex.v, reports that Knterprise's "Arch of Tiiumph" and tw^ others will l>e released by I'A, after siitielchln:; rumors that another outlet would h:indle the Hergman- Bojer starrer. Jark I<. Earner, studio (liief. announrps a. "eapuelt.v" Nrhevh0ie momentous affair is now .settled. REPUBLIC Record Backlog OTUDIO EXECUTIVES HANDED each other a special congratu- ^ lations as the studio headed into the new year with 20 com- pleted films tucked away in the backlog. With this accumulation of merchandise, the studio is anticipating a flourishing first six months of 1948. Among the important films that will reach the public from here by mid-year are: Charles K. Feldman's "The Red Pony" and "Macbeth ' from Feldman and Orson Welles; two Roy Rogers films, "The Gay RancherO" and "Under California Skies;" Ken 'Murray's "Bill and Coo," a novelty feature which is said to be outstanding; "I, Jane Doe" and "Old Los Angeles." The two Feld- man productions are being scheduled for top exploitation as Re- public's "big" ones for the early portion of the 1948 season. The William Elliott picture which started shooting two weeks ago without a name is now to be called "THE GALLANT LE- GION.' Only new starter on this lot is a Trucolor production called "Timber Trail," (Monty Hale-Lynne Roberts). TRUCOLOR FOR EVERYONE After approximately two j ears of working with the Trucolor process on its own films, Republic, through president Herbert J. Yates, announced last week that the process would now be made available to all buyers. Pointing to the record of increased take on Republic's color films^ Yates stated that the public has indicated strongly its preference for color films. To that end. Republic has adopted a plan for Ibuilding laboratories in such places as Brazil, Paris, Rome, and somewhere in the Far East, as well as increasing its facilities here in the United States. The general opuiion in the industry on Trucolor is still un- certain, since only Republic has used it up to now. But, the fact that is Yates setting aside $3,000,000 for the expansion pro- gram, can be accepted as solid proof that the color process is just beginning to hit its stride. Trucolor has proven particularly effective for inexpensive outdoor pictures where it adds a considerable impact (without too much cost) to such action pictures. RKO Out Color-Film Btidgets 'pms STUDIO, TRAIL-BLAZER in the current trend towards Short shooting schedules and lower budgets for A product, is about to try another experiment which may prove helpful not only SCREEN GUILD Deal For Six Set npHIS (X)MPANY, SANS production for so long, seems to be heading toward a spurt of activity. A deal has just been signed with East-West jjictares for six pictures to be delivered within the next 15 monihs. President Jones also announced a deal with Maurice Conn for the distribution of his two next films, one a jungle story, and the other an outdoor adventure yarn. Maurice Nunes has also signed for five productions to be turned in this year. Two of thu- group will be in the streamliner (X) class, but the others lyill be regular full-length, full-budget films. ^ijirii SELZNICK Hellinger Program Goes On TT SEETMS FAIRLY certain at this point that David Selznick will arrange to carry out the commitments he had with Mark Hellinger, before the iatter's sudden death. No final decisions have been reached, but "Act Of Violence," slated to be Hellinger's first in his Selznick deal, vill probably go under the Selznick banner with Gregory PNCk, Robert Mitchum, Dorothy McGuire and Valli (after "The Paradine Case " goes into general release, she'll be a hot bet) in the leading roles. This was the story that Hellinger bought from Warners for $100,000. "Knock On Any Door" which was marked as Number Two for Hellinger, also is a strong pros- pect for SRO production now. If the Hellinger deal should be dropped entirely, "Portrait of Jenny" (Jennifer Jones- Joseph Gotten) will probably get a late Spring release. Morgan Maree, secretary-treasurer of Mark Hellinger Pro- ductions, and Humphrey Bogart, vice-president, announced that they are seeking a producer to take over the chores and that at least three of the six films which had been scheduled with Selznick will be made as per arrangement. SELZNICK TO PRODUCE IN EUROPE SRO will imdertake its first foreign production this season when it sends a company in April to Sweden and Norway to make Ibsen's "A l>oirs House." Dorothy McGiure will head the cast. In his statement of this new phase of SRO's operations, Selznick said, "We will make pictures in the English language abroad, merging the creative and production skills of the Euro- pean and American film industries." 16 FILM BULLETIN STODIO sizf-yps 20th CENTURY-FOX Two Month Schedule Set WITH 20TH CENTUR"£'& 1947-48 release schedule upped to 48 features, this studio is releasing eight of its top pictures dur- ing the months of January and February, when most of the other majors look very weak. This month will see "Gentleman's Agree- ment," "Captain From Castile," "Forever Amber," and "Daisy Kenyon," all in first mn engagements now, go into general re- lease. February brings ' Call Northside 777" (James Stewart-Nancy Walker), "You Were Meant For Me" (Jean Craine-I>an Dailey), and "The Tender Yeais" (Brown-Hutchinson). This is the only lot in town that is working at anywhere near peak production this month. There are five pictures in work at the moment. More than half of the product scheduled for 1948 release has either already been completed or is in process of shoot- ing. Ten story properties are in the final pre-production Stages with early starting dates scheduled for most of them. Thus, this studio, which was being belabored a few months ago. has lifted itself to the top rung of the production ladder at this time. It will be worth watching how long 20th retains its high position. In work on the lot now are: "Walls of Jericho" (Linda Darnell- Cornel Wilde), "The Iron Curtain" (Dana Andrews-Gene Tierney), "Street With No Name ' (Mark Stevens-Barbara Lawrence), "The Chair For Martin Rome" (Victor Mature-Richard Conte) and "Apartment For Peggy" (Jeanne Crain-William Holden). Scheduled for early starting are s'uch films as "Call Me Mister," "Party Line," "Lydia Bailey," "Down To The Sea In Ships," "Lady Windermere's Fan," 'The Heller" and "The Dark Woods." No casting has been officially announced on any of these films as yet. UNITED ARTISTS Better Times A-Coming! TI7THILE THIS COMPAJIY is still a long way from being restored to a sound basis, the past ten days has brought a number of announcements that seem to indicate better times are coming. First of all came the news that the UE-Enterprise argument over "Arch of Triumph" has been settled in favor of UA. With this one falling into !ine, it is certan that Harry Sherman's "'They Passed This Way," and Stanley Kramer's "So This Is New York." both made under the Enterprise banner, will also go out as UA releases. Now that the dog-figlit is ended, Grad Sears is taking over on the selling end of "Arch " and an additional $400,000 has been ear- marked for national advertising, bringing that portion of the budget to a mere $1,300,000. "Wild Calendar," the proposed Ginger Rogers starrer, whicn has hit a snag in starting, is another Enterprise film definitely set for UA, if and when it gets finished. Enterprise is now free to continue its negotiations for other releasing deals, but il is rumored strongly that the company may decide, after all, to stay with UA on an exclusive set-up. CAGNEY FILM STILL IN AIR Whether the Cagney picture, "Time of Our Life," will ulti- mately come to UA is still to be decided. At the moment, a law suit by UA against Cagney and Warner Brothers is in progress. The Cagney Brothers, however, are understood to be determined to keep the picture frorii this outfit. Meanwhile Seymour Nebenzal has delivered "Atlantis," the Maria Montez starrer, and is already planning an early start on a still-untitled story to star Montez and Jean Pierre Aumont, her husband. Others due from Nebenzal this year will be "Look Homeward Angel," "Queen For A Day," and "Queen of Hearts," another Montez starrer, which will be co-produced by Charles R. Rogers. Benedict Bogeaus has delivered his all-star "Miracle Can Hap- pen." This is another one that will be handled personally by Sears. Bogeaus has plans for two more films to be made this year, but under the terms Of his non-exclusive pact with UA, he may release through other companies if he so chooses. «e has already completed "Lulu Belle," starring Dorothy Lamour, for Columbia release. After more than two years and four directors, "Vendetta," the Howard Hughe.s' production, is in the can with only 9300 feet of the more than one million feet of film shot being used. It is rumored that Hughe-, is gi"ing up his activity in film production, for the time being at least. With this one costing $3,500,000 so far, it is not difficult to understand Mr. Hughes' indifference to future production. UNIVERSAL-INTERNATIONAL Schedule Upped JMMEDIATE RESULTS OF the recent meetings between top executives of this company indicate that the studio will up its production schedule to 35 feature films for the coming year. Among these will toe a number of outside productions scheduled for U-I release. At this time, plans are jelling ror the start of five features within the next several weeks. Included in these will be "The Saxon Charm," starring Robert Montgomery; "The Judge's Wife" and "One Touch of Venus," the Lester Cowan-Mary Pickford pro- duction. In addition to the heightened production activities, studio exe- cutives pointed to a backlog of 13 top films now ready to go into release. Among these arc "A Double Life" (Ronald Colman) slated for Academy recognition, and "The Senator Was Indiscreet" (Wil- liam Powell), both of which are already playing pre-release en- gagements. Others to come are: "Another Part of The Forest" (Frederic March-Ann Blyth), ' Casbah" (Tony Martin- Yvonne De- Carlo), "All My Sons"' (Edward G. Robinson), "Up In Central Park" (iDeanna Durbin-Dick Haymes) "Secret Beyond the Door" (Joan Bennet-Michael Redgraves), '^Letter From An Unknown Woman" (Joan Fontaine), and Mark Hellinger's "The Naked City." This is an imposing line-up. STUDIO FIGHTS BAN ON "SENATOR' John Joseph, advertising and exploitation chief, tagged as ridiculous the banning of "The Senator Was Indiscreet" by Allied Independent Theatre Owners of Iowa and Nebraska, The studio is preparing to fight the ban and Nunally Johnson and Gene Fowler, Jr. the producer and associate producer, respectively, lead ' the fight off with strong blasts against the ban. Reason for the banning by AITO was given as the fact that the picture could be "used £is vicious propaganda by subversive elements in this nation as well as by our enemies abroad." It seems to us that '.he gentlemen of AITO (representing some 300 theatres in small communities in Nebraska and Iowa) should realize that one of the greatest privileges of the American way of life is tliat which permits us to poke gentle fun at the things we revere deeply. If the thinking of the group is typical of American reaction today, then indeed, "our enemies" have sewn their seeds of fear well and the harvest promises to be a bumper crop. If we're to lose our sense of humor as a nation, heaven help us! it WARNER BROS. 37 Features For Warners 'T'HIS STUDIO IS doubling its production schedule over last year by naming 37 pictures for the sound stages during 1948. Last year's total was 18. Twelve of the announced list will go into work by March 31. First of the new list will be "Rope," directed by Alfred Hitchcock and starring James Stewart. This one will have the initial stream- lined shooting schedule at this studio. Next to follow will be "Un- til Proven Guilty," with Joan Crawford. United States Films will contribute five films to the list. There will be one fi-om Ingrid Bergman to be made in England. Two will come from the Cagney organization, recently reconciled with this company. These will be in addition to "Time of Our Life." Two others slated for January starting are "John Loves Mary" (Ronald Reagan-Patricia Neal-Jack Carson-Wayne Morris) and "Otne Sunday Afternoon" (Dennis Morgan-Dorothy Malone-Janis Paige-Don DeFore), this time as a musical. WALD BUSIEST Of the 37 pictures announced, Jerry Wald, as usual, has bitten off the biggest chunk of production of any Warner producer. Wald will do 12 films on the schedule, with two of them, "Adventures of Don Juan" and "Key Largo," alieady in production. "John Loves Mary," "One Sunday Afrernoon," and "Until Proven Guilty" are all on the Wald slate and will be in production simultaneously. Wald will also guide the first Danny Kaye picture for Warners, a& well a.s, "Flamingo Road." starring Ann Sheridan, and "The Life of Marilyn Miller,'' to star June Haver. JANUARY 19, 1943 19 PRODUCT/ON § RELEASE mm JANUARY 19, 1948 In the Release Chart, the date under "Details" refers to the issue in which cast, director, plot, etc., appeared. "Rel." is the national release date. "No." is the release number. "Rev." is the Issue in which the review appeared. There may be variations in the running time in States where there is censorship. All new productions are on 1946-47 programs unless otherwise noted. (T) immediately following title and running time denotes Technicolor production, (C) denotes Cinecolor. COLUMBIA j 1947-48 Features Completed (37) In Production (2) Westerns Completed (11) In Production (0) Serials Completed ( 2) In Production (0) NEW PRODUCTIONS LET'S FALL IN LOVE Musical — Started January 9 Cast: Dorothy Lamour, Jeffrey Lynn, Janis Carter, Adele Jergens. Director: Douglas Sirk Producei-: Irving Starr Stoiy: Big movie star collapses; a girl from a carnival Is trained to re- place her. RELEASE CHART IN PRODUCTION Title — Running Time Cast The Hayworth-Ford Details .11-24. Rel. Loves of Carmen, COMPLETED 1947-48 Adventures In Silverado Bisho|i-Henry 11-10 Best Man Wins Buchanan-Lee 12-22 Slack Arrow, The Hayward-Blalr 8-4 BIa2lng Across The Pecos Starrett-Burnetle ...11-24 Blondle's Anniversary (67) Singleton-Lake 9-1.. 12-18. Blondle In the Dough (69) Slngleton-Uke 4-14.. 10-16. Blondle's Night Out SIngleton-lake 9-29 Brick Bradford Richmond-lohnson .10-27. .12-18. Bockaroo from Powder River (55) Starrett-Bornette .. .5-26. .10-14. Coroner Creek (C) Scott-Chapman 9-29 Crime Doctor's Gamble (66) Baxter-Cheirel 8-4.. 11-27. Devil Shin (62) Lane-Campbell 7-21.. 12-11. Down To Earth (T) (101) Hayworth-Parks 4-15.. 10-29. Eternal Melody, The Kieoura-Eggerth ...11-10 Poller Brush Man. The Skelton-Blair 10-27 No. Rev. . .8-1 .1-16. 11-47. .5-26. . .1-48. Gallant Blade (C) Parks-Chapman 12-8. Glamour Girl Krupa-Reed 9-1. Her Husband's Affairs (85) Tone-Ball 3-3 Oetalli inder title: Lady Kniw Hw* I Love Trouble Tone-Blair Details inder title: DMble Take It Had To Be Yon (98) Rogers-Wilde 5-26. .12-47. . Key Witness (67) Beat-Marshall 4-14. . .10-9. . Details under title: Destiny Lidy tnm Shinghal, The Hayworth-WellM .10-14 Ust Days of Boot Hill. The Starretf-Burnette .. .6-23. .11-20. . Last Round-Uo, The (77) Autry-Heather 5-26. .11-47. . Little Spanish Town, A Autry-Marlon 8-18 Lone Wolf In London, The (68) Mohr-Saunders 5-26. .11-13. . Lilu Belle Lamour- Montgomery 11-10 Man From Celoradt, The (T) Ford-Drew 3-17 "wy Loo Lowery-Barton 9-15. . .1-23. . Mating of Millie, Th« Ford-Keyes 7-7 .7-21 12-25. ...1-9". My Dog Rusty Donaldson-Doran ...11-24 Phantom Valley Starrctt-Burnette 8-4... 2-19. Port Said Bishop-Hciiry 12-22 Prince of Thieves (72) Hall-Morison 5-12. . .1-48. "•'•"'less Yonni-Ckapman ...12-9 Details inder title: Three Were Thoroughbreds Return of October. The Ford-Moore 9-29 Return of The Whistler, The Duane-Aubert 10-27 Rose of Santa Rosa Hot Shots 9-1. Sign of the Ram, The Peters-Knox 8-4 six Gun Law Sfarrett-Saunders 7-7 Sea Hoond, The (Serial) Crabbe-Blake 5-26. Song of Idaho Vincent-Grant 10-27 strawberry Roan, The Aotry-Henry 7-7 Bweet Genevieve (68) Porter-Lydon 4-14.. 10-23 Swordsman, The (T) (81) Parks-Drew 12-9. . .1-48 10-27 Tex Grainger (Serial) Stevens-Stewart 8-4 To the Ends of the Earth Powell-Hasso 12-9... 2-48 Trapped by Boston Blackic Morris-Lane 12-22 Two Blondes and a Redhead (70) Porter-Lydon 4-14. . .11-6 West of Sonora Starrett-Burnette ...9-29 Whirlwind Raiders Starrett-Saimders ...9-15 Woman from Tangier, The Jergtns-Djnnc 9-29... 2-12 Wreck of The Hesperus, The Parker-White 9-15 2-5...... .. 1946-47 Blondle'i Holiday (67) Uke-Slngleton n-Z5...4-10. Bulldog Drommond at Bay (70) Randell-Loilse 12-23. . .5-15. Bulldog Drummond Strikes Back (65) Randcll-Henry 9.4 Corpse Came C.O.D., The (87) Brent-Blondeli l-6...5-3l! For the Love of Rusty (69) .Donaldson-Powers ..12-23 5-1 Framed (82) Ford-Carter 9-30... 4-47. Details ander title: They Walk Alont Fuller Brush Man Skellon-Blalr Silit of Janet Amti (83) Rossell-Dogglas 7-22... 4-47 836 •tttllt iidar titta: Hy Capty Niwt ..m». .820. .821. .840. .812. . .834. ..3-3 .3-17 .3-17 GunHghters. The (C) (87) Seott-Brltlon 9-30.. .7-15. Dftilb iidtr title: Twii Sonkreros Jack Arnstrong (Serial) Hart-LaPlanehe ...11-25. Keeper of The Bees (68) Henry-Duane 3-17. King of Wild Hotih (79) Foster-Patrick 12-9. Last of The Redman (Color) (77) Hall-Ankers 9-16 Law «f The Cinyta Starrett-Burnette ..10-28. Little Miss Broadway (69) Porter-Shelton 2-3. Details inder title: Broadway Baby MUlerson Case, The (72) Baxter-Sag ndert Details under title: Crim* Deetor't VaMtlan Paelfle Adventure (95) Randell-Stelnbeck Prairie Raiders (34) Starrett-Saunders Riders of The Lone Star (55) Starrett- Hunter . Smoky River Serenade '67) Campbell-Terry . . Son of Risty, The (69) Donaldson-Powers Setrtt •! The Whtitlir (65) DU-BrMki Sport of Kings (68) Henry-Campbell Details inder title: Major Denntnri Trist EsUte Stranger from Ponca City (56) Starrett-Burnette ..11-25. Swing the Western Way (66) Leonard-Dugan . ..3-17. Vigilante. The (Serial) Byrd-Ames 3-3. When a Girl's Bcaitlfal Jergens-Platt 6-23. . .1-20. 11- 11. 12- 23 . . .4-28. . .4-14. . .7-22. . .2-17. .838 . . .6-23 . .2-6 .7-10. . . .802 .3-27 809 . . .3-31 .8-47 837 .4-24 867 .6-19. . . .815 .5-29.... 817 .7-47.... 835 .5-29. . . .868 .8-14 870 .8-21.... 851 ..8-7.... 813 .11-7.. .818 . 11-25 .6-26. . . .811 . .7-3 859 .6-26. . . .853 .5-22 .9-25.... 827 E AGLE-ilON 1947-48 Features Westerns Completed (26) Completed ( 5) In Production (1) In Production (0) NEW PRODUCTIONS THE SPIRITUALIST Melodrama — Started January 2 Cast: Turhan Bey, Lynn Bari, Cathy O'Donnell, Richard Carlson. .story; Expo.se of a faice medium who preys on wealthy women. COMPLETED Title — Running RELEASE CHART 1947-48 Time Cast Adventures of Casanava deCordova-Nash Blaek Hills Dean-Ates Blonde Savage (61) Sherwood-Ericson Bury Me Dead (66) O'Donneil Danlels Cheek Your Gans (55) Dean-Gates Close-up Baxter-Gllmore Details . .5-12. . . .5-12. . ...7-7. . .4-14. . . .7-7. .12-22. Rel. 12-27 . .9-27. .11-22. . .9-20. .1-24 No. Rev. .851 .807. .10-13 .803. . .9-29 .853 . . .12-3 Cobra Strikes. The Ryan-Fraser 1-5. Corkscrew Alley O'Keefe-Trevor 11-24. Enchanted Valley (0) Cartis-Gwynne 9-1.. Gentleman After Dark (76) Donlevy-Hopklns ..Reissie.. Green for Danger (91) Grey-Howard ....Foreign.. Headin' For Heaven (71) Erwin-Farrell 8-4. It's Naldir SwItzar-WhalMi 5-12. Linda Be Good (67) .....Hubbard-Knox 7-21. Love From A Stranfw Sidney-Hodiak 3-17. Man from Texas Cralg-Barl 5-26.. Details onder title: A Toxm Story Man in the Iron Mask (110) Hayward-Bennett Mickey (C) Botler-Goodwin Noose Hangs High, The Abbott-Costello Northwest Stampede Leslie-Cralg . . Details ander title: Wild Conuast Open Secret Ireland-Randolph ... 9-1.. Out of The Blue (91) Brent-Mayo 3-3. Prairie Outlaw Dean-Holt 11-10. Prelude to Night Soott-Lynn 9-1.. Rampage Mitchell-Long 12-22. Return of RIn-Tln-Tin. The (V) (65) lin-Tin-Tin-Woods .9-16. Return of the i.ash (59) LaRuc-St. John Shadow Valley (58) Dean-Ates Smugglers, The Redgrave-Kent . . . Fortign . T-Men (91) O'Keeic 7-21. TamaiTtw Yai Die Irtiana-Ryan 5-12. Tornado Range Dean-Holt 9-1. Whispering City (92) Lukas-Dantlne 1946-47 Adventuress, The (9t) Kerr-Howard Foreign.. Details under title: I See a Dark Stranger Bedella (85) Laekwood- Hunter .Foreign. ilg Ffx «3) Irawa-tyan Border Feud (55) LalH-tfvIn Barn T> Speed (61) < •aUBe iRdv Ettft-Lltl kaUtif Caravan (80) Cheyenne Takes Over Details under title: The El Lobo .1-31., .11-8.. .9-13.. ..1-17. .'.'.1-3." .11-15 10-18. . .735. .802. .810. ..'s'os. . .806. . .1-5 . 10-27 . .12-8 .Reissue... 11-8.... 735. . .11-10 . .11-24 . 7-21. . .1-17 1-24.. .9-27. . .2-7. 10-25. .801. .804. .9-1 .11-29. .1-31. ..1-10. .12-8 .12-8 .852. .12-22 .811 .809. .12-22 .11-15 805. .11-24 .103... 3-17 .2-1. .4-19. .Uadi-Wall 8-19... 1-12. Devil •* Wkeeli. The (C7) Gas House Kids In Hollywood (63) Gashoase Kids Go West (63) Ghost Town Renegades (57) Gan Law Haartachet (71) Details indar title: Silent Volte Internatlanal Lady It's A Joke, Son (63) Detallt andr title: Sanmy far Marlv Kit CWM* (97) Last of the Mohicans (94) Law af the Lath (5)) Loit Hantymaan (71) Detallt andar titia: Allat tka trlia Phil* VanN lUtirii .Granger-Kant ... .Foreign. . . .8-2. ■ LaRue-St. John . . . .8-4. 10-25. ry Faltlsanks-Warwlek Reltsae. . .5-24 . . Cardwtli-Fard . . ...9-30. ..2-15. .Switrer-Bartlett . 8-23. Switzer-Wllliams . . .4-14. . .7-12. LaRue-St. John . . . .4-28. . .7-26. .LaRue-St. John . . .7-21. 10-18. .Ryan-Norrls .... . . . .3-3. . .6-28. .Brtnt-Hassey . . . . Raltsia. .5-24. Delmar-Mcrkel . . . .8-6. ..1-25. . Shaw-Lowery . . . ....3-3. ..5-31. .Aalmn-Hail ... .Relaeia. .3-2a. .3-22. LaRue-St. John . . .2-28. Tone-Rlehards .'.10-28. ..3-29. tCartis-AgstIn . . . . .U-2S. ..4-13. Wright-Ati'stin . .1014. . .6-14. . .101. . .702. ..7M. . .705. .106 .757. . .2-3 .5-12 .»-26 ..2-3 .9-15 .733.. . .701. . .712. . .711. .754. .756 ..704. .734. . ..102. ..717. .731. .731. . .751. ..104. . .707. . .708. . .2-3 .9-1; .7-2) .8 18 .7-". .1-21 .6-2L .3-1 .3-1 .5-2 .4 18 FILM BULLETII Pbilo Vancs's S«eret Mission (64) Ciirtls-Ryan Plonaer Jostlta (56) LaRoe-St. Jahn .. Railroaded (72) Ireland-Ryan lami Bntid tht BiM (53) Deai-AtM Red Stallion (C) (81) Palge-Naih Repeat Perftrnianc* (93) Leslla-Hayward South of Pago Pago (84) Hall-McLaglen .. Step Child (70) Aistin-Joyee TkTM Ob a Tlikit (62) Beaumont-Walker Bttaili iDdir title Thi Ctrpii Cini Cdllaf Tw Many Winners (60) Beagmont-Marshall TiBtlnrttd Trail (37) Oeaa-Atei UotaM Firy (38) Pradlittn-Whlppar Wait T» Glary (61) Daan-Ataj Wild Caintry (C) (59) Dau-Atat STREAMLINED WESTERNS Ctt vf tha Plilis (38) Cratka-St. Jahn . FrtBtler Fl|titarj (39) Cnkka-Sl. Jahn . Panhandle Trail (— ) Crafcka-Sl. John . Raldan of Red Gap (38) Crakka-St. Jahn . ShootiB' Iran (40) NewhIII-O'Brlan Thindergap Oitlawi (39) NewhIII-B'Brien .4-14. .10-14. . . .1-6. Reissue. . . .2-3. .10-28. .2-17. ...9-2. . .8-30. . .6-28. . .8-30. . .6-15. . .8-16. . .5-30. ..6-21. . . .6-7. . . .4-5. . .5-24. .10-28. ..3-22. ..4-13. ..1-17. .4-26. . .4-26. .4-26. , .4-26. . .4-26. . .4-26. . . .709. . .9-15 . .753. . . .7-7 . .710. .10-13 . .745. . .3-31 . .107 8-4 . .105 6-9 ,.736 . .703. . .6-23 . .715, . .4-2? . .716, . , .6-9 . ,742. .12-23 .SP72. . .3-17 . .746, . .5-12 . .744 2-3 ,.766, , .761. , .765. , ,763. , .764. .762. METRO -CO L D W y N ^ M jfcY E ll3 1947-48 Features Completed (28) In Production (3) NEW PRODUCTIONS JULIA mSBEHAVES Comedy — Started January 12 Cast: Greer Garson, Walter Pidgeon, Cesar Romero, Mai-y Bo- land, Dame May Whitty, Reginald Owen. Director: Jack Conway Producer: Everett Riskin Story: A slightly tired aerialist crashe.s her daughter's sooietj' neiUling: a.^j an entertainer and is reunited with her husband after a 14 year separation. RELEASE CHART IN PRODUCTION TItIa— BioilBi TIM Date With Judy, A Alias The eantleman Amelo Aflilr, The (87) B. F's Daoghtar Big City, Tha Cass Tlmberlane (119) Bride Goes Wild, The Details under title: Vlrtuoos Desire Ma '91) Details ander titia: A Waiiai af My Owi Good News (T) (95) Graan Dolphin Straat Tarner-Haflin Details indar tItIa: Tha Persanal Taiak High Wall. Tha Taylor-Totter Honeeoming Gable-Turner If Winter Conies (97) Killer McCoy (103) Rooney-E Lnxory Liner (T) Kissing Bandit, Tha (T) Master of Lassie Details under title: Hills of Home Merlon of tha Mo«Ih (82) On An Island With Yai PIrata, The (T) Sang of Lava, A (119) . . Song of Tha Thin Man (86) Poweil-Loy Sanniar Holiday Roonay-DeHaian State Of Tha Union Tracy-Hepborn r«tk Amia Altai O Bricn-Mirphy This Time far Keeps (T) (105) Willlams-Melchlor Three Oaring Daughters (T) MacDonald-lturbi Details under title: The Birds and the Bees Unfinished Danee, Tha (T) (101) O'Brlen-Charisse Datillt ndar title: lanarlRi 1946-47 Cast Ostalls M. Hi. ■ft . . Beery-Powell 1-5. . .Astaire-Garland . 12-8, 1947-4S . . Beery- Patricic . . , 5-13. . . .Mar Hodlak-Gilford 8-6. . .Sept. . . ,803, . .2-17 . .Stanwyek-Hellin 9-29. . .O'Brien-Murphy . . . ,10-27. . Tracy-Turner . , .5-12. 11-10 . Johnson-Allyson . , . .7-7. . . , Vaae ... Belli of San Aagela (Traeolar) (79) Rea*n-E>ani ... Blaekniall (67) Marshall-Mara . . Oetalli ander title: LIghtola' 8»ikaa Twiee Blaek Widow, Tke (Serial) Edwardi-Llndley Caleadar Girl (88) Fruaa-Manball . Driftwood 190) Brennan-Warriek Exposed (59) Mara-S(att Details eader title: Ift Harte tke tajn FaHlaai tazanae. The (71) Britton-Vallee .. Fabulous Texan, The (95) Elliott-Carroll Flame, The (97) Carroll-Ralston DeUlls ander title: Tka •utaait Gay Ranehero, The (Tr.) Rogers-Frazee Ghost Geet Wild, The (66) Ellbaa-twynae . Hit Parade of 1947 (90) Albert-Maare ... Hameiteaderi of Paradise Volley (39) .... Laaa-Blake ImgU Girl (Serial) Giaard-Neal ... I're Always Lered Yaa (T) (117) MeLaad-Oara •etaiu ander tltla: Caaaarta le»H Jamee RIdee Agala (Sarlal) Moore-Stirling . . Mafnincent Regee. Tka (74) nakerts-Deeglas Marshal of Crlpgied Creek (58) Lane. Blake ... Northwest Outpost (91) Eddj-Musey .. Detalle eader: Bntltlad On The Old Spanish Trail (Tr.) (75) Rogers-Frazee .. •rota* Trill Saaato (58) Une-Blake Pilgrim Lady. The (67) Laae-Blake ... Detilli aoder tlHai Tta iMar CMa Pretender. The (69) Dekker-Cralg .. Details ender title: Camglax Rokin Head of Texas (71) . A, utry- Roberts .. Riitlen af Devll'i Canyoa (58) Lane-Blake Saddle Pall (72) Aetry-Rokerti S«ita Fi Barbing (5«) Lane-Blake ... Sloai City See (•») Aatry-lakerti . San ef Zerro (Serial) Tamcr-Stawart Saaileri et The Narth <«6) Kelly-Beath . . . Sarlngtlme Id The Sierras (Tr.) (7S) ... .Rogers- Fraiee .. Staaeeaaeh to Denver (56) Lane-Blake .... That's My Man (104) Aaiecke-MeLaod Details ander title: Gallant Man That's My Gal (Traealar) (6tf) Barry lokerts .. Trill to Sen Antene (67) Aatry-Staerart Treepasiar, The (71) Evant-Daaglai Detalli ender title: Tke Ftafar Vmm Twilight on the Rio Grande (71) Aetry-lva ... Under Colorado Skies (Tr.) (65) Male-Booth .... Vigilantes el Boom Town (56) Laae-Blabe ... Winter Waadertand (71) Roberts-Drake Detalli ander title: Saaw CMeralla Wyoming (84) Elliott-Rahfon . Web af Duster (M) Mara-O'Flynn Yankee Fakir (71) Fowley-Waadbery ...J-2...2.15. .12-23... 5-15. . . .1-6. . .7-24. 6-10. . . .7-8. .1-31. . .5-26 . .9-15. . .5-12 . . .9-8. 12-15 . .6-23. . .11-9 . .3-31. .11-24. . .8-4 .9-i6! . Reliiie. .8-20. .1-10. . . 3-8. ..3-22 . .4-1. .4-19. .12-2. .1-20. . .3-21. . .7-8... 2-15.. .11-25. . .8-15. . .11-25. . .6-25. . . .5-12. .10-15. ...9-2... 5-15.. . . .9-2. . .5-15. . 3-31. . .8-16 . . .4-28. . .7-15. .10 14. . . 7-1. . .3-17 . . .6-15 ..3.18..11.19., . .6-24. .11-21. 1-lS. . .641... 3-31 .642 6-9 .617. . .8-18 .694 607. . 2-17 621. .1110 .623. . .9-29 .604 .624. 11-24 .628 .644 .605... 4-14 .610... 5-12 .664 .6»2 601. . .9-30 .693 .60« .667... 9-15 .•15...5-26 ..648.. 10-27 .665 .665... 5-26 .620 ..8-9 .3-3 .11-11 ..4-24. . .7-15. .12-23. ...6-1. 8-6. . .5-15. ..1-25. ...7-3. .i-ao. . . .4-1. .7-7. .12-15 .5-27. . .2-15. .5-13... 5-17. .11-25 8-1. .10-28. . .6-10. 4-1. .685. . .9-15 .661. ..7-21 684. ..6-23 661, 681. .12-9 691 .612. ..5-12 .646. . . .8-4 662 .613. ..4-14 .607. . .«-2> «82. . . .2-3 .619. ..7-21 .683 . .4-28 .652. .12-22 663. .2-17 .614. ..6-23 .618. . 8-4 616. .6-23 .611. ..4-28 1947-48 Features RKO RADIO CJompletod (39) In Production (1) RELEASE CHART IN PRODUCTION Title— Running Time Mr. Joseph Young of Africa Cast Details ..Johnson-Armstrong ....1-5. 1947-48 Kel. COMPLETED BLOCK NO. ONE Baahelar and The Bakky-S«xar, The (94) . . .Grant-Lay 8-6 Crossfire (86) Yoeng-Mitehora 3-17 Riffraff (80) O'Brien-Slezak 6-24 Seven Keys to BaldpUe (66) Terry-White 11-25 Und« the Tanta Rla (61) Holt-Leslie 1-20 BLOCK NO. TWO Dick Traey Meets Gruesome (65) Byrd-Karloft 4-14 ..ft-4. 11-10. . .9-1. Night Song (102) , Andrews-Oberon 4-14 Details under title: Mimaiy af La«e Out of the Past (97) Mitchim-Greer So Well Remembered (114) Scott-Mills Wild Horse Mesa (60) Holt-Leslis NOT DESIGNATED Arizona Ranger, The Holt-Leslie Berlin Express Oberon-Ryan FIghtlni Father Dinne O'Brlen-Dell 3-31. Good Sam Coeper-Sheridan ....8-18. Guns of Wrath Holt-Leslie 12-22. I Remember Mama Dnnne-Hamolka 6-9. If Y«« Knew Sasli Cantor-Davli 1-20. Indian Summer Knox-Sothtrn Joan Bergman-Ferrer ....10-13. Man Abaal Tewa Chevalier- Derrier ..FaralfB. Miracle of The Bells, Tke MacMirray-Valll 8-4. Mystery In Mexico Lundigan-White ...10-13. Pearl. The Marques-Armendariz Foreign. Race Street Raft- Maxwell 9-1. Return of the Badman Scott-White Roeghshod Sferllng-Grahaaia Station West Powell-Greer Tall. Dark Stranger Yoon|-Holden . Details under title: Rachel Tarzan and the Mermaids Weissmuller-Jeyee 8-4 Tycoon (T) Wayne-Day 2-3.. -> Under Arizona Skies Holt-Leslie 9-1 Velvet Touch, The Russell-Gcnn 10-13 War Party Fonda-Temple 8-18 Window. The Hale-Kennedy 11-24 Your Red Wagon O Donnell-Granger 7-7 SPECIALS Bishop's Wife, The (109) Grant-Young 3-17 Fugitive, The (104) Fonda-Del Rio 1-6 Fun and Fancy Free (73) Disney Cartoon Featore 891 No. Rev. 801. . . .6 9 .802. . . .7-7 .803. ...6-9 ,804 . . .6-9 .805. . . .6-9 809. .11-24 .806. .11-24 810. .11-24 807. .11-10 .11-24 ..7-7. .9-1. e-8 Long Night, The (101) Fenda-Bel Geddes ...9-16... Magic Town (103) Stewart-Wyman 11-25... Mourning Becomes Eleetra (172) Russell-Redgrave . ..4-14... Soeret Life of Walter MItty (T) (105) Kaye-Mayo 4-29... 861. 862. ,.851. . 11-24 .11-10 . . .9-1 . . .6-9 ...6-9 .11-24 . .7-21 20 FILM BULLETIN 20th CENTU R Y -FOX Soni It B«rn. A (T) Details indtr tllU: That's Lift .Kayt-Mayo 8-4. 1946-47 . ...71S.. ...720. . . . .719. . , . . .716. . . .4-1 721. . .10-14 123.. BLOCK NO. FOUR Nat tha tui (SI) Lanffard-Kripa 6-24.. U4t t1 Tin West (57) WajTtn-Alden 7-22.. Otril Thimks A Ride. Th* (62) Tierney-Leslle 7-8.. FafBefs Daaikter. The (97) Yoanj-Cotten 5-27.. Details indar title: Katie fw Cengresi Trail Street (») Scott-Jeffreys 8-19 717. BLOCK NO. FIVE ■aije (68) MslTett-Whlts 9-16 725. ■an Te KlU (92) Trever-Tiernej 5-27 722. •etalle aader tlUe: Deadllar Thin tht Male Like)} Stify, A (88) Willlaras-Hale 2-4 724. •dtalb §»Ht titit: Httttt Mlids HtaeyBMa (74) Tenplt-Madlsog Tanan and the Hintress (72) Weissmaller-Jsyti BLOCK NO. SIX DUk Tney's Dllenma (60) Byrd-Chrlstopher •etalls aider title: DIel Traay n. tht Claw DesMrate (73) Brodle-Lang 12-9. Details oBdar title: Fllfht They Wen't B«Me»s He (95) Young-Hayward 8-19 726. ThDBder Heiitaln (60) Holt-Hyer 10-28 730. Waman on The Beach, The (71) Bennett-Byan 2-4 727. Oatalle tador title: Dtelrahio Wmim SPECIALS SMt Years et Oir LIyos, The (172) Loy-Mareh 4-29 751. It's A WoadertDl Life (129) Stewart-Reed 4-29 781. Naterleas (101) BergnM-GraDt 10-89 761. tang of the Sooth (T) (94) Disney Cartoon Foatare 791. SInbad Tht %»\Hx (T) (ll7) Falrhankj-O'Hara 3-4 762. REISSUES Bairibi (70) Disney Cartoon Feature 2-1 Gun Law (60) O'Brien-Othman 10-3 Border G-Man (60) O'Brien-Johnston 11-14 Lawless Valley (60) O'Brien-Sutton 1-30 Painted Desert (60) O'Brien-Johnston 12-19 . .11-11 729. ....72i.. .3 3 .3-31 . .3-3 . .3-3 . .3-3 .4-21 .4-28 .4-28 .4-28 .3-31 .5-2« .5-M .5-26 .5.26 .3-2< . .12-9 12-23 ..8-S 11-11 .1-20 SCREEN GUILD 1947-48 Features Completed ( 9) In Production (0) RELEASE CHART • 1947-48 Time Cast Dctals Cast . .6-9. COBIPLETED Title — Ronning Boy! What a Girl! (69) Negro Barning Cross, The (78) Danlels-Patton .. Dragnet (73) Wllcoxson-Brian Hollywood Barn Dance (63) Tobb-trving Details inder title: Wceteri Bam Dane* Killer Dill (71) Cwynne-Albcrtson Miracle In Harlem (71) Stepin Fetchit .. Road to the Big House (72) Shellon-Doran . . Prairie, The (80) Aubert-Baxter . . Trail of the Moontles (42) Hayden-Holi ... Details under title: Law of the Moanties Where the North Begins (41) Hayden-Holt ... . .4-28. . .3-31. .3-31 .9-29 Rel. . .9-20. 10-11. .10-25. . .6-21. . .9-13. . .1-24. .12-27. . .1-10. . .2-21. No. . .X-2. .4704. .4703. .4701. .4702. . .X-3. .4706. .4705. .4708. .12-13. . .4707. 1946-47 Bells »f San Fernaada (69) Woods-Warren 11-25. BilTalo Bill Rides Agalo (66) Arlen-Holt 11-25. Bash Pllat (60) Hadson-LaRoe ...Farefga. Cast of the Baby titter, Tht (40) Neal-Jenkins 3-31. Call It Murder (74) Bogart-Whorf Hat Box Mystery. The (40) Neal-Jenklns . My Dtf U«p Neil-Chapman Prairie, The (72) Baxter-Aubert Qaaaa at Tkt Amazon (60) Morlson-Lowery Racketeers (58) Foster- Douglas leRtfadt 6lr1 Curtis-Savage RalllH Host Parker-Hayden Ottalla aadtr title: One Hare Chanei Seared to Death (65) Lagosi-Conpton Sepia Cinderella (69) Negro Cast ... Shoat To Kill (60) Wade-Walters HOPALONQ CASSIDY REISSUES Rtstlar's Valley (60) Boyd-Hayden Texas Trail (39) Btyd-Hayden Partntrs af the Plalis (71) Boyd-Hayden Cauldy af Bar 20 (39) Boyd-Hayden Heart ol Arizona (68) Beyd-Hayden Bar 20 Jastlei (65) Boyd-Haydea Frontiersman, The Boyd-Hayden .. Sunset Trail Boyd-Hayden .. Pride of the West Boyd-Hayden .. . Reissue. ..3-31. . . .9-2. . .8-18. . .9-30. . Reissue. . .9-30. . . .7-8. . .4-5. .4-19. . .6-7. .7-26. . .9-13. .7-15. .12-1. 11- 29. . .1-15. . .9-13. 12- 25. .4614 .4613 .4616 .4618 . .S-2 .4617 .4609 .4705 .4611. . .4-23 . S-l .4612 .3-3. . . .5-3. .10-18. . .5-17. ..3-15. ..4-12. ..4-26. . .5-10. . .6-14. . .7-19. . .11-8. .11-25. . . .1-3. .4608. . .X-1. .4615. .HC07. .HC08. . HC09 . .HSIO. .HCll. .HC12. .HC13. .HC14. .HC15. SE NICK — S. R.O Features Completed ( 4) In Production (1) RELEASE CHART IN PRODUCTION Title — Ronning Time Cast Details Mr. Biandings Builds His Dream House . . . .Grant-Loy 10-13 COMPLETED Dael In the San (T) (138) Janes-Cttten 3-19.. Intermezzo (70) Bergman-Howard ..Reissue... Paradine Case, The (132) Tadd-Ptik 12-23.. Portrait « Jtany Catten-Janet 3-3 . Rel. .4-17. .Ott.. Rev. .4-14 1947 Foattirrs ( (vmpleted (5'J) In Producti«»n (5) NEW PRODUCTIONS APARTMENT FOR PEGGY Romantic Comedy — Started December 27 Cast: Jeanne Grain, William Holden, Edmund Gwenn, Randy Stuart, Gene Nelson. Director: George Seaton Producer: William Perlberg story: War veteran and his bride try their luck with housing .and an education under tlie G. I. Bill of Rights. RELEASE CHART IN PRODUCTION Title — Running Time Cast Details Rel. No. Rev. Chair For Martin Rome, The Mature-Conti 1-5 Iron Curtain, The Andrews-Tierney Street With No Name, The Stevens-Lawrence Walls of Jerieho Wilde-Darnell . . 1947-48 Boomerang (88) Andrews-Wyatt .. Brasher Doobloon, Thi (72) Montgomtry-Golld Call Northsidc 777 Stewart-Wallier . Captain From Castile (T) (140) Powers-Peters ... . . .12-8. , ...1-5.. .11-10. . ...9-30.. . . .7-22. . .10-13. . . .12-9. Carnival In Costa Rlea (T) (95) Haynet-Holm 4'29.. Challenge, The Conway-Vincent . ..11-24.. Daisy Kenyon (99) Crawford-Andrews 7-7., .Feb. .Feb. .706.... 2-3 .7a7...S-17 .Jan. . Ar. .801. . .12-8 .710. . .3.31 .Dec 731. . .12-8 .Oct. .Oct. .733.. 10-27 .729. . .9-29 Deep Wafers Andrews- Peters ....10-13. Escape Harrlson-Citmmins ...9-16... Forever Amber (T) (140) Darnell-Wilde 11-11.. Foxes of Harrow. The (118) Harrlson-O'Hara 4-28.. Fury at Furnace Creek Mature-Gray 9-15 Details under title: Ballad of Furnace Creek Gentleman's Agreement (118) Peck-McGoire 6-9 11-24 Ghost and Mrs. Mulr, The (104) Harrlsoo-Tlerney 12-9... May 715... 5-26 Give My Regards to Braadaray (T) Golld-Daley 5-12 Green Grass of Wyoming (T) Cutnmlns-Coburn 6-23.. HawMtreteh (T) (96) Wlldt-l'Hara 7-22. Miracle on 34th Itreet (96) Payae-O'Hara 12-9.. DtUlls andtr title: Big Htwt 1 Wonder Who's Kluing Her Now (T) (104) Haver-Stevens 8-6... Aug 723. Kiss of Death (99) Mature-Donlevy 3-31... Sept 725. Lati George Apley, The (9S) Coiman-Cummins 7-8... Apr 712. Let's Live Again Emery-Brooks 11-24 Margie (T) (94) Cralne-Toong 2-18... Ho». Mass Rose (82) Cimmtiu-Matore Jane. Mother Wore Tights (107) Grable-Dailey 11-11. . .Sept. Nightmare Alley (111) Power-Blondell 6-9... Oct. Raier's Clge, The (146) Power-Tlarney 4-15. San Demetrle, Landon (76) FItzierald-Yoang ..Ftrelgn.. Sitting Pretty Young-O'Hara 11-10 ShMkIng Miss Pilgrim, The (T) (86) Grable-Haymes 12-10... Jan 703 1-6 Snake Pit. The deHavillaad-Genn . . . .8-4 Summer Lightning (T) Havtr-MtCallister ...3-17 Tender Years. The (81) Brown-Hutchinson 9-1. .May. . Jone. . .Aug. . .Sept. .Apr. .713. . .4-28 .7H...5-12 .6-23 ..9-1 .2-17 .Jn. Apr. .646. .10-'28 .717 6-9 .724 9-1 .730. .10-13 .701.. 11-15 .714... 4-14 .Jan. .803. . .12-8 .11-10. .12-22. , . .6-10. . .7-22. . .9-15. . .Jan. .Nov. Mar. That Lady In Ermine (T) Grable-Fairbanks Details under title: This Is th(! Moment 13 Le.id Soldiers Conway-Wfscott 13 Rae Madeleine (95) Cagney-Annabella Thunder in the Valley (T) (103) Garner-McCallister Rev. ander title: Bob, Son of Battle Yoo Were Meant for Me Crain-Dalley REISSUES Alexander's Ragtime Band (106) Pawer-Faye Drums Along the Mohawk (103) Colbert-Fonda Oct. Grapes of Wrath (128) Fonda-Darnell Otc. How Green Was My Valley (118) Pldgeon-O'Hara Sept.. Lei Mlserables (105) March-Laoghten Jan.. Mark of Zorro (93) Power-Darnell Oct. Stanley and LIvlngstani (101) Tracy-Greens Jan.. Swamp Water (90) Bronnan-Husfon Sept.. Tobacco Road (84) Tiernsy-Andrews Dec, Western Union (95) Young-Scott Jana., SOL WURTZEL PRODUCTIONS Arthur Takes Over Collier-Cowan 12-22 Backlash (66) Travls-Rogen 9-30... Mar.. Crimson Key (76) Taylor-Dowling 3-31... Jaly. Dangerous Years, The (62) Halop-Todo Half-Past Midnight Taylor-Knudsen 11-24 Invisible Wall, The (73) Castle-Christine 6-9... Oct. Jewels of Iranlenbari (66) Travls-Chtlrtl May. Roses Are Red (67) Casfle-Knudsen 6-23... Dec. Second Chance (62) Taylor-Currie Sept. Stranat Jtoraty (65) Kelly-Massen 5-27... Feb. Detalli inlar titia: Flight Ta Paratfht UNITED ARTISTS .702. . . .1-6 ,709. .741. .745. .727. .704. .740. .705. .728. .744. .719. .711 .722 7-7 12-22 . .732. .10-13 . .716. . .4-14 . .734. .11-10 ..726... 7-21 ..708... 9-16 1947-48 Features Completed (26) In Production (0) KEY TO PRODUCERS Small (Sml); Rogers (Rffs) ; Vanguard (Van); Crosby (Cby); BiU Boyd (BB) ; Pressburger (Psb) ; Ripley-Monter (RM); Bogeaus (Bog) ; Stromberg (Smg) ; Levey (Lev) ; Cowan (Cow); Stone (Stn) ; Selznlck (Szk); Nebenzahl (Neb); Lesser (Les); Loew-L«wIn (LL) ; Eagle-Lion (GFD); Cagney (Cgy); Bronston (Brn) ; Chaplin (Chn); Enterprise (I^t); Hughes (Hgs); Comet (Com). RELEASE CHART 1947-48 COMPLETED Titl»— Running Time Cast Arek tf TrlaaiH Bariman-Bayer Details Rel. No. . 7-22 Em .. .JANUARY 19, 1948 21 yi*""' y c ■ ; • MoitM-Ainitnt . Body and Sod I (104) Ca, Add- Palmer . Dead Don't Dream Boyd-Brook, . . False Paradise bhuii Rmni. He..„ „ , Know. ,97,^\\\\\\\-;::::; K^Dome, Hoppy's Holiday (60) . . . Kmi War. !?!:";• <'0' rTh*": '9 Ol.en-Jannsen .3-3 .1-20. .1147 . .rtf . . .8-4 . . .91 Nik . Enl «FD .8-18 12-23. Ollvler-Ncwton For. .9-30. .5-12. .9-30. . Lad Oetilli indir Mlit. Indopindeitti ehart Lored (102) Details aader title: "personal Corumn ' Rj1,T'l«'^°i, Lloyd.Walburn .. Rev. under title: Sin of Harold DIddlebock r^'m Raft-Blondell ... y '^Z".. Waync-Clllt .... Roosevelt Story (80) Documentary . . . Silent Conflict Boyd-Clyde Details under title: Dead 0»n't breain. Conflict Bnyd-Brooks ... Sinister Journey Boyd-Brooks ... c X..- \ Colk=rt-Cgmmln«i So This Is New York Morgaii-Vallee . . "»!"'•'• Wiyne-OSherldan Details onder title: Re< River .9-47. Neb »-4 .9-47 GFD . . .4-29 .7-18 BB 5-12 12-47. lis 1-: R« Sanden-Ball .11-11. .10-1. .12-9., . .8-5. .7-25. Smi Sfg .7-21 ..3-3 11-10 11-47.. .6-23. . . . .7-21. . . . .9-1. . .6-9. . 10-13. . , .9-30. . . .9-47 .ig$ . . . 11-47. Mf-MK Hks U-L 7-7 B.B BB BB Tri Ent Hki Vandttta Able'i Irish Rtet (96) AkIleiM Tmi (•»).. Milli ■■«« mid Mllaiii Ad»entirt« ot Dan Coyote (C) (65) ■••♦•Itft BMfklm, Tk« (M) Carntfla Hall (134) CtiMeahana (92) Daiiieraoi Venture (59) . Dithenared Lady (85) .. .. .. . ... Fakuloui D«r««yi, The (M) Fa«ri Said (63) F»n On A Waik-end (93) Oe(a:"»"li-Huiton Private Affairs ef Bel Ami (112) Sandere-Linibury . 5-13 namrad (94) . * B«k«Mi (130) Jed Haail. The (100) Rok'ion-M'eCamstei 5-13. ^tnrXi, Sanderi-Hasso ...10-29. Stork Bites Man (67) Cooper- Roberts StranM Womaa. The (100) Laraarr-Sanders Saila tten Oat («9) Brac. CaldweM Dattlli indar title: Mlii Tale*lslin Unexpeetfd Guest (67) Details andar title: Whlspirlni Walls 6-20. Reliea*. 2-3. .12-24. . .5-27. . .4-18 Lev . .7-11. Enl Hoj ...3-7 Lew . . .5-2 Ent . .4-26 .Slk . . .2-7. Lsr . .4-19. Pih . .6-21. Com .10-25 . Smi .12-13. R.C. . 10-14 . .4-28 .5-12 .4-14 ..4-1 . .3-3 ..y-i . .2-17 . . .8 5 . .8-18 .11-25 . .12-9 Bayd-Tlta 9-2. . .3-28 BB .1-20 UN I V E R SAL -1 N TIER NAT I ON At 1947-48 Features Completed (24) In Production (2) NEW PRODUCTIONS MR. PEABODY AND THE MERMAID Fantasy-Comedy— Started January 12 Cast: William Powell, Ann Blyth, Irene Hervey, Andrea Kins? Millard Mitchell, Hue-h French. Director: Irving Pichel Producer: Nunnally Johnson story: A man resting in Florida, discovers a mermaid and despite his wifes disbehet, enjoys a beautiful interlude until the mermaid fars m love with him and he sends her back to the sea. RELEASE CHART IN PRODUCTION u. c . Title---Running Time Cast Details Rel. Man-Eaters of Kumaon Sabo-Pago 12-22 1947-48 No. *" J"* I"" Robinson-Christlans Another Part of The Forest March-Blyth Are You With It O'Connor-San Juan' Beware of Pity (102) Palmcr-Lleven ... Black Bart. Highwayman (T) DeCarlo-Duryea Details under title: Adventures of Blaek Bart Bush Christmas (70) Rafferfy-Fernside 5""'' DcCarlo-MartIn ... Captain Boycott (92) Donat-Graiiger "•»'''«, Life, A Colman-Hasso .... Details under title: Imagination u""'' L''^ Fairbanks-Montez . Hungry Hill (92) Lockwood- Price .... Letter From An Unknown Woman Fontaine-Jourdan Lost Moment, The (89) Cummings-Hayward ' Oetalli indar title: Tha Lait L«>i Naked City. The Fitzgerald-Duff . Nicholas Nicklfby (94) Hardwicke-Bond Pirates of Monterey (T) (77) Montez-Cameron Ride the Pink Horse (101) Monfgomery-Hendrix River Lady (T) DeCarlo-Duryea Senator Was Indiscreet, The (81) Powell-Raines Singapore (79) MacMurray-Gardner ' Tap Rooti (T) Henin-Hayward .10-13. .11-10. .11-24. Foreign. .6-23. ...11-10 Foreign 12-8 ,10-27 . Foreign ... Jan 12-8 .6-23 ..5-12... Nov 10-27 Foreign 10-27 .9-15 . . .3-31. . .Dec 10-27 .7-7. Foreign 11-24 .5-13. . .Dec 11-24 .5-26 Oct 9-15 ...8-4 7-7. . .Jan 12-22 .3-17... Sept.... 622... 8-18 . .6-23 .Faralffl. . Raiuaa. . Relstie . . Tawny Pipit (81) Mllai-lahn Firtld. Up In Crntral Park . . Durbln-Haymes 10-13.. Wistful Widow or Wagon Gap (7») Abbotl-Costella 5-12.. Woman's Vengeance, A (96) Boyer-Blyth 8-4.. Details under title: The Mortal Coll 1946-47 Black Narcissus (T) (99) Kcrr-Roblnson Foreign Brief Eneaintar (19) Joknian-Howara ..Ftrelga... Brute Force (98) Lancaster-Blylh 3-3. Back Privates Came Hania (77) Akkttt-CMtalla 12-9.. Captive Heart, The (86) R*<|r«*»-J(kni Dcstry Rides Again (94) Stfwart-Dletrlak Or.icnia LagosI Egg and I, The (108) Colbart-Mularrty ..12.9.. For The Lava at Mary Dirkln-Dall 5-17.. Frankenstein Karloff Ralssaa. . Frieda (97) Farrar-Johns Foreign.. Great Expaetatlani (116) Mllli-Hobson Foralgn.. I Know Where I'M Going (91) Hillcr-Llvasy Forelga.. I Stale I Million (78) Raft-Trtvar Reluie.. I'll Bi Yam (93) Oifkli-Drake 9-20.. Ivy '99) FonUlne-Knowlei .12-23.. Johnny Frenchaian (104) laaay-Rae Fartlgi.. Lady Surrenders. A '108) Lockwood-Granger .Foreign.. Magic Bow, The (105) Granter-Calvert ...Forelfn.. My Heart Gom Cmiy (T) Fleld-Keadall ...ftttn... Magnlfleent Sbiaision (101) Dunne-Taylor ....Relsiee.. Mleklgan Kid, Thi (C) (69) Hall-Jokniaa 4-29. Odd Man tot (118) Maioa Ryan Foraipi.. 100 Meo and A Girl (84) DurblnStokowskl ..Reissue.. Slave Girl (80; DeCarlo-Brent 8-5. Saash-Ui (103) Mayward- Bowman . . .6-10. •ttalh iidar title: L*n Ttfei* ■ MUm Something In the Wind (89) Darbln-Dall 3-17.. Oetalli andar title: For tka Imt af Miry Song af Sehaherazide (T) (106) DeCart*-Deiilary ....1-21. Dalilli i*d« title: labrala SIMrway ta Nuvei (T) (104) Massey-Nlven rardfii. Seeret Beyond the Daor Bennett- Radgravi Tine Oat vf Mind (88) Calvert-Hinon 10-28. Tkay Wara SIttan (lOM) Maiaa-Calvert Faralis.. Tkis Happy Breed (110) Newten-Jehnson ..Farelfa.. Upturned Glass (86) Mason-Kelline ....Foreign. Vlgllaatae Itotira. Tka (Claaaaltr) Hall-Llndsay 7-22.. Wek. The (87) O'Brlan-Rainn 3-17.. Details under title: Jeepartfy Wken the Dalttni Rodi (81) Scott-Francli Reluaa. . Years Between, The (88) Rad^Ta-Makean ..Farelfi.. Y»B Can't Cheat an Hanest Man (73) Flelds-Bergen Relssae. 9-15 .•tt. , .10-13 ...1-5 . Dee 7-21 a-24 10-M . .Aug 620. . .6-23 . .Afr....«12-..3-17 .'Mir.'.'."27'9i.'.\ .Jane... 2798... 613... 3-31 Jana...2797... .Sept .Jaly... .619... 3-31 9-1 , .Aft. . .2794. . . ..laa 607. ..1^ .Jane 616. . .6-23 U-t3 6-23 7-7 May. .Mir. .JiBa. May .Aug. .Mar. .Sept. .Mar. .Mar. .2795. . ..610...217 . .617 3-3 .2796.. . .623. . .7-2i ..60f...2-17 I . .621. . . .8-4 ..608... ^-3 ..611.... 1-6 .May. int. .Nov .Jily. JaM. ..614... 3-31 .10«5. . .9-lC . .CFD. . 4-14 11-24 ..cu.. ..613 64 .Mir. . .2792. .3-17 Apr. . .2793. WARNER BROTHERS l»47-4« Features Completed (23) In Production (2) Rel. No. Rev. RELEASE CHART IN PRODUCTION Title — Running Time Cast Details Adventures of Don Juan (T) Flynn-Llndfors ....10-27 Key Largo B»gart-Batall 1-5 OOMPUETED 1947-48 Always Togither (78) Reynolds-Hatton Details ender title: Love at First SIglht April Showers Carson-Sothern 6-23. . .1-10 713. .12-221 .9-15. .9-15. 11-25. , 10- 14. 11- 26. 9-15. .9-27. . .9-1. 11-22. Christopher Blake Smlth-Doaglas Dark Passage (106) Bogart-Bacall Daap Valley :iark-Lopino Escape Me Never (104) Flynn-Lapino Johnny Belinda Wyman-Ayres Life With Father (T) (118) Donne-Powell 4-15 My Girl Tisa (95) Palmer-Wanamaker ..6-9. Details onder title: Ever The Beginning My Wild Irish Rose (T) (101) Morgan-King 10-14. mgkt Oita Nlfkt Llidfan-laMaa ...9-30. Romance in High C (T) Carson-Palge 6-23 Silver River Flynn-Sherldaa 5-12 That Hagen Girl (83) Reagan-Tcmple 6-23... 11-1 707..10-2> Details ander title: Mary Hageil' To The Victor Morgan-Llndfors 8-18. Treasure of Sierra Madre (126) Bogart-Hoston 3-31.. Two Giyi Fr»m Texas (T) Mortai-Canan 3-17. Unsuspected. The (103) Rains-Caollield 2-3. Voice of The Turtle (103) Parker-Reagan 3-3. Wraiai li Wblta, Tka rarker-Yaiig 10-14 . Walltewer Beynolds-HotUB 3-3. Whiplisk Clark-Snltk S-31. ...2-7. .12-27. .1-24 io-ii. .703. . .9-151 .701 8-4 1 .708.. 11-10 1 .7b2'.'.'.'.9-: .715. . .711. .12-; .714. . ".70iS.V.9-2 1- Winter Meeting Davis-Davis REISSUES Anthony Adverse (116) March-DeHavilland Bad Men of Missouri (71) Morgan-Wyman .. Each Dawn I Die (84) Cagney-Raft . . . . Jezebel (93) Davis-Fonda Slight Case of Murder, A (85) Robinson 1946-47 Beast vltk Fl«e Fliien, The (SB) Alda-KIng Cheyesne (100) Morian-Wynan Cry Wolf (83) Flynn-Stanwyck . Hiairtsno (125) Crawferd-Garkeld Love and Laara (83) Carsen-Vleken . . . Man I Lave, The (9<) Laplit-Alda •etalU aider title: Tfca SetttMi Nera Prentiss (111) Sherldaa-taltk Possessed (108) Crawfsrd-Helln DetalU ia4ar tlUe: Tk« taaret farsaed (101) Wright-Mltehaa Stallion load (97) Revai-Salth . . That Way with Wenen (84) Greenstreet-Vlekers Malls ia He statea that a spokesman was contacted in the New Jersey Alcoholic Beverage Control and they looked with disfavor on 16mm films being shown in bars and grills. The membership is requested to inform this organization of any such showings in their respective areas, so we can compile the proper data. He also reported that a con.- pany known as Films Center, Inc., is in a position to secure fea- tures and shorts as early as 18 months old which will be available with equipment and operator on a rental basis which will be in direct competition to the legitimate motion picture theatres. The membership was most vehement in their denunciation of any dis- tributor who was short sighted enough as to supply this company. It was also stated that this office was making a survey of those Idistributors who are now engaging in 16mm activities and a fur- ther report will be given at a later date. Mr George Gold, chairman of the Legislative Committee, gave a report that his committee is prepared to meet any proposed legislation concerning theatres. His machinery has been set up. He likewise suggested that the next meeting be held in Trenton with which the membership concurred. ^ . Formulative plans for the 1948 convention were presented by the chairman, Wilbur Snaper. He stated that the Hollywood Hotel West End, New Jersey was secured. The date will be June 28-29-30. He also stated that the entire hotel and its facili- ties were taken over by Allied for this convention. * * * INDEPENDENT THEATRE OWNERS OF N. CALIF. WAKE UP, HOLLYWOOD! "The recent Anti-Commie hearing in Washington placed our business in a bad light with the lawmakers and our customers, the public. The producers continue to make pictures which incur the wrath of many fine organizations, such as the P. T. A., the Legion of Decency, etc. So serious is this condition that Gover- nor Warren's Crime Conference blamed the motion pictures as being a major factor in contributing to the delinquency of minors. The Hearst newspapers printed a front page editorial suggesting Federal censorship. All this, because the producers have for- gotten they are supposed to make pictures which ENTERTAIN and not exploit the baser things in life. WAKE UP, HOLLY- WOOD, before it is too late." ERROL FLYNN Warner Brothers has just given Errol Flj-nn a new 15- year contract which will pay off at the rate of 8225,000.00 a year. It also specifies that FljTin wUl only be required to "work 14 weeks a year. The other 38 he can rest up. How much worse can he get at the box-oflice in 15 years??? —Allied Rocky Mt. Bulletin FILM BULLKTIH 4 PING NEW EXCI PHREY Husro ^ DIRECT^ BY * OHN HUSIO PRODUCED BY HENRY BLANKE SCREEN PLAY BY JOHN HUSTON • BASED ON TH! NOVEL BY B TRAVEN • MUSIC BY MAX STEINEh- IMILrAniEASURE mm m The Senator Was Indiscreet True, there have been com- plaints from some quarters that this movie pokes rather sharply Ijarbed fun at people in high places, but it cannot he denied that Universal-International has delivered one of the season's funniest films. As the critical Mr. Boslev Crowther of the New York Times puts it: "Unless this country lacks humor (which has been a moot question of late • . it should get a great deal of amusement from 'The Senator \^ a« Indiscreet ." ^ ith William Powell turning in what many consider the best role of his long career, the char- acter of bumbling Senator Mel- vin Ashton becomes one of the most hilarious screen portraits ever created. When the good Senator denounces both infla- tion and deflation, but takes a firm stand in favor of just plain "■flation"'. it is a lampoon of every comic political figure ever satirized in play, cartoon or written word. He advocates health legislation assuring every one a normal temperature. He speaks to Indians and Malayan? in their native tongues. Any- thing, in other words, for a vote. And he has a knowing eye for a pretty gal. The campaign prepared bv the U-I publiciteers gives the exhibitor plenty of material into which to sink his teeth. Just a few of the ideas are cov- ered on the opposite page. -EXPLOITATION PICTTOE- PrGss Bnnk Dn 'Senator Was IndiscrGGt' First-Rate; Designed For Laughter! /CREDIT the Universal - International boxofficers, under the direction of John Joseph and Maurice Bergman, with fashioning the most compact, ef- fective press book (Showman's Manual, U-I calls it) seen in months on the comedy hit, "The Senator Was Indis- creet". There is an abundance of fine news- paper ads and the variety in layouts, captions and sizes is unusual. (Several are shown below in reduced size) . The showman who fails to use some of these ads at least a week before his opening date will miss a great bet, for they are bound to build up tremendous advance nterest. The Showman's Manual also is bulg- ng with a concentration of clever ex- ploitation stunts that should stir com- ment and sell plenty of seats. In addi- tion to those illustrated on this page, there are a couple dozen other ideas, ny one of which will focus a commu- ■nity's attention on the forthcoming ar- rival of that pompous, lovable old hum- )ug artist. Senator Melvin Ashton, as plaved to the hilt by William Powell. FRONT DISPLAY STRE£T BALLYHOO FAMOUS NAMES Not all the name value connected with "The Senator Was Indiscreet" is i:i the cast. George S. Kaufman, the director, has writ- ten some of America's greatest plays, such as "Dinner At E'aht." "You Can't Take It With You" and "The Man Who Came To Dinner." Charles MacArthur, author of the screenplay, is famous for ''Th? Front Page," among others. Nunnally Johnson, the producer, is a famous personality and wit in his own right. Don't overlook the value of their names. Dress up the theatre front in gay. comical political nvood. Stream a banner across the marquee reading: VOTE HERE FOR THE SEASON S COMEDY HIT! Use pennants with piclures of Powell and funny slogans under them. Over a large ballot box place a sign reading: WHO'S YOUR CHOICE FOR AMERICAS FUNNIEST MAN? . . . YOU'LL VOTE THE POWELL TICKET AFTER YOU SEE 'THE SENATOR WAS INDISCREET!' N. Y. PREMIERE The Broadway premiere at Loew's Criterion was backed by a campaign that included several effective stunts and promotions. The scandalous d'ary compiled l)y Senator Ashton was the basis of a window tie-up with the F. W. Woolworth Stores. Posters showing William Powell writing in his diary were used to advertise Woolworth diarits. The tie-up was also made with book and stationery stores. In the lobby of the Criterion in advance of ihe open'ng a contest was held asking patrons til identify famous polit'cal campaign slogans. Pairs of passes were distributed as prizes. A sound truck decorated in political cam- paign style would be a great eye and ear-catcher. Banner a few comedy, slogans across it like: ASHTON SAYS AMERICA NEEDS A GOOD FIVE CENT NICKEL! Or. perhaps: ASHTON WANTS TWO FAMILIES IN EVERY GA- RAGE! The coming presidential campaigns make this type of ballyhoo particularly timely. ' THE MEN BEHIND THE CAMPAIGN JOHN JOSEPH A'ofV. director advertising, publicity and promotion MAURICE BERGMAN Enytcrn advertising;, publicity director HENRY A. LINET Eastern advertising manager CHARLES SIMONELLI Director of special events mw What the Netospaper Critics Say hbout Neiu F/lms 'Paradine Case' Called Slick, Fascinating The Selznick polish and the Hitchcock suspense are the chief ingredients in the New York critics' analysis of "The Paradine Case" and both emerge slightly scarred but, triumphant after run- ning the reviewers' gauntlet. £"!me took issue with the fact that 3 courtroom is the lestrlcted background for virtually the entire picture, others lauded the masters' achievement in meeting the challenge. Decrying its "circumscribed" action and length, but admitting its "artistry, imagination and resourcefulness," the Herald Tribune's Howard Barnes gives if his seal of approval as a "fascinating movie," done with all tnc Hitchcockian touches and fortified by a Sterling cast performing impressively. Bosley Crowther, thf Times' terror, grudgingly admits the ability of producer and dir ector to get "as much tension in a court- room as most directors .•'-aiild get in a frontier fort." He calls it a "slick piece of static entertainment" with a story that is neither "significant" nor "too-vvell-writt en," but nonetheless "fitfully in- triguing." He also gr-ants Hitchcock credit for the manner in which "he has pulled some distinguished work out of his cast of brilliant actors." "Beauty tpchniqtie, and productive elegance preserved a la Hitchcock, visually enticing but thin in substance," us the Post's Ar-cher Win.sten's voidict. The director has made "a silk piirsc out of the tradition-il material," says the Post's critic, 1 Hitchcock for his craftsmanship in maintaining interest d'-.-piV' *1alk rather than action." and coming up with a "civilized, intelli- gent, adult" film. PM reviewer Cecelia Ager calls it "as high-tone^ a movie as has ever Jtoomed out of Hollywood, bursting with stars, .sheen, fic- tion, tension, pa.ssion and so forth and .so forth," a typical exampU- of Hollywood escapism, "eminently saleable, luxuriouusly obvious, endearingly nostalgic of the good old days, good and juicy and grand." The Journal American's Rose Pelswlck and the Sun's Eileen Creelman both go oveiboird for i,he picture. Miss Pel.swick names it "spellbinding entertainment . . . right out of the top drawer," while Mi.ss Creelman blcs.ses it with "typical Hitchcock, rich in characterizaton, tense with drama" and offered "with the smooth- ness expected of Hit<;hcock and Selznick." 'GOOD NEWS' METRO-GOLDWYN-MAYER "Ouch numbers as 'The Best Things in Life Are Free,' 'Just Imag- ^ ine' or 'Varsity Drag' are still singularly captivating after two decades. They inspire the brightest interludes in a dull song, dance and football motion picture."— BARNES, N. Y. HERALD TRIBUNE. "Oongs are as vibrant and iively as ever. The new adaption simply has written away the .<;pont.Tneity and lost the headlong glee in having a good time. The merriment now is so carefully planned it becomes synthetic."— COOK, N. Y. WORLD-TELEGRAM "/^Id plot to work out in a rigidly old-fashioned style. And the humors are obviously inferior to the frequent interjections of dance . . . But the old tunes are .still full of fragrance . . . Pleasures of reminiscence wihich the picture affords are worthwhile. As for the untraditioned youagsteis . . . the star's and the dancing activity should adequately satisfy."— CROWTHERS, N. Y. TIMES "T ight, effervescent thing which entertains all the way." — CON RAD, N. Y. DAILY MIRROR. '"t ively action, lilting songs and brisk dance routines, all of which arid im to seasonablv say and lighthearted entertainment."— PELS WICK, N. Y. JOURNAL-AMERICAN. '"TPhere must be people who care for pictures that have the quality of a candy stick, hard, bright, decorative and wholly lacking in substance. 'Good News' vv.is made for them, not for this reviewer •.vho found its leaden amatoiy gyrations empty of meaning." — WIN- .?TEN, N. Y. POST. "/^oes in for cuteness and rythm rather than loud laughs and ^ singing . . . None of the voices are particularly good, from Miss Allyson's husky tones to Mel Torme's mannerisms. But they do quite well, accompanied by a lively spirit and good looks."— CREELMAN, N. Y. SUN. PIRATES OF MONTEREY' UNI V E RS'AL-INTERN A FI ON AL '■piods on in the rut ground out by a thousand pictures before it ... Old style costume operetta filling without the music to excuse its familiar convenf^ions. performed in the manner of a third road company that's been out with the show too long." — AGER, PM. '"T^here is no point at v/hich you can sink critical teeth into this kind of tinted mush. Such matters are handled more exnedi- ■iously -with the descriptive cr synoptic shovel." — ^WINSTEN, N. Y. POST. ■'por the youngsters . . . Al! adventure, pretty much cut to a studio pattern . . . Youthful audiences may tire of the constant talk ,^bout love. They should like the lights and the confusion." — ^CREEL- MAN, N. Y. SUN. "X^atuous acting, writing and directing tied into an untidy Techni- color bundle . . . Combine horse opera with a reconstruction of historical events in California in 1840."— BARNES, N. Y. HERALD TRIBUNE. '"Uesemljles nothing so much as a fancy dress ball . . . Sets are pretty and the Tijchnicolorc are bright . . . Couple of gun and fist fights that mav intei'est the ?mall fry in the audience." — PELS- WICK, N. Y. JOURNAL-AMERICAN. 'THE EXILE* UNI VERSAI^ INTERNATIONAL ""LJardly the action-packed, swashbuckling adventure for which the elder Fairbanks was noted. . .Ambling tale. . .long on dis- course and short on swordplay."— WEILER, N. Y. TIMES. "Ccript is weak. . .Period picture with as much swordplay and ^ bowing from the waist as the audience can take."— CREEL- MAN, N. Y. SUN. "Amiably adventure yarn ..Some brisk moments. . .Pretty much on the talky side." — PELSWICK, N. Y. JOURNAL- AMERICAN. "/Contains little sv/ash, and buckles badly in almost all the de- ^ partments of film making. . .Fairbanks has attacked a film fare of inherent spice and flavor. In his first attempt, he has apparently bitten off more than he can chew." — BARSTOW, N. Y. HERALD TRIBUNE. "■pretty fair entertainment if you come to the theatre fully de- termined to check your thinking cap at the door." — COOK, N. Y. WORLD-TELEGRAM. 'TYCOON' RKO-RADIO "Clow and overlong. . .Halting, -wordy and familiar escapist item '-^ hardly worth all those expensive trappings." — WEILER, N. Y. TIMES. "Average, unintelligent, undistinguished melodrama. . .A film running two whole hours anc' eight, costing hundreds of thousands of dollars, yet saying nothing whatever, giving no real pleasure. Blo-wn up into a mighty Technicolor epic, 'Tycoon' is still flea-sized."— PECK, PM. "TJlenty of action here, all told in a simple-hearted, rather old- fashioned style... at much too great a length." — CREELMAN, N. Y. SUN. '"-Tripe in color and spades." — MAYNARD, N. Y. JOURNAL- AMERICAN. "Qpends two hours building up to a spectacular climax that some- ^ how was omitted. '—COOK, N. Y. WORLD-TELEGRAM. "/~\ffhand, I can't remember any cinematic cliches that have been left out of the Technicolor tract. By a generous estimate, there is about a half-hour of entertainment in 'Tycoon,' but it takes more than two hours to get it."— McCORD, N. Y. HERALD TRIBUNE. 'THUNDER IN THE VALLEY' TWENTIETH CENTUTIY-FOX "l^oyly sentimental adaptation of Alfred Olivant's canine classic ^ ...Pulls most of the cinematic stops. . .Straggling and tepid." —BARNES, N. Y. HERALD TRIBUNE. "picture to please any one who loves to cry over a dog and his master."— CREELMAN, N. Y. SUN. "Come thrilling re-enactments of field trials. . .Great deal of or- ^ dinary fictitious and sentimental muck .. .Hackneyed and spiritless."— CROWTHER, N. Y. TIMES. "Come photogenic sheep, two beautiful dogs and effective Techni- ^ colored backgrounds are the chief attractions ..Gentle and very leisurely tale aimed at the juvenile audiences." PELSWICK, N. Y. JOURNAL AMERICAN. 32 FILM BULLETIN Adolph Zukor, chairman of the board of Para- mount Pictures, receives oong:ratulatJ«ns on his 75th birthday from the oldest employe of the company, Franlt Meyer, manager of the pur- chasing dept., who has been witli corporation since 1913. Herman Beiersdorf, Eag-le-Uon's former .South- western district manager, has been named E-L's Western sales manager by sales head A. W. .Schwalbergr. At the Xatioiuil ( Diileifiue of ( liiisthins and •lews luncheon, simnyement division, hi New York's Waldorf Astoria are ex-r ller- l>ert Lehman, Hermann Place and Dr. Henry >Iet'racken, Dppinet Drive captains meet with KKO Kadio distribution chief Robert .Mochrie: Charles Boashere:, North-South; Nat Levy. East; Mo- chrie; Walter E. Branson, West, and Harry Michalson, short subjects .sales manager. nflUS DIGEST {Continued from Page 14) JANUARY 19, 1948 ENTERPRISE 'ARCH', 2 MORE TO UA With United Artists definitely set as the distributor for Enterprise's "Arch of Triumph,'' a national advertising campaign topping the million-dollar mark has been set by Gradwell L. Sears, UA president, who will personally supervise all sales and marketing of the film. Details of the picture's release will be announced at a speciat sales convention which Sears will conduct in New York shortly following huddles with Enterprise distribution chief George J. Schaefer. The negative of "Arch" was delivered to United Artists last week by Enterprise^ following decision to release the film through UA as originally planned had been reached after a series of meetings in New York between Sears and Entei-prise toppers. The decision was reached shortly after Sears had given warning that UA intended to hold Enterprise to its commitment to deliver the film, in response to reports that th» production company was seeking another outlet. In addition to "Arch," Enterprise will deliver to UA two other films, "They Passed This Way," and "So This Is New York." While Enterprise is now free to negotiate a new distribution deal, Schaefer disclosed that it has promised to deliver additional pic*ures to UA on a non-exclusive basis. The Enterprise statement urged exhibltr> '- Ti\ r-g the "bulwark" of independent production. Fo r-^ dlslri' utlon on the Enterprise productions named is handled by Loew'» Internationci. * • • WARNER PROFITS FOR '47 UP Warner Bros. Pictures, Inc., and subsidiaries, reported a net profit for the flscaV year ending August 31 of $22,094,000, an increase of $2,670,000 over the preceding year, despite decreases in the last two comparative quarters of the year, it was reported by Harry M. Warner, president, in his annual report to the company's stockholders. The net is equivalent to $3.02 per share on the 7,295,000 shares of outstanding Common Stock and compares with $2.62 per share on the 7.402,180 shares at the end of the preceding year. It was also estimated that net profit for the first quarter of the current fiscal year, ended Nov. 29, 1947, was approximately half the net for the corresponding quarter last year. For the quarter ended Nov. 30, 1946, the net was estimated at $11,603,000, making the profit for the first quarter this year approximately $5,800,000. Gross income for 1947 was reported as $172^004.197. of which $164,643,273 wa.-* derived from film rentals, theatre admissions, sales, etc. This compares with $165,533,006 for fiscal 1946, of which $158,613,438 came from film rental^, admissions, etc * « • YOUNGSTEIN ANNOUNCES AD-SHARING POLICY Eagle-Lion ad-publicity-exploitation director Max E. Youngstein's statement that the company "will continue and expand its policy of sharing advertising and promotion costs, dollar for dollar, with all theatres over normal house budgets on every major film released by the company was greeted with enthusiasm by exhibitors, particularly* in view of some recent company announcements that they were cutting promotion- sharing with theatres. Youngstein told a regional sales meeting in Dallas, Texas, that the company plans to augment and increase all sums allocated for promotion to any amount deemed suit- able for any individual engagement. The company also announced plans to release 60 features during 1948, topping the 1947 season's 56 by four. It was revealed that 11 of the features are already com- pleted and awaiting release during the first quarter of 1948; four more are scheduled to go into production this month and at least 10 others are ready for final script treatments. * • • WB 'CAPACITY' SCHEDULE FOR '48 A capacity schedule of production will be the keynote of Warner Bros, studios for 1948, with twelve productions set to go before the cameras in the first quarter of the; year alone. Jack L. Warner, production chief, announced last fortnight. Important recent alliances with Cagney Productions, Transatlantic Pictures Corp. of England', Michael Curtiz Productions and United States Pictures highlight the new production program. Listing 40 pictures now in vaiious stages of preparation, Warner promised an "all-ouf effort, v/ith "solid entertainment. . .the watchword." He also cited additions to the Warner contract list, such as stars Gary Cooper, James Cagney, Danny Kaye, ingrid Bergman, James Ste^vart and directors Alfred Hitchcock, Elliott Nugent. Henry .'•Foster and Bretaigne Windust. * * « The twelve pictures scheiuled for immediate production are: "Key Largo," star- ring Bogait, Edward G. Robinson, Lnuren Bacail and Lionel Barrymore; "Rope," Hitchcock directing and Stewart starring; "The 49'ers," Michael Curtiz produclng- directing; "Until Proven Guilty," starring Joan Crawford; "Autumn Crocus," with new star Viveca Lindfors; "The Fountainhead"; "Ethan Fromc|," Bette Davis starrer; "The Story of Seabiscuit" in Technicolor; "The Turquoise," Errol Flynn and Claude Rains starred; "Copper Hill," Gary Cooper; "Girl From Jones Beach." Dennis Morgan, Jack Carson, Janis Paige; "June Bride," starring Bette Davis, and "Sunburstj," a Ranald .itacDougall production. * » • FOX SETS 8 TOP PIX IN 2 MONTHS With its 1948 release schedule stepped up to 48 pictures, 20th Centui-y-Fox will iiave eight top pictures on its release schedule during the next two months, more than at any time in its history, Andy W. Smitlj, Jr., general sales chief, announced. (Continued on Page 34) 33 CLASSIFIED BUSINESS STIMULATORS Comic Books A^ain Available as premiums, give-aways at your Itiddie matinees. Large variety, latest 48- page news stand editions. Comics Premium Co., 412 F. Greenwich St., New York, N. Y. OlS DIGfST {Continued from Pa^e 33 j THEATRE WANTED Will lease or buy theatre in Eastern Penna. or New Jersey. Write FB, Box 72, Film Bulletin. POSITION WANTED Experienced theatre manager; ag- gressive showman; wants to buy and book, as well as manage. Anywhere in the East, FB Box 75, Film Bulletin. THfATRE MANAGERS AND OWNERS We thank all theatre owners and managers who cooperated with us by putting return trailers in the proper addressed containers and for wrapping and addressing all return advertising. We can serve all theatres better if they give us a copy of their program Tuesday each week. • IMPORTANT Don't put your return film in the lobby until all your patrons have left after the last show. • HIGHWAY EXPRESS LINES, Inc. 236 N. 23rd St., PUladelphiA S 1239 Vine St., Phila. 7 LOcust 4-0100 Member National Film Carriers DWINDABLE DELIVERY NEW JERSEY MESSENGER SERVICE Hember Nat'l Film Carrl*ra 260 N. Juniper St.. Phlla. 7, Tm. LOcuBt 7-M2S The line-up launching the nev/ year inchide-i: "Gentlemm's Agreement," "Captain I'rcm C^astile," 'Forever Amber," and "Daisy Kenyon," all currently in special pre- release or first-run engagements. The others include "An Ideal Husband." starring Paiilette Goddard, first of the Korda films under the 20th Fox-London Films agreement; "Call Northsirle 777," starring James Stewart; "You Were Meant for Me" (Jeanne Crain- Dan Dailey) and "The Tender Years," starring Joe E. Brown, first of the Alson pro- ductions to be delivered by Edward L. Alperson under his contract with the company. » • • SCULLY. BERGMAN IN COAST HUDDLES With Universal-International sales chief William A. Scully and Eastern ad-publi- city director Maurice A. Bergman in Hollywood, U-I distribution policies were the main topic in the series of .studio conferences by the company's toppers last week. Follow- ing the Coast huddles, Scully and Bergman will launch a series of sales meetings in San Francisco, New Orleans ;ind Chicago. Important releases for the next few month.-, on which distribution policies will be set are: "A Double Life," "Naked City," "All My Son«." "Another Part of the Forest," 'Up in Central Park," "Casbah." "Are You With It?", "Letter from an Unknown Woman" and "Black Bart," all top-budget, big-star productions. * » ♦ GOLDMAN AWARD UPHELD Triple damages of $375,000 awarded to William Goldman. Philadelphia exhibitor, in December, 1946, must be paid by Warner Bros, circuit and 10 major companies, it was ruled by the U. S. Third Circuit Court in that city last fortnight. The award covers the period between November 9, 1940, and December 8, 1942. The amount was awarded Goldman in his anti-trust suit against the chain and the distributors charging discrimination against his E^-langer Theatre which resulted in ills inability to acquire fiist-run product. Goldman has another suit pending in Federal Court in Philly for triple damages Joi- the period between December 8, 1942 and December 18, 1946. * • * SKOURAS, RUBIN HEAD BROTHERHOOD WEEK Chairmen to head the various committees appointed for the divisions for Ameri- can Brotherhood Week, Feb. 22-29, were announced last week following a meeting headed by J. Robert Rubin, national chairman of the Amusements Division, and Spyros P. Skouras, national chairman of the Film Division. The week is sponsored by the National Committee of Conference of Christians and Jews, with President Truman and Robert P. Patterson, former Secretary of War, as honorary chairman and national chairman, respectively. The committee chairmen are as follows: Barney Balaban, Jack Cohn, Ned E. Depinet, Ted Gamble, Jack Kirsch, Louis Nizer and Albert Warner, national associate chairmen; David Weinstock, campaign committee; Sam Shain. exec assistant to m.p. div. nat'l chairman; N. Peter Rathvon. Hollywood committee; Harry Brandt, exhibitors' committee; Emil Friedlander and Will H. Hays, special gifts; Robert Mochrie, distribu- tors division; Max A. Cohen, home office committee; Brock Pemberton, legitimate thea- tres; Silas Seadler, chairman, advertising and publicity; S. Barrett McCormick and Charles Schlaifer, vice-chairmen, ad-publicity; Roger Ferri. company publications. * * * ATTACK. DEFEND SENATOR' Action by the board of Allied ITO of Iowa-Nebraska attacking Universal- International's "The Senator Was Indiscreet" and urging its members not to book the film on the grounds that it was "a reflection on the integrity of every duly elected representative of the American people," making it potentially "vicious propaganda by subversive elements," was counter-attacked last week by the producers of the picture, Nunnally Johnson and Gene Fowler. Johnson declared, "If these exhibitors have actually seen the picture, which I greatly doubt, this is the beginning of that censorship by fear and intimidation which tiie Thomas committee will have imposed upon the m.ovies." Fowler's statement called the picture's intention "pure entertainment and in nc wise to reflect upon Congress as a body." Rather than causing damage. Fowler said, the film "might well serve to remind the voters to beware of the occasional unfit candidate who seeks to slip into office." * • • SEPARATE TRIALS FOR CITED TEN The ten Hollywood movie writers, director and producer facing charges of con- tempt of Congress during the recent House Committee hearings in Washington, will stand trial separately, beginning Feb. 9, it was ruled in Washington Federal District Court Jan. 9. Each of the ten pleaded not guilty to the charges before Judge Rich- mond B. Keech, were fingerprinted over the objections of their counsel, Robert W. Menny, and released on $1,000 bond posted in Los Angeles. First of the writers to be tried will be John Howard Lawson, Feb. 9. Dalton Trumbo's case will be heard Feb. 16; Albert Maltz and Alvah Bessie!, week of Feb. 23; Samuel Ornitz and Herbert Biberman, Mar. 8, Dmytryk and Scott, Mar. 15; Ring Lardner, Jr., and Lester Cole, Mar. 24. Four of those cited have filed suit against the studios which dismissed them in amounts aggregating over $4,000,000, and a fifth, Dalton Trumbo. was exi>ected to in- stitute damage proceedings. Lardner, Dmytryk and Scott charged breach of contract, and in addition to loss of compensation occasioned thereby, asked $500,000 for "loss of artistic and professional gratification," and $250,000 for "humiliation and anguish." Cole asked no monetary compensation, but sought court intervention in what he called an illegal suspension. FILM BULLETIN k/hkk (m ike Msi estkiikofitsl o o o our patrons! says Woman 's Mo me CompamoH in ah Authentic Survey! MORE pulling-power than any other PAID advertising medium on same survey! Sowrw^ Shepherd of Wometco's MIAMI Theatres circuit, tested and proved that TRAILERS are his rnost effective advertising medium. The samething happens m YOURtheatre! COMPAREthe LOW COST of TRAILERS... with the cost of your Newspaper advertising... Radio . . . Car-cards . . . PROGRAMS . . . ! COMPAREthe RESULTS/ TRAILERS Qo%i Iq$s,,,?xo(Xwcq More... than any other form of Advertising! Use TRAILERS.,, from The PRIZE BABY of the Industry! cieen scrvicc PMUtmMr Of metaousnn 25c per Copy BULLETIN FEBRUARY 2, 1948 EXHIBITORS WILL ANSWER THE FALLEN "ABCH" POLICY! EDITORIAL by MO WAX Page 6 = DOLLAR FOR DOLLAR, PATRON FOR PATRON YOU CAN'T BEAT THE BOX-OFFICE VALUE 1 r OF A TRAILER! = Trailers draw 31% of your Patrons" ...says Woman's Home Companion in authoritative 1947 Movie Survey! FILM PUBLIC HELATIDIVS IIV MESS Free 'Stairway' Show Boon, Says Exhibitor The free pvblic showing of Universal- International's "Stairway to Heaven" in the Auditorium, Fort Wayne, Ind., which created a stir in exhibitor ranks, was q';.ite a suc- cess; and. according to the theatre's opera- tor, might prove to be a boon to all the movie houses in that city, as well as to the distributor. The picture played to 17,000 free patrons, despitt bad weather, during its three-day (Jan. 23-24-25) engagement at the Audi- torium, according to Harvey G. Cocks, gen- eral manager of the Quimby circuit, which operates four theatres in Ft. Wayne. The free show v>fas arranged by him at the in- stance of owner Mrs. Clyde Quimby, who way deeply disappointed when "Stairway to Heaven" played her theatre first-run for a full week, Jan. 8-14, to only 2736 customers. Greatly impressed by the film, she instruct- ed Cocks to re-bcok it for a free showing in order to give the people of Ft. Wayne an opportunity to see what a fine picture they had missed. Absolve!, U-I Cocks told FILM BULLETIN that U-I is "completely blameless'' for the incident. "I guess I just didn't give them all the facts when I booked the picture," he said. How- ever, he expressed the opinion that movies in general received a wealth of free pub- licity as a result of the free show. "While I don't doubt that our 17,000 at- tendance out of Ft. Wayne's 150.000 popula- tion hurt some other theatres during those three days, I am sure that the people of our city have been made movie-conscious thiough it," Cocks declared. "And Univer- sal might find a flock of extra bookings re- sulting from the publicity." The gratis showing of "Stairway" was condemned by the Assccialed Theatre Own- ers of Indiana as "an immoral and unwar- ; rantable shame on all the parties con- cerned." The Allied unit v/arned that it was a precedent that can have "serious consequences." Goldwyn Has Supporters In Blasts Against Movies Samuel Goldwyn's periodical blasts against the industry raise the blood pressure of a lot of people in the various branches of the trade fnd some film executives, as well as exhibitors, would like to gag him. But there is pro and con on the subject of Gold- wyn. The irrepressible and outspoken pro- ducer is privately applauded by industryites, who feel that some of the worst maladies of movie business are due to a lack of frank, even harsh, criticism. Of couise, when Goldwyn's diatribes reach the public press, the boxofflces of the nation stand to suffer. However, his obser- vations are hardly more disparaging than those being printed by film critics in many newspapers throughout the country and it might be just as well to have the unkind woids said by those within the industry . In his latest dressing down, Goldwyn said, "It IS a startling indictment of our industry that with employment throughout the Uni- ted States at its highest peak in history, boxoffice receipts have been going down." He called for an uprooting of inefficient people "in high places" to improve the quality of pictures. FEBRUARY 2, 19 le INDUSTRY AD MEN FACE TOUGH TASK Taking cognizance of the fact that motion picture relations with th« pubKc and the press today is at its lowest in years, t'ne distributors' Advertising and Publicity Di- rectors Committee last week voted to es- tablish a permanent public relations sulj- committee, under the direction of Charles Schlaifer, of 20th Century-Fox. This group will serve with Maurice Bergman (U-I). who was named chairman of the APDC at its semi-annual election meeting Thursday (29th), and its aim wiW be to halt the tide of unfavorable public opinion rising against the industry. Toward this end, the adver- tising-publicity men have requested an early conference with Eric Johnston and the MPAA Public Relations Committee, headed by Nate Blumberg, president of Universal- International. A herculean task faces the Bergm.an- Schlaifer group, for the deterioration of filmdom's relations with the ticket-buying public is fast reaching the danger point. It is manifesting itself in a variety of ways — • a drop in attendance, a "bad press," threats of new taxation in many communi- ties, etc. It will take a lot of industrious fence-repairing by the publicity men to win back many of the industry's old friends and boosters. Executives To Blaine Blame for the current mess in which the movies public relations now wallows must be placed squarely on the shoulders of top echelon executives, whose ill-advised and short-sighted policies have dissipated most of the good will built up through the years of outstanding war effoit by the industry. No one any longer pretends that the com- munist probo was not mishandled. That portion of the public which is strongly anti- red still harbors the feeling that the film studios are swarming with commies, while liberal Americans are of the opinion that the film leaders betrayed their own freedom and film production henceforth will be sub- ject to a subtle form of censorship by forces opposed to liberalism in this country. The intense economy program of the film companies has been another potent factor in creating a bad public reaction. An in- dustry that still publishes roseate profit statements, talks good cheer to stockholders, publicizes quaiter-million dollar paychecks for actors and a $25,000 advance to Lana Turner for a little "vacation" in New York, and announces handsome salary increases for top executives, can hardly justify in the public view layoffs of veteran employees, such as clerks, salesmen, publicity and ex- ploitation men. An industry that talks from Hollywood about 2 and. 3 million dollar pic- tures just doesn't make sense to most people when the New York end cries that it must pinch pennies. The general press response to this situa- tion is probably best summed up by TIME M:-ig';zine, which closed a recent article on the economy "panic" with this observation: "In the end, the real victims of the panic might well be the moviegoers, who would probably get poorer fare for their money." Other Problems Other problems the Advertising and Pub- licity Directors Committee will have to cope with are the generally poor quality of film product released in the past year — ■ a fac- tor many exhibitors say is almost wholly responsible for the current box-office slump — and the adverse public reaction to ad- LOEWS OK'S DIVIDEND Loew's Inc. declared a quarterly dividend of 37 '/i cents per share on common stock, payable March 31 to stockholders of record Mar. 12. J. Robert Rubin, v.p., told the an- nual stockholders meeting Friday (30th) that earnings for the first 8 weeks of the second quarter of the current fiscal year show an improve- ment over earnings in the first quarter. Divorcement Bar To Deals for RKO Sale Despite all the speculation rife about deals pending for the imminent sale of At- las Corp. s controlling share of RKO, keen industry observers discount them as just so much talk. There is virtually no likeli- hood of Robert R. Young, Howard Hughes or anyone- else taking on the deal at this tin^e, in view of the implications in the Government's anti-trust suit against the majors, which goes before the U. S. Supreme Court next Monday (9th). Floyd Odium, head of Atlas, uttered a mouthful when he recently said, "It is doubt- ful if any person or group of substance within the industry has the combined money and nerve to meet the faith of the Atlas Corp. in the industry." But, while he at- tributed this lack of cash and confidence to "the almost panicky conditions in the production end of the movie industry," there are those who believe that that is not wliat he really meant to say. Divorcement Threat Since it is regarded as better than a 50-50 bet that the Supreme Court will sustain the Department of Justice's position that divorcement of theatre interests is the only cure for the ills of the industry, Mr. Odium may very well have a film company without theatres to sell, and he knows it. The value of RKO will vary greatly with the high court's decision and it would be too rioky a gamble for anyone to buy now. Furthermore, insiders believe that RKO president N. Peter Rathvon still has first crack at the deal and that neither Young nor Hughes could have the company if Rathvon wants it. vanced admission prices demanded for sev- eral recent films. The task of the APDC public relations group will be all the more difficult as a re- sult of the executive-commanded economies that required laying off of the publicity and exploitation men in the field. In his report on APDC activities during the past year, Schlaifer pointed out that he had made several trips across the country to build up goodwill. However, it is generally conceded that this is too big a job for any one or two men to undertake in the present situation and that a full staff is needed to get effec- tive results. If the film companies had competent pub- licity men in the field, much more intimate contacts could be established with squawk- ing exhibitors, the apathetic public and the critical press. Lacking adequate manpower, the APDC will be hamstrung in its efforts to win back the favor of these groups and in the present economy-minded atmosphere pervading the film companies there can be little opportunity for the committee to per- form its job well. Perhaps this will be one of the points laid before Johnston and Blum- berg when they meet with the admen's group. SHORI SOBJfCTS By BARN ''Economized" Publiciteer Speaks His Piece •DeJir Sir; "Congnitiilations. In (:> C '11 a spade a sp^dr', but yi -jv editorial in the JanU; ry 5 issue, UNFAIR TO AM- BRICA. rings tho bell wW^i me since I am ar publicity-exploittit ion ui<...i (the 'ex' is very recent, list day of October, which shjuld rt.\ f. .1 for whom I used to shout praise). "Having put in some 20 years in the fields allied to .javeitisiHo' in business, manufacturing and the entertainment industries, I had come into this work with my eyes wide open — so I thon^ut — and with the feeling that because I was known as a prodrw-r that I could expect security as lonfi as I could prod'ice. Ticjii, after a coiuple of seasons, came the dawn. "This fellow worked in the don'.estic market, net the fOii.i.'n ...and he certainly was not at fault when studio production tca;\s went bcserk with stockholders' moola...But he is the gruy ' ao might be able to help the boss come out even on some bloopor.s. "The g"ay who started the idea of a lilm depression in Uuist among 7th and 8th grade students, the purpose beiiu'; to dramatize graphically what is most annoying to patrons. Jack Kirsch, president of Allied Theatres of 111., hi.s announced that tlic members ol his organization will co- operate in the contest by displaying winning posters in their lobbies and awarding prizes to winners. That stunt could stand some doing on a NATIONAl> basts'. FILM CLASSICS ON SPOT Jean Benolt-I^evj , of the I'liited Nations' Department o. Public Information, a<'cuses Film Classics of misrepre- senting supposed UN parti<'lpation In coiine<'tlon with its picture, "Women In the Night." FC has be«-n publicized as "based on the official files of the I'.N." B4'noit-I>'\ y denies that the UN had an>-thing to do with films production, that it ha' never been seen or appr(>\ed. "Any referenc4« to the I'nited Nations is completely unauthorized," he diiolares. MOCHRIE THE TRAVKUKKS: Andy W. Smith. Jr., '^(rth-Fox sales top- p:*r, is on the West Coast for conferences with Charles Skouras. rW(; prexy Howard Dietz, M-G-M ad-pub rnaharajah, return - I last week from a studio flyer, where he viewed "State of thi- Union," "B. F.'s I>aughter." and several other forthcoming biggi. s ...The same company's H. M. Richey is charming Charlotte ex- hibitor!, todaj and tomorrow Ci-.S), after a two-day session with Rlchmoiul showmen a few d lys earlier . Spyros P. Skouras, 20th Fox pr;"x.\, planed to Fngliind for conferences with J. Arthur Ran'.i on tli;- pr«)p3sed merger of Gaumont-British and f)deon eli- cuifs. Skouras emphasi/,ed that his visit "has nothing \vhatsr)ever to do with the British Ad Valorem lax". Charles Sr-hlalfer, 20th- Fox ad-publicity director, went to ( hicago personally to set up plans for the world bow of "Call Northside 777." UP AND ABOUT; Robert .Mcchrie, RKO Radio v. p. :n charge of domestic distribution, was elected chairman of the MPAA'.s Distributor.'-. Committee for 1948. succeeding Tom Connors... Al Sucliman has rejoin,"! Er^glc Liop a.^ Eastern sales minager, sal*-- chief A. W. Schwalberg di.sclo.sed la.st week. With complete .-upei v ision over salcr in th'» company's 11 Eastern exchange territorie.'--. The balance of E-L exchanges will be under Herman Beiersdorf. Western sale'^ head... J. J. Grady, 20th-Fox' River District manager, i:, on an indeterminate sick leave. Howard Minsky, Mid-East Division hend taking over . .Also at 20th-Fox, St. Louis brancn manager Ben Reingold's request for retirement has been granted with Gordon Halloran. former branch m.anagcr in Des Moines, replacing. Ralph Piflow, Jr., goes into Halloian'.s old spot... Ed Stoller h.as been upped to UA's Minneapolis branch manager, succeeding Ralph Cramhlet, recently named Midwest district manager for the company ... Frank L. Noiris goes into the office manager spot in E-L's Kansas City exchang*^. TAPS. .. Jack Sichelman. 6.S, 20th-Fox assistant manager of branch operations and veteran of 30 years service with the com- pany, died Jan. 2.3 in New York, after an illness of two weeks... Maiiry Nunes, 50, executive producer of Longridge Productions, succiimbcd Jan. 21, after an illness of several months, in Holly- wood. Interment was at Brookline, Mass., Jan. 25. Harry KeUer, oZ. former Universal Pictures publicist, in Cincinnati Jan. 'i4. Services were held at Floral Park, N. Y., last Monday Mfith). TICKER TAPPINGS: There'll be nine from 20th Century-Fox during March and April, sales topper Andy W'. Smith reveals, v-hich is something of a new high for the company in recent years and maybe an cmen of things to come — exhibitors hope. The March releases include "Gentleman's Agreement." "The Chal- lenge," "Half Past Midnight" and "An Ideal Husband." For April, "Sitting Pretty," "Scudda Hool Scudda Hav!", "Meet Mc At Dawn," "Let's Live Again" and "13 Lead Soldiers" .. .FDR made what for most German citizens was his first appearance o.i the screens of Berlin on the anniversary of his birthday, January 30. when "The Roosevelt Story" opened, under auspices of th- American Veterans Committee's Berlin Chapter, proceeds going to the March of Dimes and the infantile paralysis funds in Ger- many, Britain and France. . .M-G-M's "The Yearling" copped the Protestant Motion Picture Council 1947 award for Pictnie of the Year. The company's v.p. and counsel. J. Robert Rubir'. accepted BROADWAY BALLY-BOYS ATTENTION! The New York movie ballyhcoers. who have been in the cconon-y doldrums these past few months, might sit up and take notice of the flasliy. big-time marquee bally on RKO's "Tycoon" used on the Goldman Theatre over in "sleepy' Philadelphia town. Bill Goldman's exploitation crow, under the direction of gen. mgr. Lvle Trenchard cooked up a huge, animated. Hashing mining display that does everything bur spr^y the populace with the ore. A real eye-opener, it goi the picture off to a flying start for its Philly premiere. 4 FILM BULLETIN EOlTOfilOL Vol. 16. No. 3 February 2, 1948 Paoe Five it THINK IT OVER Guide Ideals are like stars; you will not succeed in touc}iinf( them with your hands, but like the seafaring man on the desert of waters, you choose them as your guides, and, following them, you reach your destiny. — Carl Schurz. BULLETIN An Independent Motion Picture Trade Paper na'j- lished every other Monday by Film BulleMn Co n- pany. Mo Wax, Editor and P-blisher. BUSINL>'5 OFFICE: Su;te 622, li'a uf.icturers Trust Bliig 1819 Brondway, New York 23. C'rcle 6-9i;9, David A. Bader, Business Manager; Paul Perez, Editorial Representative. PUBLICATION-EDITORIAL OFFICES: 1233 Vine Street, Philaielphia 7, Pa., RIttenhouse 6-7424; Barney Stein, IVIanaging Edi- tor; Robert Heath, Circulat on Manager. HOLLY- WOOD OFFICE: !:i26 Sunset Boulevard, Hollywood '^e, Calif., CRestview 5-6489; Sara Salzer, Holly- wood Representative. Subscription Rate: ONE YEAR, $3.00 In the United States; Canada, $4.00; Europe, $5.00. TWO YEARS: $5.00 in the United States; Canada, $7.50; Europe, $9.00. _ V, THE FALIEIV "ARCH POLICY It is difficult to believe, in the light of recent experience, that any film company would now undertake to force the odious advanced admissions policy on exhibitors. Yet that is exactly what Enterprise Productions and its distribu- tor, United Artists, apparently intend to do with "Arch of Triumph". We recognize that Enterprise has a huge investment in this picture, reputedly in the neighborhood of five million dollars. "Arch" may be some- thing extraordinary; we do not know as yet. Of one thing we are certain: it will be favored with an extraordinary exploitation build-up, since the campaign will be under the guidance of Enterprise president Charles Einfeld, an extraor- dinary advertising executive. But demanding that theatres increase their admission prices is not the way to get back that 5 million. That is the sure way to retard the picture's general release and to delay by many months its play-off. Within the past half vear there have been two samples of the advanced admissions policy. One was SRO's "Duel in the Sun", the other Warners' "Life With Father". The Selznick film enjoyed a degree of success, because it was the first time that subsequent-run theatres were offered an opportunity to play day-and-date with regular first-run houses. This was an inducement that led exhibitors to buy the picture at the $1.25 scale and the public to buy tickets at that price in their neighborhood theatres. On the other hand, Warner Bros, set out to sell "Life With Father" on the SI. 25 scale without offering the buyers any such inducement, with the result that the plan proved a failure. Warners sales manager, Ben Kalmenson, found that the vast majority of rank-and-file exhibitors simply will not buy a picture on terms that require them to double or treble their regular prices. And, of those who did play "Life With Father" on Warner terms, many learned by expressions from an irate public, or by its even more eloquent absence, that the hiked price scale is resented. People feel this practice is akin to the disrep- utable stunt of raising prices as soon as a few people gather in line in front of a boxoffice. Alert distribution executives like Paramount's Charles M. Reagan and 20th Century's Andy Smith quickly took the cue and withdrew plans for this policy on some of their pictures. Last week, Mr. Reagan told Film BLTLLETIN that while he regards the forthcoming Technicolor production, "The Emperor Waltz" as perhaps the greatest picture in Paarmount's entire history, he is not consid- ering the advanced admissions policy on it. "This is certainly not the time for that sort of thing," Reagan said. Just how deep-rooted has become exhibitor opposition to arbitrary admis- sion scale increases for special pictures was demonstrated by the reaction of Gus S. Eyssell, ])resident and managing director of the Radio City Music Hall, to the suggestion that he increase his price scale for "Arch of Triumph ". Denying a published report that he had been negotiating for the picture on such terms, Mr. Eyssell told Film BULLETIN, "I would not increase my admission prices for ANY picture!" — and emphatically! We are sure that the vast majority of exhibitors will give the same resounding "No!" to any demands for admission increases in the future. Even if "Arch of Triumph" is another "Gone With the Wind", certain factors today make the Enterprise plan seem ill-advised. First, the public is more cautious in spending its money. Second, the over-all quality of film prod- uct these past six months or more has been poor and many regular patrons are squawking out loud and talking down the movies in general. La. t, and by no means least, our industry is now experiencing the worst public and press rela- tions in many, many years. Demanding double or treble regular admission prices for a particular picture will be heaping oil on the flames now blazing around the industry. We strongly urge George J. Schaefer of Enterprise and Grad Sears of United Artists to reconsider their decision. Not only will the whole industry benefit in good will by their withdrawal of the policy they have announced, but we are certain that "Arch of Triumph" will profit far more by a general release at regular prices. MO WAX. 'CALL NORTHSIDE 777' GRIPPING MELODRAMA IN 'BOOMERANG' STYLE Rates O • • generally; more if exploited 20th Century-Fox 111 minutes James Stewart, Richard Conte, I^ee J. Cobl), Helen Wallcer, Betty Garde, Kasia Ory,a- zevvslil, Joanne de Ber;;h, Howard Smith, Moroni Olsen, John Mclntyre, Paul Harvej'. Directed by Henry Hathaway. Once again diiector Henry Hathaway ha.s hit the bullseye with his documentarv-hke treatment of a true story. "Call Northsido 777" is gripping, realistic melodrama, in the tradition of Hathaway's earlier "House On 92nd Stieet" and "Boomerang," given addi- tional box-ofnee power by virtue of James Stewart as star and a story that has un- deniable appeal to evei'y member of the family. Hathaway's uncanny ability to make the onlooker live with his characters simply by sticking as close to reality as the camera' can get is given full play in this story. Culled from an incident in Chicago which began when an ad appeared in the "Personal;." column offering .$5000 reward for information as to the whereabout.'^ of the killer of a policeman 11 ye'irs earlier, the screenplay holds the snectitor engrossed as a reporter, played by Stewart, overcomes apparently insurmountable obstacles to se- cure the release of an innocent man con- victed of the crime. Underplayed through- out to excellent effect, both the Hollywood players and a large cast of unknowns, (much of the film was photographed in Chicago for added realism), give credible and creditable performances. A prodigious series of climaxes is leavened with bits of humor that are doubly welcome in the taut unfolding. Many scenes are actually breath, taking, notably the inter'or of the StaLa prison, a session with a lie detector appara- tus and visits to the saloons around Chica- tro'a stockyaid district. Credit 20th Century- Fox, producer Otto Lang and director Hatli- away with a box-office attr-iction 'hit will make both exhibitors and patrons happy — not to mention the company's sales staff. EXPLOITATION: Catchlines: "You Were Thrilled When You Read the Sto-v in the Papers You'll be Fascinated When You See It On the Screen!" "Exciting! .. .Stir- ring!... and TRUE!" Play up the theme of a mother's faith and sacrifice, slaving for 11 years to save up the money she offers for a reward for information that will free her son from jail. Personal column ads similar to the one that started the fireworks in the film can be effective, as well as "Wante< posters, etc. Beginning with the killing of a policems in a Chicago speakeasy during the last da; of prohibition, resulting in the conviction Richard Conte for the murder and a 99-ye! sentence, the story jumps 11 years when a ad in the "Personals" column of a Chicag newspaper offering a $3000 reward for tl killer catches editor Lee J. Cobb'.s fancy ar he assigns reporter James Stewart to tt story. Stewart find^ the ad wa;- placed a scrubwoman, Conte's mother, whose fait m her son's innocence has prompted her save every penny for 11 years to amass th reward money. With the subsequent stor p. circulation 'ouilder, Cobb prods Stewaj into pursuing the case and the latter'.s skej ticism melts into conviction of Conte's ii nocence ar, he uncovers details. Balked every turn by the inability to obtain evi dence that would hold up before the pardo) board and the reluctance of the police dc partment to help a convicted "cop-killer, Stewart finally uncovers facts that prov Conte's innocence, and, in a thrilling climaa obtains the pardon. A touching finale ha Conte emerging from prison to his waitin] mother and the son he has never seen. 'MY GIRL TISA' 1900 PERIOD PIECE IS TEPID ENTERTAINMENT Rates • • generally; weak for action Warner Bros, release (United States Pictures) 91 minutes Ulli Palmer, Sam Wanamaker, Akim Ta- miroff, Alan Hale, Hugo Haas, Gale Robbins, Stella Adler, Benny Baker, Sumner Getch- ell, Sid Tomack, John Qualen, Tom Dillon, Sidney Blackmer, Fritz Feld, John Banner. Wrected by Elliott Nugent. Ihis period piece with its weak title and moderate cast offers slight divertisement to all but nostalgic-minded patrons. One of the recent pictures portraying modes and manners of the turn of the century, "My Gir! Tisa" fluctuates between comedy and hr.thos, closing on a rather corny note. It will register best in naborhood houses, while action spots will find it a weak attraction. Based on a play by Lucille S. Prumbs and Sara B. Smith, Allen Boretz's script de- pic'cs the trials and tribulations befalling an ambitious Hungarian immigrant girl. Lil!i Palmer, in the starring title-role, gives a well-roimded performance, but is far less houses photogenic than her supporting actresses, Gale Robbins and Stella Adler. Playing op- posite her, Sam Wanamaker, newly recruit- ed from the Broadway Stage, gives a com- mendable portrayal of an up-and-coming law student. Best characterization, how- ever, is that of Akim Tamiroff as a crusty Sweatshop proprietor. Although consider- abie pains have been taken to insure au- thentic atmosphere, much of the dialogue and costuming is anachronistic. Elliott Nu- gent s direction maintains the desired tem- po: production quality is adequate. EXPLOITATION: Stress the film s theme: America, Land of Opportunity. Herald the advent of Sam Wanamaker, one of the stage's new luminaries, in his first import- ant screen role. Go after the deservedly 1,1 ree following of Lilli Palmer. John Gar- field's co-star in "Body and Soul." Catch- I ne: "A Girl Without a Country — She Won Her Way into a President s Heart." Circularize townspeople of Hungarian ex- traction and, if your community is served hv a Magvar-American new.=Daper. adver- tise in it and obtain the editor's cooperation in exploiting the film. Ambitious young imigree Lilli Palmer employed in Akim Tamiroff's sweatshop, al so does odd jobs at night in order to bring ner father over from Hungary. Weekly she turns over her scanty savings to amorous ship's agent Hugo Haas to pay for the pas- sage. When her boyfriend, brash ward- ueeier and would-be presidential-adviser. Sain Wan?maker, antagonizes Alderman Al an Hale and loses his job, she asks Haas tc let her have $100 back So She can pay for her sweetheart's correspondence school course in law. Haas obligingly refunds the money, but tricks her into signing a con- tract that wi'l put he'- father in his debt for years. Wanamaker learns of this and, finding Haas making unwelcome passes at Lilli, beats him up. Haas retaliates by hav- ing him arrested for assault and arranges for Lilli to be deported as an undesirable alien. At end, Wanamaker. bailed out by Tamiroff. boldly accosts U. S. President Sid- rev Blackmer, in New York to welcome a visiting Prince, and gets him to intercede on Lilli's behalf. 'THE BIG CLOCK' TAUT. WELL-ACTED. SUSPiNSE-lADEN — CAN'T MISS Rates • • • generally Paramount 95 minutes Bay Milland, Charles Laughton, Maureen O'Sullivan, George Macread.v, Rita Johnson, Else Lanchester, Harold Vermilyea, Dan Tobin, Henry Morgan, Tad Van Brunt, Rich- ard Webb, Elaine Rile.v. Luis Van Rootezi, Philip Van Zandt, Lloyd Corrigan, Margaret Field, Henri Letondal, Douglas Spencer. Directed by John Farrow. Packed with supense, action, humor and production quality, this fast-paced melo- drama will command the attention of evei-y audience and hold them fascinated. It sure- ly will rack up good grosses in all situa- tions. Director John Farrow has done a fine job in developing the tense situations, by his intelligently accelerated tempo, and by his handling of each member of the pro- ftoient and moderately strong cast. Excel- lent as Ray Milland and Charles Laughton are. Acting honors go to Else Lanchester and George Macreadv in kev .=upr)orting roles. John Latimer's screenplav, based on Kenneth Fearing's novel, ranks with the season's best. Settings are lavisli. nhotog- raphv and recording of a high order. EXPLOITATION: Herald Milland per- formance as his best since "Lost Weekend." Play up the spine-tineling supense. Sufo'est- ed throwaway: Distribute cards resembling a dial and bearing the slotrpn: "I^ose No Time — Look at 'The Big Clock"' or "Look at 'The Bis: Clock'— It's Time W^ell Snent " Publishing tvcoon Chirlc; Lau^-bton's most successful editor is Ray Milland. whose sixth sense — an antitude tr«ckin°: down missing persons — has given Crimewavs Magazine the largest circulation of his ruth- less boss' score of widelv-read nublications. Happily married for several years to Mau- reen O'Sullivan, Milland has never had a vacation — much less a honeymoon. So. when Laughton insists Milland again defer his long-promised honeymoon to track down an- other missing person, the editor quits his job and goes on a binge with his boss' just- discarded and vengeance-seekinRT girlfriend Rita Johnson. . .and misses his all-important "honeymoon" train. Following a round of nightspots, they return to Rita's apartment. Milland sobers up just in time to get out be- fore he's seen by the arriving Lauo'hton, come to give Rita her final check .Next day, when Rita is discovered murdered bv a blow from a sundial he'd bought for her the night before, Milland knows Laughton is the kill- er. Unaware Milland is the man he'd seen leaving Rita's apartment, Laughton assigns Ohim to find the missing interlot)er and nin the murder on him. Laughton pours all his resources into the man hunt. While the mounting pile of clues point to Milland as the sole susoect. Milland franticallv tries to prove Laughton's guilt, knowing that if he fails, he'll be pinning the murder on him- self. In a hair-raising finale, he succeeds in extricating himself and bringing Laughton to justice. 6 FILM BULLETIN -THE NAKED CITY' GRIPPING. EDGE-OF-THE-SEAT MELODRAMA Rates generally; more in action houses Universal-International 96 minutes Barry Fitzgrerair, Howai'd Duff, Dorothy Hart, Don Taylor, Ted De Corsia, House Jameson, Anne Sargent, Adelaide Klein, Grover Burgess, Tom Pedi, Enid Markey, Frank Conroy. Directed by Jules Dassin. The late Mark Hellinger was a reporter who knew his New York and "The Naked City," the last motion picture he produced before his recent, untimely death, is a won- derfully exciting, on-the-spot melodrama of a relentless police hunt for a murderer, told in the factual, yet tense and dramatic style of an expert newspaperman. Photographed right in the canyons, the slums and pent- houses of the big city, it is edge-of-the-seat entertainment that will hold all types of moviegoers firmly in its grip from start to finish. Although the cast car 'iirdl-' be classed as "marquee" (Barry Fitzgerald is the only known name), this picture never- theless is going to roll up handsome grosses on the strength of critical acclaim and warm audience approval. The fine hand of Helling- er is visible throug-hout the film, for only a man who knew New York and the inner workings of its homicide squad could un- fold so realistic a .story. His off-screen voice IS a mucii is heard at intervals narrating some of wordless action and connecting sequences. Jules Dassin's direction is of Academy Award calibre. He has elicited superb per- formances from his players. Fitzgerald is just right as s. good Irish cop on the job. Of the others, we can only say that you will be seeing plenty of them in films to come. The screenplay by Albert Maltz and Mavin Wald is first-rate, fine movie mate- rial. Througnout. "The Naked City' lagnificent job. It makes one so sadder about the loss of Hellinger. EXPLOITATION; Feature Hellinger as New York's Greatest Reporter Telling His Last and Most Exciting Story. Catchlines: "The Most Exciting Man-Hunt Ever Filmed!" "The Heart of New York Ripped Open for All To See!" Point out that it was filmed in N. Y. "on the spot." The story opens with Hellinger's voice de- scribing New York at one a.m., while the earner-^ roams around picking up minor incident:; a;-.;' pcpie. In an apartment, two men are seen murdering a beautiful blonde girl. Lieutenant Barry Fitzgerald of the Homicide Department, r.rrives at his office and is assigned to the murder. Starting with hardly a clue, Fitzgerald and his young as- sistant, detective Don Taylor, slowly piece the puzzle together by tracing everyone who had any contact with Jean Dexter, the dead REVIEWS in This Issue Call Northside 777 6 My Girl Tisa 6 The Big Clock 6 The Naked City 7 I Love Trouble 7 You Were Meant for Me 7 The Smugglers 8 Albuquerque 1 8 Adventures of Casanova 8 girl. There is House Jameson, a prominent physician who had treated her: Dorothy Hart, who was a model where the dead girl v/orked; Howard Duff, Dorothy s fiance, who keep? lying himself deeper and deeper into trouble, and, finally the killer, Ted De Corsia, an ex-wrestler. The case breaks when Duff he is a jewel thief who has been friendly with Jean, and implicates Jameson, who had become intimately enmeshed with her. They expose De Corsia as the murderer. The latter, meanwhile, has been tracked down by Taylor, but escapes. He is finally trapped on the Williamsburg Bridge, shot and falls to his death from a high tower. The camera then continues on its aimless way through the naked city in the dawning hours. 'I LOVE TROUBLE' CONFUSED REHASH OF PRIVATE-EYE FILMS Rates • • as dual! er Columbia 96 minutes Franchot Tone, Janet Blair, Janis Carter, Adele Jergens, Glenda Farrell, Steven Ge- ray, Tom Powers, L>'nn Merrick, John Ire- land, Donald Curtis, Eduardo Ciannelli, Ro- bert H. Barrat, Raymond Burr. Directed by S. Sylvan Simon. Everything that is peculiar to the over- done series of "private eye" pictures — ev- erything, that is, except entertainment — has been tossed into "I Love Trouble," Columbia's last-gasp addition to this type of movie. The welter of confusion piles on thickly, the search for the missing beauty goes hither and yon interminably, the girls disdained by the cynical private detective mount up to five, the hero takes his usual beatings, and so on down the line. Where in previous such films, interest was main- tained despite the devious plot twists, in this film it gets so one never really cares, not even most of the players, apparently. Performances are lackadaisical for the most part, only Franchot Tone as the detective emerging with any honor — praise indeed lor a hackneyed role in a hackneyed film. S. Sylvan Simon's directorial powers seem unable to cope with Roy Huggins' confused fcreenplay and the limited abilities of most of the performers. The dialogue, which tries haid to be witty, rarely comes off and a stolid paying audience, such as the one in which this reviewer sat, met the at- fempts at humor with eloquent silence. On a naborhood dual bill, this may be a fair drawing card. If exploited, and it has an- gles, returns mav be slightly better. EXPLOITATION: The obvious gimmick in this one is the five women who help or harass detective Tone. The gals include 'juch eyefuls as Janet Blair. Janis Carter, Adeie Jergens, Lynn Merrick and Glenda Farrell and display of their obvious charms is the logical exploitation. The title is an- other selling point, since most movie audi- ences do too. Franchot Tone is hired by respectable b'lsiness man Tom Powers to delve into the background of his wife, Lynn Merrick. H's ..earch leads him into various tus3les with btrong-arm men, mysterious women and, of course, the police. After uncovering such details as Merrick's bubble-dancing past, a couple of murders, a bank account depleted of $10,000, an assumed identity and other sundries, Tone comes up with the so'.^ation Vviien he traps Powers into confersing the murder of his wife. -YOU WERE MEANT FOR ME' PLEASING NOSTALGIC MUSICAL Rates • • • — except in action houses Twentieth Century-Fox 91 minutes Jeanne Grain, Dan Dailey, Oscar Levant, Barbara I-awrence, Selena Boyle, Percy Kil- bride, Herbert Anderson. Directed by Lloyd Bacx)n. Heart-warming and homespun, this un- pretentious, nostalgic musical will prove diverting to mass patronage. Appealing as it does to all ages and both sexes, "You Were Meant for Me ' should do well in all but action and western spots. Jeanne Grain's click in "Margie" and Dan Dailey's in "Mother Wore Tights ' gave them real marquee value that will bolster this show considerably. Director Lloyd Bacon has fa- shioned from Elick Moll and Valentine Da- vie.s' screenplay an entertaining, warming and evenly-paced narrative of the pre-de- pression romance of a top band leader and his smalltown sweetheart. Dailey a^ the jazz maestro romps off with acting honors, and Miss Grain commands attention as his cornfed girlfriend. Oscar Levant, Selena Royle and Percy Kilbride render commend- able support in lesser roles. Musical num- bers, mostly of the 1920's, while still tune- ful, occasionally slow the picture's tempo. Production values are adequate-plus, photo- graphy and recording satisfactory. EXPLOITATION: Go after the oldsters as well as the teen-agers — the song hits of two decades ago wi l anneal to both age groups. Play up the singi~g and danc'ng of versatile Dan Dailey; the beauty and talent of Jeanne Grain, and the comedy performances of Oscar Levant and Percy Kilbride. Have local Inquiring Reporter osk: "Do you think o'd songs like 'You Were Meant for Me' better than today's hits?' Touring the countrv in "29, nationally popular Dan Dailey's band plays Blooming- ton, typical midwest town. Opening night, pretty Jeanne Grain draws the luckv door- prize number — gets to dance with her secretly-cherished idol, Dailey. Later, they meet and dance again at the local chop suey parlcr, where Jeanne falls for his glib line. When Dailey and his band move on 10 Peoria, the smitten Jeanne leaves home after dinner, follows him to the nearby cit"'. Next morning her parents, Selena Royle and Percy Kilbride, discover her bed lips not been slept in. Their horror is al- leviated on finding Jeanne and Dailey curl- ed up on the living room couch, newly- married. Her love returned, Jeanne tours the country with Dailey and the band, loves the excitement. Gomes the Wall St. crash. Unable to obtain engagements, the band breaks up, and Dailey moves in with Jeanne's parents. Months of idleness do not improve the dispositions of Dailey, his now- pregnant wife or her long-suffering par- ents. Following a quarrel, Dailey leaves. Instead of goine to New York, however, he takes a job in Kilbride's brickyard. Later, when times improve, he reorganizes his band and, accompanied by the adoring Jeanne, continues his successful band-lead- ing career. F E B R U A R Y 2 , 19 4 8 7 'THE SMUGGLERS' BRITISH TECHNICOLOR DRAMA WILL APPEAL as dualler generally; more in art houses Rates • O j E>ag:le Lion K5 minutes Michael Redgrrave, Jean Kent, Joan Green- wood, Richard Attenborough, Francis L. Sullivan, Felix Ayliner, Ronald Shiner, Basil Sydney, Frnest Thesig:er, Allan Jeayes, Ralph Truman, David llorne, George Mer- rltt, Charles Rolfe, Lyn Evans, Herbert Lomas, John Olsen, Maurice Denham, Torin Thatcher, Cyril Chamberlain, Peter Murray. Directed by Bernard Knowles. This J. Arthur Rank import, one of t'lo best in recent months, should help to bat- ter down some of the American resistance to British films. Its Technicolor is fai' ahead of the Hollywood variety: its acting: — even to the lowliest bit role - is up to the highest British tradition; its production quality is all that could be desired, and its story by Graham Greene packed with ad- venture, action, suspense and sex. It has elements that should get it better box-offico returns here than most English films. Its script, authored by co-producers Muriel and Sydney Box, maintains a fast pace, vividly and realistically depicts the adventurous life of pirate-ridden England in the 1820's, and contains situations and dialogue con- siderably more daring than one usually finds in a British film. Bernard Knowles' direc- tion is certain and sustained in educing top-drawer performances from the large and talented cast. As a 19th Century Sus- sex smuggler, Michael Redgrave gives one of the best performances of his career. Of equal merit is screen-newcomer Richard Attenborough in the exacting ro'e of a youthful smuggler-turned-informei . "The Smugglers," despite several risque moments, is not essentially an adults' picture, but will prove entertaining to all age grroups. EXPLOITATION: Play up the adventure and romance, the magnificent Technicolor, the grim and realistic portrayal of life in lawless England in the 1820's. Catchline: ' The Unforgivable Sin He Broke the Law of the Lawless, Facing Death for the Wom- an "He Loved." The film is based on a best- .seller, "The Man Within" by Graham Greene, author of such picture originals as "Thit: Gun for Hire," "Confidential Agent," "The Fugitive." Spineless young Richard Attenborough. upon the death of his father, is taken from a school he hates and put aboard his late parent's smuggling ship by Ist mate Michael Redgrave. Loathing the sea, Richard likes Redgrave, who is trying to make a man of him. Framed by jealous shipmates, he is lashed by Redgrave for stealing. In re- venge, he betrays Redgrave and the crew to their enemies, the customs men. In the ensuing raid ? customs man is killed, but Redgrave escapes and, seeking vengeance, pursues the youth who takes refuge in the hut of Joan Greenwood, the slain man's daughter. She approves of his treachery, persuades him to testify against the smug- glers in court. Later, Crown barrister Basil Sydney's comely mistress Jean Kent prom- ises Attenborough her favors if he will tes- tify against Redgrave. At the eleventh hour his courage fails. Redgrave, dis- gusted at his spineless behavior, decides to kill him. That night a murder is com- mittrd, Attenborough is arrested and tor- tured, but refuses to implicate Redgrave. At the height of his agony, he is saved bv Redgrave confessing and set free. Red- grave goes to the gallows, hapny in the thought the lad has at last found his man- hood. 'ALBUQUERQUE' BIG SCALE PINE-THOMAS WESTERN COLOR Rates • • -j- generally; O • • for action houses Paramount (Clarion) !>0 minutes Randolph Scott, Barbara Britton, George "Gabby" Hayes, Russell Hayden, Catherine Craig, Lon Chaney, George Cleveland, Karo- lyn Grimes, Russell Simpson, Bernard Ne- dell, Jody Gilbert, Dan White. Directed by Ray Enright. "Albuquerque" has all the ingredients needed for a first-rate big-time western — except a good script. There is the best C'inecolor seen to date, some fine scenery and a capable cast headed by the marquee nanrie of Randolph S^ott. But while the plot simmers, it never boils over into the sort of rousing action and excitement one has a right to expect of this kind of picture. For this reason, "Albuquerque'' does not rate deluxe playing time, but should hold its own in secondary first runs, and will do •.veil in action and rural houses. There are several action high points in the story — a .->iambang fist fight between Randy Scott and Lon Chaney, and a runaway mule- drawn freight truck on a steep mountain •oad — hut the screenplay by Gene Lewis and Clarence Upson Young simply fails to coordinate the sequences to good effect. ^!ome of the dialogue is quite corny, too. Ray Enn'ght's direction gets the most out .>f the material at hand. This is the first liig-scale Pine-Thomas production for Para- mount release. EXPLOITATION: Feature Randolph Scott; th° conflict between an old tyrant and the upstart who challenged his western ompire; the magnificent color. Randolph Scott is enroute to Albuquerque in 1878 when the stagecoach is held up and his traveling companion, Catherine Craig, robbed of $10,000 she is bringing to invent m her brother's freight business. Arriving in 'own, Scott learns that his uncle, George Cleveland, who has sent for him to manage his business, is the hated czar of Albuquer- que and the bitter rival of Catherine's bro- ther, Russell Hayden. in the ore hauling business. He turns down his uncles offer and joins forces with Hayden and Cather- ine. Despite the efforts of Cleveland and Ills henchmen, including the sheriff, the rival firm grows. Cleveland brings into town Barbara Britton, who gets a job with his LOmpetitois for the purpose of furnishing aim with information about their opera- tions. However, she falls in love' with Hay^ (len and quits Cleveland. In a showdown gun battle, the Scott-Hayden forces lick Cleveland's gang and the old tyrant, him- ."^elf, is killed. There is to be a double wedding in Albuquerque. 'ADVENTURES OF CASANOVA' COLORFUL SWASHBUCKLING ROMANCE Rates • • generally Eagle Lion 8S minutes Arturo De Cordova, Lucille Bremer, Turban Bey, John Sutton, George .Tobias, Noreen Nash, Lloyd Corrigan, Fritz Leiber, Nestor Piava, Jorge Trevino, Cliflf Carr, Jacqueline Dalya, Miroslava, Rafa«l Alciade, Jacque- line Evans. Directed bj Gavaldon. Good production values, magnificent sets, colorful costumes, huge crowds, a romantic Story &nd a moderately well-known cast, plus an intriguing title, should make "Ad- ventures of Casanova" attractive screenfare for general patronage. Backed by show- manship, the film should tally above-ordi- nary returns in most situations, scoring its best gros.-^es in naborhood and small town houses. Based on an original story by Crane Wilbur, the picture has plenty of action, humor, situoti-ns, twists and — as the title would imply - - romance. Under Roberto Gavaldon's direction, a well-balanced cast gives realism to what would be, in less skill- ful hands, overly-theatrical portrayals. Co- stars De Cordova, Bremer and Bey play their respective roles with apparent relish, but the picture's highlight is the hilarious f;omedy relief of George Tobias. EXPLOITATION: Stress the fact this was filmpd entirely in Mexico, a country v/hose architecture and terrain most closely approximate those of 18th Century Sicily and MaltR, locale of the story. Play up the exciting battle scenes; the lavish costumes and uniforms of the period; the Sizzling romances of history's most notorious lover, and the outstanding performances of the iarge and competent cast. Go after patrons of Italian and Mexican lineage, circularize teachers and students of literature and his- tory. To great lover-warrior Arturo De Cor- dova, romantically dallying in Malta, comes his father's trusted aide, Turhan Bey, to report the sad plight of his fellow-patriots in their native Sicily. Told his father has been slain by invading Austrians, De Cor- dova hastens to Sicily and leads the rebels in daring guerilla warfare against Governor Llojd Coriigan's troops. Crafty Austrian ambassador John Sutton persuades Corri- gan s mistress to act as bait in trapping De Cordova, but under the spell of the latter's '.ove-making, she reveals the plot and helps '.lim escape. Locked in her room because she won t wed Sutton, Corrigan's beautiful daughter Lucille Bremer changes costumes and identities with her maid Noreen Nash. De Cordova rescues the two girls, takes them to the patriots' stronghold. There Noreen, still disguised as her mistress, meets her true love, Bey, finds she can't wed him because she is commited to Sutton. Mean- while, De Cordova, piercing Lucille's dis- guise, ha.<: ardently wooed and won her. Challenged to a duel by Sutton, he arrives too late; Bey has gone in his stead and been killed. Captured by Sutton's men. De Cor- dova is taken to the palace and sentenced to hang. Rescued by Noreen and patriot- spy George Tobias, he breaks into the bridal chamber where Sutton has come to claim Lucille, and in a thrilling duel kills him. He and Lucille escape, subsequently wed and, the revolution now won. is named am- bassador. 8 FILM BULLETIN HIS DIGfSI Bi'Weekly Reuieiu of the Trade's Eoents Siimilel <;iil t)i;lt lli- vorct'iufiil is "essential ta the licaUli of nur in- dustry," that retooliiiK (<> ilcnihle (|iialit.v aiie- iiean, assistant sales chief, help Valli read the notices on !".er starrint film. "The I'aradine Case," one of five annonnccd by Kiiscll for SKO release dnrine the first haff of '4K. Miiiirice B< rgman, Eastern advl({--publicit.v di- rector for Cniversal-Intcrnational, was elected rhairinan of the Advertising and rnblicity Di- rectors Committee of the motion picture imlus- try at meeting last Thursday. GOVT. TO HOLD FAST ON DIVORCEMENT Divorcement of the distribution and production businesses of the Big Five from tneir theatre operations by divestiture of their theatre holdings and a ten-yeai ban on cross-licensing during the process will be the remedy asked by the Government in its appeal to the U. S. Supreme Court next Monday (9th) when hearings on the industry anti-trust case are scheduled to begm. The Government's argument was set forth in a lS5-page brief, plus a 462-page appendix of documents and exhibits, submitted to the high court the middle of January. Divestiture is the only remedy by which competition can be restored in the dom- estic film market, the Government will argue. Competitive bidding, as decreed by the District Court, is both unworkable and ineffective, according to the brief. The lower court erred also, says the Government, in failing to prohibit cross-licensing and in failing to "prohibit absolutely any further acquisitions of theatre interests by the major defendants." The brief points out that the existing decree assures the majors of distribution control because they have a certain market in their own theatres. Competitive bidding, it will argue, "does nothing to pry open to independent competition the market that has been so long closed by the defendants' unlawful conduct." It holds that affiliated tneatres, by outbidding independent houses, would lose nothing, since the extra revenue they pay as exhibitors goes right back to them as distributors. It also called the com- petitive bidding system unworkable since all disputes would have to be settled by con- tempt proceedings instituted by the Department of Justice, a virtually impossible task. The Government also takes to task the District Court's opinion that divorcement would be harmful to both the defendants and the public, pointing out that independent theatres have delivered public service comparable to affiliated houses. It further adds that "only by assurance that the distribution field is equally open to all may the fullest diversity of film content be had." The cross-licensing ban asked in addition to divestiture as a "short-range remedy" was called "particularly appropriate relief" since it is directed "at the very agreements by which the defendants effectuated their conspiracy." Evidence as to "preferential terms" offered other affiliated theatres, "conspiratorial prices, clearances and runs" and other alleged conspiracy has been sulDmitted, the brief points out. Earlier, the theatre-owning defendants each submitted its brief to the Supreme Court, Paramount, RKO, 20th-Fox and Loew's denying the existence of monopoly, and/or that divestiture was necessary. They charged that the District Court erred in enjoining the exhibitor defendants from expanding their theatre interests, as well as joint ownership with independents. The Big Five alMi held that competitive bidding should not be adopted as the only licensing procedur^ Also contested were decree provisions on minimum admission i prices, clearance (with the burden on the distributor to sustain its legality), elimination" of arbitration, the ban against block-booking, and other points previously detailed in earlier appeal documents. Signatories to the Government brief were Solicitor General Philip B. Perlman, Asst. Attorney General John F. Sonnett, and special assistants Robert L. Wright, Ken- neth L. Kimble, Herbert Borkland, Stanley M. Silverberg, and Philip Marcus. For the defendants, signatories included James F. Byrnes, 20th-Fox; Williarn J. Donovan, George S. Deisure, Ralstone R. Irvine, Gordon E. Youngman and .Roj^ W. McDonald for RKO; Whitney North Seymour and Louis Philips, Paramount; John W. Davis and J. Robert Rubin, Loew's. • • • BOTH BRITISH AND MPAA CHARGE 'SQUEEZE' TACTICS Charges and counter-charges of "squeezing" were hurled on both sides of the Atlantic last fortnight as the situation created by the British ad valorem tax and consequent MPAA embargo on film shipments to Britain continued its impasse. In reply to British Board of Trade president Harold Wilson's charge tliat Holly- wood was trying to "squeeze" the British Government into lifting its 75 per cent duty on foreign film imports, MPPA prexy Eric Johnston countered that it was Britain who was "doing the squeezing," leaving American companies no alternative under the tax but to halt shipments or "operate in Britain only at a heavy loss." Terming- Wilson's accusations before the House of Commons "misleading," Johnston claimed the choice was between "this prohibitive tax and a workable alternative. Britain's expenditure for American films is a tiny percentage of its total import costs," he noted. Wilson declared that Hollywood pressure, which he charged took the form of deliberately delaying negotiations on the future export of American films to Britain to create an artificial shortage, would be in vain. He said the British Government was prepared to make "any reasonable arrangement" which would allow extra earnings for foreign films to be taken out of the country to the extent that British films earn more money overseas." Johnston challenged Wilson's statement that American film distributors had not offered alternative plans. He said an alternative was the "sensible" way to reach agree- ment, adding, "On our part, the door remains wide open to working out an alternative." A special meeting of the MPEA, called by Johnston, was attended by Fayette W. Allport, MPAA European manager, who flew to this country with a report on the situa- tion, but no change in the situation was evident following the emergency meeting. • • • MYERS FORSEES GOV'T VICTORY Addressing the 10th annual general meeting of Allied Theatre Owners of E. Penna., in Philadelphia last Tuesday (27), A. F. Myers, general counsel of the national (Continued on Page 10) FEBRUARY 2, 19i8 OfUIS DIGEST C'harICK At. KeiiKaii, vico-prcsiih nt anil c< iirral sales head <>f rarainoiinl. told I-'II.M III I.I, K- TIN (!<;!( Iiis roini'aii.v is iiol < onsideriitK the advaneed admissions [loliej lor aii.v of its foith- coiniiii; product. Ned K. )>ei>iiiet (riBlit). KK«> exeeiiti^e v. p., receives Walt I>isne.v's "Moiisear" on the oeea- sion <«■ the I'itli aiiiiiversar.v of KKO's distrib- iitinjf deal with Disney. William I.ev.v. Disne.v n'orl NY Film Critics Award a« the best director of J94" for his di- rection of 20tli-Fox's "Oentleinan's Agreement" and "Boomerang." organization, predicted that the Government anti-trust suit against the major film companie.s would result in divorcement. He told the gathering of some 50 theatre owners that by the time he met them at their 1949 convention, the industry would probably be functioning on an entirely tiifferent basis than the present .set-up. The members also heard a report on the organization's activity during the year \>y Sidney B. Samuelson, general manager. A unanimous vote of confidence was given Sa.niuelson and National Allied. Also approved by imanimous vote was formation of a buying and booking organization, with Samuelson at the helm. Myers, in his address, quoted statistics to prove the majors' "monopoly" in dis- tribution. He pointed out that in 1945 the five theatre-owning companies had 3,137 theatres, which, while they represented only a fraction over 17'/7 of the total number of movie houses in the country, paid 45% of the domestic film rental of all the major distributors. He said also that the Big Five hold interests in 70% of first-run theatres in American cities with populations over 100,000. Through this control of first-run iiouses, upon which all distributors rely for the bulk of their revenue, the Big Five dominate the entire industry, Myers declared. He termed the Government's brief, filed with the Supreme Court in the anti- trust case, "brilliant." Myers also praised the Allied regionals, saying that it was their work that made the national organization tick. The meeting was polled on "the company you consider the worst to do business with." Universal won this dubious distinction, with Columbia a close second. Re-elected for a 3-year term to the board of governors, which will meet Feb. 3, weie: Ben Fertel Milton Rogasner, Morris Wax, Larry Woodin and Joseph Greenberg. I. Edward Capner was elected to fill a vacancy for two years. Alternate governors re- elected for a one-year term included Robert Budd. Harold D. Cohen, Harold Hirschberg, Wm. G. Humphrey, Geo. L. Ickes, Max Korr, Thomas L.azarick, David S. Moliver, George Rioster, Mark Rubinsky. Leter Stallman and Thomas T. Thomas. New governors for a one-year term were Cecil Felt, Oscar Forman and H. Palmer Lippincott. • • • FILMS TO BE CHEAPER AND BETTER— JOHNSTON Spurred on by foreign market losses, Hollywood is trimming costs, eliminating waste, reducing shootmg schedules, all built up during the "lush war years" and in- troducing efficiency methods to produce better pictures at less cost, Eric Johnston, MPAA president, told an assemblage of the Protestant Motion Picture Council last week. The Council presented M-G-M's "The Yearling" with its first annual award as the best picture of 1947. Johnston denied reports that the industry was in a state of wild alarin or that the current Congressional probe had frightened producers into dispensing with con- troversial themes. He predicted that "all the hopes and plans of Hollywood and the future of the country itself center on successfully combatting the threats of censorship for communication industries." He also lashed out at "typical" gangster films, voicing his belief that "bigger gangsters loose in the world., greed injustice, intolerance, self- ishness" should be important in the list of themes for Hollywood production. • • • UNIVERSAL GROSS UP, NET DOWN Universal Pictures Co., Inc., hit a new high in gross revenues for the fiscal year ended Nov. 1, 1947, increasing its take to $64,958,405, compared with $53,934,865 in the preceding year, J. Cheever Cowdin, board chairman, and N. J. Blumberg, president, announced in the company's annual report released last Thursday (29th). Net profits, however, after taxes, showed a drop of $1,325,202, with the net for the last fiscal year at $3,230,017. According to the report, most of the increase in gross business was due to reve- nues from the company's newly-established 8 and 16mm film division and by increased volume from distribution of the J. Arthur Rank productions. Operating expenses, how- ever, zoomed to a record $58,883,164 compared with .$45,169,152 for fiscal 1946. Of this increase, approximately $10,000,000 was accounted for by higher amortization charges, including amounts accruing to outside producers and operational expenses of the sub- standard subsidiary. Another important factor, the report stated, was the unusual expenses involved in changing the company's production policy and distribution meth- ods, which included the elimination of so-called "B" pictures, westerns and serials. However, the report discloses, the studio is now producing pictures at "substantially less cost" than last year. Further reductions are being effected, the report added. The company will release 25 productions this year, of which 15 have already been completed, according to the report. The roster is largely composed of films based on Broadway hits and best-sellers. The new selling methods occasioned by the industry anti-trust suit has involved considerable expense, the report declared, and has necessitated a large inventory of pictures. Inventories, production advances to outside producers, etc., at the fiscal year-end totalled $32,880,747 against $25,248,364 the preceding year. The company's progress m distributing the J. Arthur Rank productions is con- tmuing, said the report, and the 8 and 16mm subsidiary. United World Films. Inc., though still in the developmental stage, already is on a profitable basis. • » • ASCAP ILLEGAL LICENSING CLAIMED ASCAP may be asserting the right to license over 13,000 uncopyrighted composi- tions, A. F. Myers, National Allied general counsel, estimated in a bulletin in which he (Cotttinued on Page 18) It FILM BULLITIN EXHIBITORS FORUM Opinloni (^uded from. Oi rqantzaiion i^uii ?tini THOSE "COSTS" AGAIN! ALLIEB ROCKY MT. INDEPENDENT THEATRES "Hollywood, Calif. — Every day the evidence continues to mount that Holljnvood, instead of actually pursuing a policy of cost re- ductixan, is embarked upon a program of wild inflation. True, a few — quite a few — studio underlings are being given dismissal notices or pay cuts, but the small savings effected are more than offset by the pay boosts being granted to stars. "For instance, it was reported last week that Hedy Lamarr will receive a flat $200,000 for her next role. That's not a record fee, for during the past year a number of other actors and actresses have been handed contracts giving them as much as $250,000 a picture, plus percentages of the profits. But those were box office champions, and Miss Lamarr, as far as her personal drawing power is concerned, is merely an also-ran. "I wouldn't begrudge the fair Hedy her $200,000 or any other amount a producer is silly enough to pay her, if it weren't for the fact that her new wage will inevitably be a peg on which other players of second rank will hang their demands. The scale of pay is getting out of hand; studios seem to be caught in maelstrom of inflation from which they can't escape. "Under the impact of that inflation, something's going to have to give — and I'll be surprised if the pressure, in a few month.3' time, isn't directed principally against the present scale of theatre admission fees. You and I are going to be asked to pay more to see pictures. And I don't think we are going to do so very graciously if the demand is based on the 'need' to pay Hedy Lamarr and other stars of her caliber such fantastic salaries." Reprinted from Jimmie Fidler's column of January 11, 1948. • • • DELUSIONS AND PENNY-WISE ALLIED ITO QF EASTERN PENNA. One company after another suffers from delusions of grandeur, a common disease of the motion picture industry. Now it s RKO with the funny notion that all pictures are top pictures and prices are quoted on that basis. But in New York City, where the RKO circuit operates many theatres, these same theatres double-featured MAGIC TOWN and LONG NIGHT. The next time the RKO sales- man quotes prices just ask him "How come?" Fox is on the merry-go-round. Curtailment of the sales force in the Philadelphia branch has made it almost impossible for exhibi- tors to receive the attention they require to properly negotiate deals. A typical "Penny wise — pound foolish" policy on the part of Fox. Exhibitors just simply can't afford to waste time, and re- ports from the territory are definite that visits of the Fox sales- men are becoming more and more infrequent. What do the wise boys in New York think? Are they of the opinion that there will be a stampede to buy FOX pictures like food in a famine or water on a desert? They'll find out that Fox just isn't that important and that business will go to those companies which maintain con- tacts with and service to their exhibitor customers • • • A FORECAST ALLIED ITO OF IOWA AND NEBRASKA We do not subscribe 'o the opinion held in some quarters that the Supreme Court Decision and/Or divorcement of aflSliated thea- tres will not help anyone. There will be many gains made by in- dependent exhibitors from this, and the Jackson Park decisions. And at the same time, we cannot believe implicitly in the happy idea that the Decision will bring Utopia; that the distributors will be around beggmg the exhibitors to run their top pictures for free' The exhibitors will still have to work, and they'll still have to fight for their film at right prices. But they will have the right of selec- tion and elimination; there'll likely be more pictures to choose from— perhaps even a buyers market and decent exhibitor treat- GRAPE-NUTS! 20th Century-Fox deserves a hand of congratulation for tlieir GENTLEMAN'S AGREEMENT. It is a great motion picture, and anytiiing wliich preaches tolerance will always be ace high in this Bulletin. But the same company should also be ashamed of itself for the very obvious advertising tie-up which it had with GRAPI>-NUTS. A box of this cereal occupied the center of the screen during a very important breakfast table discus- sion. The son asks, "Dad, What's a Jew?" Tliat's straight talk in a motion picture, and it brought forth some good straight answers. c BUT why the GRAPE-NUTS, Mr. Zanuck?????? That was no time for raw commercialism. —ALLIED ROCKY MOUNTAIN MORE ON THE SENATOR' One of our members who can speak author tJtively on politics points out a damage done by THE SENATOR W AS INDISCREET that is Ie.«s apparent than the one of alien- ating the sympathy of national legislature toward this in- dustry. To put the sincere, hard-working statesmen into the sarr.-j group with the selfish adventi.rers in pDlItics is n')t only unfair, but wide distribution of the erroneous implica- tions of th?s picture will serve to discourage able, honest, successful citizens fjx)m entering po'.itics. Our American sys- tem of goverrunent depends upon the services of this kind o^ men, but we won't get it by constantly ridiculing the field. —ASSOCIATED THEATRE OWNERS OF IND. ment again! There'll be no forced $1.20 pictures; no admission price fixing. And much of the present clearance and circuit theatre preference will be eliminated. And we make the FURTHER FORECAST— thr.t if t lo \vell-ni?h entirely intolerable conditions in this industry under wh c'i the exhibitors have been forced to operate are not mnterially improved by the Decision, the Congress will be let in on the secret — quick! ADMISSION TAXES We believe exhibitors should now start making their desires for the elimination of the Federal 20% admission tax known to their Congressman and tv/o U. S. Senators, who should be told the facts that the movies arc NOT luxuries: that in your town they are a have no other form of recreation. — Leo F. Wolcott Chairman of NECESSARY relaxation for the vast majority of your people, who the Board . , • • « DEVELOPMENTS ON ASCAP ALLIED THEATRES OF MICHIGAN Every exhibitor must realize that through the combined and well united opposition of the exhibitors throughout the United States resulting in the immediate threat of legislative relief, the publicity on the Miles plan, the favoraible Supreme Court decision in the State of Washington (not Washington. D. C), the Berger case de- advisable to ASCAP to postpone enforcement of the r.°w rates. We velopments. and other helpful factors, have to date made it appear in Michigan alone, nor any other single group, could txpect to effectively oppose ASCAP. The combined avlanche thnt resulted in the preparation to file law suits everywhere, groundwork for legislative relief in Congress, and representations to tho Depart- ment of Justice caused postfkonement of the increased rates. It too'.: your combined, organized effort to obtain the results to date. Your contribution toward that has therefore p'aved in effective part in the whole movement and will continue to do so without any additional funds being required from those who have already con- tributed. If you are one of such exhibitors who has not as yet made vour contribution to the ASCAP committee, you have and will continue of necessity to ototain the benefits gratuitou.'Jly as a "free rider," at the expense of those who have organized and have made their contribution unless you immediately join bv makintr vour contri- bution now. The other exhibitors have paid this ASCAP committee 25% of the total 1947 ASCAP license fee for each theatre. Is there any reason why any exhibitor should permit himself to be a "free rider" and thereby by implication make it appear to ASCAP that he does not object to the increased license fee demand? * * * RKO BIDDING METHODS ALLIED OF GULF STATES To those of you who liave recently been honored by RKO with privilege of submitting bids on their latest releases and whose ex- periences on your previous bid wit'n this company were not at ail satisfactory, do not throw in the sponge and say: "Oh! What's the use." On the contrary, we suggest that your bids be sent in. How- ever, in doing so you should have a letter accompanying your bid expressing your keen disappointment of the manner in which your last bid was handled, if such was the case in your particular instance. The writer has been shown by several members bids submitted by them on the previous group and it is very diflflcult to believe that higher bids were received in those particular situations oii those particular pictures. Let me say that instead of sulking and registering in person your complaints with the local office, that you send a registered letter to the home-office of RKO giving them the facts as you see them and perhaps your problems may be given a little more serious consideration. Frankly, the main reason why so many differences and misunderstandings are not corrected is because they are not presented to the proper authorities in the proper manner. FEBRUARY 2, 1948 II EXPLOITATION PICTURE' TwD Strong Angles for "The Fngitive" Campaign There are two prominent unfiles upon whieh the showman can hang his ex- ploitation rani])aign on "The Fugitive'". Proihieer-(h rector John Ford has fash- ioned a stirring, «lramatic, heautiful fihn that is at once a deeply moving religious tale and a tense, aetionful manhunt. The storv of a young pri(^st who con- tinues to mini-;ter to his people in a Latin- American country, whose govern- ment has heeoine anti-clerical, is fraught with elements that offer a challenge to the imagination and resourcefulness of the individual showman. The showmairs |)romotion alr<'a>ly has heen augmented l»y RKO's strong pre-release advertising campaign in national and secular magazines. Life, Look. (]ollier"s, Saturday Evening Post, American Magazine, Liherty. Parents' Maga/jn;' and many other puhlicatiuiis, totalin-, <)\er 74 (H)(),()()() circulation, have carried full-page ads on "The Fugitive' , as have leading Catholic and Protestant journals, with circulations running over 7.000.000. THE MEN BEHIND THE CAMPAIGN S. BARRET MiCORMICK JSiilinnnl Advertising Director PAUL HOLLISTER !\ntiontil Publicity Director BEi\ GRIMM. Advertising Manager Rl TGKRS NEILSON. Publicity Manager FRED SCHAEFER. Press Book Editor FORD - A -NAME" John Ford is one of those rure dire<'- tors whose name nieuns something on the marquee. He ha^ won tliree Academy Awards and his list (,f outstanding pic- lures is impressive: "T h e Informer." '"S t a g e c o a c h." "Grapes of Wrath.'" -liid "How (»reen Oth.Ms. Don't overlook the valu l!st ihoM- p;i>t triumplis. Was NEWSPAPER ADS Three good teaser ads (2-colunni x 50 lines i :;re available. Spot these in newspapers at inter- \a!s ahout a week in advance of the opening. Cclow are reduced illustrations of three of the newspaper ads. We could not show the 5- colunin ad. which is one of the most effective in the press book. THE STILLS One of the outstanding features of "'The I ugitive'" IS the brilliant cinematography. Show- men should make full use of the striking stilU such as the two above which graphically depict nionicnt> of drama and action. THE POSTERS III tune with the vis id photograjthy is the quality of the lithographs on this picture, fwo 24-sheets are offered, both very effective, as is the six-sheet and the smaller paper. Posting of this material over the widest pos- sible areas will surely pay dividends at the !»oxof[ice. RADIO INo less than 21 station breaks and 6 one- mmute spot announcements are available on discs to plug "The Fugitive" via the ether. Contact your local branch manager about these recordings. t»l£ >1 f Hunted, Hounded, Condemned KHH row i„ hi, o«o T'';.;^,,,, ,o««eople and scenes at least once from reality," Wmston sympathizes m.ore with Pidgeon, "who has to endiire it all," than with the audienca, which has "only to watch and listen." Suggesting to the filmgoer that he do well to "bring a flask of brandy to the thing" because it's a "mighty dogged depres- sant," the Journal-American's John Maynard calls Walter Pid- geon's plight in the film "one of the most sustained hotfootx the screen has come up with in some time." His final verdict is "not so hot." Eileen Creelman of the Sun, points out the venerability of the story and a plot which "creeps along gingerly." The best she flnds in it is "some good characterizations and a few poignant scenes." The present version reminds Alton Cook, World-Telegram, that the old novel and silent film were "pretentious sentimental trash" and that the new picture is a considerable improvement. He calls it a "brazen tear jerker," but "cx>nducted with a slicit polish and with a rea.sonable degree of restraint when the players tackle their big weep scenes," adding that while it is "primarily for tile liandkerchief brigade. . .their male escorts can take it without dlsc4)mfort and with some degree of entertainment." The politically-conscious Cecelia Ager of PM, calls down Metro for making an "untimely mistake" in making an incident in the picture which she feels coincides with the company's recent re- lease of "one or two of their public-spirited ejnployes, and in the very same manner, for the verj- same motives, with the very same venality, and that one of their very own movies would be so idiotic as to point it out." She infers that while it once had "solid wonuui's audience stuff," it hasn't now. 'TREASURE OF SIERRA MADRE' WARNER BROTHERS "Duthless realism. . .Superb illumination of basic characteristics ^ in men... Most vivid and exciting action display. Even the least perceptive patron should find this a swell adventure film. . . Bogarfs perfoimance in this film is perhaps the best and most substantial that he has ever done."— CROWTHER, N. Y. TIMES. "YI^'Jl stir the enthusiasm of every audience into a dither... A picture for every taste ..John Huston has written a com- pact narrative packed with vigorous episode and spiced its dia- logue with the salty wisdom of primitive men." — COOK, N. Y. WORLD-TELEGRAM. "Cavage, unrelenting and considerably entertaining. Walter ' Huston is nothing short of magnificent . .John Huston, his son, has staged the production superbly ... (The two Hustons) hold this Warner Brothers production to a key of high excitement. Superb below-the-border thriller." — BARNES, N. Y. HERALD TRIBUNE. "T_Tas greatness. . .Overwhelming impact ..It is a suspense story, or an adventure, or an allegory, or irony, or reality, or philosophy — or all these... Of course, it is magnificently acted, because it is magnificently directed. But cut of its vivid gallery emerge two unforgettable, almost epic men: Walter Huston's old prospector, and Alfonso Bedova's Mexican bandit." — AGER PM. 'SECRET BEYOND THE DOOR' UNIVERSAL-INTERNATNONAL "pritz Lang has turned out such consistently superior pictures in the past, we just owe it to him to ignore this one. That is the course the customers are likely to take, anyway.". — COOK. N. Y. WORLD-TELEGRAM. "pretty silly yarn ... played in a manner no less fatuous by the sundry members of the cast. But Mr. Long is still a director who knows how to turn the obvious. . .into strangely tingling stuff."— CROWTHER, N. Y. TIMES. "T Ttterly synthetic 'psychological' suspense incredibility wrapped in a gravity so pretentious it is to laugh, wherein all the actors stalk and stare like zombies while the sound track babbles fancy words .. .Anybody out front has seldom encountered duller, emptier, less sympathetic, more tiresome, less life-like shadows on the screen." — AGER, PM. "/^lass A production. . .Class C story.. Kind of horror story that used to play at the Rialto but this time all dressed up with psycho-analytical talk and an expensive cast. . .Builds up horror to such an extent that the shivers must turn to giggles . .Too much introspective talk on the heroine's part, too many locked doors, too many grimaces and too many scenes." — CREELMAN, N. Y. SUN. 'T-MEN' EAGLE LION FILMS "Jpast, direct, danger-action-suspense-packed movie story, briskly done in documentary style .. .Action-hungry movie audience is .sure to pay 'T-Men' vociferous box-ofBce devotion." — AGER, PM. "plenty of gun play, rough stuff and slangy dialogue in the long- standing second-feature tradition. Having been given meti- culous treatment in the semi-documentary manner, it looks just good enough to stand at the front end of a show." — GUERNSETY, N. Y. HERALD TRIBUNE. "T OSS of faith (from climax) backlashes with a scorpion's tail of disbelief and brings the whole picture into focus as Holly- wood melodrama given the documentary treatment as a sugar- coat. . .Tolerable as routine cops-'n'-robbers stuff, disapptoints those who have been inveigled into taking it seriously as another 'House on 92nd Street'."— WINSTEN, N. Y. POST. "Qlambang rip-roarer of a melodrama. .. Shorn of all its official trimmings, the picture is straight gangland melodrs^ma, one of the best we have had in quite a while. . .Excitement and hubub runs full steam ahead."— COOK, N. Y. WORLD-TELEGRAM. "Oousing melodrama. . .Action is fresh, new and always exciting ^ .. .Should be good entertainment for any adult. ' —CREIEL- MAN. N. Y. SUN. 'I WALK ALONE' PARAMOUNT "f^ood enough frequently to overcome the producer's obvious determination to concentrate on that man and woman thing, which is reputed to be sure box-olfice. . .Occasionally a very silly picture, when its romantic side dominates, but more frequently it is a good, taut gangster story; artificial and incredible it may be — but strong, heady excitement."— COOK, N. Y. WORLD- TELEGRAM. '"^ITThile the story may have the New Look of modern racketeer- " ing devices, it still contains enough of the Old Look in the way of gunfights. beatings and double crosses to qualify it as hard-boiled gangster melodrama. '—PELS WICK, N. Y. JOURNAL- AMERICAN. "/^ood sound melodrama. . .told tensely, with the suspense mount- ing from the first sequence. . .Tough story, with sentimental characters to play it.. Plenty of overwriting and overacting." — CREELMAN, N. Y. SUN. 'HOLIDAY CAMP' J. ARTHUR RANK-GAINSBOROUGH PICTURES "Quperb English film . .Alternates among moods of tenderness, robust humor and scathing contempt. . .Ingratiating picture, a memory its audiences will cherish for weeks and weeks." — COOK. N. Y. WORLD-TELEGRAM. "PJngaging little British film. . .Atmosphere of freshness, spon- taniety and gaiety about the proceedings that is altogether charming."- PRYOR, N. Y. TIMES. "HPhough a slight film by Hollywood's epic standards, the Britisli 'Holiday Camp' has a richness Hollywood knows little about . . .AH so real and so true, the details of Summer resort life are so accurate that you are sure to laugh heartily in recognition... What is so pleasing about 'Holiday Camp' is its fine humor and fine emotion, and, as William Saroyan might describe them, its 5000 beautiful people."— PECK, PM. "■presh and curiously attractive in the field of cinema comedy- drama. . .Spirit of mutual good fun comes through and gradu- ally makes itself felt in the audience. . .Has a simple reality which is ingratiating."— GUERNSEY, N. Y. HERALD TRIBUNE. 14 FILM BULLETIN SIUDIO SIZE-UPS Behind the Scenes of Film Production COLUMBIA The Jeffrey Lynn Case VV/ith about a week of shooting- completed on "Let's Fall In Love," Jeffrey Lynn was removed from the leading male role opposite Dorothy Lamour and Don Ameche took over. Studio spokesmen insisted that actor Lynn came down with Virus X and to avoid production delay he gave up the part. But it is reported that he was actually removed from the picture because someone felt he was not right for the role. Lynn, one of the first to go into service and one of the last to return (with a minimum of fanfare) has had a bad break from the studios since his return. When he went away, his career had j'ost begun to build; since his return, he has had little worthwhile offered him. He did a good job of a secondary role in Warner's still unreleased "Whiplash" (Dane Clark-Alexis Smith) but no other break has come his way. If an actor like Lynn gets lost in the shuffle because he was in service longer than most, Hollywood producers can count a black mark on their side. "IT'S QUIET HERE" That is what studio spokesmen say when you talk shop at Col- umbia these days. Only two films are in production, "Let'.s Fall In Love" (Dorothy Lamour-Don Ameche) and "Loves of Carmen" (Rita Hay worth-Glenn Ford). The story is that concentration for the coming year will be more and more on independent produc- tions for Columbia release. President Cohn is quietly moving to tie- up as many such deals as he can. "We'll have some interesting an- nouncements to make shortly," say the boys who dish out the news. Sam Katzman, specialist in quick production, has Set twelve pictures for release on Columbia's 1948 schedule. Four musicals, four action features and four serials will make up the list. Eight of these will be completed by August 1, with "Superman," a 15- chapter serial set to start shortly. The first Katzman musical to go February 10 is tagged "I Surrender Dear" and will star Gloria Jean and Radio Singer David Street. WALr^CE NEXES DEAL Director Richard Wallace last week requested and was given his release from a contract he had at this studio. When Wallace Signed a non - exclu.sive pact with Columbia, studio executives talked long and glowingly of plans for the director. Apparently, none of them have come to pass and Wallace, who has a similar tie-up with Dore Schary at RKO, decided to devote his full time to the latter studio. He is currently working on a free lance chore at E:agle-Lion on "Let's Live A Little." Harry Rome, a New York theatrical agent, has signed a deal here to produce two pictures a year for the company. His first ope comes in April and is tagged "Ladies of the Chorus." Phil Carlson will direct. No casting has been set yet. The second feature may be a starrer for Milton Berle. FIVE FOR AUTRY Armand Schaefer. president of Gene Autry Productions has set the cowboy's program for 1948 at five films. These five will com- plete the two-year deal calling for eight pictures that Autry has with Columbia. No news of renewal of the contract is available yet. All five of the films will be done in Cinecolor "Hideaway" is scheduled as the first to go in March when Autry returns from his personal appearance tour. EAGLE-LION Four A Month From E-L ^t the close of a two-day session of sales meetings here recently, assistant sales chief Harold Dunn announced that Eagle Lion will release four films per month. The releases usually will con- sist of top-budget pictures, one exploitation feature and one west- ern. With this schedule, Dunn said, the product from E-L will be kept on a full basis that will meet the needs of exhibitors at a steady pace and give the studo a fixed program. President Arthur Krim, Bryan Foy and Walter Wanger talked with great optimism o: what is ahead for E-L. Aubrey Schenck and Ben Stoloff gave the sales meeting a picture of the production plans and the gathering took a look at some of the product that is now ready to be sold. There are ten first-line features topped by "Prelude to Night" (Zpch.-ry Scott), eight Eddie Dean westerns and four Lash La Rue westerns ready to go. HARRY THOMAS FORMS UNIT Harry Thomas (former PRC prexy) has formed a, new production unit tagged Equity Pictures, with Howard Welsch, Jack Schwarz and Sid Justman. The company has signed to do 22 pictures for Eagle-Lion release. Six of the program will be done in Cinecolor. Two have already been completed: "Enchanted Valley' (Alan Curtis-Anne Gwjnne) and. "Heading For Heaven' (Stuart Erwin-Glenda Farrell). These were made by Jack Schwarz before the Ekjuity set-up was formed, but will be included in the program. Next one to go on the line-up has a February 15 starting date. Emphasis will be on action and exploitation films. HENREID-BENNETT DEAL SET Big excitement of the week was the signing of Joan Bennett for Eagle-Lion's "Hollow Triumph." She will be co-starred with Paul Henreid. Henreid will also be producer on this one, Bryan Foy moving up to the executive producer spot. The budget is set at $1,750,000 for a 52-day shooting schedule. Steve Sekely will direct. Thus is Eagle-Lion moving into the big time. This oufit's "T-Men" is clicking big in all first-run engagements, we hear. The Criterion on Broadway is holding it for an indefinite run on the basis of a near-record gross the opening week. M-G-M Roach & Wood Return T_Ial Roach, after an absence of ten years, has a signed a new deal with this studio to produce a series of comedies and short subjects for Metro release. Roach still owes United Artists two short features on his current deal with them. But as soon as these are turned in he'll swing back to the lot he left ten years ago in a flurry of law suits and counter-suits. No plans have been announced for the Roach-MGM product, but the producer will con- tinue to work on his own lot. Sam Wood is another to return to this studio. He kissed off his tie-up with Universal-International and all his other plans for in- dependent production and is now back at MGM on a straight directorial deal for three years. The Wood's move is typical of the trend of the top directors and producers, who are finding inde- pendent production too risky and too difficult to finance, and are turning back to the security of a straight job deal with the major studios. Woods' last production was "Ivy" for U-I release and it didn't break any box-office records. He got all snarled up on prep- aration for "Purgatory Street" so the MGM deal is well-timed. His last at this studio was the successful "Goodby, Mr. Chips." He will turn over about six story properties to MGM, but his first produc- tion here is likely to be a story prepared on this lot. STUDIO BUYS TUCKER BIOG It looks like the powers-that-'be at Metro are really in a nos- talgic mood these days. First, the deal to do a sequel to "The Jolson Story" and now news that Metro has bought Sophie Tucker's life story, "Some of These Days" and handed it over to Pandro S. Berman for production. The studio was quick to an- nounce that Miss Tucker would not portray herself in the title role. TEMPEST OVER TURNER Much ado about practically nothing was the fuss made over whether or not Lana Turner would be a good girl and come back to work in "The Three Musketeers." The actress nabbed columns of free (and not too flattering) space in the dailies with her antics of the last several weeks. Everything was news: her refusal to the role, after costumes had been made; her suspension; her offer "STATE OF THE UNION" RUSHED Eager to exploit the timeliness of "State of The Union" (Spencer Tracy-Katharine Hepburn) which deals with the shenanigans of politicians in presidential elections, the Metro production staff is rushing this film ready for the scr«en by March 1. It went inte production in October — that's a record at MGM. The Studio plans to hit big as the national conventions get under way in mid-summer with extensive openings employ- ing as many theatres as they can get hold of. Executives expect to be on velvet even with a 2'/> million (Jollar cost after the high-pressure openings. This is a once-in-a-lifetime exploitation natural and Metro is set to make the most of it. FEBRUARY 2, 1948 IS sTODio sizt-yps to work this one if the studio would give her a year's vacation witn pay afterwards (that was turned down). But finally Miss Turner decided to behave and consented to do the role. So the picture is under way an peace reivns. But the yarns about Lana's romanco with a married man and the $25,000 "spending money" for a little vacation in New York leave a bad taste in the public's mouth. if MONOGRAM Two Minor Starters "trii,.oy On Deck" (Jackie Cooper-Jackie^Coogan) and "Thunder K On The Range (Johnny Mack Brown-Raymond Hatton) hit the cameras last week as this studio continued on its slow produc- Wo^'und up on the lot were: "The Tenderfoot" (Eddie Albert-Gail Storm), "Jinx Money" (the Bowery Kids) and "Melody Range (Jimmy Wakely-Virginia Belmont). , ^ . MONOGRAM SETS $3,850,000 LOAN A bank credit of $3,850,000, consisting of direct loans and loans to ifs producers, covered by guarantee of Monogram Pictures Corp was announced by Steve Broidy, president, and George D. Burrows, executive vice-president and treasurer. The agreement, signed with the Security First National BanK of California, runs for a one-year period is revolving ^r^Jojrn^ The latter feature will enable Monogram to use an aggregate of from ten to twelve million dollars of bank funds for production purposes during the current year. Allied Artists, ^onograrn big budget subsidiary, will also have the funas available for its product. if PARAMOUNT Pick Up Here While it cannot be said that things are humming on this lot. Paramount does show signs of life with two ^t^'-^^" joining the continuing "A Foreign Affair' (Jean Arthur-John Luid. New starters are Hal Wallis' "Sorry. Wrong Number (Barbara Stanwyck-Burt Lancaster) and "Abigail. Dear Heart (Claude Rains-McDonald Carey-Wanda Hendrix). Like most of the other film plants, this outfit is holding current production to a minimum to see how things go the next few months and to dispose of some of its high-^budgeted backlog. Para- mount's stock on hand consists of sixteen films now ready for re- lease on the 1947-48 schedule. u^ft^^ In backlog at the present time are: "Dream Girl (Betty Hutton- McDonald Carey), "The Big Clock" (Ray Milland-Maureen O Sul- livan) "The Sainted Sisters" (Veronica Lake-Joan Caulfield-Barrj, Fitzgerald) "The Emperor Waltz" (Bing Crosby-Joan Fontaine), "A Connecticut Yankee' (Bing Crosby-Rhonda Fleming). "The Long Gray Line" (Alan Ladd-Donna Reed), "Whispering Smith (Alan Ladd-Brenda Marshall). "So Evil My Love" (Ray Milland- Ann Todd) "I Walk Alone" (Burt Lancaster-Lizabeth Scott-Kirk Douglas) "Saigon" (Alan Ladd-Veronica Lake). "Sealed Verdict' Carev) "My Own True Love" (Melvyn Douglas-Phyllis Calvert) (Ray Milland- Joan Marly). "Hazard" (Paulette Goddard-McDonald and "Night Has A Thousand Eyes" (Edward G. Robinson-Gail Russell) plus Pine-Thomas' "Alberquerque" and Cecil B. De Mille s "Unconquered" now ready for general release. REPUBLIC Schedule On The Double Tn a move to finish up its 1947-48 schedule of production in rec- A ord time this studio has assigned 35 films to twelve producers for completion by mid-summer. This will wind up Republic's an- nounced 52 pictures for the year. John Auer has been handed four of the top-budget pieces and his next will be "Another Dawn" starring Vera Ralston. Edmund Grainger gets three on his list and his nert will be "Wake of the Red Witch," starring John Wayne. Joseph Kane gets three more in addition to his currently shooting "Gallant Legion" (William Elliott-Adrian Booth). Allan Dwan will produce and direct a pair. John Wayne will turn in one more of his own productions; this one tagged "Eagles In Exile." Sidney Picker and Stephen Auer each get four to do. Edward J. White has "Eyes of Texas" and "Westerner and the Lady." Gordon Kay is responsible for a quar- tet in the Allan "Rocky" Lane western series. The balance of the quota with the exception of four properties. hi^i, oeen assigned and the untagged four will be set for production within the next three months. In this sparked program the studio has four set to roll almost immediately. "Secret Service Investigator,' a Sidney Picker pro- duction was due to roll over the past weekend. "CarSon City Raid- ers," an Allan Lane western, goes Feb. 6. Lou Brock starts his "Prison Train " February 13 and Steve Auer goes with "Daredevils In the Sky" on February 18. RKO Hughes Deal ? "LJottest rumor (and more than a rumor, it is) of this week is the negotiation by Howard Hughes to take over. lock, stock and barrel, the RKO set-up. Hughes is after the Atlas Corp. holdings and Floyd Odium admits he is willing to sell to the "rig);t peopU ' at the "proper price." The story on Hughes seems to be that h- wants full control or nothing. And at last reports. Odium was about decided to let Hughes the whole works — providing Ihi' wealthy oil and airplane magnate pays the right price. Meanwhile, riding with the Hughes story was the report that Robert Young, of railroads and Eagle Lion, was negotiating for RKO, too. Spokesman for Mr. Young indicated that he and r^. group of people he represents had been considering RKO, as well as United Artists, as a possible investment. It is Mr. Young'.s present purpose, said his representative, to build Eagle Lion to its maximum. If, however, other deals present themselves at terms agreeable to Mr. Young and his group, it is possible they may be culminated. ACTIVITY TO START HERE While the big financial boys tossed RKO back and forth among themselves, studio production chiefs were more concerned with the immediate problem of resuming work after a six-week shut-down. Cameras will roll again on Feb. 9 when "The Boy with Green Hair," starring Pat O'Brien and Barbara Hale, starts. Second starter in February will be "Blood On the Moon," with Robert Mitchum and Barbara Bel (Jeddes. 'The Long Denial," starring Melvyn Douglas will be number three on the February list. SCOTT SUES FOR $1,314,200 Adrian Scott, producer of "Crossfire" and other RKO hits, filed his suit against the studio in the dismissal business for $1,314,200. Scott, one of the five fired summarily when he was cited for contempt of Congress during the Thomas hearings, claims $500,000 for "being deprived of artistic and intellectual satisfaction, $250,000 for "humiliation and anguish." $473,000 to cover "optional increases" set forth in his contract and $91,000 for "contract compensation." He had a two-year deal calling for $1400 a week and he claims that RKO was acting without cause in firing him for his refusal to answer the Thomas committee. Meanwhile, Sir Alex Korda is reported to be negotiating with both Scott and Ekiward Dmytryk to do a picture for him. The pair have approval of the Federal Court to go to England before they stand trial in March. Naturally, any deal they niake with Kord will have to be contingent upon the sentence handed down in their trials. SCREEN GUILD Lippert Sets 3 Films "T^he Return of Wildfire" is the first of a trio of pictures set by Robert L. Lippert for production for Screen Guiid release. The film goes into work this month. "Kazan," a James Oliver Curwood story, and "Last of the Wild Horses" are set to follow quickly on the schedule. The sudden death of Maury Nunes saddened his friends here and left a question mark on production schedule at Screen Guild. Nunes had five productions set for the year and as yet it is un- certain whether someone else will take over on these or whether they will be dropped from the schedule. SCHABY OKAYS "BOY" A lot of people took for granted that RKO would drop plans to produce "The Boy with Green Hair" following the Thomas committee's probe. However, they failed to reckon with production chief Dore Scharj-'s determination not to be sidetracked from any productions in the liberal vein. Schary was asked by a reporter recently if he would dare produce "Crossfire" today. He replied, "Of course, I would." 16 FILM BULLETIK ■ SELZNICK Plans Progress Vy/hile Selznick executives were winding up final discussions on " the future program here, the activity of putting the plans into work got under way. The plan to acquire a chain of theatres for SRO product got started with the acquisition of the Victoria Theatre in New York. Negotiations are also under way for an -SRO theatre in Los Angeles. Theatres in Beverly Hills and Hollywood are also being considered and it is believed that these will form a nucleus for a nationwide chain of houses where SRO releases will be show- cased. The Hellinger situation seems to have been settled as predicted too. Humphrey Bogart and Gregory Peck have been set lo co-star in "Act of V^iolence" which will be made by Hellinger Productions for SRO release. Selznick hopes to have delivered all of the films planned by the late Mark Hellinger for his releasing organization. 20th CENTURY-FOX New Trend Here r\f the 48 films on 20th Century's 1948 production schedule, 25 will be from independent producers, inclading four imports from Alexander Korda. That means that 20th will produce 23, the same number of films it made last year. Thirteen of these are al- ready completed. he indies who will contribute a brace of 21 pictures are Sol Wurtzel, Edward Alperson, Edward Small's Re- liance Pictures, Frank Seltzer and Sam Baerwitz' Belsam Produc- tions. The inclusion of these smaller independent units in the 20th product list is a new departure for this company and is obviously intended to bolster the revenue coming in. This kind of inexpen- sive, quick turn-over product can well provide a sound basis to cover the more extravagant ventures of the company, which as a rule, pay out but take a much longer time in the process. THREE IN PRODUCTION With "The Iron Curtain" (Dana Andrews-Gene Tierney) and Walls of Jericho" (Cornel Wilde-Linda Darnell) wound up, this lot is occupied with only three films this week: "Apartment For Peggy" (Jean Craine-William Holden), "Chair For Martin Rome" t (Victor Mature-Richard Conti) and "The Street With No Name" (Mark Stevens-Barbara Lawrence). UNITED ARTISTS I Looking Up ' 'T'HE MOOD around the AU offices here these days is much brighter than it has been for months. Mary Pickford's "Sleep My Love" (Ciaudette Colbert-Robert Cummings) got good notices in its local preview, Samuel BischofT has his picture. "The Pit- fall" (Dick Powell-Lizabeth Scott) in production and Robert Gol- den has his "Texas, Heaven and Brooklyn ' (Guy Madison-Dianna Lynn) in work. Executives here are watching the RKO-Hughes deal with ' considerable interest. They figure that lif Hughes takes over • RKO, he will have the company's chain cf theatres available for his three p-ctures (including "The Outlaw") all of which are tied , up on UA release contracts. They see a chance for added profits ! for UA if Hughes should run his pictures through the RKO cir- cuit. After all, 25 per cent is still a good chunk of jirofit and that would be UA's share. NINE READY FOR RELEASE The company has eight pictures ready for release and they will come in quick succession. Now that Enterprise and UA have kissed and made up, "Arch of Triumph" is getting the spotlight a.gain in preparation for release. Others to come include A Miracle Can Happen," "Sleep My Love," "So This Is New York, ' "Atlantis." "Red River," "They Passed This Way" and Arthur Rank's "Man of Evil." Meanwhile, Enterprise plans at least four more p-oduct'ons for this year. Although the deal with Ginger Rogers for "Wild Calendar" blew up, the company is still planning to make this picture. "Cairo Incident," "Tuesd?.y In Bed" and "The Passion of Eugene Aram" are also scheduled for 1948 production. A pic- ture from Harry Sherman titled "Tennessee's Partner" and Screen Plays, Inc. (they turned in "So This Is New York") has promised another one for this year. UNIVERSAL-INTERNATIONAL For Spring Release UT HAS SCHEDULED its first quarter release program, with ■■■■ "The Senator Was Indiscreet" leading off. "Secret Beyond the Door" (Joan Bennett-Michael Redgrave) follows the "Senator." "A Woman's Ven^^eance" (Charles Boyer-Ann Blyth), "Black Bart" (Yvonne DeCarlo-Dan Duryea), "The Naked City " (Barry Fitzgerald-Howard Duff), "A Double Life" (Ronald Colman-Signe Hasso) and "Casbah" (Yvonne eDCarlo-Tony Martin) are all slated for quick release. Set to follow this imposing group of films are others which should also pull big for U-I, like "Another Part of The Forest " (Frederic March-Ann Blyth), "Up In Central Park" (Dick Haymes-Deanna Durbin), "All My Sons" (Edward G. Robinson- Mady Christians), and "Are You With It" (Donald O'Connor- Olga San Juan). It was rumored here a couple of months back that finances weren't all they should have been with this company. They were new and they had a fortune tied up in unreleased films. But it would seem the log jam is starting to break and the intake should begin to flow steadily with the kind of merchandise U-I has for sale now. BRIEFLY Audrey Totter has nabbed the fourth top role in the next Robert Montgomery film, "The Saxon Charm." Now it is Mont- gomery, Susan Hayward, John Payne and Miss Totter and the picture goes into production shortly. Walter Wanger is going to try for an "Oscar" for Miss Hay- ward for her performance in "Smash-Up." He is planning a re- issue just to refresh public opinion and Academy voters on the excellent performance Miss Hayward gave. It looks as though "One Touch of Venus" will finally get in front of a camera after all these years of on-again-off-again. They have progressed as far as casting at U-I. So far it is Ava Gard- ner. Dick Haymes and Robert Walker. (What happened to the story that this actor was quitting films for good?) WARNER BROS. Quickies Are Back! THRETE NETW STARTERS here this week, including the first of Warner Bros, new series of quickies. Interesting to note that J. L. Warner's name will not appear on this group of B's. He takes credit only on A stuff. Shooting is "John Loves Mary" (Ronald Reagan-Jack Carson- Wayne Morris). This is the play that cost Warners a fortune back in the days when every studio in town was fighting for the right to spend hundreds of thousands of dollars on successful Broadway shows. Also rolling is "Rope," the Alfred Hitchcock picture with James Stewart, John Dall and Joan Chandler heading the cast. This one was reported to be on a 10-day schedule originally, but tossing it into the Technicolor department upped the schedule to six weeks, still a short time. Hitchcock is using Technicolor in a new and novel manner in this one and the results will be interest- ing to see. "The Fighting Terror" (Wayne Morris-Lois Maxwell) is the quickie. Saul Elkins is the producer, and he is slated to make a batch of them this year. Here, they like to call them "experi- mental" pictures, because "quickie" or "B picture" are such harsh words. PARIS PREMIERE? Enterprise is talking again about a world premiere of "Arch of Triumph." If this comes off, the company will fly a special plane from here with 21 members of the press as guests. It will garner columns of free space in the daily papers and give the picture a send-off it needs to take it over the hump of $5,000,000. So far, there has been no official showing of the liini, but one thing is certain: Charles Einfeld. with his back- ground in exploitation, advertising and publicity, will launch this one with re^l showmanship and, if the picture measures up, it p."o:nises to be a great grosser. K FEBRUARY 2, 1948 17 CLASSIFIED BUSINESS STIMULATORS Comic Books A^aln Available as premiums, grlve-aways at your kiddie matinees. Large variety, latest 48- page news stand editions. Comics Premium Co., 412 F. Greenwich St., New York, N. Y. MS DIGEST THEATRE WANTED Will lease or buy theatre in Eastern Penna. or New Jersey. Write FB, Box 72, Film Bulletin. POSITION WANTED Experienced theatre manager; ag- gressive showman; wants to buy and book, as well as manage. Anywhere in the East. FB Box 75, Film Bulletin. THEATRE MANAGERS AND OWNERS We thank all theatre owners and managers who cooperated with us by putting return trailers in the proper addressed containers and for wrc^ping ond addressing all return advertising. We can serve all theatres better if they give us a copy of their program Tuesday each week. • IMPORTANT Don't put your return film in the lobby until all your patrons have left after the last show. • HIGHWAY EXPRESS LINES. Inc. 236 N. 23rd St., Philadelphia 3 1239 Vine St.. Phila. 7 LOcust 4-0100 Member National Film Carriers DiPENDABLE DELIVERY NEW JERSEY MESSENGER SERVICE Member Nat'l Film Carriera 250 N. Juniper St., Phlla. 7, Pa. LOcust 7-4«23 (Continued from Page 10 J loo.sed another bla.st in Allied'.s battle to have the Society's powers curbed by legislation 01 litigation. Pointing to the Wa.shington State Supreme Court decision that ASCAP was not qualified to do business in the State because it was not complying with the State law Myers cited the ASCAP copyright list filed with the State, containing about 80 000 mudical compositions and when the cards were sampled, 10 out of 60 picked at randorr were found to be compositions that were not copyrighted and were in the public domain If the percentage holds good throughout the list. Myers pointed out, then ASCAP claims license rights over 13,000 uncopyrighted compositions. In the titles sampl. ,J were compositions by Beethoven and Chopin, long since in the public domain. T:ie deci.sion, said Myers, "has disclosed enough to warrant a thorough-goin;,' investigation of all of ASCAP's pretensions. Heretofore, proceedings and judicial pro- nouncements concerning ASCAP have been on the assumption that it was trying ir. good faith to protect the legitimate rights of its members. But if the same ratio of public domain music to copyrighted music can be developed as to ASCAP's entir. repertoire, then that organization will be revealed as a gigantic fraud." Meanwhile, the ASCAP board agreed to extend the effective date of the nev licensing rates, which fostered the widespread exhibitor antipathy to the Society, to March 15. The board's decision came after negotiations between ASCAP and Theatr. Owners of America had been continuing, but looked as though added time would bc necessary before any agreement could be reached. In Washington, Rep. Lewis introduced a bill to force ASCAP to deal exclusive); with the producers so that when an exhibitor licenses a picture for exhibition from the distributor, the agreement would cover the music in the film, as well as all othei rights. • • ♦ "ARCH" AT UPPED ADMISSIONS. NO ROADSHOW The Enterprise film, ' Aich of Tiiuii-ph" will be leleasod on an advanced-admission price basis, but will not be roadshown, it was announced jointly by George Schaefei Enterprise vice-president and .'sales head, and Gradwell Sears, president of United Artists, v/hich will distribute the picture. According to the announcement, the decision to eliminate the roadshow provision and put it into regular release at upped admissions v. as taken in order to bring the picture to the greatest portion of the public in the shortest time. The fiim will be sl:own at a $1.80 top. The picture has the greatest "want-to-see" in audience potential of any hollywood film, results of a poll conducted by Audience Research Institute (the Gallup organization) indicate, the announcement declared. • • • FOX IN TELEVISION NEWSREEL DEAL Television's first daily motion picture newsreel, produced by 20th Century-Fox. Movie- tone News sponsored by R. J. Reynolds Tobacco. Co. (Camels), and covering the entire East Coast NBC network, will go on the air Feb. 16. The announcement was made jointly last week by Spyros P. Skouras, 20th-Fox president; Thomas D. Luckenbill, rep- resenting the tobacco company, and Frank E. Mullen, executive v. p. of NBC. Skouras revealed that World-wide resources of Movietone News will be at the news- reel's disposal so that television audiences, first on the East Coast, but ultimately coast- to-coast, will get an up-to-the-minute newsreel daily. Skouras added that these television versions would be produced in addition to the semi-weekly regular motion picture theatre editions now being released by Movietone News. The news program will be telecast daily Mondays through Fridays (7:50-8 P. M.. EJST) on the east coast NBC Television network which includes stations servicing the areas around New York, Washington, Philadelphia, Schenectady and Baltimore. • • • U-rS 'ALL MY SONS' TO BE ROADSHOWN Universal-International's "All My Sons" will get a special road show release, begin- ning April 15, it was announced by William A. Scully, v. p. and general sales manager, following a series of studio conferences. The April date was set so that the company can publicize and promote the film in order for the exhibitor, as well as the distributor, to get maximum results, Scully added. Declaring that "All My Sons" demands this "specialized treatment" not only so that the distributor can benefit financially, but also because of the "the necessity of giving the exhibitor an opportunity to effectively exhibit this picture under the logicial auspices." Scully voiced his confidence that exhibitors would "understand and appreciate" the road- show, advanced-admission price policy on the film after they have seen the picture. ileiease plans for "All My Sons" and several other pictures on U-I's 1948 roster will be set at a series of regional sales meetings, which began yesterday (1st) in San Fran- cisco.. • * • THOMAS FORMS E9UITY FILMS, E-L RELEASING The formation of Equity Pictures, with a production schedule of 22 pictures for re- lease this year through Eagle Lion, was announced last fortnight by Harry H. Thomas, who relinquished the presidency of PRC when it was absorbed last August by E. L. Welsch, former Universal executive producer, will be vice-president of the new company, with Thomas in the president's chair. A-lso associated with the new venture are Jack Schwarz, Sid Justman, and Jerry Thomas, the latter to join the Equity in a production capacity. Of the 22 projected features, 6 will be in color. First of these, "The Enchanted Valley" is completed, as is a black-and-white film, "Heading for Heaven," both Jack Schwarz productions. Action and exploitation stories will be the forte of the new unit. 18 FILM BULLETIN i PRODUCTION S RELEASE RECORD In the Release Chart, the date under "Details" refers to the issue in which cast, director, plot, etc., appeared. "Rel." is the national release date. "No." is the release number. "Rev." is the issue in which the review appeared. There may be variations in the running time in States where there is censorship. All new productions are on 1946-47 programs unless otherwise noted. (T) immediately following title and running time denotes Technicolor production, (C) denotes Cinecolor. COLUMBIA 194T-48 Features Westerns Serials Completed (37) Ck>inpleted (11) CJompleted ( 2) In Production (2) In Production (0) In Production (0) RELEASE CHART H-IO. .12-22. . . .8.4. .11-24. . 9-1. . . .4-14. . . .9-29. .10-27 . . . .5-26. . . .9-29. . . 8-4. . . .7-21. . . .4-15. .11-10. .10-27. . . .12-8. . . .9-1. . ...3-3. .5-26... 1-48. 5-26 12-47. .4-14. . .10-9. IN PRODUCTION Title— Running Time Cast Details Let's Fall In Lovf Lamotir-Ameche .1-19. La>u ot Carmen, The Hayworth-For* ....11-24. COMPLETEn 1947-48 A<«enlares In Silverado Bishop-Henry Bnt Man Wins Buchanan-Lee . . . ■Ittk Arrtw, The Ha)rwar« B:ilr ... Blaiing Across The Petos Starrett-Bornette . Blondle's Anniversary (67) Singleton-Lake Blindie in the Douch (69) Singleton-Lake . . . Blondle's Night Oit Slngleton-lake .. Brick Bradford Ric'in'ond-Johnsan Bickaroo from Powder RWer (55) Starrett-Burnette Coroner Creek (C) Scott-Chaoman Crime Doctor's Gamble (66) Baxter-Chelrel . . . Otvll Ship (62) Lane Campbell . . . Own To Earth (T) (101) Hayworth-Parks Eternal Kleiody. The Kiero a E-g rlh Filler Bru^h Man. The Skelton-Blair Gallant Blade (C) Parks-Chapman Glamour Girl Kropa-Reed Her Husband's Affairs (85) Tone-Ball Details onder title: Lady Know Htw I Lo»e Trouble Tone-Blair Details tnder title- CmIIo Take It Had To Be You (98) Powers-W ide Kiy Witness <67) Seal-Marshall ... Detilii under title: Destiny Lady froa Shanghai. The Hiyworth-Welioe Last Days at Boot Hill. The S'arrett-Burnette Last Rourd-Uo, The (77) Aotry-Heather ... Little Spanish Town, t Autry-Marion Lone WoK in London. The (68) Mohr-Saunders Lu!o Belie Lamour- Montgomery Man From Colorado, The (T) Ford-Drew M»rv Lou Lowery-Barton . . . Mating o< Millie. The Ford.Keyes My Dog Rusty Oonairtson-Doran . Phantom Va:iey Starrett-Burnetfe Port Said Bishop-Henry Prince of Thieves (72) Haii-Morison .... Relent'ess ifcung-Chapn;an Details u'-der title: Three Were ThorcghTeds Return of October. The Ford-Moore Return ol The Whl 827. EAGLE-LION 1947-48 Features Westerns Completed (26) Completed ( 5) In Production (1) In Production (0) RELEASE CHART IN PRODUCTION Title — Running Time Spiritualist, The Cast Details Bey-Eari 119. Rel. Ret. COMPLETED 1947-48 Adventures of Casanova (83) deCoido.a-Na.h Biaek HII^ Dean-Ates Blonde Savage (61) Sherwood- Ericson Bury Me Dead (66) O Don.iell-Danitls Check Your Guns (55) Dean-Gates riose-up Baxter-Gllmore Cobra Strikes, The Ryan-Fraser .... Corkse-»w Alley D'Keefe-Trevor Enchanted Valley (C) C«rtis-Gvifyiine .. Gentleman After Dark (76) Uonievy-Hjpkins . Green for Danger (91) Grey-Howard . . . Headin' For Heaven (71) Erwin-Farreil ... It'i Malder Swltiar-Whalen .. Linda Be Good (67) Hubbard Knox Love From A Stranger Sidney- Hodiak Man from Texas Craig-Bari Deta ls ender title: A Texts Stary Man in the Iron Mask (110) Hayward-Bennett Mickey (C) Biitirr Goodwin Noose Hangs High, The Abbott-Costello .. Northwest Stampede Leslle-Cralg .... De:ails onder title: Wild Conqiaet Open Secret (70) Ireland-Randciph Out of The Blue (91) Brent-Mayo Prairie Outlaw Dean-Holt Preliide to Night Scott-Lynn .... Rampage Mitchell-Long . . . Retorn of Rin-Tln-Tin, The (V) (65) Rin-Tin-Tin-Woods Return of the Lash (59) LaRoe-St. John .. Shadow Valley (58) Dean-Ates Snijgg'crs. The Redgrave-Kent T-Men (SI) O'Keefc Take My Life (85) ' f y;it-W:iliams lomo-row voo U<' ire'an"-Ryan .... Tornado Ranje (56) Dein-Holt Whispering City (i2) Lukas-Uantli.e ... 1946-47 Adventoress, The (9B) Kerr-Howard Details under title: I See a Dark Stranger ilg fix (63) Bro»«.Rv«n Border Feud (55) LaBao-Barlea ,.. Caravan (80) Graniier-Kont . . . Cheyenne Takes Over LaRue-St. John .. Details under title: The El Lobo Mystery Carslcan Brothers. The f a rbanlts-Warwlek Gas House Kids In Hollywood (63) Switzer-Bartlett . . Gashoise Kids Go West (63) Sw tzer-W lliams Ghost Town Renegades (57) LaRue-St. John .. Gun I aw LaRoe-St. John . . Hearlarhes (71) Ryan-Norrls Details aider title: Silent Voice Internatianil Lad* Brent-Massey ... Killer at Large (64) Shaw-Low ry ... Details onder title: Gangway lor Murder Philo Vance's Gamble (62) Curtis-Austin Phlle Vanet Returns (64) Wt^o't-Aust n ... Philo Vance's Secret Mission (64) Curtis-Ryan Pioneer Justice (56) LaRue-St. John . Railroaded (72) Ireland-Ryan Range Beyond the Bloe (53) Dean-Ates Red Stallion (C) (81) Pal-e-Nash Repeat Performance (93) Leslie-Hayward South of Pago Pago (84) Hall-McLaglen S*»o Child (70) Austin-Joyce Three On A Ticket (62) Beaumont- Walker Details ander title: The Carpso Cm« Calling Too Many Winner. (60) Beaomont-Marshall Wait To Glory (61) Dean-AtM STREAMLINED WESTERNS Cade of the Plains (38) Crabhe-St. John . Frontier Flfhton (39) Crabbe-St. John . Panhandle Trail (— ) Crabba-St. John . Raiders of Red Gap (38) Crabbe-St. John . ShootiB' Irons (40) Bewhill-O'Brlen Thandergai Ootlawi (39) Newblll-B' Brian . .5-12. . .5-12. . . .7-7. . .4-14. . . .7-7. . .12-22 . . . .1-5. . .11-24. ...9-1. .Reissoa. Foreign . . . . .8-4. ...5-12. . . 7-21. . . .3-17. . .5-26. . .2-7. . .9-27 . . .11-22. . .9-20. . . 1-24 . .812 .851 .£07.-10-13 .803. . .9-2) .853. . .12-8 ,.1-31., .11-8.. .9-13. . . .1-17. .".'.1-3.' .11-15 10-18. . .735.. .802.. .810. . .1-5 .808. .10-27 . .806. . .12-8 Reissue. . .11-8. . 11-10 . .11-24 ..7-21... 1-17. .735. 2-14. .9-27. 9-1 .. .3-3. .11-10. . .9-1. . .12 22 .9-16. .10-25. P13 .801. . . .2 2 , . .9-1 , .2-7. Forc'gn . . .7-21. . Foreign . . .5-12. .9-1. .ll-'-9. . .1-31.. . .1-10. . , . .2-28. . .2-21. .11-15. . .804. . .12-8 12-8 .852. .12-22 .811 .839. .12-22 . .814 .854. .805. 11-2* Foreign . it-is Foreign . . . .8-4. Rels DO. . . .4-i4] . .4-28. . .7-21. . . .3-3. . Re'ssoo. . . .3-3. .11 25. .10 14. '. .4-14. .10-14. . . . .1-6. Reissue . . . . .2-3.. .10-28. .2-17. ..4-19. ..»-U. ...8 2. . 10-25 . . . .5-24. . . .8-'3. . .7-12. .7-26. .10-18. . .6-28. . .5-24. , .5-31. .4-13. .6-14. . 8-30 . .6-28. .8-30. .6-15. .8-16. .5-30. .6-21. ..6-7. ..4-5. .103... 3-17 .702... 5-U ,.Tn...»-2$ .106. . .9-15 .757 .733 . .712. . .9-15 . .711. . .7-21 . .754. . .8 18 .756 . .704 7-7 .734. . .717. . .6-23 .707. . .5-26 .5-24. .4-13. .708. .709. .753. .710. .745. . .107. . .105. . .736 .703. . .6-23 . .715. . .4-28 .716 6-9 . .746...5-ia . .4-28 . .9 15 . . .7-7 .10-13 .3-31 . .8-4 . .6-9 . .4-26. ..4-26. ..4-26. ..4-26. ..4-26, ..4-26. ..766. . .761. . .765. . .763. ..764. . .762. FEBRUARY 2, 19 18 19 This is Page 21. Pane 20, ofiposite ■ >■ was transfiosed in printing. Unctnfgergd (T) (146) Ctoptr-GoiMaril Waterlront At MIdnhht Garian Hi* Ci Whert There's Li(e (75) Hope Hitso Whispering Smith (Ti Laid Mankall Wild Harve*! (92) Ladd La.nour 1946-47 Blue tf Neon (91) Baxter- Hddea Big Town (60) Recd-Broiike . Biie Sklet (T) (107) Crokky-4stalre Caleettj (83) Ladd-Rnssell Danpw Street (66) Li'wery wittien Pur Hetli (9i) Laulhtlil Hnlden Oeeerl Fery (T) (>5) MOlt-Hilluk Details ander title; Detwt Ttwn Fear In The Nl|hl (72) Kelly-York .. I C»»er Big Town (63» Rted-Brookc iBperleet Lady, Tke (»7) iVrlghl Mllland Oalalli aider till*: TaU Tkli Waman iongit Flight (67) Lowcry Sa>aga My Favorlti Brunetti (87) Hope-i-anour Perils of Pauline (T) (96) Hutton Lund Sealed Verdict MIIIand-Mnrly TroDkIc with Women, The (80) M liai d WrlDit Variety Girl (93) Hatcher Kell;y Weleome Stranqcr (107) Croiky-Cai toltf Details ondei title: Tke Big Halrcot RE-ISSUES langfe Princess, The (84) Lamoer Mllland Plainsman. The (113) Cooper - Artkir .9-23 aj-B . ' • * * ' ' 'f-Lj . 11-21 . . 4704 . 10-13 . ..... . * 'a W^' ' .9-26. . 4701 . ■ 8-18 11-11. 5-2 4611 . ,3-17 . . ..12-24. '.'.5-23'. . .4622 . .'. .3-3 8 6. 12-27 .4602. .9-30 7-9. . .5-30. . .4612. . .4-28 6-20 4623 3-3 9-2. . .7-18. . .4«16. . . 6-9 9-2. , .8-15. . .4617. . . .8-4 4-29. .4-18. . .4<21. ...3-3 6-10. . .7-25. . .4624. . . .3-3 10-1. . .4-25. . .4610. . .3-17 6-24. . .8-22. . .4625. . . .3-3 7-22. . . .4-4. . . 460 ) . . . .3-3 3-18. . . .7-4. . .4615. . .6-23 12-8 . . . 6-11. .6-27. ..4615. .'.'5-12 11-11. . .8-29. . .4618 . .7-21 ....3-M. ..4«13. ..4-21 9-1 B5-3«20. .9-1 15-3624. RELEASE CHART — 1SM7-48 — REISSUE Title — Running Time Cast Oetaib Rel. Alias Mary Dow (66) klillard-Eilen Black Cat. The (72) Udd-Pathbone Oct. Black Friday (71) Karlod Lagosi Oct. Butth "linds the Baby (77) Braee-Crawlord Ne«. Ex-Champ (72) McLaflen-Brsvn Ghost of Frankenstein (67) Chaney-Ankcn Jaa. Give Us Wings (62) L.T. Gays-D.E. Kids Green Hell (87i Fairkanks-BenBctt Doc. Invisible Man. The (71) Rains-Staart Dec. Invisible IM?n Returns (81) Priee-Hard«ick» Dec. Lady From Cheyenne (89) Yoang-Prc Mar. Model Wife (78) BloTid(ll--owe1l Mummy's Ghost (65) Chaney-Carr?.diBr Fek. Mummv''^ T'-i"b (61) Foran-Cfcaney Fek. Pittsburgh (91) Wayne-Oietrlch-Stott Dee. Sin Town (74) Bennttt-Crawf»-< Jan. Son of Dracula (80) Chanpy-AIIbrifton J-n. Storm, The (78) Biekford-Foslor Fok. Tight Shoes (69) Crawford-Gwynne Nn. When Tomorrow Comes (92) Danne-Bovrr You're Not So Tough (71) L.T.Goys-D.E.Kifc no. . .136. .1129. .1046. . 1217 . . .926. .1212. 1095, . 1017 . . 623. ,1029. .1121 .1208 917 929. . 1124 . .1344. .1246. .1270. .12-6. , 1-595, . 924. ,1139, , .'48. .1063. In. 1947-48 Features Westerns Serials REPUBLIC Completed (13) Completed ( 6) Completed ( 2) In Production (2) In Production (0) In Production (0) RELEASE CHART IN PRODUCTION Title— Running Time Cast Details Gallant Legion, The Elliott-Booth 1-5. Moonrise Clark- Risiell 1-5. roivfPUKTET) 1947-48 Ret. Rev. .1-5 .654, .703, .792. ,791. Bandits of DarV C5r;vin i-neWallfr 12-15 752. Bill and Coo (Tr. ) (61) Barton's Birds Bo'-i Fronti"rsman Lanc-Waller 12-22 Details under title: Cimarron Trails California Fi'ehrand Halc-Booth 10-13 ... 3-15 . Campus Honeymoon Crane-Wilde 1013 ... ,2-1 , Dangers of The Canadian Mounted Bannon-Bdmont ,,10-27 fi-Men Neve Forget (Serial) Moore-Ames 8-4.,.. 9-9.. Heart of Virginia Martin-Lowery ....12-22 I, Jane Doe Hnss-y-Carroll 11-24 Inside Story, Thr Hunt-Lnndigan 9-15... 3-15 De'ail'. under title: End If the Ralnkow It's A Grand Old Nag (Tr.) Cartoon Feature 12-20 761 Maeheth Wellej-Nolan 7-7 Madonna of The Desert C-'sl"e-Ppb<-r*s ... .11-10. . .2-23 Main Street Kid, The Pearce-Marlin 9-29 1-1 701 Oklahoma Badlands Lane-Coles 11-24. . .2-22. .. .753 Old Los Anieles EMiott-McLeod . ..10-13 Red Pony. The (T) Loy-Mitckam 6-9 Slippy Mcfiee Barry-Evans 9-1... 1-15 702 Thunder In The Forest Roberts-Douglas ....12-8 Under California Stars (Tr.) Rcg:ri-Fra2ee 11-24 Wild Frentler. The Lane-Holt 5-12... 10-1 751.. 10-13 1946-47 Along the Oregon Trail (Trucolsr) (64) . . .Hale-Boatk 8-30 651... 9-15 tells ef San Aigele (Tricolor) (79) ... Regers-Etant 12-23... 5-15 642 6-9 BlaekJiiBll (67) Marshall-Mara 1-6. . .7-24 617...8>18 DeUlls ander title: LIghtnli' Strikei Twlei UMk Widow. Tke (Serltl) Edwmrds-llndley 6-10 694 Driftwood (90) BrennaB-Warrlek .. .5-26. . .9-15 621.. 11-10 Exposed (59) Mara-Scett 5-12 9-8 629... 9-29 DtUlls aider title: Ifi Mirdir Ski taji Fabulous Texan, The (95) Elliott-Carroll 6-23... 11-9 624.. 11-24 Flame. The (97) Carroll- Ralsten 3-31.. 11-24 628 Details inder titti: Tke ■itaatt Gay Ranchere, Tke (Tr.) Ro«en-Fra2ee Heaeiteaders •( Paradise Valley (39) Laae-ilake lenfli Sin (lerlal) Glferd-Real leue Jaaiee Rldee Agali (Serial) Meore-Stlrling Marshal of Crippled Creek (58) Lane Blake . Herthweet Ootpett i91) Eddy-Haisty Oetalti eider: Uatltled On The Old Spanish Trail (Tr.) (75) . . . . Rogers-Fraiee ,, •re«ee Trail t<«ets (58) Lane-Blake ,,, Pilgrim Lady. Thi i67i Lane-Blake ,.. Detalle eeder title: Tke laaer CIrele Pretender, The (69) Dckker-Cralg .. Details ander title: Ceaplex Robin Hood ef Texu (71) Autry-Roterts .. Rettlen el Devil's Canyon (58) Lane-Blake Saddle Pals (72) Aotry- Roberts teeu Fe Hprliinf (56) Lane-Blake .,, Sleei City See (69) Aetry-Rekerts Spelleri e( The North (66) Kelly-Beeth . . . Springtime In The Sierras (Tr.) (7S) . . . . Ro«ers-Fra2ee .. Stageceacb to Denver (5C) Lane-Blake .... That's My Man (1C4) ABetbe-McLeod Details ander IlUe: Gallant Man Thaft My Gal (Triceler) (64) B'rry Roberts .. Timber Trail clr.) Hale-Robert; Treipauir, The (71) Evans-Douglu Details enCer title: Tke Flager Waaaa Twilight on the Rio Grande (71) Aetnr Mara .. Under Colorado Skies (Tr.) (65) Hale-Eoolh .... VIlHantet el Been Te«rn (56) Lane-Blake .,, Winter Weadarland (71) Roberts-Drake Details ander title: 8n«a Cladwella Wyoming (84) Elliott-Ral-ton , Web of Oaager (58) Mara-O'Flynn Tankee Fakir (71) Fowley-Weodbery 8-4 , 110 4-1, . Relttie . . .4-19. 1-20. .3-21, 11-25 , ,8-15. .11-23...6.25, , , ,5-12. .10-15, , . ,9-2, . ,5-15. ...9-2,.. 5-15, .3-31, , ,8-16 .4-28, .10-14. 3-17, .7-15. . 71. . .6-15. .3- IS.. 11- 13. .6-24. .1121. ...8-9 ...3-3 .11-11 ..4-24. . .7-15. . 12-23 . ...6-1. ...8-6... 5-15. 1 19 . .2-W....7-3. ..1-20 41. .7-7 .12-15 . .5-27 . . .2-15. ..5-13... 5-17. .11-25 81. .10-28. . .6 10. 4-1. 644 . ..664 . .692 . .693 . .667. . .9-15 . .C15...3-26 . . ,648. .10-27 ..6«9 . .«65...5-26 . ,620 . . .685 , .9-15 ...661... 7.21 . 684...<-23 ..•61 . .681. . .12-9 . . .612. . .5-12 . .646 8-4 . 6«2 . . .613, , .4-14 , . .603. , .«-23 . ..«19...7-21 ..683 .652 .663. ..<14. , .618. , .616, . .611. .4-28 12-2i .217 .6-23 . 8-4 .6-23 .4-28 RKO RADIO l»4"-4« Features Completed (43) In Production (1) RELEASE CHART IN PROIXJCTION Title — Rennlng Tine Cast Jeseph Young of Africa Johnson-Armstrong 1947-48 Details ...,1-5, Rel. No, Re> Mr. COMPLETED BLOCK NO. 02nB ■aahelar ead Tke Bakky-Svxer. Tke (94) .. .Grant-Ley 8-« Ml 6-9 Cmilire (86) Yoini-Mltcheai 3-17 802 7-7 RitraB (80) B'Brien-Sleiak 6-24 803 6-9 Seree Keys to kidpate (66) Terry-Wklte U-25 804 6-9 •nd« tke Tenta ■!■ (H) Helt-Leslle 1-20 805 6-9 BLOCK NO. TAVO Dick Tracy Meets Gnnaaie (65) Byrd-Karlefl 4-14 809 . 11-24 Night Song (102) Andrews-Okron 4-14 806.. 11-24 Details ender title: Meaianr •! Len Oet ef the Past (97) Mitehew-Greer 810.. 11-24 So Well Rememhered (114) Scott-Mills 807.. 11-10 Wild Horse Mesa (60) Holt-Leslie 8-4 808.. 11-24 NOT DESIGNATED Arizona Ranger. The Ho t-Les'ie 11-10 Berlin Express Oberon-Ryan 9-1 Flgktlne Father Diani O'Brlea-Dell 3-31 Fort Apache Fonda-Temple 8-18 Details under title: War Party Good Sam CooP'r-Sherldan . , , ,8-18 Guns of Wrath Holt-Leslie 12-22 I Remember Mama Dunne-Hemolka 6-9 II Yoi Knea Sesle Cantor-Davis 1-20 Indian Summer Knox-Sothern Joan Bergman-Ferrer ,,..10-13 Maa Ab«it Tewa Chevaller-Derrler ,,Farel|i Miracle of The Bells. Tke MacMerray-Valll 8-4 Mystery In Mexico Londigan-White ...10-13 Pearl. The Marques-Armendarlz Foreign Race Street Raft Ma well 9-1 Retirn of the Badman Scott-White Reeghshod Sterling-Grahaae 7-7 Station West Powell-Greer Tall. Dark S'ranger Yoinp Holden 9-1 Details under title: Rachel Tarzan and the Mermaids Weissmuller-Joyce 8-4 Tyeeen (T) Wayne-Day 2-3 2-8 Under Arizona Skies Holt-Leslie 9-1 Velvet Touch. The Russell-Genn 10-13 Window, The Hale-Kennedy 11-24 Yoir Red Wagen O'Donnell-Graiiier 7-7 SPECIALS Bishop's Wife, The (109) Grant-Young 3-17 11-2-1 Fugitive, The (104) Fonda-Del Rio 1-6 11-10 Fm and Fancy Free (73) Disney Cartoon Feature 891 9-1 Long Night, The (101) Fonda-Bel Geddes ...9-16 861 6-9 Magic Town (103) Stewart-Wyman 11-25 862 6-9 Monrninq Becomes Electra (172) Russell- Redgrave ....4-14 11-2-J Secret Life of Walter MItty (T) (105) Kaye-Mayo 4-29 851... 7-21 Song Is Born. A (T) Kaye-Mayo 8-4 Details ender title: That's Life REISSUES Bambi (70) Disney Cartoon Feature 2-1 Gun Law (60) O'Brien-Othman 10-3 Border G-Man (60) O'Brien-Johnston 11-14 lawless Valley (60) O'Brien-Sutton 1-30 Painted Desert (60) O'Brien-Johnston 12-19 Trooble In Sundown (60) O'Brien-Whitley 3-2 1946-47 BLOCK NO. FOUR BMt tke laid <«7) Laafferd-Krapa «-24. Ca4e a( Tke Wett <57) , Warran-Alden 7-22. Derll Thimki A RI4e. Tke (O Tlimey-Leslli 7-8. Farair's Diigkter. Tfci (97) Yemi-Cotten 3-87. Details eider title: Katia far eaairan Trmll Street (») Seatt-Jeffreyi 8-l». .7U. .720. .719. .71*. .717. , .3-3 .3-31 ..3-3 ..3-3 . .VS FEBRUARY 2, 1943 21 METRO-COLDWYN-MAYER Completed (28) In Production (4) NEW PRODUCTIONS souncDUir tankke Comedy -SUiried J«jiuary IS Ca^t: Ked Bkattan. Brian Donlevy, Ar;ene Dahl. Director: &. Aytvu 8imon Producer: Paul Jones Story: 3koltOB plajiv a spy for the North and the South during the Civil War. RELEASE CHART IN PRODUCTION riti»— ■■■•111 riM Cut ottaiK III. ■•. ■•% •ate Witt A Beery-Powell 1-5 €astcr Parad* Astaire Ga-lanil 12-8 Jilia ^Mititllii Caricn-Pi(t:eon 1-19 1947-48 «:iis The SentleBM Betrj-^at icl< . . 513 . Var 818 Arnelo Afliir. Tht i87> Hoeiak-Ginord 8-6. . .Sept. .. .803. . .2-1/ F'« Daoghtw , Slanwyeli Hell n ... 9-29 6I| City. The O'Bnen-Murphy 10-27 C«is Timberlane '119) Tracy-lurn?f 5-12 . . . Jan . . 813 . . 11-n eriAe Goes Wild, Tkt )oi:n on-Allsson 7-7 Mar . 819 Details uoAw tItJt: VlrtMQs Desire Me '91) Garson Hart 4-1... Oet 9-29 Detail] T.ter title: A Womaii ef My Owl Cood News (T) (»5) Creen OalphI* Street Detilli indef utM: TIM rerMnil TMtk HIah Will, the Itomecomln} It Winter Coaiee (97) Killer McCoy (103) Laxary Liner (Tj Klislni Bandit. Th« (T) Master of Lasiia Details i n'er tl l«: N lU ef Homi Merton of the M«*iae (82) On An Island With Ym f Irate. The (T) Soni of The Thin SiMaer Holiday State Of The Uil« Mm This Time (or Keen iTj Three Daring OMiMwt ( Unllniihed Dance. Th« nanee of Rosy RMfo (105) .... S«a of Grass (123) Uidarctver Malsie (90) Vearling, The (T) (12«) RFPRIVTS 3-3] . Dec . . .810. 12-22 Turr.er-Heflin . 9-30 . . . 311 Taylor-To tar .7-7 Feb . . . 815 G.Tble-Turner ... . . .9-15 . Pidcon-Kerr . .6-9.. . Jan . . . .814 . . .1-5 , Roon y-E. Taylor . . 6-23 . . Dec 809 10-27 . Btent-G Rord £-1. . Sinatra Grayson . . 5-26.. Gvtenn LeUh . . . . . . .9-29. . Ekelton 0"ri n 9-2 . . Oct . . .805. . .7-21 Wi l ams lawfo d .6-23 . Garland Kelly . . . 3-3. . Hepbarn-Kenreid .11-25 . . . bcV . '.'.804 . .8-1 Poweii-Loy 2-3 . Sept . . . 8j1. . . .8-4 Ronnev DrHaien 7-0 Tracy- Hepborn . .10-13. . 0 Br en M>;r hy . .4-1. F(b 816 1-19 Wi liin^s-Melc'iijT 8-6 . N:v. 808 1--13 MacDcnald It rbi 11 25 Mar . . .817. es O'BrI n Cliarisse 7-22 Sept. . . . 802 . . . .8-1 Creat Walti (T) ( tll'-otchka (112) rhiladelphia Story. Ian In Kaavei . (I Thi Barrymore-Don'evy 5-27 Mar 3-3 Taylor-Murphy .11-25 Joly. . . .726. . .5-25 Barymore- Bremer .10-28 . .June. . . .724. . .4 14 Wiirams-C^rroll .12-24 .July. . . .727. . .6-23 John on-Mlyson . . . . .5-27. .May. . . .7rl. ..3-17 PId eon-Massey .9 17 Sept . . . .701 . 8-^ Giblf K-rr .1-20. . .Aug. . . .728. . .6-23 &inatra-brayson . »-6 . . .Apr . . .718 . .3-3 lenains-binora . . . . .Apr. . . .719. . .6-10 Kel'y-McDonald . 8-6. .June. . . .725. . 6-9 1 Johnson-Leigh 9-30. . .Aug. . .729. . . .7-7 Traey-He-burn . . . . . .7-8 . . . Apr. . .720. . .2-17 Sothern-Ne'son .1111 May.. . .722. ..3 17 Pcck-larman 8-20. .May. . . .717. . .12-9 Gable-Leigh . .Feb. . Ra ner-Gra»«t .... J ly. . . .723 Gsrbo-Doaqlas . Reprint. . . . Dec . . 812 Heokurn-Stowart-Granl ... Serf man- Mtitgoaier) Ott. . ..705 . . »-2 MONOGRAM Wcstcns Completed (14) Completed ( 3) In Production (1) In Production (1) NEW PRODUCTIONS KTUU>Y ON IHKK Comedy — Started January 17 Cast; Jicki« Cooper. Jackie Coogan, Renee Godfrey, Robin ChandUr, Ralph Sanford, Charles LaTorre, Curt Bois. Director: Frank McDonald Producer: Sid Luft .'>»«ry Two younc eailors pet cau§ht in Fretirli blacl< market and brealt ♦ he ga.ng runninp it. TH7NI>EB. ON THE RANGE We£;tem— 8tart«4 Januaiy 26 Cast: Johnny Mack Brown, Raymond Hatton. Director: Lambert Hillyer Producer: Barney Sarecky .story; R-^tabllahlnB •( telephone lines brings battles between outlaws and land ownara. RELEASE CHART COaiPLETED 1947-48 TItIa— Ranntof Tlaie Cast Deta Is Rel. No. Rev. Angpis' Alley Gorccy-Giay 11-24 3-7 Rel ated n Iglaally aoAtr title When StrM:tch'jm Hunter .. Reissue. . 12-27 .. .4706 Eet-ayei (66) a-gers Marry Ceitli On The Deawkpat Stewa t-Preisser .12-8 Docks of New Orleans Wint-rs-Young ....11-24 Fighting Mad (75) Errol-Kirk*ood 9 15 Details under title: A Palooka Named Joe High Tide (72) Trr-cy-CastIo 3-31. Jigjs a-d Maggie in Society (66) Yule-Riano 9-29. Jirx Mon;y Gorcey-Caldwell . .1-19 Joe Palouka in the Knocl>out (72) K,rkwood-Knox 5 26. Details u' der title: A Gu) Naned Palooka Louisiana (? ) Ca-ls-LinJsay Melody R-n-e Wak:ley-''e n;ont Overland Trails (58) Brown-Belraont Perilous Waters (66) Castle-Long ... Rocky ... iVIcDowaM-Barrier ..8 18. Rose of the Rio Grande (60) "a'-ro'l-Mov ta . . .Rihsi'c. Smart Politics (68) Preisser-Stewart Song of The Drift-r (53) Wakely-Coles . . 1946-47 Chinese Rinj, The i67) Winter-Currie 9-1 Code of the Saddle (53) Rrown-Hatton ...3 3. . . .1-19 .11-24 .1-31 . . .9-1. . .2-14. .2-21 .2-''8 . . .9-15. . . .1-3 .11 10. . .1-17. . .2-7. .470:) .10-11. .4701. .10-13 . .1-10. .4704. .10-18. .4702. ..9-15 . .11-1. .4703. . .9-15 .4 51 . 4707 .4705 .4 10 . 627 1-5 . .685 (59) Dlllinger i72i Fla-hing Guns Gm Ta'k (58) Details under title: Hard Bol'ed Mahoney 0-fali. nn.i« title: Tl rncy-Jeffries Brown Ha'ton Brown-Mclntyre Man from Powder RIvir (63) Goreey-Loring PaaU High Conquest (79) Lre-Poland ... Ki roy Wa Hrre IC8) C'Opf Cnoian K^nq of ''hf B.mtits (66) Roland-Greene Land of The Lawless (59) B evn Haiton Law Comes *o Gonslght. The (fC) B-o<«n Hattai Mu Iny in th- Big House (83) BicVf-rd M.iclane News'-ounds <6%) Go cey-Hall . . . . Hrtah under title' Scareheadi Prairie Express (55) , B o*n-Hr.tton neta Is under title: Dusty Trail Queen at the Yekon (73i BleVfo d Rich RIdIn' Down the Trail (53) Wak ly-Tay'or .. Details inder title: Sang «f the Saddle Ro in Hond of Monterey (55) Rcland-Brcnt Reissue . . 6-23 ....9-1. . . 2-3 . 12-23 . . .3 31. 6-9. . . 1-20 . Reiss"e . .3-31. . .12-6. 6-28. . 7.T . 9-20. . 12-20.. . .5-10. ,6-21. .7-17. . .11 8. . . .5-3 . .5-24. . 7- . . . .9-13. 6^6 ] .677. . .3803 . . . .673. . . ..674... .616. . .3-31 .8-4 l:-25. .620 . 622. . .624. 671. . . 672 . . 3803 . . 622 . .6-8. .5-1 J Rrhsue . . .7-7. (64) Sa'ge Go'< To CoTrie Sllvei Stall on (59) SIx-Gun Srrrnade (S5i «on, tt Th. Sierrai (5.^) . . . Saspente (101 1 Detail! un''e' title- Glamair Thondertolt (T) (44) ... Viol net (72) Wolf C.^ll (61) ALLIED ARTISTS Sttwart Prelsser char'-e. Ma on ' Wakely-White WKkely-Carhn Bcllta-Silllvan .5-12. Relssic 8 19 .10 29 5-3. .10 4. . 9-6 . .5-17. 12-14 . .4-5. 12-28 . .6-15. Girl D eumerfarv . Coleman 0 Shea Car'oll-Mavlta 12 23 Relssae .7-26. 412 6-7 . .617 . .5-12 .635 . .6~3 . 618 . .5 12 .612 . . 684 . .4-21 681 . . . 6:;9. . .4-15 . .6f:6 615 4-14 611 5 12 Black Gold (C) '92) . .Oiiinn-D'M'fe . .12-23 . .'-16 ?.. ■•-21 ra'^gstcr, The (86) . fril v n-R lita . . . 2-17 11- 2 3 11-13 Heated. Th. Bellta-Fos'er . . . .4-14. . . .4-7. 6. It Ma(-ci„4 tn Fifth Afenae (115) St«'m-D»For> 4-19 1. '.'.i'-ii Came o-i-Downs . 9-2\ . 2-22 Pennrtt-Ahernj . .10 2-' .''-30 7 Song of My Heart (89) 3::rd t om Lonj 2-3 1-31 4. l'-21 Detail! inder title: T'agb SvBPkany Tenderfoot, The Albert Sto.m . . .12-8. .5-31. 8. PAR AMOUNT 1947-48 Features Completed (28) In Production (3) NEW PRODUCTIONS SORRY. WRONG NUMBER Drama — Started January 12 Cast: Barbara Stanwyck, Burt Lancaster, Ann Richards. Director: Antole Litvak Co-Producers: Hal Wallis - Antole Litvak story: From the famed radio story of the woman who hears her own mur- der plotted and tries to make people believe her when she say.^ she is going to be killed. ABIGAIL, DEAR HEART Drama — Started January 12 Cast: Claude Rains, Macdonald Carey, Wanda Hendrix, Andrea King, Henry Hull. Director: Mitchell Leisen Producer: Richard Maibaum Story: Toung wife of an old man falls in love with a younger man but the romance does not work out. RELEASE CHART IN PRODUCTION Title— Ronning Time Cast Details Fortign Affair, A Arthur-Lond-Oietrich 12-22 1947-48 COMPLETED Adventure Island (C) (67) Calhoon-Flemlng Alkerqaergue (C) Scott-Britton . , Rel. 10-10. .2-20. .9-30. . . .3-3. . . .3-17 5-26. .12-12. . .6-23 . 9-29 .11-10 , ..5-12 .6-24 .8-19 .10-31. .11-10 .12-23. . .1-16. Big Clack. The Milland-O'Silllean Big Town At er Dark (70) Reed-Brooks .... Big Town Scandal Reed-Brooks Caged Fury Dennlng-Ryan Connecticut Yankee, A (T) Crost)y Fleming . Dream Girl Hotten-Cariy Emperar Walti. Ttp (T) Cratky-Fantalne Golden Earrings (95) Milland-Oletnch Haiard Goddard-Carey . . I Walk Alone (S.9) Lancaster-Scott Detelb aaltr title: Deadlaal Mr. Reckless Eytlie-Britton 11-10.. Details tnder title: Hard To Kill My Own Trte Love DoD"hs-Cal«ert 7-7.. Long, Grey Line, The Ladd-Reed 9-29.. Night Has A Ttogsand Eyti Rokinson-Rasiell 7-7.. Paleface. The (T) Ho-e-Rnssell 8-18.. Road To Rio (100) i^ro'by-Hooe 1-6 Salgan Ladd-Lake 12-9 Sainted Sisters Lake-CaolBeld-Fltzgerald 10-27 So Evil My Lovg Mlllaad-Tadd 5-26 Speed To Spare Arlen-Rogers 10-27.... .4702. .4709. . .8 18 .4706. .11-24 .4703 .4708. .12-22 12-25. . .4707 .3-12. . .4710. .11-24 20 FILM BULLETIN BLOCK NO. FIVE Ual, (M) ■•ffitt-Wklti 9-l« Ut» Ti Kill (»2) Tmar-Tltraty 5-27 •tUlli tUm lltlt: Datum Thai Iki Malt Llkdi Stwy. « (U) Wlllliaii-Ntit 2-4 •italh lato till*: Matto HlaA HMityKMi (74) Teaali lla« M< (99) Young-Hayward 8-19 Tkunder Mountain (60) Holt Hytr 10-28 Woman on Th« Beack. Tki (71) Bennrtf-lyan 2-4 Ootalli ondar titio: Ooilrakia Waaaa SPECIALS ■«t Yaari of Oar LI«os. Tha (172) Loy-Marih 4-29 Iff A Wondartol LIfa (129) Stovirt-Raad 4-29 ■ttorloai (101) B«|aiaa-Graat ...10-29 tani o( tha Soatk (T) (94) Dlinay Cartoon Faataro SInbad Till Sallof (T) (ll7) Falrkaaki-O'Hara 3-4 .723. .722. .4-21 .4-21 .724... 4-21 .721. .723. .729. .721. .726. .730. .727. .4'2t .>31 .9-24 .3-24 .5-26 .5-2C .9-24 .751. . .12-9 . 781 . . 12-23 .7«1 t-S .791. .11-11 .762. . .1-20 SCREEN* GUILD 1947-48 Features Completed ( 9) In Production (0) COMPLETED RELEASE CHART 1947-48 TItIo— Ronning Tlmo Cast Boy! What a Glrll (69) Negro Cait Barning Croti, The (78) Danloli-Patton . . Dragnot (73) Wllco>ton-Brian Hollywood Barn Dinoo (69) Tobk-lnlng Detallt andar iltio: Woatora Bar* Danoa Klllor Dili (71) Gwynne-A'fctr'ion Bllraele In Harkm (71) $!epln Fetchit .. Boad to the Big House (72) fh I on Doran . . Prairie, Th9 (80) Aubert-Baiter Trail of the Migntlei (42) Hayden-Holi ... Details onder title: Law ol the Moantloe Whore the North Begins (41) Hayden-Holt ... 1946-47 •alls of San Feraaada (69) Waodi-Warren . . ■iflalo Bill Rldei Agala (66) Arloa-Holt ■aek rilot (60) Hadsan-LaRie . Cato of tke Bahy llttar, Tka (40) Neal-Jenklas . . . Call It Murder (74) Bogart-Whorf Hat Box Mystery, The (40) Neal-leaklni . . ■t Dog (hop Nell-Chapman Prairie, The (72) Baxter-Aubert ■aoon of Tke Amaion (60) Morlson-Lowery Racketeers (58) Foster-Douglas ■oaegado Clrl Curtis-Savage ■alllH HoBt Parker- Hayden Ootalli andor llllo: Ina Mara Cbaaoa Scared to Death (65) Lagoil-Cotnpton Sopia Cinderella (69) Negro Cast Shoot To Kill (60) Wade-Walterj HOPALONG CASSIDY REISSUES Blitler'i Valley (60) Boyd-Mayden Tonas Trail (59) Boyd-Hayden Partners of the Plalas (71) Boyd-Hayden Cauldy of Bar 20 (59) Boyd-Hayden Hoarl ol Arizona (68) Boyd-Hayden Bar 20 Jastlcf '65) Boyd-Hayden Frontiersman. The Boyd-Hayden . . . Sonset Trail Boyd Haydrn ... Pride of the West Coyd-Haydcn . . . Detals Rel. 9-20. . . .6 9 10-11. . .4-28. .10-25. . .3-31. . .6 21. .3-31. .3-29. .9-13 . .1-24 12-27 . . .1-10. .2-21. No. . .X-2. .4704. .4703. .4701. .4702. . X-3. .4706. .4705. .4708. Rn. . .11-25. . .11-25. . .Farelga. . ...3-31. , Ralssaa. ...3-31.. 9-2. . . .8-18. . . . .9-30. . Reissue . . . .9-30. ...7-8. .12-13. . .4707. . .4-5. .4-19. ..6-7. .7-26. .9-13. .7-15. .12-1. 11- 29 . .1-15. .9-13. 12- 25 . .4614.. .4613.. .4616. . .4618. . . .5-2. . .4617.. .4609. . .4705. . .4611. . S-1. . .4612. . .4-28 5-3. . 1018. .3-3,., 5-17.. ,,3-15.. ..4-12.. ,.4-26. . ..5-10.. ..6-14. . , .7-19. . . .11-8. . ,11-25. . . . .1-3.. .4608. . X-1. .4615. .HC07. .HC08. .HC09. .HCIO. .HCll. . HC12. .HC13. .HC14. .HC15. SELZNICK — S. Features Completed ( 4) In Production (1) No. RELEASE CHART IN PRODUCTION Title — Running Time Cast Mr. Standings Builds His Dream Hoose . . . .Grant-Loy .. COMPLETED Oael In the San (T) (138) Jan«s-Cotten 3-19. lnter:neuo (70) Bergman. Howard ..Reissue... Paradine Cat, The (132) fodd-Pecii 12-23.. Porirait of Jenny 6atten-Jonao 3-3.. Detals .10-13. Rel. .4-17.. Oat... .4-14 .1-19 20th CENTURY-FOX 1947 Features Completed (54) In Production (3) RELEASE CHART IN PRODUCTION Title— Running Time Cast Details Rel. No. Rev Apartment for Peggy Crain-Holden 1-19 Chair For Martin Rome. The Mature-Conti 1-5 Street With No Name, The Stevens- Lawrence 1-5... 1947-48 ■oomcrang (88) Andrews- Wyatt 9-30 Fek 706 8-3 Brasher Doobloon. Th« (72) Montgomery. Guild 7-22 Fek 70? " 2 17 Call Northside 777 (111) Stewart-Wallcer 10-13 " Feb" " 805 " 2-2 Captain From Castile (T) (140) Powers-Peters . . ..12-9 Jan 801 12-fi carnival In Costa Rica (T) (95) Haymes-Holm 4-29, 710 3-31 Challenge. The Conway-Vinc-nf 11-24 Daisy Kenyon (99) . . .' Cravford-^ndrcws 7-7 ."oeV. V 73i' " 12-8 Deep Waters Andrews- Peters 10 13 '"'P' Harrlson-Commlns ...9-16 6-9 . .12-9. .5-12. . .6 23. . .7-22. 12-8 .12 9. . . 8-6 .3-31. . . . .7-8 11-24 . .2-18. .11 ii . 6-9 . . .415. Farelga . 11- 10. 12- 10. . . 8-4. . . .3-17. , 9-1 11-10. . Forovir Amber (T) (140) Oaraell-Wllde .. Foxoi of Harrva. Tke (118) Marrliaa I'Hara . Fury at Furnace Creek Matare-Cray ... Details ender tl'.le: Ballad of Farnaco Creek Gentleman's Agreement '118) PKb-McCoIre . . Ghoit and Mn. Meir, The (104) narrieaa.Tlaraay GIti My Retards to Brndway (T) Calld-Saloy Groon Grass of Wyoming (T) Ceiamlns-Cokorn . Haaaetretek (T) (96) Wlldo-B'Hara Iron Curtain. The Andrews-Tlerney Miracle on 34tk Street *96) Payai-O'Hara ... DoUlli andar title: Big Nevt I Wonder Who's Klu ng Her Naw (T) (104)Ha>or.Sto«ons .. Kiss of Death (99) Mate-c-Donlevy . Lati Coorgi Apley, The (9f) Colman-Cemmlns Let's Ll»e Again Emery-Broolu Margie (T) (94) .... Cralne-Toong Moss Rose (82) Cammlns-Matoro Mother Wore Tights (107) Grakle-Dailey ... Nightmare Alley (111) Powor-Blordell Raior's Edge, Tke (146) Power-Tlornoy San Demetrlo, London (76) FlUgtrald-Yoaog Sittino Pretty Young-O'Hara . . . Shocking Miss Pllrlai, Tke (T) (86) . . . Craklt-Haymes Snake Pit. The dcHavlllaad-Cenn Summer LIg'itnhg (T) Haver-MeCalllster Tender Years. The (81) Brown-Hotehirson That Lady In Ermine (T) Gralle. Fairbanks . Details under title: This li the Moment 13 Lead So'diers Conway. Wiuolt 13 Roe Madeleine (95) Caonry Anaakolla Thunder in the Valley 'T) '103) Garner McCallister Rov. ander title: Bok. San of Battia Will, of Jericho . WlH»-0»-nell . . . You Were Meant for Me (91) Crain-Oail y REISSUES Alexander's Ragtime Band (106) Pawtr-Payo Drums Along the ITohawk (103) Colbert-Fonda Grapes of Wrath (1281 Fonda Dirnell Haw Gretn Was My Vallay (118) Pld?ooa-B Hara Ln MIserabloi (105) Harek-Laogtiloa Mark of Zorro '93) Power-Darnell Stanley and LIvlntstaae (101) Traty-CrMni Swamp Water (90) Breaaaa-Hestan Tobacco Road (84) Tio-n y Andrewi Weetera Unloa (95) Yaang-Seetl SOL WVRTZEL PRODUCTIONS Arthur Takes Over Ccl ief -Cowan . .12-22 Backlaik (66) Travle-Rogen 9-30.. Crimean Key (76> Tar'ar-Oowling 3-31.. Dangeroas Yea's. The (62) Halop-Todd Half-Past Mldnloht Taylor- Knodsen . . ll-''4.. Invisible Wall. The (73) Castle-Chrlstlne 6-9. Jowole of Iranleakarf (66) Travli-Ckalral Rose; A-e Red '67) Castle-Knedsen 6-23. Second Chance (62) Tayior-Corrlo Itraaae laaraoy (65) Kelly-Maeeoa 5-27. Details aader titia: Fllikt Ta Paraflaa .11-11 . fat. . .4-28. . .tat. .9-15 .May. .733. .10-27 .729 ...9 29 11-2* .7l5...5-a« 12-22 6- 10. 7- 22 11-10 9 15 ..Mur. . . .713. . .4-28 . JlSI . . . IIM. a 19 , . 3-A2 Aag. . .723. . .6 23 Sept. . .725. . . .9-1 ..ART. .,712. ,.2-17 . .M air . . . 646 . . io-i* "711 . . 6-9 .Sept. . .724. , ',-1 Oft . .730. 10-13 . . laa . ..701. .11-85 , Apr. . .714. , .4-14 .'.Jaa. ..703. . . i-« . Jan .803 12-8 . .Jan. . ..702. . . .1-6 .Nay Fek 820 2-2 Har. . fct.. .741 Dm. . . .745, Cm* •JOT imm TAJ Soot 728 .JtM.. ..719. .'■ar.'.' •711 .Jaly.. . .722. . .7-7 Fek 804 12-22 .';itt','. '. .732 . ib^ij .■ay.. ..716. .4-l< . .Dec. . . .734. 11-lt .$a»t.. , .726. . .7-21 .ra».. ..708. .9-U UNITED ARTISTS 1947-48 Features Completed (26) In Production (1) KEY TO PRODUCERS Small (Sml); Rogers (Rffs); Vaneiiard (Van); Crosby (Cby); Bill Boyd (BB); Pressburger (Psb); RIpley-Monter (RM); Bogeaus (Bog:): Stromberg (Smg); Levey (T>ev); Cowan (Ccw); Stone (Stn); Selznlck (Szk); Nebenzahl (Neb); I^esser (Les): Loew-Lewln (LL); Eagle-Lion (GFD); Cagney (Cgy): Bronston (Bm) ; Chaplin (Chn) ; Enterprise (Ent) ; Hughes (Hgs); Comet (Com). NEW PRODUCTIONS THE PITFALL Drama — Started January 17 Cast: Dick Powell. Lizabeth Scott, Jane Wyatt, Director: Andre de Toth Producer: Samuel Bischoff Story: Xot available. Pee next is.'jue. RELEASE CHART 1947-48 COMPLETED Title — Rgnning Cast Details R:l. . .7-22 . . .3-3 Ea a Id-Palmer 1-20 . 1147 Masaa-CaUert Far 8- 4 9- 1 Time • rek af Trlemgh Barfman-Bayor (tiantis Moatei-Aamant Body and Soal (104) Christmas Eve (90) , D°ad Don't Dream Boyd-Brooks False Paradise Boyd-Brooks . . . Heaven Only Knows (97) ri-nmlngs-Donlevy Roary V (T) (134) Bliyier-Hcwton . . Hooay's Holiday (60) Eayd-Ware Intrigue (90) Raft-Havoc . . . . Laff Time (C) Olsen-Jannsen Datalli onder Mlia. IndORoadeitt Ckart Lored (102) Detallt ender title: Personal Colann Mad Wednesday (80) Lloyd-Walborn Rev. onder title: Sin of Harold DIddlekock Man of Evil (90) . . MIraelo Caa Haggea, A Red River Roosevelt Story (80) Silent Conflict Sleep My Love (97) Sanden-Eall 12-23 . . . For. . .9-30. .5-12. .9-30. . . ,9-47 , .9-47 .7-18 12-47. No. Ent . Rak . Ent . fFD BB . BB . .Neb . CFO BB .. lis Ra .. .8-18 . .8 4 .4-29 .5-12 . .1-i 11-11... 7-25. Smg 7-21 .10-1 Stg 3-3 Raft-Blondell 12-9.. All-star 8-3. Wayne-Clift Docomentary ....11-47.. Boyd-Brooks 7-21 Boyd- Brooks 9-1 .9-47 11-47 Sleep My Love Colb'rt-Cimmln|s 6-9. . So This Is New York Stampede DeUlls ander title: Ro4 Rhrir Strange Gamble Boyd-Clydo . . . Time of Your Life, The Cagaey-Bendli . Van4gtte DcGeorge-Brooka Morgan-Vallee ...10-13... Wayne-0 Sheridan .9-30.., 9-1. . .5-26. . . ...8-19. .igi 11-10 .Bat-Mar .... ..Hks .U-L 7-7 BB BB ri 1-19 Ent ■ki . BB Cgy Hn 22 FILM BULLETIN . 1946-47 AMI Irbk IM* (9<) Dri-Chikkot 4-29. «na (92) Miranda-Marx 12-9. Dai|*r(gi Vtntirt (59) Baytf-Aliiandtr 8-5. Dlthanarad Lady (85) .amarr-0'K«efe ...5-27 Fan On A Wiak-and (9S) BratkcB-Lam 7-8. Ottt'M indif iltltr Stranft Railfellowt Hal Roaeh Comedy Carnival (112) Ahel-Raffertv Details under titles: Coriey (3-27) and FaliDloiis Jo* (3-3) little Iodine (57) Marlrwe-Cramer . . .4-29 Maraoiters. Th, ; Boyd-Broolis 4-38 ■r. Au (84) r Raft-Sidney 3-4. Datalll andet tltl'- Mr. Act and the Oiieen MonMn.ir Verdouj '120' Chaplin-Raye 6-24. Drtalli indor tItU: Conatfy af Mardon Npw Orleans (89) il'Cordovt.Patrlci< "■''1 OthT lnv«. Th» l°6) Stanwyck Niven ..10-28. Sotlaw. The (114) P-"l'-Hii«ton Ramrod <94\ Mrr.f»a.L~V- ... fi.20. Retoeta (130) Fontaine-Ollvlor .Rtlsia*. itandal In Paris, A (XOO) Sanderi-Hasso ...10-29. StnrV Bi»p« Man 'CT) ronifr-Robfr's 2-3. Strante Womae. The (lOOi Lamarr-Sanders ..12-24. .12-27. Ck> ...12-y . .519.R.C ...5-12 . . .8 2 L«B-M . .3-17 ..5-30 Csl 5-2fi ..5-23 Raeh 3-5 . .5-16 .Sm9 4-2i< ..5-14 Stn 4-14 . .8-29 .Ro 9-1 11-11 R.C. ...9-16 .1C-4T B.B ...8-2 loj .10-14 .10-47. Chn 4-28 . -l.ia Lev 5-12 ..7-ll.'-t . 4-'' Hi 4-1 . . s-o r,, 3.J . .4-26.S2l( ..4-19. Psb t-5 . .6-21.r.-m « I < .10-25. Smi ...11-25 UNIVERSAL-INTERNATIONAL 1947-48 Features Completed (27) In Production (2) NEW PRODUCTIONS THE JUDGE'S WIFE Drama — Started Januarv 19 Cast: Frederic March. Edmond O'Brien. Florence Eldridge, Ger- aldine Brooks, Stanley Ridges. Director: Michael Gordon Producer: Jerrv Bresle'' story: Juilpe is aocuseil of the munlpr of his wife and tried in his own court. An invah'd d.-iughter add.s to the drama of the sitaation. RELEASE CHART IN PRODUCTION Title — Ro-nin- Tim" Cast Details Rel. No. Re». Mr. Peabody and the Mermaid Powell-Blyth 1-19 1947-48 ■ All My Sons Robinson-Christians .10-13 Anotlier Part of The Forest March-Blyth 11-10 Are You With It O'Connor-San Juan .11-24 Beware of Pity (102) Palmcr-Llcven Blaek Bart. Hlohwavman (T) neCarlo-Doryea . Details under title: Adventures of Bhtk Bart Bush Christmas (70) Rafferty-Fernside Casbah DrCarlo-Martin Captain Boycott (£2) ncnat-Graii';er . . DouHe Life. A (105) Colman-Hasso Details under title: Imagination Exile. The (95) Fa'rbanks-Montez .. .5-12. . .Nov 10-27 Hungry Hill (92) Locl(wood- Price Foreiun 10-27 Letter From An Unknown Woman Fontnine- Jourdan . ..9-15 lost Moment. Thf (89) Cummings-Hayward ....3-31 Dec 10-27 Details under title: Tht lest Ldvt Naked City, The Fitzge'-ald-Duff 7-7 Nicholas Nicklpby (94) Hardwicke-Bond ...Foreign 11-2^ Man-Eaters of Kumaon Sabu-Pagc 12-22 Pirates of Monterey (T) (77) Montei-Cameron .... 5-13. .. Dec 11-24 Ride the Pink Horse (101) Montgomery. Hendrix .5-26 Oct 9-15 River Lady (T) OcCarlo-0"ryca 8-4 .. Secret Beyond the Door (99) Bennett Rfdgra.e Feb 1-19 Senator Was Indiscreet, The (81) Powell-Raines 7-7... Jan ]2-?2 Singapore (79) MacMi rray-Gardner . . 3-17 . . .Seit 622...8-lf Tap Roots (T) Hellin-Hayward ... 6-23 Tawny Pipit (81) Miles-John Forego 9-15 Up In Central Park . Durbln-Havmes ...10-13 Wistful Widow of Wagon Gap (78) Abbott-Costeilo 5-12 Oet 10-13 Woman's Vengeance, A (£6) Boyer-Blyth 8-4... Feb 1-j Details under title: The Mortal Coil . Foreign 11-10 ..6-23 . Foreign 12-8 . 10-27 . .Fo-eign. . .Jan 12-8 . . .6-23 1-19 1946-47 Black Narcissus (T) (99) Kirr-Roblnson ... ■ritt Eneauntar (85) Johnson-Howars Brote Force (98) Lancaster-BIyth Back Privates Comt Noma (77) Abbott-Costella Captive Heart, Tha (86) Redgrave-Johns Oracula Lugosi Egg and I, The (108) Col'^ert-MacMurray For The Leve ef Mary Dorbln-Dall Frankenstein Karloll Frieda (97) Farrar-Johns .... 6reat Expoctatloni (116) Mills-Hobson ... I Know Where I'M Going (91) Hiller-Livesy ... I Stole a Million (78) Raft-Trevor Ivy (99) Fontalne-Knowles Johnny Frenchman (104) Ro«ay-Roe Lady Surrenders, A (108) Lockwood-Granger Magic Bow, The (105) Granger-Calvert . My Heart Coei Craiy (T) Field-Kendall Magnlfleent Obtestlon (101) Dunne-Taylor Odd Man Out (118) Mason-Ryan .... 100 Men and A Girl (84) Durbin Stokowskl Slave Girl (80) DeCarlo-Brent .. Something In the Wind (89) Dnrbin-Dall Details under title: For the Lm af Miry Time Oat t Mind (88) Calvert-Hotton rhay Were Slitin (108) Maian-CaWert . . . This Happy Breed (110) Newten-Jehnson Upturned Glass (86) Mason-Kelline .. . . . Foreign Foreign . . . . . . . 3-3. . . .12-9. . . . F» elgn. . .Reissue. . . 12-9. . ...3-17.. . Reissue. . . Foreign . . , . Foreign. . . . Foreign. . . Reissue . . . .12-23. . . Ferelgn. . . Foreign . . . . Foreign . . Fereig* . . . , . Reissue. . . Fore gn. . , . Reissue. . 8-5. . . .3-17. . . . .Dec 7-21 8-24 10-U .Aug 620. . .6-23 . .Apr 612. . .3-17 4-21 .June. . .27£8 613. . .3-33 .June. . .2797! ] . . . . . .Sept July 619. . .3-31 S-1 . .Apr. . .2794 .June 616. . .6-23 12-23 6-23 7-7 .May. .lone. May. .Aug. . Sept . .2795 . .617 3-3 .2796 . .623. . .7-21 . .621 8-4 ..10-28... May. ...614... 3-31 . Fareign . . . Sept. . . 1065 . . .9-16 .Ferelgn GFD. . .4-14 . .Foreign. . .Nov 11-24 VlgllulM latin, Tk* (Cliaaal*) Hall-Llndity Weh, The (87) O'Brlen-Riinei Details under title: Jaaiardy Years Between, The (88) Radgraie-Hehsen Ym Caa't Cheat in Henest Man (73) Flelds-Bergen . ...7-22. ..3-17. . Ferelga . . . Relssie. . .Jaly....116| IVIa cn DeHav Hand Bad Men ol Mis ouri (71) Morgan-Wyman .. Each Dnwn I Die (8-1) Cagney-Ralt Jezebel (93) Cavis-Fonda .... Si ght Cnse of Murder, A (85) Robinson 1946-47 Bijst with Five Fingers, The (88) Alda-KIni Cheyenne (lOO) Mortan-Wyman Cry Wolf (83 1 Flynn-Stanwyck Hamarasgue (125) Crawford-Garfteld lO'« and Leirn (83) Carson-Viekors .. Man I Lave. Tha (96) Liplne-Alda Detail) ender title: The Sentenee Nerj Prenthi (111) Sherldan-SBlth Possessrd (108) Crawford-Hellin . Detail) under title: The Secret Persued (101) Wright-Mltehum Stallion Road (97) Reagan-Smith That Way with Women (84) Greenstreet-Vlekers Detilli ai4er tRte: A Vwy llefe Mai Twi Mrs. Carralls. The (100) Bogart-Stanwyek Untaltl.tuI, The (109) Sherldan-Scott . . REISSUES Sea Hairt, The (109) Flyna-Ralns Sea Welf, The (87) Rokinioa-Laplao . King's Raw (127) SkerldaR-Cammligi Wild BUI HIekeek RIdee (72) Beaaett-Ctktl ... .Rcagan-Tcmplj . .Morgan-Llndtors .Oogart Huston Morgm-Carsan Rains-Caullield . Parker-Reagan . Parker-Toung .Reynolds-Hutton Clark-Smitli . .6-23 . 9-15 . 9-15 .11-25. .10-14. .11-26 . .9-15 . .4-15 . . 6-9 . .10-14 .9-30. . .6-23 . .5-12 .10 13 . .6-23. , . .8-18 . .3-31 ...3-17 . . .2-3 .3-3 .10-14 . . .3-3 . .3-31 Reissue Reissue. Reissue. Reissue. Reissue. . R. issue. . . .1-10. . . .713. . 12-22 . . .9-27. . . .703. . .9 15 ....9-1.. . .701. ...8-4 . .11-22. . . .708. .11-10 702 . . .C-l . . .2-7. . . .715 12-27 . . .711. .12-22 . . .11 1. . . .707. .10-2> . . .1-24. . . .714, .1 19 .'. 10-11.'. .'.706. ..9-29 . . .2-21 . . .716. . . .1-5 .3-13. 12-13. .10-4. .10-4. 12-13. .12-13. . 7r9. .704. .705. .710. .712. .12-10. . . .2-8. . ..613.. . .1-6 4-1. . .6-14. . . .622. .4-28 . . .5-27. . .8-16. . . . 625 . . .7-7 .12-24. . .1-25. . .612. . . 1-6 . . .9-16. . .5-3. . . .620. . .3-31 .1-11. . ..611.. . .1-6 . . .1-21. .2-22.. ..614.. .2-17 . . .6-24. .7-26.. -.6-9 . . .8-19. ...3-8.. ..615.. . .3-3 . . .4-15. .4-12. . . . 617 . . .3-31 . .2-18. .3-29. . . .616. . .2-17 ...514. .5-24. . . .621. . .4-14 12-9. ...7-5, , . .6-9 .4-26. . . .618 .Re'uat. .4-2C. . . .618 Reliiae. . .12-7. . lelasia. . .12-7... .«0». , FEBRUARY 2, 1948 23 • • — "'T-Men/ the new Thrilluloicf' -Walter Winehell "The Pick of the Pictures. BesfPic*"**® Weeic!" '—Jimmy f idler's Coast- to-Coast Broadcast "Exploitation natural * should click heavily^'*'^ audiences!" ., . . —Daily Variety m Box-office naturaV equal If not superior to 'House on 92nd St.'/Brute Force', and 'The Killers!'" ... „ —Film Bulletin "Dynamic, smashing entertainment... a winneil" —Hollywood Reporter ^ "One of most interesting pictures of the kind I have ever seen!" —Louella Parsons with MARY MEADE • ALFRED RYDER -WALLY FORD JUNE LOCKHART- CHARLES McGRAW -Produced by AUBREY SCHENCK. Directed by ANTHONY MANN Written by John C. Higgins • Suggested by a Story by Virginia Kellogg • An Eagle Lion Films Release 53 per Year 25c per Copy BULLETIN FEBRUARY 16. 1948 EDITORIAL by MO WAX KEEP YOU ON THESE! Last week seven wonderful motion picture entertainments were pre- viewed at the M-G-M Studios. They give thrilling meaning to the industry's new slogan "M-G-M GREAT IN '48!" If "STATE OF THE UNION 19 LIBERTY FILMS presentsSPENCER TRACY. KATHARINE HEPBURN • VAN JOHNSON • ANGELA LANSBURY ADOLPHE MENjOU • LEWIS STONE in FRANK CAPRA S "STATE OF THE UNION" • Based on the Play by Howard Lindsay and Russel Grouse • Screen Play by Anthony Veiiler and Myles Connolly • Associate Producer Anthony Veiiler Produced and Directed by FRANK CAPRA • A METRO- GOLDWYN-MAYER PICTURE B. F.'s DAUGHTER M-G-M presents "B. F.'s DAUGHTER" starring BARBARA STANWYCK . VAN HEFLIN • CHARLES COBURN RICHARD HART • KEENAN WYNN • A ROBERT Z. LEONARD PRODUCTION • Screen Play by Luther Davis Based on the Novel by John P. Marquand • Directed by ROBERT Z. LEONARD • Produced by EDWIN H. KNOPF A METRO-GOLDWYN-MAYER PICTURE If 99 THE BRIDE GOES WILD M-G-M presents VAN JOHNSON • JUNE ALLYSON in "THE BRIDE GOES WILD" • BUTCH JENKINS • HUME CRONYN . UNA MERKEL • Original Screen Play by Albert Beich • Directed by NORMAN TAUROG • Produced by WILLIAM H. WRIGHT • A METRO-GOLDWYN- MAYER PICTURE HOMECOMING M-G-M presents CLARK GABLE • LANA TURNER • ANNE BAXTER . JOHN HODIAK in "HOMECOMING" • Ray (Collins • Gladys (looper • (Cameron Mitchell • A MERVYN LeROY PRODUCTION • Original Story by Sidney Kingsley Adaptation by Jan Lustig • Screen Play by Paul Osborn Directed by MERVYN LeROY • Produced by SIDNEY FRANKLIN • A METRO-GOLDWYN-MAYER PICTURE ff THE PIRATE 99 ( Technicolor) M-G-M presents JUDY GARLAND • GENE KELLY i "THE PIRATE" • WALTER SLEZAK • GLADYS COOPEl REGINALD OWEN • Songs by COLE PORTER • Coloi by TECHNICOLOR • Screen Play by Albert Hackett an( Frances Goodrich • Based on the Play by S. N. Behrmai Dance Direction by Robert Alton and Gene Kelly • Direct by VINCENTE MINNELLI • Produced by ARTHUR FREE A METRO-GOLDWYN-MAYER PICTURE ff 99 EASTER PARADE (Techntcolor) M-G-M presents IRVING BERLIN'S "EASTER PARADE" starring JUDY GARLAND • FRED ASTAIRE • PETEH LAWFORD with ANN MILLER • Color by TECHNICOLOR Music and Lyrics by IRVING BERLIN • Director of Musica.< Numbers ROBERT ALTON • Directed by CHARLE* WALTERS . Produced by ARTHUR FREED • A METRO GOLDWYN-MAYER PICTURE ff THE BIG CITY 99 {Tentative Title) M-G-M presents "THE BIG CITY ' starring MARGARE: O'BRIEN . ROBERT PRESTON • DANNY THOMA GEORGE MURPHY • KARIN BOOTH • EDWARl ARNOLD . BUTCH JENKINS • and introducing to the scree BETTY GARRETT and LOTTE LEHMANN • Screen Ph by Whitfield Cook and Anne Morrison Chapin • Additiooi Dialogue by Aben Kandel • Based on a Story by Miklos Laszl As Adapted by Nanette Kutner • Directed by NORMA TAUROG . Produced by JOE PASTERNAK . A METR( GOLDWYN-MAYER PICTURE Give Generously For American Brocherhood Wee BEHIIVD THE MDNDPDLY CASE fOITOIilflL \ ol. 16, No. 4 February 16, 1948 Page Three THINK IT OVER Dependents The wise man must remem- ber that while he is a descend- ant of the past, he is a parent of the future; and that his thoughts are as children born to him, which he may not care- lessly let die. — Herbert Spencer. BULLETIN An Independent Motion Picture Trade Paper pub- lished every other Monday by Fifm Bulletin Com- pany. Mo Wax, Editor and Publisher. BUSINESS OFFICE: Suite 622, Manufacturers Trust BIdg., 1819 Broadway, New Yorit 23. Circle 6-9159; David A. Bader, Business Manager; Paul Perez, Editorial Representative. PUBLICATION-EDITORIAL OFFICES: 1239 Vine Street, Philadelphia 7, Pa., RIttenhouse 6-7424; Barney Stein, Managing Edi- tor; Robert Heath, Circulation Manager. HOLLY- WOOD OFFICE: 9126 Sunset Boulevard, Hollywood 46, Calif., CRestvlew 5-6489; Sara Salzer, Holly- wood Representative. Subscription Rate: ONE YEAR, $3.00 In the United States; Canada, $4.00; Europe, $5.00. TWO YEARS: $5.00 In the United States; Canada, $7.50; Europe, $9.00. The case of the United ,States Government against the major film com- panies now rests with the Supreme Court. Last week, the eight distributors stood before the nation's highest tribunal and pleaded that the decision means economic life or death for them. It was a spectacle that made one wonder how it came about that these giants of our industry found themselves thrown into this herculean struggle with the Government. It is often the case that as a battle endures and spreads in scope and vio- lence, people lose sight of the little sparks that first lit the torch. And if we look into the history of the monopoly case, we realize that it grew from what seemed to be minor incidents in the relationship between the major companies and the little exhibitors. It was an accumulation of provocations against these theatremen that inspired the Department of Justice to file its original anti-trust action. Two basic issues are involved in the anti-trust case: ownership of theatres by film distributors, and the practice of block booking. What is the origin of the opposition to distributor-affiliated theatres? At rock bottom, it would be difficult to find a reason why a film company should not operate theatres. But, theie was the case of the independent who purchased or built a fine theatre and found he could not obtain a run ahead of the competitive affiliated theatre at any price. And there was the fourth-run independent who was bluntly advised that he must await the 30 days clearance granted to the affiliate's third-run house. And there was the distributor ^vithout theatres who had no choice but to sell his film on the terms offered by the affiliated circuit that controlled all the theatres in the city. Then, there was the little exhibitor who one day was warned by a film salesman that his company would build a theatre across the street if he refused to buy their product. Maybe a few hundred such exhibitors appealed to their Government for protection from this threat and the Department of Justice be- gan to investigate. There was a time when block booking was a system acceptable to the whole trade. That was when every picture in a company's program was identified in the contract by star, story, or director, and when the exhibitor was allowed the option of cancelling a picture to offset a substitution. But the avarice of distributors gradually proscribed the exhibitors' rights and finally evolved a contract whereby a season's program was identified only by cold, meaningless numbers. Whereas the old style of block booking was de- sirable, this pig-in-a-poke system became to thousands of independent exhibitors a manifestation of a monopolistic force that was throttling their freedom of enterprise. They began to raise their voices in protest and, as the volume grew, the public took note of its interest in the issue. In the national Congress and in several State Legislatures, bills were introduced to legislate block booking out of existence. Eventually this system, too, came under the scrutiny of the Federal Government s legal arm and the monopoly case was born Film executives have always been inclined to disparage the role played by the thousands of rank-and-file exhibitors in the industry scheme of things. The movie moguls never •seemed to appreciate that the great strength of American democracy resides in the ability of the little people to make their voices heard. Whatever the decision of the Supreme Court, they will profit in the future by paying heed and homage to this fundamental facet of the great American system. MO WAX. BROTHERHOOD Intolerance is ignorance. Throughout the ages enlightened men have pondered the means of dispelling the darkness of bigotry and leading mankind into the light of true wisdom-understanding. A wonderful organization is today engaged in teaching tolerance. It is the National Conference of Christians and Jews, organized twenty years ago by Charles Evans Hughes, the late Newton D. Baker and the late Dr. S. Parkes Cadman. The original program of the founders was to impress upon the Ameri- can people our bedrock principles of freedom, tolerance and understanding. This work is now being extended by the Conference throughout the world. The purpose of this splendid group has been dramatized in recent years by American Brotherhood Week, observed the week beginning with Washing- ton's birthday, February 22-29. The motion picture industiy has always joined enthusiastically in promoting this worthy cause and this year every member again is asked to contribute as much as possible to enable the National Con- feience to carry on and extend its gospel of friendship and understanding among the people of our nation and of the world. Give, Give. SAID THIS ABOUT ARNERS' TREASURE OF SIERRA MADREi S)m of the few movies UMPHREY BOGART D. reeled b> Prodjceaby JOHN HUSION • HENRY BLANKE Screen Play by John Huston • Based on the Novel by B. Traven • Music by Max Sterner GDVX BIG 5 CLASH DM DIVDHCEMENT SUPREME COURT MAY DECIDE BY JUNE 7 For three days last week, a hashed capa- city audience listened a^s the climactic act in the drama entitled "The United States Oi' America vs. Paramount Pictures, Inc., Et Al." was played before the Supreme Court. Principals in this historic command per- formance were an all-star cast of lawyers representing the eight major film com- panies, in the unhappy roles of defendants, and three members of the Department of I Justice, headlined by the Attorney General, himself, the accusers, plus a few minor characters. The play, ten years in rehearsal, had everything — melo- drama, comedy and corn — as the film lawyers sought to John W. Davis tear apart into eight distinct segments the picture of a compact, national monopoly drawn by the Justice Department. Varied Argument With the Government fighting for divorce- ment and a ban on cross-licensing of pic- tures by the Big 5 to replace the decree (competitive bidding, no pools, restrictions on theatre expansion, etc.) imposad by the New York Statutory Court, the defendants offered a startling variety of arguments to support the positions of their clients. They ranged from the contention of James F. Byrnes, representing 20th Century-Fox, that the lower court was "composed of three wise men" who had exercised "the skill of a surgeon" in formulating the decrtie, to the argument of Universal's counsel, Thomas Turner Cooke, that the provisions in the decree against block booking were "uneconomic" for his client in view of the fact that it specializes in "inferior pictures," to the plea of United Artists' Edward C. Quotations Assistant Attorney General Jolin F. Soiuiett made effective use of quota- tions to sum up tlie Government's case. He quoted Justice Frankfurter in the Associated Press case: "In addition to being a conmiercial enterprise, it has a relation to the public interest unlike that of any other enterprise pursued for profit. . . From this point of view it is wholly irrelevant that the Associated Press itself has rival news agencies." And he closed with a quotation from Judge Learned Hand in the Alimii- num case: "Many people believe that posses- sion of unchallenged economic power deadens initiative, discourages thrift and depresses energy; that immunity from competition is a narcotic, and rivalry is a stimulant^ to industrial progress; that the spur of constant stress is necessary to coimteract an inevitable disposition to let well enough alone. . .These considerations, which we have suggested only as pos- sible purposes of the (Sherman) Act, we think the decisions prove to have been in fact its purposes." Raftery that the entire decree be thrown out, because "we want to go home free!" The Supreme Court sitting to hear the arguments in the ten-year-old anti-trust suit was reduced to eight jurists when Associate Justice Robert H. Jackson disqualified him- self from participation in view of his pre- vious connection with the suit in the role of U. S. Attorney General. There had also been some speculation on the qualification of Justice Frank Murphy, who likewise was Attorney General during the early phases ol the Government action. However, he sat throughout the hearings. Decision by June The decision, a fateful one for the entire industry, is expected to be handed down prior to the Court's summer recess, which starts the first week in June, although it is possible that the opinion will not be forth- coming until readjournment in the fall, in view 01 the voluminous record compiled on the case. During the first day and a half the eight jurists listened intently and asked few questions, but interrogations from the bench perked up considerably during the second half of the three days of oral argument. Justices Felix Frankfurter, William O. Dougla.n and Stanley Forman Reed led the questioning, with Chief Justice Fred M. Vinson and Associates Hugo L. Black, Frank Murphy and Wiley B. Rutledge, Jr. joining in occasionally with queries and comments. Justice Harold H. Burton did not speak throughout tho hearings. In addition to the eight lawyers for the film company and three for the Govern- ment, the Court heard appeals to intervene frcrn Thurman Arnold, former Attorney General, on behalf of the ATA, and John G. Jackson and Col. Robert Barton, for the Confederacy Oi Southern Exhibitors. Arm- cua curiae petitions had been filed by both tlie Conference o£ Independent Exhibitor Associations and by the MPTOA. but no oral arguments were offered by counsel for these organizations. Clark Opens The total nine and one-half hours of ar- gument allotted to the case by the Court ■war. opened by U. S. Attorney General Tom C. Clark, who stated the Government's posi- tion as an unequivocal demand for complete divestiture of all affiliated theatres from distributor ownership. He argued out that the lower court found the defendants guilty of seven forms of restraint of trade and attempted monopoly, thereby recognizing the need for basic reform, but he termed the decree inadequate to cure these evils. The only remedy, he said, is divorcement. The Attorney General summed up lus hour-long argument with the point that the Expediting Court's decree posed a basic question of Sherman Act enforcement: "Doe.s the (Sherman) Act mean that equit- able relief against habitual violators should be limited to experimentation to induce competition by regulating their business practices, or should an opportunity and in- centive to compete be created and main- tained by actual reorganization of their business structures?" He warned that "the (jovernment's entire anti-trust program will be vitally affected by this Court's answer to that question." Attack Bidding Following Clark came Messrs. Arnold, Jackson and Barton seeking to intervene on behalf of their organizations. All three centered their attack against the competi- tive bidding provision of the District Court's decree, but disclaimed any vital interest in the issue nf divorcement. One colloquy between Justice Frankfurter All Indies, Maybe! Just before the Supreme Court con- vened last Wednesday, a film lawyer, hunting a vacant seat, located one beside two independent exhibitor leaders. "Is there room for an affiliate here?" he asked. "Sit down; you might be an inde- pendent soon yourself," one of tha indies quipped. and the ATA's counsel brought a laugh in tha usually quiet and tense courtroom. While arguing for the right of exhibitors to intervene in the case because they are af- fected by the decree, Arnold was asked by the jurist if he thought that a group of children who go to the movies regularly might be entitled to intervene, since they, too, are affected. Mr. Arnold replied that the children did not have to go to the movies. Justice Frankfurter shot back, "Yes, they could stay home, but so could you!" "No Monopoly" — Davis Opening gun for the defendants ws fired by John W. Davis, representing Loew's, who supported competitive bidding as a remedy. He argued that the angles of monopoly and restraint of trade are separate and distinct in this case. The Statutory Court, he said, found no monopoly and rejected divestiture, but it did find restraints of trade and pro- vided a remedy in the decree. The white-maned attorney, once a can- didate for president of the United States, sought to dispel the Government's conten- tion that the major:; are integrated, claim- ing intense competition among them in all phases of operations. He pointed to the fact that Loew's operates only 131 theatres out of an estimated 18,000 as evidence of its inability to monopolize. He charged that the Department of Justice plea for a ban on cross-licensing was an attempt to "starve out" the defendants, and called on the high tribunal to allow the Statutory Court to judge the "workability" of competitive bidding. Seymour Blasts Dissolution Whitney North Seymour, counsel for Paramount, who called for an end of com- petitive bidding, which he termed "an abuse of discretion by the court to shackle the industry with one method of selling pic- tures." In view of Paramount's widespread theatre interests and the need to protect their buying position, this contention was readily understood by courtroom observers. Seymour devoted the largest portion of his S5-minute period to an attack on the pro- vision in the decree requiring dissolution of joint ownerships between distributors and independent exhibitors. Lacking a long and fair trial of competi- tive bidding, RKO is not prepared to say that the system will not work. Gen. William Donovan, its attorney, declared, argTiing that the court below should decide the fate of the practice, since it, rather than the Supreme Court, will have the experience to judge it,s merits. RKO Profits in Theatres Tn answer to a question from Justice Murphy as to how RKO would suffer finan- cially in case of divorcement, Donovan re- plied that "the records show" tViat the com- pany's money is really made in its theatres. On behalf of Columbia, attorney Louis D. Frohlich delivered an impassioned plea for the return of the block booking system and elimination of competitive bidding, (Continued on Page 17) FEBRUARY 16, 1948 s 'THREE DARING DAUGHTERS' BIG, BEAUTIFUL TECHNICOLOR BORE Rates • • -|- on names and color MOM 115 niinutcH Jeanette MacDonald, Jos** Iturbl, Jane Pow- ell, Kd»vard Arnold, Hjrry Davenport, Moyna MacGill, Mary Klean«>r Donahue, Ann E. Todd, Tom Ilelmore, Kathryn Card, Dick Simmons. Directed by Fred M. Wilcox. M-G-M has lavished ble.'sings galore to insure the triumphal return of Jeanette MacDonald to the screen. They assigned Producer Joe Pasternak, used gorgeous Technicolor, gave Miss MacDona,ld clothes thai will rr.ake the ladies gasp, used a versa- tile and impressive musical score, hired Jose Iturbi and Jane Powell to help Miss Mac- Donald interpret it, and gerierally, just about knocked themselves out to make "Three Daring Daughters" a super-d'uper produc- tion. All they neglected to do was to give her a story to carry the wealth of produc- tion. Not that they didn't try. Four script- ers v/ere rssigned to do the original screen- play, but all they could deliver was a wisp of a tale that has been stretched out to an inordinate length about three precocious youngsters who attempt to straighten out their mother's romantic affairs. The film's other glaring defect is the casting of Iturbi in a co-starring role, none other than Miss MacDonald's romantic vis-a-vis. The stubby little pianist, with his pair of stock expres- sions, makes a fine figure at the keyboard, hilt is ridiculous as a screen lover. Unfortu- nately, Mr. Iturbi spends a great deal of time in the latter role, and relatively little at the piano. Miss MacDonald has never loo.ced lovelier, although her singing chores are secondary to those of Jane Powell, who displays a pleasing voice and personality. Grosses will be above average in flist-runs and h:gher class naborhoods where music and the MacDonald-Iturbi names are draw- ing cards. Action spots will find it a weak attraction. The music is both varied and excellently performed, but is too often exasperatingly clipped or sidetracked to give right of way to the story. Best of the modern numbers is 'The Dickey Bird Song" and "Route 66," the latter given a nifty swing rendition by Iturbi. Amparo Iturbi teams up with bro- ther Jose for "Ritual Hire Dance" piano duet, and harmonica virtuoso Lairy Adler '^omes in for a brief rendition of "Rouman- ian Rhapsody." Miss MacDonald sings an aria from "Rosenkavalier" and ''The Sweet- heart Waltz." EXPLOITATION: The return of Jeanette MacDonald is big news that should be splashed over lobbies and fronts. Play up the color, of the most beautiful the screen has had, and the music, which includes something for every taste. Dont overlook 'IF YOU KNEW SUSIE' CANTOR & DAVIS CARRY SILLY PLOT Rates • • + as dualler on nannes of sta BKO 90 minutes Kddie Cantor, Joan Davis, Bobby Driscoll, All.vn -Joslyn, Charles Dingle, Phil Brown, Sheldon Leonard, Joe Sawyer, Douglas Fow- ley, Margaret Kerry, Dick Humphreys, How- ard Freeman, Mabel Paige, Sig Ruman, Fritz Feld. Directed by Gordon M. Douglas. Only through sheei- dint of their individual comedy talents are Eddie Cantor and Joan Davis able to squeeze some mirth out of the harebrained plot with which they are burd- ened in this RKO comedy with musical in- terludes, produced by Cantor. His zestful singing and eye-rolling and Miss Davis' mug- ging should elicit a modicum of laughs from mass audiences, but "If You Knew Susie" is definiteij' not for the discriminating pat- lonage. It will serve as a good top dualler in the naborhoods and rural houses on the rs strength of the stars' names. The picture opens with a sock musical number, but, un- forlunately, the story has it as the farewell vaudeville performances of the Cantor-Davis hujband-wife team and from that point on, the plot converts to alleged straight comedy with only an occasional song number in- terspersed. The screenplay by Warren Wil- son and Oscar Brodney goes completely hay- wire, resorting to a variety of devious gag's in a labored attempt to tickle the spectator's funnybone. Director Gordon M. Douglas, however, manages to keep the pace lively. A high spot of the musical proceedings is the dance routine by an attractive young couple, Margaret Kerry and Dick Humph- reys. EXPLOITATION: Sell Cantor and Davis ?,nd the musical numbers. Husband and wife Eddie Cantor and Joan Davis leave vaudeville to settle down in the Massachusetts town of their forebeai's and raise their two children. They open the value of Larry Adier's name along with Iturbi s for both classical and swing music fans. •lefinelte MacDonald, overworked slick magazine editoi-, is persuaded by her doc- tor, Harry Davenport, and three young daughter.s, Jane Powell, Ann E. Todd and Mary Eleanor Donahue, to take a sea voy- age rest. Believing their mother is pining for their divorced father, the girls per-s'iiad*- publisher Edward Arnold, to bring him back from his foreign cor respondent's job in Afri- ca. Miss MacDonald, who ha-s never told the kid-; that their fathei- ran away leaving her to bi-ing tnem up alone, meets Jose Iturbi (playing Jose Iturbi) aboard and by th»- time the trip is over, they are married. They Keep their marriage a secret while Iturbi attempts to ingratiate himself with the chil- dren and Arnold is kept busy shifting their father around as the situation demands When they see the grief they have caused th"ir mother by their actions, which result .in a separation between Iturbi and their mo- ther, they right tnings by getting them together again. REVIEWS in This Issue Three Daring Daughters 6 If You Knew Susie 6 Saigon 6 Alias a Gentleman 7 Prince of Thieves ' Open Secret 7 I Became a Criminal 8 Holiday Camp 8 Western Heritage 8 the old homestead as a restaurant but en- counter the opposition of the town snob.-; and their busine s is ?. failure. Forced to sell lit auction, they are preparing to move when son Bobby Driscoll finds a letter from George Washington to one of their ancestors re- cording a debt of $50,000 due the latter fro'n chn Revolutionaiy Wax. Cantor and Miss Davis proceed to Washington to collect and fall into the toils of newspaper man Allyn Joslyn. A sensation s created throughout the country when compound interest on i:hpir inheiitance is computed and is found to amount to billions of dollars that would iiankrupt the country. After daffy compli- cations, Cantor renounces his heritage and returns *^o his home to the acclaim of the populace and the success of his restaurant. 'SAIGON' LADD-LAKE CO-STARRER ROUTINE, BUT EXPLOITABLE Rates ® • • for action houses; slightly Paramount 94 minutes Alan Ladd, Veronica Lake, Douglas Dick, WaUy Cassell, Luther Adler, Morris Carnov- sky. Mikhail Rasumny, Luis Van Rooten, Eugene Borden. Directed by Leslie Fenton. rhis is an uninspired Alan Ladd vehicle, but it should pull ample grosses, since it again gives him one of those popular ad- venture roles. The story, however, lacks novelty and real punch, and it will require the showman's best efforts to keep business above average when the word-of-mouth lakes its toll in the sub-runs. The names of Ladd and Veronica Lake offer good mar- quee substance and there is exploitation val- ue in the yarn's colorful Indo-Chinese lo- less elsewhere cale, Saigon — "The Paris of the Orient" — one of those places where, you know, "any- thing can happen, and usually does!" Un- fortunately, neither the screenplay by P. J. Vvolfsoii and Arthur Sheekman nor the di- rection by Leslie Fenton contribute any jpark to the proceedings. One welcome fea- ture is the comedy relief role of Mikhail Fiasumny. The Ladd fans have another opport-unity to see their man, and that means good returns in action houses. EXPLOITATION: Sell Ladd in another adventure-action role. Play up the money- smuggling angle, the glamor of postwar Indo-China, the luthless plotting of scound- rely profiteers. Major Alan Ladd and Sgt. Wally Cassell, learning that their buddy Capt. Douglas Dick has but a few months to live — a fact of which he is unaware — get demobilized in Shanghai and, with the doomed co-flyer, undertake to fly war-profiteer and enemy- collaborator Morris Carnovsky and a cargo of contraband into Saigon. At the last mo- ment Carnovsky is detained by the police, his pretty secretary Veronica Lake appear- ing at the airport in his steod. Against her wishes that they wait for Carnovsky, the plane takes cf¥. Later, the decrepit crate survives a forced landing, its crew and pas- senger making their way to Saigon. There Colonial Police Lieut. Luther Adler searches Veronica's effects for the S1,<100,000 he knows she has smuggled into the coiintry, but Ladd outwits him. Still unaware he is doomed to die of his war injuries, Dick falls in love with Ver-onica, whom Ladd dislikes because of her affiliation with the scoundrely Car- novsky. At end, Dick is killed protecting Veronica from her enraged employer. Ladd discovers he loves her and the two plight their; troth. FILM BULLETIN 'ALIAS A GENTLEMAN' ENTERTAINING WALLACE BEERY VEHICLE Rates • • -f for naborhood and rural h M-G-M 76 minutes "»Vp.llacc Beery, Tom Drake, Dorothy Patrick, Gladys George, Leon Ames, Warner Ander- son, John Qualen, Sheldon Leonard, Trevor Bardette, Jeff Corey, Marc Krah, William Forrest. Directed by Harry Beaumont. Wallace Beery tans will be gratified, others will be spottily enteitained by this pat little item from Leo's maw. The Beery brand of humor is given ample play in "Alias A Gentleman,' a role particularly suited to the veteran comic, who plays an ex-convict, suddenly wealthy, making like a gent. Most of the humor is derived from Wally's mayhem of the King's English — and French — as he attempts to be what he obviously is not — at least on the screen. There is the usual face-pu ling, sheepish grin, etc., but director Harry Beaumont has wisely held it down to a minimu ^. and al- though he hasn't been able to elicit any- thing sterling from Beery, or any of the other performers, he manages to maintain an even pace with the chuckles coming regularly and interest in the proceedings uses; OK dualler elsewhere rarely flagging. Less of slapstick and more of story, even an old hack like this one, is weicome in a Beery film, particularly after some of his recent misfortunes. In support, Tom Drake departs from his usual goody- boy roles, to piay a hard-boiled, hot-temper- ed youngster, who becomes romantically in- volved with Dorothy Patrick, Beery's pre- tended daughter. The latter, while easy on the eyes, is unimpressive in the acting de- partment. Such other dependables as Leon Ames, Gladys George, John Qualen and Sheldon Leonard are wasted on roles that demand as little as they give. Where Beery is popular, grosses should at least equal, probably top his previous efforts. Else- where, this is just an average dualler. EXPLOITATION: Catchlines: "Wally Wants to be a Gentleman — and Darn Near Makes It! ' "Can $'150 030 Mike Wally Beery A Gentleman?" A "Before-and-after" blow- up of the s'^'^r should be effective for lobby or front. T-c-i'ps with department stores-, haberdashers and clothing stores can be used to demonstrate the clothes that make a gentleman. Wallace Beery, boss convict on an honor prison fai m, serving the last part of a 15- year term, most of which he has dedicated to learning etiquette, has a run-in with a cocky youngster, Tom Drake, gives him a beating. However, when the latter takes a soythe in his ribs, meant for Beery, they become good friend?. On his release. Beery ge'i word that his farm is oil-rich and he flnds himself with $250,000 in the bank. Ke acquires a Paik Avenue penthouse, clothes, a butler and sets about to find his daughter, whom he hasn't seen for 15 years. Leon Ames, racketeer and one-tim.e pal of Beery's, plants Dorothy Patrick in a hospital as Beery's daughter, and taken in by her de- ception, Beeiy lavishes his wealth on her. Drake, released from prison, takes a shine to Patrick, but when he joins Ames' gang. Beery frowns on Drake's attentions to his daughter. Growing to like her "father,' Patrick decides to run away with Drake rather than continue the masquerade, but Ames intercepts them and holds them for ransom. Pretending to pay for their re- lease. Beery tricks Ames into letting Patrick go, then in a free-for-all turns Ames and his gang over to the police. Patrick and the reformed Drake return to Beery and cll is forgiven. 'PRINCE OF THIEVES' PHONY, AMATEURISH REMAKE OF ROBIN HOOD FABLE Rates O • as dualler for action houses: Columbia 72 minutes Jon Hall, Patricia Morison, Adele Jergens, Alan Mowbray, Michael Duane, H. B. War- ner, Lowell Gilmore, Gavin Muir, Robin Raymond, Lewis L. Russell, Walter Sande, Syd Saylor, Fredric Santley, Belle Mitchell. Directed by Howard Bretherton. An artificial, gruesomely-Cinecolored, in- credibly-badly acted remake of the multi- told Robin Hood tale, "Prince of Thieves ' looks as though it could hardly have come from a major studio. Inept in every de- partment, the only attractions the film can have for the paying customers are the popu- larity of the Robin Hood legend, the minor marquee value of Jon Hall and color. Ac- tion and rural houses might use it as a dualler, but caustic word-of-mouth will do the exhibitor who plays this Columbia con- n. g. elsewhere tribution no good. Played straight, without attempt at farce, there are nevertheless sev- eral laughs, all at the expense of the foolish antics of the players and silly situations. Hall, Patricia Morison, Adele Jergens, Mi- chael Duane, all mouth the inane dialogae like dramatic school students, while such re- liables as Alan Mowbray, H. B. Warner, Wal- ter Sande and other capable performers seem embarras:ed at what they have to say and do. The Cinecolor, too, follows the general pattern of ineptitude, often turning the actors' faces a bilious shade of char- treuse. Robin Hood (Jon Hall) and his band cap- ture Lady Marian (Patricia Morison) and her brother (Michael Duane), but become fast friends when Ha'l learns that his pri- soners aie fighting for the exiled King Richqrd. Duane, betrothed to Adele Jer- gens, enlists Hall's aid in rescuing Miss Jergens fiom the clutches of her selfish fa- ther, who wants to marry her off to the wicked King John's relative. They invaide the castle and carry off the lovely Xde'e, but the villains kidnap Lady Marian' and demand Hall's surrender. Hall gives him- self jp, but Little John (Walter Sande) and Will Scarlet, in the guise of soldiers, suc- ceed in killing a small army and save Hall fiom the hangman s noose. The band ar- rives in the nick of time to prevent the double marriage of Lady Marian and Lady Cristabel to the heavies and as Friar Tuck (Alan Mov/bray) perform the rites, "Hall and Duane substitute for the grooms, v.-bom they have despatched via broadsword. The nuptial kisses are interrupted by the an- nour cement that King Richard has returned and the ladies are le-t gizing wistfully into the distance as Robin Hood, with a "Follow me, men!" rides to the aid of King Richard. ■OPEN SECRET' ANTI-HATE I Rates © • 4- generally; more in action Dagic Lion 70 minutes John Ireland, Jane Randolph, Roman Bohn- cn, Sheldon Leonard, George Tyne, Morgan Farley, Anne O'Neal, Arthur O'Connell, John Alvin, Bert Conway, Rorj- Mallinson, Helena Dare, Charles Waldron, Jr., Leo Kaye, King Donovan, Tom Noonan. Directed by John Reinhardt. In its bard-hitting attack on racial hatred, 'Open Secret ' does not, like "Gentleman's Agreement," confine its target to the rela- tively tiny sector of America's country club &et, nor does it, as does "Ciossfire," pull its punches by mentioning only one racial minority, the Jews. Instead, it blasts away at prejudice against any group and lashes out at Fascisms greatest ally, the street corner rabble rouser and his cohorts who incite racial hatred for their Own personal gain. The film, packed with action, sus- pense and purpose, is aimed directly at the person who should and, it is hoped, will see ILM PULLS NO PUNCHES and foreign naborhood spots it — r the man-in-the-street. Its vigorous melodrama and its topical importance and entertainment values will appeal to adults Of both .sexes. Properly exploited, it will give a satisfactory account of itself at the L'OXofRce, thanks to word-of-mouth. Best '■eturns may be anticirated in action spcts cind naborhoods patron'zed by racial minor- Uy gro-jps. Under John Reinhardt's taut direction, all members of the cast give sin- cere and credible portrayals, best character- izations being tho~e bv Roman Bohnen, Sheldon Leonard and GaO'-gs Tyne. Pro- duction quality is fair; photography excel- lent. EXPLOITATION: Play this up for what it is — f.n expose of America's fascist men- ace today. Enli:t the support of racial minority groups, as well as clergymen of all sects, editors and other civic leaders. Teaser ."suggestion: 'You May be Their Next Victim - - It's an 'Open Secret.' " Have local newspaper's Inquiring Reporter ask: "How Would You Combat the Fascist Men- ace Shown in 'Open Secret'? ' Invited to share for a few days the apart- ment of former army buddy Charles Wald- lon, Jr., -John Ireland and his bride Jane Randolph, spend the night there. Next morning Waldron, called away by a phone message before their arrival, has not re- lumed. Following a day of sight seeing, the newlyweds return to find Waldron still missing, his apartment rifled in their ab- sence. Evidences of a second rifling of the flat, plus Waldron's continued absence, impel Ireland to enlist plainclothesman ."^heldon Leonard's aid in locating his pal. Next day Waldron's slain body is found. Ireland determines to track down the kill- ers. Thiough some films developed at the camera shop of intolerance-victim George Tyne, Ireland discovers Waldron had been readying a photo expose of a murderous gang of hate peddlers. Their efforts to re- trieve Waldron's damning photos before Ire- land can unmask the gang build to a dy- namic crescendo ending in a climactic bat- lie royal, with Ireland, Leonard and Tyne emerging victoriously. FEBRUARY 16, 1948 7 'I BECAME A CRIMINAL' ENGROSSING irTTLE BRITISH-MADE MELODRAMA Rates • • -j- as dualler Warner Bros. 78 iniiiuteK Sally Gray, Trevor Howard, GrifTith Jones, Rene Kay, Mary Merrall, Charles Farrell, Phyllis Rohins, Vida Hope, Eve Ashley, Jack McNauffhlon, Cyril Smith, Ballard Berkely. Diretited by Cavalcanti. Tightly-made, suspenseful and loaded with action, "I Became a Criminal," British melo- drama, packs a wallop that should make it ideal for the action houses. However, since the names mean nothing to American audi- ences, thi3 punchy little item will probably be relegated to the lower half. Showmen would do well to couple this with a marquee- powered comedy or musicaJ. Performances by the stellar Briti.sh cast are excellent, al- though the usual British underplaying is notably licking. Grfflith Jones, playing the head of a London black market ring operat- ing under the guise of a funeral parlor, is as nasty a villain as the screen has seen in years. Trevor Howard, star of "Brief En- counter," turns in another acting ace as the framed amateur who escapes from prison to track dov/n Jones, and Sally Gray displays both pulchritude and ability as the girl in the case. Support down to the smallest bit, follows the pattern. Director Cavalca/iti has maintained an accelerated pace that covers a oubstantial amount of story, punctuated wi^h pungent dialogue (unhampered by Bri- tish accent) and some masterf-ul action se- quences. Production is cheap, but offers no drawback to the effectiveness of the film as cntertainn.ent. Photography is fuzzy in spots, but generally satisfactory. EXPLOITATION: Although the star names are unsaleable, Howard might be pub- licized as the star of "Brief Encounter," where that film has played. Catchlines: "Cofflns for Rackets — and for Double- Crossers; ■ "Bars Could Not Protect Him from the Man He Framed." Trevor Howard, RAF vet, joins up with Griillth Jones, head of a black market gang using a funeral parlor as a front, transpoit- ing the goods in coffins. Howard balks when Griffith begins peddling dope, and Griffith fi-ames him for murder of a policeman. In prison, Howard is visited by Sally Gray, jilted by Griffith, and offered help, but he sends hei' away. She receives a savage beat- ing by Griffith when he learns of her action. Howa.id escapes, is h-unted and gets a load of ouckshot in his back from a farmer. He seeks refuge in the home of Vida Hope who holps him then asks him to murder her hus- band. He refuses, but when the man La found dead, he is blamed. Howard seeks out Sally and she helps him, but the police c!0oe in. They use Howard as bait to lead them to Griffith, who has killed the only witness that would clear Howard, and Grif- fith sets a trap to kill Howard. In a cli- mactic battle, Griffith falls from the roof of the funeral parlor, and, dying, refusefl to clear Howard. The police captain, how- evei, urges Howard to file for a new trial on the basis of additional evidence and Sally promises to wait foi him. 'HOLIDAY CAMP' BRITISH FILM HAS HUMOR NOVELTY— BUT LIMITED APPEAL Rates • • • in art and selected class ho Universal International 97 minut«s Flora Robson, Dennis Price, Jack Warner, Hazel Court, Bmrys Jones, Yvonne Owen, Kathleen Harrison, Esmond Knight, Jinuny Hanley, Peter Jlammond, Esme Cannon, Joan Blythe, Jeannette Tregarthen, Beatrice Varley, Dennis Harken. Susan Shaw, Mau- rice Denham, Jane Hylton, Pamela Braham, Jack Raine, John Stone, Reginald Purdell, Alfie Bass, Phil Fowler, Jack EUis, Patricia Roc. Cheerful Charlie Chester, Gerry Wil- mot. Directed by Ken Annakin. Definitely a "critics' picture," as evidenced by the huzzahs accorded it by the reviewers on the N. Y. dailies, this novel and charm- ing import, unfortunately is unsuited to TJ. S. general patronage. Its excellent cast is for the most part unknown to American filmgoers and its dialog and humor, while delightful, are far too British for domestic con.sumption. "Holiday Camp" will appeal mainly to traveled adults and patrons of British extraction and to patrons of art uses;* # as dualler generally houses. Elsewhere, it will serve only as a supporting feature. The feature's chief fault is its lack of coherence and its failui-e to develop its one melodramatic situation into a rousing climax. As a result of ap- parently hasty writing and direction, the film — its story dealing with events befall- ing a dozen or more individuals on a week's iioliday — has the aspects of an animated snapshot album. As in most British films, performances are all noteworthy, with act- ing honors going to Flora Robson, Jack Warner, Jimmy Hanley, Kathleen Harrison and Esma Cannon, the two last-named turn- ing in superior comedy relief portrayals. Production quality is adequate, sound and photography excellent. EXPLOITATION: Go after patrons of British extraction and former GI's who saw service in the United Kingdom. At your opening performance, have as guests of hon- or — with customary advance publicity — any ex-GI's with foreign war brides. Sug- gested throwaway: Distribute cards reading "Did your GI boyfriend jilt you for an Eng- lish girl? You'll know why, when you see "Holiday Camp'!" To a packed seaside holiday camp in search of a week's happiness come hundreds of lower-middle class Britons. Among them are Peter Hamn:K)nd and Kathleen Harri- son, with their son Jack Warner, and war- widow daughter Hazel Court; elderly spin- ster Flora Robson; fugitive murderer Den- nis Price, talented young pianist Emrys Jones and his sweetheart Jeannette Tre- garthen, with child by him; jilted sailor Jimmy Hanley, and Hazel's chum Yvonne Owen. While his sister Hazel is falling in love with Jimmy, Jack falls into the hands of two card sharps, is fleeced of his meager savings. Impressed by the suave Price, the already-engaged Yvonne agrees to elope with him. Flora, after years' searching for her fiance Esmond Knight, reported missing in V/orld War I. finds him at the camp, blinied, with no knowledge of his prewar past — and happily married. Herself heart- broken, she brings solace and financial aid to the distrait Jones and his pregnant sweetheart Jeannette. Hammond takes on the card sharps and cleans them out. Price momentarily transfers his attentions from Yvonne to impressionable nitwit Esma Can- non, murders her a few hours before his arrest by Scotland Yarders. Hazel wins the camp s beauty contest, becomes engaged to ilanley. •WESTERN HERITAGE' ACTIONFUL. WELL-MADE TIM HOLT WESTERN Rates • • 4- in western spots; good dualler for action houses RKO Radio 60 minutes Tim Holt, Nan Leslie, Richard Martin, Lois Andrews, Tony Barrett, Walter Reed, Harry Woods, Richard Powers, Jason Robards, Ro- bert Bray, Perc Launders. Directed by Wallace A. GrisseU. On a par with previous Tim Holt westerns, which is to say well above average for this type of fare, "Western Heritage" continues in the same tradition with an abundance of the usual horse-opera derring-do well pro- duced, tightly directed and proficiently per- formed. Tim Holt, who is thespic head and snoulders above the run-of-the-mill sage- brush hero, has achieved recent fame be- yond the western field by his performance in ' TreaFure of Sierra Madre.'' "Western Heritage" is just fine for the western spots ani weekend matinee trade, while Holt's name now might make it useful as a duall- er in better class action houses. Produc- tion, sets and Alfred Keller's photography are well above par, while a score by Paul Sawtell under C. Bakaleinikoff s musical di- rection is particularly effective. Director 'vVallace A. GrisseU again demonstrates his capabilities in the western technique, plus a few touches that make it palatable for patrons not addicted to the oaters. Richard Martin, his Mexican-Irish side- kirk, ekes out enough laughs to satisfy the customer who goes for this diet, and Nan Leslie and Lois Andrews make a wholesome pair of beauties on the distaff side. That trio of villains, Tony Barrett, Harry Woods and Richard Powers, who have taken more punches and tossed off more leers than any other group of heavies, go through their paces with dispatch. Cowpoke-rancher Tim Holt rescues Walter Reed from an attempted robbery by Harr>' Woods and a pair of toughs who are seek- ing a paper Reed possesses giving title to all the land in the area by virtue of an old Spanish land-grant. In a second attack, fatal to Reed, Woods is successful in ob- taining the' paper, assumes Reed's identity, and files his claim to all the ranches in the territory. Holt and partner Richard Mar- tin beat the baddies off when they attempt to take over his ranch, then set about straightening matters out by proving Woods' yuilt in Reed's murder and discrediting his claim to the land. S FILM BULLETIN Paramount's Cinecolor Epic Great In The Great Southwest ALBUQUERQUE . . . Sensational World Premiere sets the pace for HOUSTON bigger than "California" SAN ANTONIO bigger than "California" DALLAS bigger than "California" FORT WORTH bigger than "California" and soon 'A' Across All America II^^R^^''^ as 349 pre-release dates are set in // ft^ l^lph ' houses from coast to coast. mis LOUELLA PARSONS says : '1 loved it!" awards it a Gitati of-the-Month in G mopolitan Magazin Sifil SOBJfClS By BARN NSS Values Good Will National Screen Service is one out- fit in the movie bus- iness that seems to place real value on the good will of its customers. Vice-president George Dembow recently advised Allied that his company would like the inde organization to question its membership on any possible complaints about NSS service. Dembow told Allied that he would like to be present at the National directors' meeting in Washington, Feb. 16- 18, to receive any such squawks in order that his company might correct the causes. The various Allied units informed their members, but it is understood that a mere handful oi! kicks were received. Pete Wood, the ITO of Ohio firebrand, for instance, re- ports only one complaint from his entire unit. National Screen prexy Herman R/Dbbins and Dembow merit the plaudits of exhibi- tors for their evident desire to give the best possible service. WITH THE NEW ONES: Those bang-up si>ecial one-night previews of Warners' "Voice of the Turtle", wherein Mort Blu- menstoclc's bally-boy: inundate the territory with a specialized campaign prior to the regular openings, are reported a tremendous succes;: in the nine situations already cov- ered, and the chappies are loolting for new worlds to raise their "Voice". . . . M-G-M ha;; added another pair of test engagements to the five previously set for "Three Daring Buffalo, Cleveland, Baltimore. Pittsburgh, Daughters", now set to open Feb. 19 In Boston, Toledo and New Orleajis. . . . The dua world premiere of Enterprise's "Arch of Triumph" in Miami B«a«h and PaJm Beach Tuesday (17th) wlU be a whlte-tie- and-tails affair. . . . Mass mid-west regional o^nlngs of the tOth-Fox; gee-«:ee show, "Scudda Hoo! Scudda Hay!" (yep, It's back tVell- Digger's Daughter", "Lucrezia Borgia" and "Torment" (Swedish). Goldberg, however, will still handle topflight dual reissues, with Realart's "Pitts- burgh"-"Green Hell" combo lined up to follow "Torment". FILM BULLITIN nis DietsT Bl -Weekly Reuiecu of the Trade's Eoents IJariiey Bahibaii, president of raramount. will asaiii direct tlie in. p. division of tlie 1948 I'nited Jewisli Apiieal drive fjr SioO.OOO.OOO. He liead- ort the industry I JA ranipaign last year. also. J. Robert Riiljin (ri^ht, <'enter> y.p. and uen- eral counsel for "M-G-IM, accepts tlie I'rotestant Motion Picture Touncil's award fi>r the I'icture of the Year ("The Yearling"), from Mrs. Jesse M. Bader, Council (hainnan. MI'.Y.A president Eric. Johnston (left) and Dr. Daniel M. Poliii!; look on. N. I'eter Rathvon, RKO president, and ^Irs. Rathvon, as the.v arrived in New York from the West Coast. At tlie Snth Annual Convention of X. & S. Carolina TO at Charlotte from left: Ted Gamble, president, TOA ; Ben Strozier, presi- dent N'SCTO; .Sam Shain, SOth-Fox director of public relations, and R<»y Smart, Carolina ex- hibitor. Ascap Cuts De- mands In New Rate Plan In a virtual capitulation to exhibitor pres- sure, the American Society of Composers, Author:; and Publishers last week chopped its demand for a theatre rate increase, which originally approximated 300 per cent, down to a 25 per cent maximum hike and no increase in rates for theatres up to 500 seats. Scheduled to become effective March 15, except where current contracts; extend be- yond that date, the agreement would be for 10 years. The new formula junks com- pletely ASCAP's original proposal for basing the music tax on admission scales which would amount to one full house at top adul: prices. Under the new plan, theatres up to 500 seats will continue to pay ASCAP an an- nual rate of 10c per seat; from 500 to 799, up to I2I2C per seat; from 800 to 1599 seats, increased from 15c to 19c per seat, and those over 1600 seats, now paying 20c, upped to 25c. Theatres operating three or less days weekly would half rates. ASCAP also reserves the right to establish special rates for theatres operating under a con- tinuous live talent policy. Exhibitor reaction to the new proposal ranged from enthusiastic approval to a cautious wait-and-see attitude on the pend- ing Lewis Bill in the House, which would prevent ASCAP from collecting any fees from theatres, limiting the Society to deal- ing with the producer-distributor only. Theatre Owners Oi America, which had beer, negotiating with ASCAP for five months prior to the announcement of the new proposal, war: permitted by the Society tn reveal the details of the plan. Ted R. Gamble, TOA president, lauded ASCAP's willingness to negotiate and the resultant plan ac "realistic and fair in the light oi decreasing theatre box offices." He denied that e. "deal" had been made, since TOA cannot legally bind any of its members to a contract. He added that exemption of small theatre;; from any rate increase "should silence any who might feel that TOA represents 'big interests'." Allied States' general counsel A. F. Myers refused to comment on the new plan until he could study its features in full, but said t'nat the proposal would come up before the Allied board meeting Feb. 16-18. Decision Reserved On Brandt Motion A motion by Harry Brandt and other defendants in the Paramount $563,265 fraud action against the theatre circuit to strike from the complaint "evidentiary matter" which it is claimed should have been pre- sented in court, met with a reserved de- cision by N. Y. Supreme Court Justice Samuel Null last week. Attorney Louis Nizer, representing Paramount, maintained that the motion by Brandt should be stricken out ai "self glorification" and irrelevancy, and was sustained by Judge Null. Brandt charged, in his affidavit, filed with the NY high court February 3, that inclusion of the "evidentiary matter" in Paramount's complaint was both "unneces- sary" and "improper" and that the plain- tiff's motive in publishing the "libelous allegations" was to discredit Brandt and destroy his circuit through a "campaign of vilification conducted and to be conducted throug'h the press." He called himself a "leader in the fight of independent exhibitors, against the monopoly of the plaintiff and other motion picture producers and distribu- tor:; and theii' affiliated exhibitor corpora- tions." In its answer to the Brandt motion. Para- mount submitted affidavits by Hyman Frank and Daniel Glass, attorneys, which claimed that the alleged fraud in the complaint "are supported by evidence derived from the de- fendants' own books and records" and that the charges were made "in good faith as proper and necessary pleadint," Even if the defendant:; books are totally accurate, the affidavit, submitted, the defendants "fraudulently failed to report to Paramount Pictures, Inc., a sum in excess of $74,- 88'('.88." Other charges in the complaint are also supported by proper evidence, th'j depositiona claimed. Heineman Named Eagle Lion Sales Chief William J Heineman, recently appointed vice-president in charge of distribution for Eagle Lion, presided at his first E-L sales meeting over the week-end (14-15) in New York. Heineman was named to the com- pany's top sales post by president Arthur B. Krim on Feb. 2, replacing A. W. Schwalberg, whose resignation was accepted by Krim "with the deepest regret." Entire Eagle Lion top echelon was pres- ent at the confab, which discussed sales policy on current and forthcoming releases, and plans for increased promotion budgets. The meeting was addressed, in addition to Krim and Heineman, by production v. p. Bryan Foy and by director of ad-publicity- exploitation Max E. Youngstein. In taking the E-L post, Heineman resigned as general sales manager of the J. Arthur iRank division of Universal, but remains as a member of the board of the JAR or- ganization in the U. S. M-G-M Pix Costs Lower— Rubin The cost of M-G-M pictures currently being made will be "substantially lower" this year due to the economies that have been effected in Loew's, Inc., organization and the stepping up of production activity, J. Robert Rubin, vice president, told the corporation's annual stockholders' meeting on Jan. 30th. The full effect of these econ- omies, Rubin said, will be evidenced in the 1949 operations. He also advised stockholders that earn- ings for the first eight weeks of the second quarter of the current fiscal year show an improvement over first quarter earnings. All directors of Loew's, Inc., were re- elected at the meeting. These include Leo- pold Friedman. Eugene W Leake, Charles C. Moskowitz, William A. Parker, William F. Rodgers, J. Robert Rubin, Nicholas M. Schenck, Josenh R. Vogel, David Warfield and Henry Rogers Winthrop. Two new vice-presidents, both studio executives, were named. They are Louis K. Sidney and J. J. Cohn. Skouras Denies Rift With Rank stating that 20th Century-Fox relations with J. Arthur Rank and his British in- terests "were never more amicable", Soyros Skouras, president of 20th-Fox, denied any truth in a trade press story that his com- pany was at odds with Rank. Noting that he was unable to speak for United Artists, which was included in the story as being "in a feud" with Rank, Skouras noted that his discussions with Rank, from which he has lust returned, "were most favorable and Mr. Rank and his people were at all times cooperative and helpful in working out the preliminary (Continued on Page 17) FEBRUARY 16, 1948 II EXHIBITORS FORUM Opinions Cuded from Otaanization Huitetini KICKOVT TRAMPS! Associated Theatro Owners of Indiana The many recent newspaper stories deal- ing with the escapades of Hollywood stars has lowered the position of the motion pic- ture industry another notch in the scale of public opinion. Let's not forget the very bad publicity that the industry received during the recent communist investigation by the Washing- ton legislators. This could have been avoided for the producers were in full pos- session of the facts in the matter long be- fore the heat was turned on by Washington and they, the producers, could have acted and avoided the criticism that was heaped on the heads of everyone in the business. You and I, Mr. Exhibitor, and yes Mr. Distributor do not associate with the type oi persons mentioned above; then why tol- erate them upon our screens. You say, "What can I do?" A word of warning, if exhibition does not take the lead in these matters, then we acknowledge and approve the action of the Hollywood tramps. Mr. Exhibitor, let's act toeforc it's too late and we are shackled with regulation. * • ]6 MM COMPETITION Theatre Owners of America Continued conversations have been tak- ing place between Robert W. Coyne, Execu- tive Director of TOA, and 16 MM film ex- ecutives in an effort to reconcile the differ- ences between theatre executives and dis- tributors of the smaller film. Appointments have been set up with Eric H. Haight, President of Films, Inc. A conference was held with RKO officials on January 22nd on this subject. Assurances from RKO were received that their program would not be permitted to conflict v/ith 35 MM exhibition. The expressed RKO policy is as follows: (a) Schools (proper subjects) as part of curriculum, in regular hours with no ad- mission charge. (b) Hospitals and bonafide shut-ins. (c) Theatreless towns probably not in substantial competition with regularly es- tablished theatres. A feature of RKO's policy is that the films are booked by regular RKO exchanges so that the exchange manager's judgment can be brought into play as to questionable cases. RKO requests information on any alleged violations for investigation and correction. It must be remembered in relation to a company like RKO (Whose policy appears fair) that independent producer.': distribut- ing through a major have reversionary rights in films distributed after the contract period elapses. Such independent producers are then free to dispose of 16 MM rights without reference to the original distribu- tor':) policy. Further discussionf; with UNITED WORLD (Universal) whose 16 MM policy appear-s quite harmful, are in the offlng. « « THE NEW ASCAP RATES Allied ITO ol E. Penna. ASCAP has announced the following rates for a ten-year period starting March 15, 1948: 499 seats and under— 10c per seat (no increase) 500 to 79fl seats— 12',ic per seat (2'/2C in- crease) 800 to 1599 seats— 19c per seat (4c in- crease) 16O0 and up — 25c per seat (5c increase) Theatres pla.ying three days per week or lesf! will be given a 50% reduction in the above scale. (For example — a 600 seat thea- tre playing three days per week or less would pay 614 c per seat.) Any concessions that ASCAP is now offer- ing to the aroused independent exhibitors Ol the nation have been secured by the mili- tant, active efforts of ALLIED — both na- tional and local — in combatting the ori- ginal unconscionable demands by ASCAP. You, of course, realize that exactly three weeks from today — on March 1 — hearings will open before the Congressional Com- mittee on H. R. 5014 which, if passed, will make it impossible for ASCAP to collect any fees wha.tsoever from theatres. Pre- dicting things to come, you will be deluged with a barrage of propaganda against this Bill. For the time being there will be no pub- lic announcement from this office as to our attitude on this new ASCAP proposition. Our position will be determined at the Na- tional Allied Board Meeting to be held on r ebruary 16-17-18, when all the Allied units will meet. Therefore, you are now advised: 1. Do not sign any ASCAP application or contract at the new rale starting March 15. 2. Wait for further word from this office. 3. In ample time before March 15 you will be informed of the basic Allied policy. • « BROTHERHOOD WEEK ITO of Ohio The purpose of the National Conference of Christians and Jews is set forth in their by-laws as being, "to promote justice, amity, understanding and cooperation among Prot- estants, Catholics and Jews, and to analyze, moderate and finally eliminate group preju- dices which disfigure and distort religious, business, social and political relations, with a view to the establishment of a social or- der in which the religious Ideals of brother- hood and justice shall become the standards of human relationships." To further this aim BROTHERHOOD WEEK will ba observed from February 22 to 29. During that week all newsreels will LEARN THE HARD WAY! Colonel Coh- ni Texas ALLIFJ) niade on«' of th<^ best remarku of the Milwaukee (Convention when he said: "Any exhibitor who plays an in- creased admission priee picturi' Hhould sit in his own b<)x-offif* and sell tickets himseU. He'll never play another one." — Kof'ky Mt. Independent Theatres contain a subject touching on the theme of Brotherhood. There will be no theatre col- lections and fundf; will be solicited only from, exhibitors and their theatre employes. Support thi:i worthy project. « « NO REPROACH TO FOX Associated Theatre Owners of Indiana Twentieth Century-Fox ha., signed a con- tract with R. J. Reynolds under which Movietone News will furnish five 8 minute reel;: per week to be televi.sed over the NBC Video network for sponsorship by Camel cigarettes. The program begins Monday, February 16. How similar the composition of these newsreels will be to the footage that is later exhibited in theatres remains to be seen, but regardless of treatment it would seem that it must inevitably lessen the value of newsreels in theatres. This would apply equally to producers other than Fox. There is no reason to criticize Fox for this move because, whether it be a threat or not to the theatres, the growth in im- portance Ol' television is inevitable and sure, and news from one source or another will be televised. Perhaps the entrance of the newsreel companies into the picture is the best safeguard of the exhibitors' interests. The important thing about the Fox con- tract is to take note of the fact that it is another step in the growing alliance be- tween the film and television industries, and it signals further things to come. Univer- sal, Paramount and Warners are reported close to following Movietone's lead. « « AN INDIVIDUAL RESPONSIBILITY Associated Theatre Owners ol Indiana Senator Charles F. Carpentier of Illinois, when speaking to an exhibitors' meeting in that state, told his audience that their fail- ure to develop good Public Relations in their own individual communities was handicapping their legislative friends. It behooves every exhibitor to make sure that by his relationship with the people of his own town he is not embarrassing or making more difficult the efforts of those who are trying to secure for him fair and considerate treatment in legislation. The same circumstance surrounds the in- dustry wide public relations program now being built. As much merit as the Industry Film Committee reels may have, their effec- tiveness will be lost unless each individual in this business makes public relations a part of his own program. Naturally, an important part ol your jwlicy is a refusal to play immoral or otherwise objectionable pictures. Shortage ol product or company sales policies notwithstanding, your public does not readily accept the alibis of block book- ing. Particularly those groups who are most active in formulating public opinion. SALAMI ON RYE GIVE-AWAY In order to get the paying custom- ers in we have heard of "give-aways" of dishes, dresser ware, silverware, beauty preparations, i)erfumo and money. But now comes Miami Beach's newest theatre — The Normandy — announcing that patrons will be served, free of charge at every eve- ning performance, sandwiches, coffee and cake. li the dearth ol good pictures con- tinues, The Normandy will be able to charge for the food and throw the picturefi in for free. With this new departure in give- aways, we can't complain if Sam's Delicatessen announces a special ol corned l>eel and potato salad with a double feature gratis while you eat. —ITO ol Ohio 12 FILM BULLETIN SIUDIO SIZf-UPS Behind the Seems of Film Production COLUMBIA ACTIVITY AT MINIMUM 'T'HIS studio continues in the doldrums aa the press boys just keep saying that there will be "interesting announcements" soon. Meanwhile, current production consists of a serial, "Superman", and a Ted Richmond outdoor film, "Wild Fury" (Preston Fostei'- Mary Stuart). Two of Columbia's important films are about wound up, "Loves of Car- men" (Rita Hayworth-Gienn Ford) and "Let's Fall In Love" (Dorothy Lamour-Don Ameche). This studio's "scoop" in acquiring the rights to make the Associated Press picture should materialize into one of Columbia's biggest productions. We can only hope that Harry Cohn sees that it doesn't turn out to be a trite, romantic yarn. The exciting new semi-documentary film format will be ideal to tell this story. EAGLE LION "BASTILLE" FOR WANGER 'T'HE final shift in Walter Wanger's plans for production here is settled and "Bas- tille," a drama of the French Revolution is number one on the list. Richard Basehart, under contract to Wanger, will be brought back from New York to do the lead. No other casting is set yet. Anthony Mann, di- rector of "T-Men," will handle the mega- phone. "Hollow Triumph," produced by and co- starring Paul Henreid, is the big news on this lot. It is the only film in work at the present time and full focus is being given to it. Joan Bennett co-stars with Henreid in this film in which he plays a dual role. E-L SAYS "NO" Eagle Lion turned down a releasing deal for a film based on the life of Jackie Robinson, famed Negro baseball hero. As quickly as E-L turned it down, Martin Mooney tied the player to a deal and has submitted a package deal to Film Classics. E-L'S REAL "BLOOD" Quite happy with the great success of "T-Men," its factual melodrama cur- rently rolling up amazing box-office re- turns, Eagle-Lion will make its forth- coming "Blood on the Snow" in the samc! documentary-like vein. The en- tire production, which will be person- ally handled by studio chief Bryan Foy, will be filmed on the site of the recent prison break at the Colorado State Prison, which is the basis of the story. Turhan Bey will play the gang leader who terrorized the countryside for weeks after the escape. Picture is slated to roU starting next month. METRO-GOLDWYN-MAYER LOW-BUDGET FILMS SET Tl^ETRO is frankly going into the pro- * grammer field, although they prefer to call them "exploitation" pictures. As it stands now, Sam Marx, who has been put in charge of the unit, will make about six or seven films averaging $500,000 budgets with- in the coming year. The announcement of this new program was made jointly by Louis B. Mayer and E. J. Mannix. The features, according to the announcement, will be based on "timely subjects with documentary exploitation values." It was firmly stated that these pictures will get the same consideration as any Metro property. The story files are being combed for likely subjects and contract writers will be put to work on developing scripts. Top producers like Joe Pasternak or Arthur Hornblow might be assigned to some of the low-budgeters. It was also implied that there might be roles in these stories suitable to top name stars in which case, those top name stars would do the part. At least, the program is being described as a "great op- portunity" for MGM's long list of contract players. But whatever the probabilities or the po- tential of this group of films, MGM is to be congratulated on being forthright enough to make its announcement of this complete departure from its established studio policy without apology or explanation. At another major studio, where a group of quickies is now in work, it is being treated as t'nough it were something of which to be ashamed. Actually, this is an excellent idea for a studio with the story and talent properties that Metro has. This plan provides an avenue of use for stories that might other- wise do no more than gather dust in the story department files and an opportunity for young players to be seen on film months, perhaps years, ahead of what they could hope for if they had to wait for a casting in Metro's costlier picture. DE ROCHEMONT SIGNED Tying in with the news of Metro's new series of pictures is the signing of Louis De Rochemont to a one-picture deal. De Rochemont is the pioneer in the documen- tary-type films ("The House On 92nd Street," "Boomerang," and "13 Rue Madeleine"). He is in New York scouting material for his first Metro feature, which might be W. L. White's "Lost Boundaries," a con- troversial subject. Another "first" was scored at Metro last week, when John Ford and Merian C. Cooper signed with Metro for a one-picture deal. The "first" in this case being that never before had Metro signed a deal with an independent where it had none of the financial control, nor any control over pro- duction, casting, etc. Metro will participate only in the release deal. The Argosy pro- duction is tagged "The Three Godfathers" and John Wayne and Pedro Armendariz are already set for the starring roles. MORE METRO RE-ISSUES Looks like Metro is in the re-issue business* for some time to come. Good grosses on the old MGM films re-re- leased last year "Gone with the Wind," "The Great Waltz," "Ninotchka/' "Boom Town," has given impetus to the plan for more of the sanie. Next pair set for re-showing are "Goodbye Mr. Chips" and "The Philadelphia Story." Others also scheduled include: "Mutiny on The Bounty," "China Seas," "Captains Courageous," "Bar- rets of Wimpole Street," "Naughty Marietta," "The Great Ziegfeld," "Queen Christina," "The Good Earth," "Romeo and Juliet," "Marie Antoin- ette," "David Copperfield," San Fran- cisco" and "Dinner at Eight." That list of films is a strong re- minder of the kind of product that made Metro-Goldwyn-Mayer tops — should be more like it. MONOGRAM WE RE IN THE MONEY! "QRESIDENT Steve Broidy announced last week the completion of a loan of $3,850,- 000 with the Security First National Bank of California. This new chunk of money made available to Monogram is on a year's basis and in revolving form which gives the company a constant credit in the full amount. The company and its independent producers will both have access to the funds and all loans will be guaranteed by Mono- gram Pictures Corporation. Allied Artists is included. With the money situation set, Monogram has set its own program and that of Allied Artists for the coming year. Tagged for Monogram production are about 38 features and westerns, while the AA slate calls for seven features. Full details of the program will be announced shortly by Chief Broidy. ROD CAMERON SIGNED Rod Cameron, who made his reputation at Universal in their outdoor epics, has signed a long term contract with Allied Artists. The actor was quite discontented with the properties U-I had for him, so he decided not to sign with them again. Ho said then that he'd stick to free lancing but apparently changed his mind. Claire Trevor will have the femine lead opposite William Bendix in Roy Del Ruth's production of "The Babe Ruth Story." This rolls the beginning of April. A new Charlie Chan with James S. Bur- kett producing, "Murder By Alphabet" (Roland Winters) and "I Wouldn't Be In Your Shoes" (Don Castle-Elyse Knox) are the pair in work at this writing. PARAMOUNT ~ TEMPO UP HERE WITH four pictures in work, studio spokesmen reported happily last week on the heightened current activity here and future plans. Shooting now are: "A Foreign Affair" (Jean Arthur-Jbhn Lund), "Sorry, Wrong Number" (Barbara Stanwyck-Burt Lan- caster), "Abigail, Dear Heart" (Claude Rains-Wanda Hendrix) and Pine-Thomas' "Disaster" (Richard Denning-Trudy Mar- shall). We hope that last title is a misnomer! Set for early starts are: "Isn't It Roman- tic," with Veronica Lake, Mary Hatcher, Mona Freeman, Billy De Wolfe, Roland Cul- ver, Patric Knowles and Pearl Bailey — a musical; "The Great Gatsby" (Alan Ladd); "Sorrowful Jones" (Bob Hope); "Tatlock Millions" (Wanda Hendrix-John Lund) ; "Diamond in the Haystack" (Crosby-Barry Fitzgerald). The studio reports eight pictures in editing or scoring including: "The Long Grey Line" (Ladd-Donno Reed); "The Paleface" (Hope- Jane Russell) ; "A Connecticut Yankee" (Crosby-Rhonda Fleming); "The Sainted Sisters" (Veronica Lake-Joan Caulfleld- Barry Fitzgerald) ; "Sealed Verdict" (Ray Milland-Florence Marly), "Hazard" (Paul- ette Goddard-Macdonald Carey) ; "So Evil My Love" (Milland-Ann Todd - Geraldine Fitzgerald). In addition, there are seven features ready for release. "LOOK HOMEWARD ANGEL" RUMOR Once again, the long-talked of filming of "Look Homeward Angel," Thomas Wolfe's FEBRUARY 16, 1948 IS STUDIO SIZ[-UPS great book, is in the rumor department. >'or two years now, various prouucers nave been reported "about to"make the picture. David O. Selznick was close to a deal with Arthur Ripley and Rudolph Monter, who own the screen rights, but it fell through. Seymour Ncbenzal tried to get in on the deal last year, but didn't. Now, Paramount is rumored talking deal with Ripley and Monter because they want the property for William Wyler as his initial production for the Liberty Films unit. REPUBLIC 8 TOP FILMS COMPLETED VyTITH the wind-up of "Moonrise," Re- " public reported last week that eight of its scheduled twelve top-budget films are finished. Vice-president Allan Wilson stated that the eight pictures represent an invest- ment of more than $10,000,000 and is the most expensive program in the history of Republic Pictures. In addition to "Moonrise," (Dane Clark- Gail Russell-Ethel Barrymore), the following are ready for release: "The Red Pony" (Myrna Loy-RObert Mitchum), "Macbeth" (Orson Welles), "1, Jane Doe" 'Ruth Hus- sey-John Carroll-Vera Ralston), "Old Los Angeles" (William Elliott-John Carroll- Catherine McLeod), "The Inside Story" (Marsha Hunt-Bill Lundigan) and "The Gal- lant Legion" (William Elliott). This line-up promises to mark the biggest year in Republic's history. The company has reason to be shouting from the roof- tops. GRANT SETS STREAMLINERS Marshall Grant Pictures announced some- thing new in mass film production. The plan calls for a production program in which six pictures will be handled in a group as though only one picture were being made, with an interchange of writers, directors, technicians and even actors. The program will be completed on about a four-month schedule with a total budget of $1,050,000. Three of the films will be in color. Grant points to his plan as a real answer to the economy need, particularly for inde- pendent outfits. Some of his pictures in this group will cost less than $125,000. He hasn't said anything yet about the kind of stories or casts he will use. He insists that audi- ence appeal will be the keynote of each picture. It is not certain yet that Republic will handle the release of these films, but un- doubtedly Grant will give th;;; company first choice at the product. He just completed "Moonrise" with Charles K. Feldman for Republic release and also has "Runyon of Broadway," "Domino Parlor" and "Mr. Mar- jorie" on his properly list for production in the usual mannei-. RKO HUGHES DEAL ON VERGE TT looks as though the deal for the pur- chase of RKO by Howard Hughes will be an accomplished fact as soon as the legal details are completed. Of course, there is always a chance of a last-minute hitch, but at the moment it looks as though the Odium interests will soon belong to Howard Hughes. Regardless of the result of the Hughes- Odium deal, it is not likely that there will be much change in studio policy here, for a while at least. Dore Schary, winding up his first year as vice-president in charge of production, is being handed praise from the entire industry for his achievement. Fre- quently heard comment from studio execu- tives runs to words like "wish we had a Schary here." Mr. Hughes is too astute a business man to upset an apple cart where the apples are firm and juicy. Interesting development in the news is that RKO has ruled out straight distribu- tion deal:; with independent producer. From here on in, RKO will participate in the production and share in the profits on all indie deals, according to president N. Peter Rathvon. Three exceptions to the new rul- ing are Samuel Goldwyn, Walt Disney and Sol Lesser. Whatever the future policy may be on indie deals, RKO will have up to fourteen indie films to market during this year. Samuel Goldwyn i:i set for four: "Earth and High Heaven," "Take Three Tenses," "Bil- lion Dollar Baby," and "Secrets." Independ- ent Artists will deliver three: "The Little Wife," "Lucky Penny." and "Madly In Love," Argosy is slated for two: "The Fam- ily" and "Mr. Joseph Young of Africa" the latter already completed. Jesse Lasky and Walter MacEwen are still insisting that they will do "The Life of Caruso." Robert Ris- kin will offer "The Man From Bogardus." Sol Lesser will do another Tarzan feature and Walt Disney will do "Alice In Wonder- land" and "Melody Time" BACK AT WORK The virtual shutdown of the past two months ended here with the start of "The Boy With The Green Hair." This picture represents a dream come true for Dore Schary and director Joseph Losey. These men planned to film the story the moment they read it some time ago. At that time Adrian Scott was set as the producer, but when Scott was fired, production was de- layed. However, the reins now have gone to Stephen Ames, with Schary personally supervising. It will be made on an ex- tremely fast schedule, despite Technicolor which always slows production. Pat O'Brien, Robert Ryan, and Barbara Hale have prominent roles but the story will be carried by young Dean Stockwell as the little war orphan who finds prejudice against anything away from the accepted form, "even green hair." With the return to activity, Dore Schary announced plans for the year to include at least 10 major productions, plus an addi- tional dozen of films in the $500,000 budget class. These small budget films got the go signal from Schary last year and their suc- cess has established them as an important portion of this company's program. SRO YOUR reporter last week interviewed Paul McNamara, David O. Selznick's chief of advertising and publicity, and came away understanding why this dynamic young man is the Big Boss for the Big Boss. McNamara is the man who super- vised the spending of more than $2,000,000 on advertising for "Duel In The Sun." He leported that that sum, or even a little less, would have to make do for three Sel7nick pictures this year, "The Paradine Case," "Portrait of Jenny" and "Mr. Blandings Builds His Dream House." But the Mc- Namara imagination and enterprise will manage. The high point of interest in our talk with this pepper-pot was his reaction to local advertising. He said in part: "Most exhibitors are completely uninterested in national campaigns. You tell them about how much space they're going to get lo- cally." He charged the national magazines with "laziness" in not selling the exhibitor on the importance of national coverage. For himself, McNamara is fully aware of the importance of local exp'oitation. A^ -in example, on the "Blcndings" picture he ha.s mtde a tie-in with architects, construction pages in the big-circulation national maL--.- zines and they ignore it and want to knoA- engineers and furniture departments in ';') major cities throughout the country. Thii';.- five "Blandings" homes will be built, 'i fit- homes will ultimately be sold complett ly furnished for anywhere from $35,000 to $50,0OC and the whole project will cost Sl'JJ practically nothing. "And just think wint we're doing for the housing situation"' That was Mr. McNamara's parting shot - livered v/ith a twinkle in his eye. This man is important to exhibitors - cause he understands their problems arid their point of view. He welcomes cor/c- spondence and encouraged us to invite our readers to write him. 20th CENTURY FOX PRICES ARE DOWN pEPORT of 20th Century-Fox's purcha.s? of a play by John Van Druten for $100,000 brings to mind the not-too-distant- past when such a price was unheard of for any play that enjoyed any degree of Brorjd- way success. But the economy program is getting to Hollywood and now "Druid Circle" belongs to this studio for a mere $100,000. Studio executives have vetoed the idea of re-making former successful 20th Century- Fox pictures. Reason for the nixing of this program, which was considered seriou.sly recently, is the solid pile of new story properticF owned by the studio. The success of the documentary-type fi'ni has keyed the studio story department lo watch lor any story based on a frctual in- cident which is likely for screen ad^iptati' r: Two recent productions in this field • ' c "Call Xorthside 777" and "The Street Wit i No Name." The.se stories are comparati\ ly inexpensive to buy and to proJuce, ar 1 their box-oflice return thus far has mo' c than proved their value Production chiff Zanuck de^-ided that ccmcentration on this type of material is wiser than re-hashing old o*ory properties. NINE FILMS SET FOR RELEASE It is interesting to note that of the nine films this company will release during March and April, only three are actual 20th Century-Fox productions. These three are: "Gentleman's Agreement." "Sitting Pretty" and "Scudda Hoo-Scudda Hay." Of the remaining nine, two come from Alexander Korda, two from Reliance Pic- tureF and one each from Frank Seltzer andi Sol Wurtzel, "For Fear of Little Men" is the only new starter here this week. Starring Tyrone Power and Anne Baxter, this is 20th's con- tribution in the fantasv department — the key character being a leprechaun. FANTASY BIG IN '48 It looks like movie audiences had better polish up their imaginations and shari>en their taste for whimsy this year, for a flock of fantasies are slated to pour out of major studios in the next few months. The list so far includes: "The Boy With Green Hair" from RKO; "One Touch of Venur," and "Mr. Peabody and the Mermaid" from U-l; "One Sunday Afternoon" from Warners, and "For Fear of Little Men" from Fox, as well as GoldwjTi's current "The Bishop's Wife." 14 FILM BULLETIN STOOlO SIZE-UPS UNITED ARTISTS SITUATION SECURE ^^FTER months of confusion when the survival of this company was touch- and-go, the situation here is really clearing and conditions in the present and for the future seem sounder than they have for a long time. There are 21 producers in vari- ous stages of preparation on pictures to be released by UA. Vice-president George Bagnall recently reported that bankers are no longer dubi- ous about loans to UA producers and that five banks stand ready to finance UA pro- ductions. The doubts were removed when the "Arch of Triumph" deal cleared and the company could show booking contracts on this one and Howard Hawk's "Red River," as well as Ben Bogeaus' "A Mir cle C\n Happen." Second bright spot is the news that UA Is certain to get James Cagney's "Time of Your Life" back for release. The lawsuits which UA had pending against Warners and the Cagneys have been dropped. Now, it is reported that UA is offering the Cag- ney Company strong incentive to return to UA for its future product. The Cagney contract with UA expires this spring and a commitment has already been made with Warners for future product. However, it is reported that the UA counter-offer is con- siderably more profitable for the Cagneys than the deal Warnerr have offered and the unit might still land in the UA fold. Two new deals also brighten prospects here. First one is with William A. Bacher, former 20th Century-Fox executive producer. Bacher has formed an independent unit with Ward Wheelock and their first will be "If This Be My Harvest," to be followed by "Katie Called Katie," which will be filmed partially here and partially in Africa. The unit has its third picture all set, too, and a number of other story properties scheduled for production. The second new deal is with author John Steinbeck, Lewis Milestone and Burgess Meredith, who have formed a new produc- tion unit to film twelve of the Steinbeck stories. Milestone will produce and Mere- dith will direct, while Steinheck does the scripts on his own yarns. First to come from this new set-up will be "Cannery Row." The release deal is not completely set yet. It may work out through Enter- prise, now dickering a new pact with UA, or it may be a direct deal with UA. Sam Coslow is set to start "Music City." tho first film in a three-year program which will run into $7,000,000 worth of film. No casting has been announced as yet, but the BREAK FOR UA BKO's recent decision to discon- tinue straight releasing deals (in which they have no say over produce tion) should be a boon to United Artists, since it ftgTires to throw some of those units that want complete production autonomy into the UA camp, Wouldn't it be a twist if Sam Gold- wyn found his way back into the UA fold? production should be in work within sev- eral weeks. Hunt Stromberg has switched the title on his film, "Lured," back to its original tag oi "Personal Column." This film, despite graphic and sensational advertising, was doing a solid nosedive at the box-office. As a test, the title was changed back to its original in several spots and the grosses looked much healthier. There had been an argument about this tag before release with the producer insisting audiences wouldn't understand "Personal Column." But the facts proved differently. In those territories where the picture has been widely played as "Lured" the handle will not be changed. UNiVERSAL-INTERNATL. THREE NEW ONES HERE 'J'HREE new films are in work at this studio, giving the production schedule a total of five, w'hich begins to look like "old times." The three new ones are: "Saxon Charm" (Robert Montgomery-Susan Hay- ward), "One Touch of Venus" (Robert Walker-Ava Gardner-Dick Haymes) and "Brain of Frankenstein" (Abbott & Cos- tello). Interesting cross-section of what has hap- pened in this industry in the past year is U-I's annual report which showed an in- crease in gross receipts of more than eleven million dollars (an 18% increase), while the net for the same period showed a drop of 30% over last year. Company executives stated that the discrepancy between the gross and the net was caused by the in- crease in production and operating costs. They point to instituted economies and plans for more of the same to change this picture in 1948. Joan Fontaine has been borrowed by Harold Hecht-Norma Productions for the fem lead opposite Burt Lancaster in "Kiss the Blood Off My Hands." WARNER BROS. 'T'HIS studio is rolling full blast, no less than seven pictures being on the stages. They are "Key Largo," with an all-star cast including Humphrey Bogart, Lauren Bacall, Edward G. Robinson, Claire Trevor, Lionel Barrymore; "John Loves Mary" (Jack Car- son-Ronald Reagan-Wayne Morris); "One Sunday Afternoon" (Dennis Morgan-Janis Paige-Don DeFore); "Adventures of Don Juan" (Viveca Lindfors-Alan Hale); Hitch- cock's "Rope" (James Stewart-Joan Chand- ler); '\Strange Meeting" (Bette Davis) and "One Last Fling" (Alexis Smith-Zachary Scott). The latter is one of the new group of low- budget features this studio will turn out this season. "Sunday Afternoon" is a Technicolor musical version of the old Broadway success and earlier straight film comedy. "I^ope," originally ballyhooed to go on 10- day shooting schedule, will take much longer than that. HER CRIME? The most vicious of the Seven ^^^\ Deadly Sins! ''Tight action, suspense, has plenty of selling angles" ..THE EXHIBITOR ^'A closely knit murder mystery" FEBRUARY 16, 19 48 IS 4^ OUOIfS What the \i^m\>Q\^Qx Zx\\acs Say About Ncu) F/lms Cr/7ic:^ Ca// 'Miracle Star-Spatigled Dud "A Miracle Can Happen," United ArtisLs' Benedict Bageaus- Burgess Meredith eij^ht-star production, was laid low by the New York critics' journalistic brickbats, as all but the Herald Tribune got in their caustic licks. Concensus indicated that »xcept for a few "bright spots" (on which difference of opinion was most noticeable), Messrs. Meredith and Bogeaus have come up with a star-spangled dud. Arcner Winsten, in the Post, calls it a "stunning defeat for the multiple creators" adding, "there has not been so resounding a thud of utter, confounded failure in years." He pities the "great names associated with the fiasco" and pleads with all concerned not to "do it again." Almost as vitriolic, but admitting that the actors, if not the audftence, must have had a good time, are the Times' Bosley Cro\^ther and PM's Cecelia Ager. The former liked the Fonda- Stewart episode which he calls "low-comedy mugging that is a good bit of slapstick fun." The rest, however, he calls "dull- witted" and a "hash of nonsense." Miss Ager feels that "actors, like children, need guardians to protect them from themselves" if she c in judge ftom the "misbegotten, manhandled, grimly sc rew- ball, relentlessly whimsy complication of decelerating sketches entitled 'A Miracle Can Happen'." Kate Cameron in the News dubs the "miracle" in the title the fact that a "million-dollar c^t" can come up with such a "dud." She liked the Lamour episode, called the rest "boring." Both the Sun's Eileen Creelman and the Journal American's Rose Pelswick expressed the opinion that a good idea had gone awry The latter says it might "have looked good on paper" but the result reminds of "a group of close friends doing charades that may seem funny to those actively <"onc^rned but appear considerably less so to anyone walking In cold." Miss Creelm.-in calls it "long" and "talkative" which milks the gags "until the fun dies of ill nutrition." Sole good news for the makers comes from the Herald Tri- bune's Otis Guernsey, who says tht? miracle is that "this con- glomeration ("ongeals into a tasty entertainment dish." He adds, "It must use bad gags when it cannot think of good ones, but at least there is always something going on." 'A WOMAN'S VENGEANCE' UNIVERSAL-INTERNATIONAL, "/^onversationlal pleasures. . .Superior characterizations . Plot of reasonably conventional violence.. Dialogue ... so positively good and fresh that it lifts what might have been a single exercise in crime, judgment and guilt into a reasonably absorbing one." — WINSTEN, N. Y. POST. "■R^uch too slow starting and getting into dramatic high gear... Token of the story's actual thinness and conformance to con- ventional lines is the mechanicalness of Charles Boyer in the hus- band role. . For all its fussy explosions and its occasionally un- ladylike comments on men, 'A Woman's Vengeance' is an easily predictably and manageable affair." — CROWTHER, N. Y. TIMES. ""LJuxley admirers may be disappointed but the devotees of goose flesh with up-to-date trimmings will find the proceeding's very satisfactory." — COOK, N. Y. WORLD-TELEGRAM. "TJuxley scenario and the direction by Zoltan Korda have a meas- ured step and a quiet menace, and though the melodrama accutoiulates slowly it eventually makes itself felt .Little natural action g^;, visual appe?.l in the picture. As a result, the long intro- duction to the characters tends to be dull and wordy." — GUERN- SEY, N. Y. HERALD TRIBUNE. "Omooth, glamorous, beautifully acted movie fiction with just enough contemporary Huxleyan philosophy in the dialogu'3 to make it souhd deep without holding up the plot. . .First rate movie entertainment of the conventional tried-and-true superior quality sort."— AGER, PM. "Tntelligent film but not always a suspense-filled one . .Murder melodrama saved by a good cast from being just a whodunit." — CREELMAN, N. Y. SUN. " >V Ithough conversational for the most part with occasional lapses into philosophic dissertations, it emerges as engross- ing melodrama. . .Cast does handsomely." — PELSWICK, N. Y. JOURNAL AMERICAN. 'YOU WERE MEANT FOR ME' TWENTIETH CENTURY-FOX "yv/armhearted show, pleasant as the day is long and just about as nice a way of contemplating the passage of time as we can think of off hand... A most appealing picture; happy enter- tamment for young and old." — PRYOR, N. Y. TIMES, "probably achieves a new high in sheer, unadulterated inoffen- siveness. It doesn't even offend people who hate the old song- nostalgia routine. . .Main charm is its blithe unconcern with the moments." -j*- WINSTEN, N. Y. POST. "pverybo^y and everything in it is pleasant. . .But the overall flavor is synthetic and thin: the story can give it little body, since it scarcely exists itself .. .Certainly a pretty vista, yet some- what monotonous after a whil«. . .Unadulterated amiability, sweet- ly composed, needing salt." — AGER, PM. "D Oman tic comedy, with the emphasis on romance rather than laughs. It's an amusing film, but no 'Margie'." — CREEL- MAN, N. Y. SUN. ' A ttempt to recreate the flapper era with two or three little words and several tunes is not particularly successful... Merely a thin and labored tale of boy-meets-girl, with a few old phrases, polo coats and topical references thrown in to make it look like something better." — GUERNSEY, N. Y. HERALD TRIBUNE. "Amiable little comedy-with-music .. .Jeanne Grain and Dan Dailey as the principals are just right in their parts, the music is tuneful, and the general mood is one of likeable enter- tainment." — PEn^SWICK, N. Y. JOURNAL AMERICAN. 'NIGHT SONG' RKO RADIO "■^TZorn uncomfortably thin in comparison to previous incarna- tions. and neither is long for this world. . .Incredibly maw- kish plot... The music, the prize concerty — well, that is really the thing which puts 'Night Song' in the spotlight as baldfaceJ and absolute sham." — CROWTHER, N. Y. TIMES. "TTas to be reviewed on two levels... It is not a good picture. You probably will like it. It ought to make a million dol- lars." — MAYNARD, N. Y. JOURNAL AMERICAN. "Qome deceptive acting. . .Makes the picture appear to be wor- thier than it actually is. . .Doetsn't grip you because what lies behind- the performance is only a commercial writer's act." — WINSTEN, N. Y. POST. "'TAistinguished by the performances of Ethel Barrymore and Dana Andrews, who have some pretty silly things to say. There is also the happy presence of Hoagry Carmichael. Aside from those points, there isn't much to say cinematically for 'Night Song'... Some of mushiest slop I have ever seen on the screen." — PIHODNA, N. Y. HERALD TRIBUNE. "/^ilded fake... The regal Miss Barrymore, I report with some embarrassment, is in 'Night Song' as a kind of comedy re- lief. She and Hoagy Carmichael pair off to amuse you while Merle and Dana are dishing out the heavy stuff. I was not amused." — PECK, PM. ■OUT OF THE PAST' RKO RADIO "'T^eceitful complications that occur in 'Out of the Past' must be ■^■^ reckoned by logarithmic tables . .We were with it, up to a point, and enjoying the rough-stuff and the romance with con- siderable delight and concern. . .If only we had some way of know- ing what's going on in the last half of this film, we might get more pleasure from it." — CROWTHER, N. Y. TIMES. "T^ialogue is tough. . .Rapid-fire succession of scenes sometimes tangles up the plot lines. . .Generates suspense. . .Can be perused with little effort and then forgotten, but meanwhile it is a diverting entertainment." — GUERNSEY, N. Y. HERALD TRIBUNE. "THnough murders and double-crosses. . .to stock several scripts . . . Suspenseful melodramatics, even if the script gets a bit too involved at times."— PELSWICK, N. Y. JOURNAL AMERI- CAN. "^77hat director Jacques Tourneur had to direct, he directed very well, giving his actresses a smouldering allure and his actors an enticing menace. Indeed, 'Out of the Past' was kind of interesting to watch, once I reconciled myself to the fact that I couldn't follow it."— AGER, PM. '"Tense excitement. . .Unpretentious picture which aims at nothing beyond keeping an audience absorbed and uneasy. It suc- ceeds well in both purposes." — COOK, N. Y. WORLD TELE- GRAM. 16 FILM BULLETIN MS DIGEST (Continued from Page 11) Ix>uis K. Sidney, M-G-M studio executive, was named a vice-president at Loen's Board of Directors meeting in New Yorl<. CLASSlhlED BUSINESS STIMULATORS Comic Books Af^ain Available as premiums, give- aways at your kiddie matinees. Large variety, latest 48 - page news stand editions. Comics Premium Co., 412 F. Greenwich St., New York, N. T. THEATRE WANTED Will lease or buy theatre in Eastern Penna. or New Jersey. Write FB, Box 72, Film Bulletin. THEATRE MANAGERS and OWNERS We thank ail theatre owners and managers who cooperated with us by putting return trailers in the proper addressed containers and for wrapping and addressing all return advertising. We can serve all theatres better if they give us a copy of their program Tuesday each week. IMPORTANT Don't put your return film in the lobby until all your patrons have left after the last show. HIGHWAY EXPRESS LINES, Inc. 236 N. 23rd St., Philadelphia 3 1239 Vine St., Phila. 7 LOcust 4-0100 Member National Film Carriers SERVICE — ALWAYS! NEW JERSEY MESSENGER SERVICE Hnnber Nat'l Film Carricra 250 N. Juniper St., FhUa. 7. Pa. LOcuBt 7-4S23 steps." He added that he was awaiting the • arrival of FUink in this country next month, "at which time these negotiations will be resumed on the same amicable and co- operative basis." The topic for discussion centered about the proposed pooling of the Gaumont-British circuit, in which 20th-Fox has a 50 per cent interest, and JAR's Odeon circuit. U-l Executives Tackle British Problems The British tax impasse has raised seri- ous problems in the J. Arthur Rank-Uni- versal-International agreement, with the result that four U-I top executives sailed last week for conferences with Rank in London. The U-I toppers were J. Cheever Cowdin, board chairman; Nate J. Blumberg, president; Joseph H. Seidelman, v. p. and foreign sales head, and Charles Prutzman, counsel. Robert S. Benjamin, president of the JAR organization accompanied them. Conferences will cover all mutual prob- lems, including distribution of Rank films in the U. S. It was emphasized that the U-I execs will not discuss settlement of the ad valorem tax with any British Gov- ernment officials, since this matter is being handled by Eric Johnston, who represents the Motion Picture Association of America. "Unconquered" For Regular Release In April "Unconquered" will be released in April for popular priced showings, climaxing Paramount's selling plan on t he C. B. DeMillo Technicolor film which has com- pleted 300 advanced admission dates, it was revealed by Charles M. Reagan, v. p. in charge ol distribution. Reagan declared that the "carefully de- vised" selling plan included Paramount's most costly pre-selling campaign. However, Reagan declared, judging by the box-office returns in the advanced admission runs and exhibitor interest in the general release, "this revolutionary merchandising experi- ment has more than justified itself." Gov't, Big 5 Clash (Continued from Page 5) claiming that his company cannot survive unless it is allowed to sell full season pro- grams as it sees fit. A murmer ran through the courtroom as Frohlich shouted, "No court can take away my right to sell all my copyrights in bulk." Justice Rutledge gently pointed out to the lawyer that that was precisely what the District Court had done. Bloclt Booking "Vital" Cooke, Counsel for Universal, likewise pleaded for block booking as vital to the welfare of his client, because it "has spe- cialized in what the Oovernment terms in- ferior pictures." He argued that Universal has been forced to change its policy, in view of the fact that "it is uneconomic- to sell inferior pictures one by one as required by the decree." An interesting sidelight of Cooke's argu- ment was his statement that Universal real- izes 58 percent of its domestic revenue from non-affiliated theatres and only 42 percent from the Big 5's houses. In defense of his company, Raftery quip- pert that the hardest thing about reading che Gov ernment brief was to find any men- tion of United Artists, which he referred to as a "haven" for independent producers. "The biggest monopolist in this business," he lold the Court, "is the exhibitor who has tlie only theatre in a town." Divestiture's "Terrible Consequences" Joseph M. Proskauer, an impressive vet- eran attorney, speaking for Warner Bros., predicted "terrible consequences" if divesti- ture were ordered. 'Without a backlog of showcase theatres, no company could afford to risk the several million dollars to make a picture that gives the American indiistry the markets of the world," he warned, seem- ingly ignoring companies like Universal and United Artists, which operate successfully without theatre interests. V.^'arner Bros., he said, are willing to try to make competitive bidding workable. He also made a staunch defense of the arbitra- tion system in the old consent decree, which he accused the Government of "striking down.'' Closing for the defense was former Su- preme Court Justice and Secretary of State Byrnes, while representing 20th Century- Fox, took up the cudgels for all the defend- ants when he pointed to foreign restrictions and taxes against American films ("advance salesmen of this country") and pleaded that the industry "has its back to the wall, fight- ing for its life." Denying that the industry is "fabulously rich," he argued that the rec- ords show his client has seldom earned a fair return on its investment in production. Divorcement Necessary — Wright Two final hours were allotted the Govern- ment following close of the defense and the first hour was taken up by Robert Wright, motion picture specialist in the Department of Justice, who had little opportunity to read his prepared argument as members of the bench fired a steady barrage of ques- tions at him. He admitted that the Gov- ernment regards divorcement as a "last re- sort remedy," but a necessary one. The Statutory Court's decree provision allowing the Big 5 to buy out interests of their part- ners in theatre pools was attacked by Wright as being contrary to the findings of the court. Says Interveners Backed by Majors Wright charged that the exhibitor groups seeking to intervene (ATA and CSE) re- ceive financial support from the majors. He told the court that the onl^ real independent unit in the case is the CIEA, which filed an amicus curiae brief. The la-^it shot was fired by John F. Son- nett, assistant Attorney General in charge of the anti-trust division, who effectively summarized the case for the Government, with the charge: "First, that the defendants jointly and severally monopolized the distri- bution and exhibition of films, and, second, that, in any event, ultimate divestiture of the theatre holdings of the major defend- ants and a ban on cross-licensing of their films are the only adequate remedies." He recalled to the Supreme Court that it had directed divestiture in the Crescent Theatre case, and referred to the present action as evidence of a "larger conspiracy." Sonnett argued that had the Supreme Court's decision in the American Tobacco case, which defines monopoly as "the power to raise prices or to exclude competition when it is desired to do so," been available to the District Court at the time it handed down the opinion in this case, the lower court would have found a monopoly and ordered a more drastic cure. FEBRUARY 16, 1948 17 EXPLOITATION ; PICTURE of the issue SAIGOIV The starring combination ol Alan Lae. A (119) Hepbirn-Henrtid ...11-25 S«ii« ef Thi Thl» Man (86) Powell-Loy Z-3 tmmn BMHl Raoney-DcHatei 7-8. State Of The union Traey-Hepborn ....10-13 Tenth Atenoe Aitjel (76) 0 Br'en Mur hy 4-1 Thli Time It Keept (T) (105) Wi liami-Meleliiof .8-6. Three Darlnj Daaghten (T) MacDonaid-lturhi .11-25 Details gnder title: The BIrdi and the Bees •atBlthed Dene*. Th* (T) (101) O'Brlen-Cliarisse ....7-22 D«tilli Nder title: ItHwIu MONOGRAM . . . .Get. . .805. ..7-21 . . .Oct. . . . . Sept . . . .804. .801. ...8-4 . . .8-4 L .Feb . . N2». . . Mar . . 816 808 .817. .1-19 .1"-13 . .2-13 . . .Sept. . . .802. . . .8-4 EMMnr Willi. n» (T) tmky-FMUlM Golden Earrln«> (95) Milland Dl*tr cb . . .8-19. .10 31. . .4.03 9-1 Hazard GoddardCaray . I Walk Alone (E9) Laneaiter-Seatt .. .12-23. . .1-16. . .4708. .12-22 D*talli aadai titl*: D*MI**k Mr. Recklejs E>1'.e-BrittM Details (nder title: Hard To Kill My Own Tree Unt Dci'hs-Calnrt Long, Grey Line, The Ladd-Rord Night Has A TI-*itaRd Ey*c Rot.ns** Riitell Paleface. The (T) Ho e-R«s»ell .. Roid To Rio (100) Cro by-Ho-* 1-6. .12-25. . .4*07 MgM Ladd-Lako 12-9 . . .312. . .4710 Sainted Sisters Lake-Caatleld-Fitzgerald 10-27 So E«il Hy looa Mtlhi«d-T«dd 5-26 Sfleed To Spare *rl n Roten 10 27 Unco-qoered (T) (146) rooper-Goiiard 8-19 4705... 9-23 Waterfront At Widnitiht Gar'an-Hag es 12-8.... Where There's Life (75) Hope H-.s o 4-15 . 11-21 ... 4704 . 10-13 Whispering Smith (T) Ladd Manball 4-28 Wild Harvest (92) Udd-Umoar 9-16. . .9-26 .. .4701 .. .8-18 ..C-24.. . .8-19. .11-10. .12-23. .11-10. 7-7. . .9-29. 7-7. . .8-18. . .1-6. . .12-9. . .11-24 1947-48 Features Westerns Completed (1.5) Completed ( 4) In Production (2) In Production (0) NEW PRODUCTIONS I WOULDN'T BE IN YOUR SHOES Mystery — Started January 27 Cast: Don Castle, Elyse Knox, Regis Toomey, Charles D. Brov/n Rory Mailinson, William Ruhl. Director: William Nigh Producer: Walter story: A detective tries to unr.-wel a crime and finds himself , M;r;sc!i I .s rs|i '< t. MURDER BY ALPH.\BET Mystery — Started February 9 Cast: Roland Winters, Deanie Best, John Alvin. Director: William Beaudine Producer: James S. Story: Cliarlie Clian unwind.-; tlie mystery of tiie nurder of a i district attorney. RELEASE CHART COaiPLETED 1947-48 Title — Running Time Cast Angels' Al.'ey Gorcry-Gray Released o-lglnally under title: When StrM lehum Hunter Eet-ayed (66) angers Marry Campus Sleuth Stewart- Preisser Docks of New Orleans (70) Wint-rs-Young Fighting Mad (75) Errol.Kirk*ood Details under title: A Palooka Named Joe High Tide (72) Tracy-Castle 3-31 JiMs and Maggie in Society (66) Yule-Riano 9-29, Burke't udge and Cefals 11-24 . Relssge. . . .12-8. .11-24. .915 . Rcl. .3-7. 12-27 . No. .4706! Rev. 2-7. .4703.. Jirx Money Gorcey-Caidwell , Joe Palooka in the KnoelcoDt (72) Kirkwood-Knox Details ander title: A Guy Named Palooka Kilroy On Deck Cooper-Coogan Louisiana («' ) Davis-Lindsay Oldalioma Blues Walceley-Belmont Overland Trails (58) Brown-Belmont .10-11. ..1-10. .4701. .10-13 .4704 . .1-19 ...5-26.. 10-18... 4702... 9-15 .Castle- Long 9-1. 8 18 R(i-S"e. . .9-15. .11-10. . 2-2. Perilous Waters (66) < '76 > . ] McOowalY- Barrier Rose of the Rio Grande (60) rarro'l-Mov ta Smart Politics (68) Prelsser-Stewart Song of The Drifter (53) Wakely-^oVs Thunder On the Rang; . Brown-Hatton . ALLIED ARTISTS Black Gold (C) (92) Qninn-DrMlMe Gangster, The (86) Solli»:n-Bf lita Hunted. The (85) Belita-Foster . . II Hta-»ned rni Fl«h Artan (115) . . . . . .St»rm-D«Fere Panhandle (84) Came-on-Downs Smart Woman (SO) Bennctt-Aherne Song of My Heart (89) Surd trom-Loog Details ander title: TniU Syapkany Tenderfoot, The Albert-Sto-m .2-2. . . .3-3. 1-19. . .11-24 .11-1. .3-14 .1-31. .2-14. .2-21 .2-q« . .1-3. .1-17. .4703. . .9-15 .4:51 . 4707 .4705 .4' 10 . .627. . . .1-5 . .686 .12-23. . .2-17. . .4-14. .9-29. .10 27 . . 2-3 .'--16. ll-'2. . .4-7. . .4-19. .2-22. .4-30. 1-31. .2. . .7-21 .3.. 11-10 .6 .1. . .2-1) .5 .4 11-21 12-8. . .5-3D. PARA MO UNT 1947-4« Features Completed (28) In Production (4) NEW PRODUCTIONS DIS.\STER Melodrama — Started February 5 Cast: Richard Denning, Trudy Marshall, Damian O'Flynn, Will Wright, Jack Lambert, James Millican. Director: William Pine Producers: Pine-Thomns RELEASE CHART IN PRODUCTION Title— Rannlng Time Cast Details Rel. No. Rev Abigail. Dear Heart Rains-Hendrix 2-2 Forclpn Affair, A Arthur-Lund-Dietrich 12-22 Sorry, Wrong Number Stanwyck- Lancaster . 2-2 1947-48 COMPLETED Adventere Island (O (67) Calhoon-Flemlng .. .9-30 .. 10-10 4702 8 1^ Alberguerque (C) (90) Scott-Britton 3-3 2-20 4709 2-' Big Clock, The (95) IVIiMand-O Sullivan . 3-17 2 ' Big Town After Dark (70) Reed-Brooks 5-26 .. 12-12. . 4706 11-24 ■if Town Scandal Reed- Brooks 6-23 Cajed Fury Oennlng-Ryan 9-29 Connecticut Yankee. A (T) Crosby Fleming 11-10 6lrl Hitteo-Carty ... 5-12 RELEASE CHART — 1947-48 — Details Rcl. REISSUE Tile — Running Time Cast Alias Msry Dow (66) Millai d-Eilers Black Cat, The (72) Ladd-Pathb«ne Oct. ElJti Friday CI) KarloB Lagosi Oct. r» ch 'i-nds the Baby (77) Bruce-Crawford Nov. Ex-Ch2mp (72) McLaglen-Br»*n Ch^st of Frrnkenstein (67) Cl.aney-A.iker$ Jan. C:v; Us Wings (62) l.T. Gay.-O.E. Kils rec! He l (£7) fai ba ks-Benrctt Dec. Invi. b c Man. Th; (71) Ra ns-Stuart D c. Invisible ftm returns (81) Price- Hardwicke Dec. la-ly Fro-n Cheyenne (89) foung-Prcston Sept L-dy hi a Jam (85) Di'nne Knowie? Sept. Li t'e To'io'i Guy (83) L.T. Guys-D.E. Kids Litfe Tcugh Guys in Society (73) Lit le Tongh Gays Mod i Wi'e (78) 8lond(ll--owe:i M mmys Gho t (65) Chanev-Carrsdine Feb. Mummy's Temb (61) Foran-Chaney Feb. Pittsburgh (91) Wayne-Dietrieh-Scott Dec. Sin Town (74) Bmnttt Carfo d Jan. Son of Dracola (80) Chanry-AMbritton Jrn. Storm. The (78) Bic:;ford- Foster Feb. Tight S-hoes (69) Crawford-Gwynae Nov. When Tomorrow Comes (92) Dnn-e-Fovrr You're Not So Tough (71) L.T. Gu; s-O.E. Kids . Mar. Mar. No. . .736. .1129. .1146. . 1217 . . 926. .1212. . 1095 . .1017. . 623 . .1029. .1121. .1208. . .917. . 929 . .1124. . 1344 . .1246. .1270 .12 6. .r95. . . 924 . .1131. . 48. . 1063 . Rev. REPUBLIC 1947-48 Features Westerns Serials Completed (15) Completed (6) Completed ( 2) In Production (1) In Production (1) In Production (0) NEW PRODUCTIONS sex:;bet service in\'estigatob Mystery— Started January 30 Cast: Lloyd Bridges, Lynne Roberts. Trevor Bardette, Douglas Evans, June Storey, John Kellog, George Zucco, Roy Bar- croft, Byron Folger. Director: R. G. Springsteen Producer: Irving Picker story: Secret Service breali.s of counterfeiting rins. C.4RSON CITY T<\IDERS Western — Started February 6 Ctst: Allan "Rocky" Lane. Eddy Waller, Beverly Jons, Frank Reiger, Steve Darrell, Hal Landon. P'rontor: Yakimp Canutt Producer: Gordon Kay story: Not .avail.ilile. S.'e next iss-.ue. RELEASE CHART 1947-48 CO.MPI KTm — Tille — ro ning Time Cast P»"d •< of u-r'. C RV" I'ne Waller Kir anj Coo (Jr.) (61) B«rton'i Birds Bo' ' rr)n'> rsnta 1 LaneWalier Deta Is u :dcr t't:e: Cimarron Trails Call ornis Fie' rand HaU-Boolh Canpi'. Hon ymoon Crane-Wilde Dang r> ol The Canadian Mounted Bannon-Brlment 1 - •■•f foro I Serials ^■oo-e-Am»; ... Gi'hnt Le?ion. The Elliott-Booth .. Me.T t 01 Vi gin a Martin-Lowe-y . I )n >-0' H"SS"y-r»fTOll . l-s de Sto y The Hur.t-Lindigan De a I undrr title: End Of the Rainbow ■ r.rn K on Nai (Tr. ) ra-tooi Ffatnro Lig!'.t;in' in the Forest Koberts-Doaglas Maelietn We'le$-Nolan .. Mad nm of T'lr De'ert Castle- Roberts M-ln street Kid, The Pearce-Martin , Moon ise Clark-Risjell .. OH.ihoma Badlaftds Lane-Coles .... Old Los An ein ElMolt MtLcod R-d Pony. The (T) Loy Mltcbin .. Sll-py IVtc''ep Barry-Evans Under California Stars (Tr.) Rogcrs-Frazea . Wild Frontier, The Lant-Holt ... Details Rel. .12-15. No. . .712. .1-5 .12-22. 4-1. .10-13. . .3-15 6-4. . .10 13 2-1 703. . .10-27 792. . ...8-4 9-9 7£1... 1-5 .12-22 4-5 . .11-24 . .9-15. . .3-14 705. . 12-20 7<;i . .12 8. . .3 15. . .706 7-7 .11-10 . .2-23 704 ..9-29... 1-1.... 701 . . . .1-5 11-24. . .2-22 753 .10-13 ...6-9 ...9-1... 1-15 702 .11-24 . .5-12. . .10-1 751. .10-13 FEBRUARY 16, 1948 21 R K O RADIO l»47-48 Features Completed (44) In Production (1) NEW PRODUCTIONS THE BOY WITH GREEN HAIR (T) Fantasy — Started February 9 Cast: Pat O'Brien, Robert Ryan, Dean Stockwell, Barbara Hale. Director: Joseph Losey Producer: Stephen Ames story: A small war orphan's dream-story of how he tried to make people listen to his i)lt'a for peace by attractinR them with his hair turned green. RELEASE CHART IN PRODUCTION COMI'LETED 1947-48 Title — Running Time Cast Deta:ls Rel. BLOCK NO. ONE Bae'^elor ani) The Bcbby-Stxer, Thi (94) . . Grant-Loy ... CrMsflre (86) YODni-MI'.chiim RinraH i80) O'Brien-Elczak Seven Keyt to 8«ld|iate (66) Terry-Wklta . . Under Ikr Te ti t\m (61 1 BLOCK NO. TUO Dick Tracy Meets Gruesome (65) Byrtf-Karloll 4-14.... Niiht Song (102) Andrews-Oberon 4-14 Details under litte: Memory •( Love Out o( the Past (97) Mitchum-Grcer So Well Remembered (114) Scott-M:i!5 Wild Horse M'sa (60) HoK-Leslle 8-4 NOT DESIGNATED Arizona Ranger, The Co t-les'l« 11-10.... Berlin Express Obe'on-Ryan 9-1.... Fighting Father Dunne O'Brien-Dell 3-31... Fort Aoache Fonda-Temple 8-18..,. Details under title: War Party Good Sam rooB-r Sherldan . . . f-lS. . . . . 8-6 . .3-17. . .6-24. . 11-25. . HoltLcsllo 1-20.. No. Re«. .801. . .6 9 .802. . .7-7 .803. . .6-9 .804 . 6-9 K)3. . .6-9 .RC9. 11-24 .806. .11 24 810. .11-24 .11-10 .808. .11-24 .Ho't-Lcslis 12-22. . .6-9. .1-20. . . . .10-13. . . Frtlta . 8-4. . .1-5. . . .10-13. Guns of Wrath I Remember Mama Dunne- Htmolka II You Knew Si>i( Cantor-Divit . . Indinn Summer 'no« S thtrn Joan of Arc Bergman-Ferrer Maa Abtol Tewn Cheiraller-Derrler Miracle of The Bells The MatMn-r » V»|ll Mr. Jose.h Vounj of Africa lohnson-Armstrong Myst ry In Mexico Lundlqan Wh te Pearl The M irfiiies-Armendarlj Foreign.. Race Str-pl Rnft Ma well 9-1.. Rachel and the Strargcr Young Holden 9-1.. Details u' der title: Rac::el Return of the Badnian Scott Wh-to Roeqhshod Sterl ng Grahanie ....7-7.. Station West P w» l-fi'fer Tarzan and the Mermaids We ssmnller-Joyee ....8-4... Tyeeon (T) Wayne-Day 2-3. Under Arliona Skies Holt-Leslie 9-1... 2-8 10-13 . . .11-24 .7-7 .3-17 11-24 .1-6 11-10 .9-1 .861 6-9 .862 6-9 11-24 .851... 7-21 Velvet Touch, The ru.^ell-Genn Window. The Hnle-Kemedy Your Rpd Wagon 0'Donne:i-Grattger SPECIALS Bishoo's Wife, The (109) Granf-Yonng . . . Fugitive, The (104) Fonda-Del Rio . . Fnn and Fancy Free (73) Disney Cartoon Featorf 891. Long Night, The (101) Fon-ia-Bel Geddes ...9 16. Mage Town (103) Stewart-Wyman ....11-25. Mou'n'm Becomes Electra (172) Russcll-Redgran ....4-14. Secret Life n( Walter IHItty (T) (105) Kaye-Mayo 4-29. Song Is Born A (T) Kaye-Mayo 8-4 Details nnder title: That's Life REISSUES Bainbi (70) Disney Cartoon Feature 2-1 Gun Law (60) O'Brien-Ofhman 10-3 Border G-Man (60) O'Bri-n-Johnston 11-14 Lawless Valley (60) O'Brien-Sutton 1-30 Pa nted Desert (60) O'Brien-Johnston 12-19 Trouble In Sundown (60) O'Bricn-Whltley 3-2 SPECIALS Seit Years of Our LIvej. The (172) Loy-Mireh 4-29 751... 12-9 If. A Wondertol Life (129) Sttwart-Reed 4-29 781.. 12-23 tanf of the South (T) (94) DItney Cartasn Fatir* 791.. 11-11 SInbad The Sallof (T) (ll7) FalrbanU-O'Hara .3-4 762... 1-20 SCREEN GUILD 1947-48 Features Completed ( 9) In Production (0) RELEASE CHART COMPLETED 1947-48 Title — Ronning Time Cast Boy! What a Girl! (69) Negro Cast . Burning Cross, The (78) Danlels-Patton Dragnet (73) Wlleoxson-Brian Hollywood Barn Danee (69) Tubb-lnrlng Details inder title: WMteri Bare Dibn Killer DIM (71) Cwynne-A'ber'son Miracle In Harlem (71) Stepin Fetchit . Road to the Big House (72) Th l on-Doran . . Prairie. The (80) Aubert-Baxter . . Trail of the Mountles (42) Hayden-Holi ... Details under title: Law of the Mountits Where the North Begins (41) Hayden-Holt ... HOPALONG CASSIDY REISSUES Ristler'e Valley (60) Boyd-Hayden Taxai Trail (39) Boyd Hayden Partnart 1 the Plain (71) Boyd Hayden Cauidy af Bar 20 (99) Boyd-Haydan Heart of Arlztna (68) Boyd-Haydtn Bar 20 JistiN (69) Boyd-Haydai .. Details ...69. ..4-28. . .3-31. .3-31. .3-29.. Rel. . .9-20. .10-11. .10-25. ..6-21. .9-13. . 2-28. . 12-27 . . .3-13. 2-21. ...12-13. ...9-15. ...4-12. ...4-26. ...5-10. ...6-14. ...7-19. No. Rev. . .X.2 .4704 .4703 .4701 .4702 . .X-3 .4706 .4705 .4708 .4707 .HC07 .HC08 .HC09 .HBIO .HCll .HC12 Frontiersman, The BoydHayden Santet Trail Boyd-Hayden Pride of the Wett Boyd Hayden In Old Mexico Boyd Hayden Silver on the Sage i:oyd- Hayden 11-8 11-25 . 1-3 . 2-7 . 3-6. . Renegade Trail Features BoydHayden 4-10 .HC15 HCie .HC13 HC14. HC17. .HC18 SELZNICK — S. Completed ( 5) In Production (0) RELEASE CHART COMI'LETED Title — Running TInia Cast Dael In the San (T) (138j Janes-Catten . Intermeuo (70) Bergman Howard Mr. Blandings Builds His Dream Haaia . . . Grant-Loy . .. Paradine Caie, The (132) fodd Pecii Porlraii tl Janny Catlen-Janea .. Rav. ..4.14 Ceta Is . . .3-19. . Reliiea. . .10-13 .12-23 1-19 ...3-3.. Rel. No. .4-17 .Ort 1 20 th CENTU R Y -FOX lf>4« Features Completed I'll) III Production (4) NEW PRODUCTIONS FOR FEAR OF LITTLE MK^ Comedy Drama — Started January 26 Cast: Tyrone Power, Anne Baxter, Lee J. Cobb, James Todd, J. M. Kerrigan. Director: Henry Koster Producer: story: A foreign correspon-U-nt )iisi in Ireland is helped RELEASE CHART IN PRODUCTION Title— Rinning Time Cast Details Apartment for Peggy Crain-Holden 1-19.. Chair For Martin Rome. The Mature-Coi.ti 1-5.. Street With No Name, The Stevens- Lawrence ....1-5.. 1947-48 Fred Kohlmar by a leprechaun. Rel. No. R*>. Baomirang (88) Andrews-WyatI 9-30.. Brasher Doob>oon Th« (72) Monltomery-G'did ..7-22 Call HorthsiJe 777 (111) St wart-Walker .. ..10 13. Cantain From Castile (T) (140) Powers. Peters 12-9. Carnival In Costa Rica (T) (99) Haymes HsIm 4-29.. Challenge. The conway-Vineent . . 11-24 . Daisy Kenyon (99) Crawford-Andrews 7-7. Deep Waters .. Andrews- Peters ....10 13.. Escape Harrison-Cimmins ...9-16.. Forever Amtor (T) (140) Darnell-Wilde 11-11. Foxes of Harraw. The (118) Harrison O Hara 4-23, Fury at Furnace Creek Matore-Gray 9-15.. Details under tille: Balla'l of Furnace Creek Gentleman's Agreement (118) Peck-McGoire 6-9.. Ghost and Mrs. Molr. The (104) Harrlson-Tlernay 12-9.. Give My Regards to Broadway (T) Guild-Daley 5-12.. Green Grass of Wyoming (T) Cummins-Coborn ....6-23.. Htmeetreteh (T) (96) Wilda-O'Hara 7-22.. Ideal Husb?nd. An (T) (S6) Goddard-Wilding Feb . . .706. ..2-J Feb . . .707. .t-lT .Feb. . . .805. . 2-2 .Jan. . .801. .12-8 *»r.. .710. .3-91 Mar 807 . Dee . . .731. .12-8 Oct. .Oct. .Mar. .May. .May. Mir. , 733. .10-27 .729. . .9-29 .806. .11-24 .715... 5-26 Iron Curtain. The Andrtws-Tlerney ...12-8.. Miracle on 34th Street <96) Payne-O'Hara 12-9.. Dttalli ander title: Big Httrt I Wonder Who's KIst ng Her Now (T) (104) Haver-Stevens 8-6.. Kiss of Death (99) Mature-Donlevy 3-31.. Late George Apley, Thi (98) Colman-Cemmins 7-8. Let's Live Agiin Emery-Brooks 11-24.. Margie (T) (94) Crulne-Toong 2-18., Meet Me at Dawn (81) Eytht-Court Mass Rose (82) Cemailns-Matgro Mother Wore Tights (107) Grable-Dailey 11-11.. Nightmare Alley (111) Power-Blondell 6-9. Raiar's Edge. The (146) Power-Tlarney 4-15. San Demetrla. Landon (76) Fitzferaid-Yeani ..Farelgn.. Scudda Hool Scudda Hay! (T) Haver-McCallister ...3-17.. Sitting Pretty Young O Hara 11-10.. Shaaklng Mist Pilfrlm. Tkt (T) (86) ... Grahle-Haymet 12-10. Snake Pit. The deHavillaad-Genn 8-4.. Tender Years. The (81) Brown-Hutchlrson 9-1 That Lady in Ermine (T) Gratle-Fairbanlu ...11-10.. Details under title: This Is the Moment ThI.-teen Lead Soldiers Conway-Wescott ...12-22., 13 Rao Madeleine (95) Cagney-Annabella 6-10. Thunder In the Valley (T) (103) GarnerMeCallister ...7-22.. Rev. onder title: Bob, Son of Battle Walls of Jericho Wilde-Darnell 11-10.. You Wert Meant for Me (91) Craln-Dailey 9-15.. REISSUES Alexander's Raftint Band (106) Ptwef-Faya Drums Along the Mohawk (103) Colbert-Fonda Grapes of Wrath (128) Fonda-Darnell Hmv Green Was My Valley (118) PIdreon-O'Hara Lfi MIserahles (105) March-Latghton Mark of Zorro (93) Power-Darnell Stanley and Llvlnrtant (101) Traey-treane Swamp Water (90) Brennan-Hnston Tobacco Road (84) Tie-n'Y-Andrews Wastom Union (95) Yaum-Seott SOL WURTZEL PRODUCTIONS Arthur Takes Over Collier-Cowan 12-22 Backlash (66) Travli-Rogan 9-30.. Crimson Key (76) Tay'or-Dowling 3-31.. Dangerous Years, The (62) Halop-Todd Half-Past Midnight (69) Taylor-Knudsen 11-24.. Invisible Wall, The (73) Castle-Christlne 6-9. Jewels of Branlenbari (66) Travli-Chalrti Roses Are Red (67) Castle- Knudsen Second Chance (62) Taylor-Cnrrie Joia. Aug. .Sept. .Apr. Apr .Nov. , Apr . Jine. .Sept. . Oct . .Jai. . Apr. Apr. Apr .Jan. .Jan. Apr, .Jan. .Nov. .713. ..4-2J 809 .718. ..5-12 .723. . .6-23 .725. . . .9-1 .712. ..2-17 813 .646. . 10-28 812 .717, . . 6-9 .724. . . .9-1 .730. .10-13 .701. .11-25 .714. ..4-14 ,811 810 .703. ...1-6 .803. . .12-8 .Feb, . 802 Mar. . . .709 Oct. . . .741 Dec. . .745 Sept. . . .727, Jan. . . .704 Oet. . . .740 Jan. . . .705 Sept . . . .728 . .744 Jina. . ..719. ,814. .702....1.« . . .2-2 Straiue Jaarnar (69) Kelly-Maisen Detalla iidar titta: Flliht T* Pinltta .6-23. .9-27. Mar . , .Jaly. , Feb, .Mar. . .Oct. .May. . .Oet. .Sept. .Feb. .711 .722 7-7 , , 804 , 12-22 808 ,732. .10-13 , .716. . .4-14 .734. II-IC ..726... 7-21 .708. . .9-16 FILM BULLETIN I i U N I TE P AA T5 1947-48 Features Completed (26) In Production (2) KEY TO PRODUCERS Small (Sml); Rogers (Rg:s); Vangrtiard (Van); Crosby (Cby); BiU Boyd (BB) ; Pressburger (Psb); Ripley-Monter (RM); Bogeaus (Bog); Stromberg (Smg); Levey (Lev); Cowan (Cow); Stone (Stn); Selznlck (Szk); Kebenzahl (Neb); Lesser (Les); T-oew-Lewln (LL); Eagle-Lion (GFD); Cagney (Cgy); Bronston (I3rn) ; Chaplin (Chn) ; Enterprise (Ent) ; Hughes (Hgs); Comet (Com). NEW PRODUCTIONS TEXAS, BROOKLYN AND HEAVEN Comedy — Started January 19 Cast: Guy Madison, Diana Lynn, James Dunn, Michael Chekhov, Florence Bates, Lionel Stander. Director: William Castle Producer: Robert S. CJolden Assoc.: Lewis J. Rachmil Story: Help from an understanding archangel provides romance and hap- piness. RELEASE CHART IN PRODUCTION Running Title — Running Time Cast Pitfall. The Powcll-Sco;t 1947-48 - Details . 2-2 Rel. No. Rev. COMPLETED Ank (f TrIiBik Ullntlt Body and Soil (104) Christmas Evt (90) Dead Don't Dream False Paradise Heaven Only Knows (97) Il««f» V rciat-Gran'-er . . . . Double Life, A (105) Colman-Hasso Details under tllle: Imaflnatlon Exile. The (95) Fa rbanks Monfez . Hungry Hill (92) Lockwood- Price . . . Letter From An Unknown Wvnan Font, ine Jourdan Lost Moment. The (89) Cummings-Hayward Details under title: The LtsI Lt>e Naked City, The (56) Fitzgerald Duff . . Nicholas Nicklfby (94) Hardwicke-Bond .. Man-Eaters of Kumaon Sabu-Pagc Pirates of Mo terey (T) <77) M-nte:-Cimeron . . Ride the Pink Horse (101) Montgomery. Hendrix River Lady (T) OrCarlo-D rypj . . . Secret Beyond the Door (99) Bennett Rcdgra e . Senator Was Inilscreet, The (81) Powell-Raines . . . . Singapors (79) MacM rray-Gardner Tap Roofs (T) Heflin-Hayward Tawny Pli-lt I81> M ies John Up In Central Park Dorbin-Haymes . . . Wistful Widow ot Wapon Gap (78', .. . . 4bbott-Ca«tello ... Woman's Vengeance, A (r6) Boyer-Blyth Details under title: The Mortal Coil Forekn 11-10 .6 23 Foreign 12-8 .10-27 . Fo ekn. . .Jan 12-8 . .6-23 1-19 . .5 12. . .Nov 10-27 Foreign 10-27 , .9-1p .. .3-31. , Dee 10-27 7-7 2-2 Foreign 11-24 .12-22 Dee 11-24 Oct 9-15 .5-13. .5 26 . 8 -4 Feb 1-19 7-7. . .Jan 12-22 . .3-17 . .Se..t 622. . .8-18 6-23 Fore gn 9-15 .10-13 . .5 12 Oct 10-13 .8-4 Feb 1-5 WARNER BROTHERS 1947-48 Features Completed (25) In Production (6) NEW PRODUCTIONS ONE SUNDAY AFTERNOON (T) Musical — Started January 21 Cast: Dennis Morgan, Janis Paige, Dorothy Malone, Don De Fore, Ben Blue, Dick Vv'alsh, Dick Taylor. Director: Raoul Walsh Producer: Jerry Wald Story: A dentist, bored with his existence, takes an anaesthesia and dreams his life as it might have been if ho had married someone else. ONE LAST FUNG Comedy — ^Started February 5 Cast: Alexis Smith, Zachary Scott, Director: Peter Godfrey Ransome Sherman. No producer RELEASE CHART IN PRODUCTION Title — Running Tine Cast Details Adventures of Don Juan (T) Flynn-Lindfors 10-27. John Loves Mary Reagan-Neal 2-2. Key Largo Bogart-Bacall 1-5. Rope (T) Stewart-Chandler COMPLETED 1947-48 Rel. No. .2-2. . .9-15, . .9-15. .11-25. . .10-14. . .11-26. . Always Together (78) Reynolds- Hntton Details under title: Lm at Fint SIfbt April Showers Carson-Soth^rn Christopher Blake Smith-Douglas Dark Passage (106) Bogart-Bacall . Deep Valley Ilark-Lupino . Escape Me Never (104) Flynn-Lopino . Fighting Terror, The Morris-Maxwell 2-2 I Became A Criminal (78) Howard-Gray ... Foreign. Johnny Belinda Wyman-Ayres . . . Lite With Father (T) (118) Dunne-Powell My Girl Tisa (95) Palmer-Wanamaker Details onder title: Ever The Befinning My Wild Irish Rose (T) (101) Morgan-King . . . RIlM Unt* Hlilt Llidfen-Reitia Romance in High C (T) Carson-Palge .... Silver River Flynn-Sherldan Strange Meeting Davis-Davis Details under title: Winter Meeting That Hagen Girl (83) Reagan-Tompio .. Details under title: Maqr Hapea To The Victor Morgan-Llndforj Treasure of Sierra Madre (I2fi) Bogart-Huston Two Gpyi Fraa Texae (T) Mor|in-Can«n Unsuspected, The (103) Rains-CaulAeld . . Voice of The TirUe (103) Parker- Reagan Wnaan la Wbita. Tkp rarker-TPiap .. ITallfpwpr Reyaoldi-Hettpa . Whlpluh 6-23. . .1-10 713. .12-22 .9-27. ..9-1. 11-22. .703. . .9-15 .701.... 8-4 .708. .11-10 .3-6.... 717... 2-16 . .2-7. 12-27 . .702 9-1 .715. . . .2-2 .711. .12-22 . .9-15. .4-15. . .6-9. .10-14. .»-30.. . .6-23. ..5-12. .10-13. 6-23. . .11-1 707. .10-2) . .8-18. . .3-31. ...3-17. ...2-3. , . 3-3. .10-14. . . . .3-3. .1-24 714 . . .1-19 10-11. .2-21. .705. . .9-29 .716. ...1-5 .Clark-SBitt S-31. REISSUES Adventures of Robin Hoo4 (102) Mynn-aetiamiand Keissue. . .3-13. . Anthony Adverse (116) Mareh-DeHavilland Reissue. .12-13. . Bad Men of MIsseerl <71) Morgan-Wyman .. .Reissue. . .10-4. . Each Dawg I Die (84) Cagney-Raft Reltsie. . .10-4. . Jezebel (93) Davis-Fonda Reiuue. .12-13. . Slight Case of Murder. A (85) Robinson Relsspe. .12-13. REISSUES Sea Hwrt, Tbp (109) Flyaa-ialu Reliipe. . .4-2«. . Sea Wtir. Tkp (17) Mlitat-UplM . .Meiat. . .4-M. . KlH't l*« a«7) StprUak-CaMlift Reluae. . .12-7. Wild till aipkpak RIto (7t> MMett-CabM . . .Releeaa. . .U-7. . .HIS .709 .704.... .705.... .710 .712.... .at .«« the ' ' EDWARD SMALL presents Starring ULMniOUIM-LIL with MARY MEADE -ALFRED RYDER -WALLY JUNE LOCKHART- CHARLES MCGRAW- produced by AUBREY SCHENCK. Directed by ANTHONY Written by John C. Higgins' Suggested by a story by Virginia Kellogg- An EAGLE LION FILMS R ' jr jyhe whole Indvstry isZ^alking AoufHT^JMF^Af *0 Vol. 16, No. 5 BULLETIN March 1, 1948 ]\eMvs and Opinian TOA Faces Tough Lewis Bill Decision While the tussle of words continues over who was responsible for forcing- ASCAP to reduce its demands for increased rates from exhibitors, the Theatre Owners of America, who assume credit for bringing about the compromise, face the difficult decision of adopting an official attitude toward the Allied-sponsored Lewin Bill to outlaw ANY levy on theatres by the music society. Thu TOA will formulate its policy when the directors meet in Los Angeles, March 9-10. Either tacit support or hands-off is expected to be its approach on the measure, since direct opposition would leave the or- ganization open to the charge that it had made a "deal" with ASCAP. Hearings on the bill were scheduled to start March 1. but a postponement has been granted by Representative Lewis, Who is also chairman of the House judiciary sub- committee which will hold the hearings, to allow supporters and opponents of the measure to marshal their witnesses and arguments. Both A. F. Myers, general counsel of Allied, and A. Julian Brylawski, TOA legislative chairman, has requested a delay. Goldman Award Spells 'Ruin' Major Plea to Supreme Court The Goldman award could set a preced- ent that "may well spell the ruin of the motion picture industry," pleaded the major film, distributors and Warner Theatre sub- sidiaries, defendants in William Goldman's suit, as they took their case to the supreme Court last week. The appeal was a last- ditch effort to reverse the District Court de- cision awarding the independent $373,00 triple damages, which was upheld by the Philadelphia Circuit Court of Appeals. Goldman has a second suit pending for damages totaling $8,400,000. This action will not go to trial until the Supreme Court de- ciders the first case. Other Suits Filed Two new anti-trust actions were filed in U. S. District Courts in Chicago and Wash- ington, both seeking triple damages against major distributors and chains. In Chicago, Monroe Amusement Corp., filed a two count suit against the eight majors, Balaban & Katz, Diana Theatres, Publix Great States and Warner Theatres charging booking dis- crimination and withholding product. Mon- roe asked $990,000 in treble damages on one count and $590,000 on a second. In Washington, the Windsor Theatre Co. of Baltimore filed a $600,000 treble damages suit against six majors and two circuits, charging conspiracy and withholding first- run product. It also asked for an injunction against competitive bidding. Defendants are Loew's, Paramount, 20th.Fox, United Artists, Universal, Warner Bros., Walbrook Amuse- ment, and Hilton Theatre Co. ADVANCED ADMISSIONS POLICY WASHED UP? The rash of advanced admissions releases appears to have run its course. While a couple of forthcoming Alms (UA's "Arch of Triumph" and U.I's "All My Sons") are still presum.ed to be under consideration for the $1.25 scale, the odds are going up daily against the policy actually being adopted on any pic- ture now being readied for release. The number one reason against hiked prices is the increasing evidence that the public is pulling the string on its purse tighter and tighter. Then, there is the fact that the poor product delivered in recent months has made Mr. and Mrs. J. Q. P. more critical of the movies and more cautious about the pictures they buy. Too many people are complaining about the pictures they have been seeing to make this a propitious time to "put the bite" on them for even a very good one. Several weeks ago. Universal announced a roadshow, advanced admissions release for "All My Sons." However, in reply to an inquiry late last week, sales chief William A. Scully advised FILM BULLETIN that U-I has "arrived at no policy as yet" on the picture. "Sons" is an unusual type of drama that requires special handling, but there is little chance now that Scully will undertake to ask exhibitors to hike their admissions in the face of strong evidence that such a policy would be unwise. On the other hand. Enterprise, faced with the problem of getting back a reputed $5,000,000 investment in "Arch of Triumph" magtht conceivably force United Artists into going through with the announced plan to demand the $1.25 scale. Three factors might deter this move, however: (1) anticipated widespread exhibitor resistance, (2) signs, still nebulous, that the admission price trend is in reverse and (3) indications that the trade does not feel the picture measures up to required standards lor such a policy. The cue against advanced admissions was set a couple of months ago when Metro ("Green Dolphin Street"), 20th-Fox ("Captain from Castile") and Paramount ( "Unconquered") withdrew plans to send out those pictures on the policy. The sales toppers of those three companies are convinced that only something really extraordinary could buck the trend away from hig'her admissions. HEADS NATIONAL ALLIED William L. Ainsworth. former music teacher and bandsman, was elected presi- dent of National Allied at the recent board meeting in Washington. Veteran of exhi- bitor organization activities, he has been president of ITO of Wise. & upper Mich, since 1939, except for the year '45. Age 56, Ainsworth was born at Stoughton, Wise. 6 'Oscar' Nominations Go To "Gentleman's Agreement" Four American pictures and one British J. Arthur Rank production were selected as nominees for the best picture of 1947, to be named at annual Academy of Motion Picture Arts and Sciences dinner on March 20. The candidates are Samuel Goldwyn's "Bishop's Wife" and "Crossfire," both RKO; "Gentleman's Agreement" and "Miracle on 34th Street," both 20th-Fox, and the British film, "Great Expectations," released by Universal-International. "Gentleman's Agreement" also won nomi- nations in five other categories: best actor (Gregory Peck); best actress (Dorothy Mc- Guire); best supporting actress (Ann Re- vere and Celeste Holm); best screenplay, and best direction. Best actor nominees were Peck, Ronald Colman ("A Double Life"), John Garfield ("Body and Soul"), William Powell ("Life With Father") and Michael Redgrave ("Mourning Becomes Electra"). For best actress: Joan Crawford ("Pos- sessed"), winner of the 1945 Oscar; Susan Hayward ("Smashup"), Rosalind Russell ("Mourning Becomes Electra"), Loretta Young ("Farmer's Daughter") and Miss McGuire. Best supporting actor: Oharles Bickford ("Farmer's Daughter"), Thom^as Gomez ("Ride the Pink Horse"), Edmund Gwenn (Continued on Page 10) FILM BULLETIN. An Independent Motion Picture 1rade Paper publlslied every otiier Monday by Film Bulletin Company. Mo Wax, Editor and Publisher. BUSINESS OFFICE: Suite 622, Manufacturers Trust IBIdg., 1819 Broadway, New York 23. Circle 6-9159; David A. Bader, (Business Manager PUBLICATION-EDITORIAL OFFICES: 1239 Vine Street, Philadelphia 7, Pa., RIttenhouse 6-7424; Barney Stein, Managing Editor: Jack Taylor, Publication Manager; .Robert Heath, Circulation Manager. HOLLY- WOOD OFFICE: 9126 Sunset iBoulevard, Hollywood 46, Calif., CRestview 5-6489; ^ra Salzer, .Hollywood Representative. Subscription Rate: ONE YEAR, $3.00 in the United States; Canada, $4.00; Europe, $5.00. TWO YEARS: $5.(X) in the United States; Canada, $7.50; Europe, $9.00. It's the word behind the word-of-mouth that counts! Just a short time ago "SITTING PRETTY" went on the £Oth sound stages ... and by the end of the first day's shoot- ing the grips were telling the carpenters ... the carpenters were telling the electricians ... the electricians were telling themselves and everybody else who'd listen about ! Belvedere ^-and the word was out before a single ad^ still or publicity story appeared... That's the trade-mark of a truly great picture! "SITTING PRETTY" has just been previewed in New •York... and from what we could hear between the laughs we know that it will make you glad you're in show business. It's so good you wouldn't believe us if we told you... so we're rushing prints to your territory and you'll soon be invited to see for yourself I And what that word-of-mouth will do for your boxof f ice I SITTI ROBERT YOUNG • MAUREEN O'HARA • CLIFTON WEBB in "SITTING PRETTY with RICHARD HAYDN • LOUISE ALLBRIHON • Randy Stuart • Ed Begley • Larry Olsen • John 1 ' Russell • Betty Ann Lynn • Willard Robertson • Directed by WALTER LANG • Produced by 1 SAMUEL G. ENGEL • Screen Play by F. Hugh Herbert • Based on a Novel by Gwen Davenport 1 ^ ^Belvedere does what the man behind 1 "The Miracle On 34th Street" couldn't: Shart Subjects By BARN Some of the sales toppers of major distributors are squawking to company heads about the sharp slice in trade advertising. They keep trying to convince the Big Men that pictures have to be sold to exhibitors as well as to the public. One major has cut trade advertising to less than one percent of the esti- mated gross for the first time in the company's history. Sales executives, responsible for bringing in the right kind of con. tracts, feel that the policy is shortsighted to the point of stupidity. It seems appropriate, in view of the above, to note the sug- gestion by Frank R. Pierce, president. Dearborn Motors Corp., that industry set up an "advertising reserve" to promote sales during a business slump. Mr. Pierce, speaking before the Ad- craft Club of Detroit recently, asked: "If advert;si;:g and sell- ing are worthwhile — and we all know that they are — then why is it that they are always cat to the bone just when they are needed most?" Huh? Tho problem oi' admission prices, bound to receive plenty of atten- tion from exhibitors in coming months, was highlighted by the news that a Broadway movie house has introduced a 25-cent "early bird" scale, lowest price on the main stem since pre-war days. The house is Brandt's Gotham, which operates on a variable policy of first-runs and repeats. Although SRO's move westward is seen in some quarters as presaging an exodus of home offices from New York, this is highly, unlikely. Neil S. Agnew, SRO president, in announcing the switch, expressed the opinion that it would not be feasible for distributors having a large volume of releases. He said that Selznick's decision, prompted by a desire to achieve greater efficiency rather than economy, was based on the limited num- ber of pictures (five, including one reissue) SRO will handle this year. Agnew also pointed out that the integration of cir- cuit operations makes it practical to sell the principal chains via contacts; in four centers: New York, Chicago, Los Angeles and Dallas. The eastern advertising-publicity-exploitation force, under Bob Gilham, will remain in New York, in addition to a branch office. The new homo office will be located at 135 S. Doheny Drive, Beverly Hills. Best bets for the top Academy "Oscars": Best Picture — "Gentle- man's Agreement"; Best Actor— Ronald Colman ("A Double Life"); Best Actress — Rosalind Russell ("Mourning Becomes Electra") ; Best Direction — Elia Kazan ("Gentleman's Agree- ment"). We'll take 20 to 1 on all four; 12 to 1 on three out of four, and 5 to 1 on two out of four. The movie m.oguls who blackballed director Edward Dmytryk for his defiance of the Thomas Committee are going to suffer severe discomfort until they know the result of the balloting for the Academy Award for best direction. Dmytryk is one of the five nominees for this honor as the result of his work on "Crossfire." If he should win, some faces will be awfully red. Washington's Birthday, always bountiful to f^m houses, proved a bonanza, thi;; year, according to reports from several large cities. Broadway theatres had long lines most of the day. The 6200-seat Radio City Music Hall claimed near-record attendance Oi.' over 24,000 people, the attraction being "A Double Life" (U-I), while the Roxy also had lines throughout the day to see "Call Northside 777" (20th.Fox). The Paramount, "Road To Rio" (Para) and the Capitol, "Three Daring Daughters" (M-G-M) also had long lines and capacity business for the matinees, while the Strand, with "My Girl Tisa" (WB) was near capacity. All of thesa houses have stage shows. William J. Heineman, Eagle Lion's new general sales manager, looks for a gross of at least $2,000,000 on "T-Men." Not bad on a $420,000 investment! This exciting film rolled up a $36,- 000 gross at Fabian's Brooklyn Fox in the first 6 days of it's run, almost double the normal take. "T-Men" is conclusive proof that big marquee names are not vital to a picture's suc- cess. Just make the movie good, sell it (like E-L boxofflcera have done with "T-Men") and the public will beat a path to the theatres. Cartoon producers have been having tough going these past few years, production costs, and color costs being what they are. Walter Lantz. producer and president of the Cartoon Producers' Ass'n, comes forward with a recommendation which he says, will work no great hardship on exhibitor, While permitting car- toon makers to deliver a continuous supply of one-reelers. He asks; every exhibitor to add to the present $l-per-day average cartoon rental the amount of two admissions. Lantz declared that production costs in his field have risen 165 percent since 1941, while the take has gone up only 15 percent. This has resulted in a 5C percent drop in cartoon production, according to Lantz, who said that only his industrial fi'm activities have kept him from dropping out of the commercial branch. Sam Goldvvyn'c slash of executive salaries is viewed by the Phila. Evening Bulletin as a potential incentive to bettor pictures. In a recent editorial, this leading daily observed that the 50 percent cut "ij not the cruel and unusual punishment that it might seem, at first glance, for these moguls are also directors anr". stockholders in tho company." The Bulletin reasons that they will bo compelled to turn out better pictures in order to earn dividends and foresees the possibility that "the public will reap a benefit through better entertainment." -The very likeable A. W. Schwalberg was installed in his new post as executive assistant to Charles M. Reagan, v. p. in charge Oi domestic distribution for Paramount, on Feb. 16 with these words from Reagan: "Schwalberg brings v/ith him an enviable reputation and ability that will translate itself into a streamlined and more efficient operation for Paramount, and a resultant improvement in service to the thousands of Paramount customers throughout the country." Schwalberg's successor at E-L, William SCHLAIFER J. Heinem.an, has named L. J. (Jack) Schlaifer as his assistant. Schlaifer moves over to E2-L from Allied Artists-Monogram, where he was director of sales. Har- old S. Dunn becomes circuit sales manager for Eagle-Lion, Heineman also announced. Max Cohen has been appointed executive branch head of Film Classics Washington exchange, after resigning his U-I post as D. C. branch head. Leonard Mintz has been appointed branch manager of UA's Pittsburgh office by district chief Mark Silver. Mintz previously was Philadelphia salesman. Clayton Bond. Jr. was moved into the Philly spot, wnile Joe Young was transferred from that office to Washington. A cinematic expression of gratitude from the people of Italy for the Friendship Train impressed the press, mag and radio reps, who were invited to New York's Cinem.a Dante by Harry M. Warner, national chairman of the Friendsliip Train Committee, to view the subject, "Thanks. America," made in Italy. It was coupled with WB's own special documentary, recording the Train's mercy mission. A flashy charity premiere of 20th-Fox's "Sitting Pretty," was engineered at Miami last Tuesday by Mitch Wolfson and Sidney Meyer, of the Wometco chain. The performance, for the bene- fit of the Motion Picture Foundation and Miami's Variety Club Tent, was a sellout at $5 per. Drive-ir theatres will be mushrooming in Michigan soon. The Butterfleld Theatres circuit has announced that it will erect thirty-six outdoor movie "houses," adjacent to cities in which the chain nov/ operates. These drive. ins will be equipped to handle vaudeville, legitimate stage productions, television, as well as films. Convinced that a large segment of the movie-going public is laugh.hungry these days, Realart v. p. Budd Rogers has tacked on "Hellzapoppin" (Olsen-Johnson) and "Argentine Nights" (Ritz Bros.-Andrew Sisters) to the reissue organization's ori- ginal 24-picture line-up. Trial key-city runs on the comedy combination were outstanding. MARCH 1 19 4 8 'B. F.'S DAUGHTER' FINE PRODUCTION, MUDDLED STORY Rates © • • generally; less in action 107 miimtes Barbura Stanwyck, Van Heflin, Chaj'Ies Co- biirii, Richard Hart, Keenan Wynn, Margar- et Lindsay, ..j)rins: Byingrton, Marshall Thompson, Barbara I.aage, Thomas E. Breen, Fred Nurney. Directed by Robert Z. Leonard. "B. F.'s Daughter" is composed of that odd combination of virtues and faults that has become almost traditional with Metro Gold- wyn-Mayer product of late. On the credit ■Side, it boi&'LS a lav'sh, satiny production and some fine performances, but is distinct- ly "in the red" insofar as story content is concerned. Neverthelesa it shapes up £S a fairly stiong woman's picture that will at- tract above average grosses in better-clas?, metiopnlitan houses, but will not do so we'.l in action .spots and rural situations. Both producer Edwin H. Knoph and screenplay author .^eem to have feared the logical de- o;s^on to condense John P. Marquand's windy novel into a compact film story, with the result that much of the movie's dramatic potential is diffused because it wanders over oUch a wide area. Film makers must learn t,:at not all the little side plots contained in a n(!ve! can be ciowded into the moving houses picture. It would have been sufficient to tell the interesting story of the romance und marriage between the Strong-willed daughter of an industrial tycoon and an im- poverished, slightiy-leftish economics teach- er, v/ithoJt digressing into politics, the war ■iud an ill-contrived jealousy incident. Miss Stanwyck turns in a first-rate performance, in addition to which she is attractively ij.Totographed and wears an exquisite ward- robe. Van Heflin gives depth to the role of the pi-ofes--oi-. Charles Coburn is solid and sympathetic as the capitalist. Topflight sup- port comes from Margaret Lindsay, Richurd J-)ait, Spring Byington, while newcomer Bar- bara Laage does wonders in a bit as a blind refugee girl. Keenan Wynn seems miscast as a left-wing radio commentatoi'. EXPLOITATION: Sell this as a great romantic Story — set against a background of conflict between true love and a woman's desire for position. Mention Coburn, Wynn and Kart in all copy. Bookstores will fea- tui-e the novel in window tic ups. Barbara Stanwyck, daughter of industrial- ist Coburn has regarded herself as betroth- ed to Richard Hart, young corporation law- yer since childhood, but he refuses to marry lier until his position is established. She meets, quickly falls in love with and marries Van Heflin. a struggling economics profes- REVIEWS in This Issue B. F.'s Daughter ti Relentless 6 Th«, Challenge B Half Past Midnight 7 Caged Fury 7 Mr. Reckless 7 Speed to Spare 7 oor and lecturer. Unbeknown to him, Bar- bara arranges a lecture tour for Heflin, guar- anteeing the promoter against loss. Heflin becomes a success and is soon high in Gov- cr.iment counsels in Washington. Eager to further him, Barbara accepts a large home as a gift from her father and invites promi- nent industrialists as their gue.sts. Heflin resents Barbara's ambition and leaves the iiouse to return to Washington, where he becomes absorbed in confidential war work, iriefore Coburn dies, he advises her to fight for her husband's love, so she comes to Washington, only to hear gossip about Hef- lin and n strange girl. Investigating, she finds he has befriended a blind refugee girl, ,vir.h whom Barbara imagines he is in love. Heflin tells her it isn't So and she finally lells him what he always wanted to hear: .she needs him. 'RELENTLESS' MODERATELY SUCCESSFUL TECHNICOLOR WESTERN Rat; generally; more in action Columbia (Cavalier Productions) 93 minutes. Robert Young, Marguerite Chapman, Wil- lard Parker, Akim Tamiroff, Barton Mac- Lane, Mike Mazurki, Robert Barrat, Clem Bevans, Frank Fenton, Hank Patterson. Directed by George Sherman. Quite likely, devotees of western films will overlook the trite dialogue that stamps "Relentless" as typical hoss opera and will be satisfied with the action elements that raake it a moderately engrossing, modestly Technicolored, outdoor movie. The plot, scripted by Winston Miller from Kenneth Perkins story, does not quite come off as the taut manhunt (a triple one, no less) that it was apparently intended to be, but the film is peopled with several pleasant and Interesting characters and there are such subsidiary facets as the hero's devotion to a iiewly-foaled colt and a placid romance to make it suitable fare for the family trade. Robert Young, who was interested in the production with producer Eugene B. Rod- houses ;iey, makes an attractive hero and contri- outes the only marquee value in the cast. As his romantic vis-a-vis, Marguerite Chap- man is 51 mighty nice looking girl of the plains, while competent supporting perform- ances are delivered by Willard Parker, Akim Tamiroff, Barton MacLane and Mike Ma- zurlci. George Sherman's direction could h^ve been more concise; the romantic inter- ludes stall the pursuit too frequently. Pro- duction obviously was not expensive, since eighty percent of the footage was shot out- c'oors. Edward Cronjager is credited with some first-rate Technicolor photography. EXPLOITATION: Feature the manhunt. Catchline: HE PURSUED A KILLER TO SAVE HIS OWN LIFE! Exhibitors in rural ^ireas should play up the man-and-his horse- angle. Cowboy Robert Young falls under suspi- cion for the murder of two prospectors who had located a gold mine. The real killers fall out and one tries to make off with Young's sick mare just after she has foaled a colt, killing her. Young shoots him down. Barton MacLane, the surviving killer, per- suades Young to hide out while he goes back to town and explains the circumstances jf the shooting. Instead, MacLane, now sole possessor of the gold mine map, sets a posse, led by sheriff Willard Parker on the trail of Young. The latter is befriended and 3aved several times by Marguerite Chapman, who operates a wagon store on the plains. Once, Parker s posse attempts to burn Young out of a patch of dry brush, but he makes his escape, although wounded. He makes his way to a saloon operated by gambler Akim Tamiroff, who believes that Young has the map to the mine. Unsuccessful in his effort? to beat the information out of him, Tamiroff determines to follow Young to the mine. For months Young pursues MacLane, he, in turn, pursued by the sheriff and by Tamiroff. Eventually, Young traps his quarry at the mine, destroys his water supply and sweats him out into the open. Before he can obtain a confession from Mac- Lane, Tamiroff shoots down the latter. How- ever, the sheriff and Marguerite arrive on the scene in time to hear MacLane's dying -A-ords that clear Young. 'THE CHALLENGE' WELL-MADE BULLDOG DllUMMOND THRILLER Rates as dualler in action houses; 20 ^h Century-Fox 68 minutes. Tom Conway, June Vincent, Richard Stap- iey, John Newland, Eily Malyon, Terry Kil- faurn, Stanley Logan, Leyland Hodgson, James Fairfax, Pat Aheme, OJiver Blake, Housely Stevenson. Directed by Jean Yarbrough. This well-made Bulldog I>rummond mys- tery melodrama, molded in the form of a British thi-iller, is a good entry for the ac- tion spots, and should make a Satisfactory dualler in naborhoods. Ctood performances by a capable though marquee-weak cast, and an interesting story, lift "The Challenge" above thf> average whodunit. Although the Soundtrack is heavily loaded with British accent, it is intelligible and along with au- less tor naborhoods thentic sets imparts a flavorful local color to the English seacoast tale. Tom Conway makes a convincing and masterful Bulldog Drummond and his smooth characterization is in refreshing contrast to the rough-hewn interpreta.tion that has become customary tor private detectives. The supporting cast play their roles to the hilt. Director Jean Yarbrough keeps audience interest from -wandering from the rather involved screen- play, adapted by Frank Gruber and Irving Elman from an original story by Sapper. EXPLOITATION: Since the name of Bulldog Drummond is not in the title, it should be prominently displayed in all pro- motional activities. Catchlines should cen- ter about the murder and treasure hoard angles: ' Bulldog Drummond Accepts a Mur- derer's Challenge;" "A Million, a Murderer and Scotland Yard — Bulldog Drummond Takes Them All On." A retired shipmaster is pushed off a cliff on the English seacoast in an attempt to make his death seem accidental. Three people stand to benefit by his death: his nephew, his ward and his housekeeper. One of the Captain's ship models, missing since his death, is bought at an auction by John Newland, youthful companion of amateur detective Bulldog Drurrimond (Tom Con- way). When the dead man's ward. June Vincent attempts to buy the model, back, Conway becomes involved in complications that lead to another murder, a fabulous treasure, whose location is divulged on the ship's sails and a dilemma from which Con- way and Miss Vincent barely escape to ex- pose the murderer to Scotland Yard. 6 FILM BULLETIN ■HALF PAST MIDNIGHT" TEPID. TALKY PROGRAMMER FOR THE LOWER HALF Rates • -f- as dualler in minor spots 20th Century.Fox (Sol M. VVuitzel). 70 Minutes Kent Taylor, Peggy Knudsen, Joe Sawye.', Walter Sande, Gil Stratton, Jr., Martin Kos- leck, Mabel Paige, Jean Wong, Jane Everett, Damiar, OTlynn, Richard Loo, Tom Dugan. Jean De Briac, Willie Best, Victor Sen Yung. Beetle puss Lewis. Directed by William I'. Claxton Sol M. Wurtzel, who has been supplying 20th Century-Fox with some good little pic- tures for its program department, seems to have gone astray in "Half Past Midnight. ' This time he has turned out a bad little picture, a murder-chase story that attempts 1o be wordily lighthearted. The result is a sialic, Sil'y comedy-melodrama, that wastes the talentf. of a capable supporting ca.:t, which includes Joe Sawyer, Walter Sande, Mariin Kosleck and Mabel Paige, while stai'S Kent Taylor and Pegyy Knudsen apply their Smiled abilities to the simple shenanigans which com.prise the shoddy tale. In addition, the co-stars' chaiacterizations are distinctly unlikeable. Taylor portrays a wolfish, preda- tory character who, for some obscure reason, is always in hot water with the law, and Miss Knudsen, who bears a baby-faced re- .semblance to Lizabeth Scott, seems like a spoiied brat who richly deserves the trouble she flounders into to escape blackmail. Dir- ector- William F. Claxton, when he is not putting the plaj^ers through some ncn3en:ical chase paces, has a fondness for clO;e-ups th;t have the characters mouthing trite nothings. ■CAGED FURY" ACTIONFUL CIRCUS YARN Rates** a — in action spots as dual Paramount (Pine-Thomas) 60 Minutes Richard Denning, Sheila Ryan, Mary Beth Hughes, Bu.ster Crabbe, Frank Wilcox. Directed by William Berke. The Messrs. Pine and Thomas have come through with a rip-roaring action-crammed circus yarn, that is aimed at the youngsters and avid action fans and hits the bulls-eye. One of the best in the P-T series of program- mers for the Paramount, "Caged Fury" dis- penses with any subtleties and concentrates on the hard-hitting pattern which is the forte of the producing team. From the mom- ent the picture opens to the climactic battle er; good for naborhoods, too amid flames and the roar of terrified animals in the raging circus holocaust there is no let-up. The fact that it is all old Stuff is bashed down by the very fury of the action. Director William Berke uses his considerable know-how to maintain the accelerated pace as he unreels the tale of villainy under the big-lcp, clashes between men and animals 2r,d daring on and above the Sawdust, Rich- ard Denning is a likeable hero and Buster Crabbe a villain of the deepest hue. Sheila Ryan and Mary Beth Hughes, the latter fated to death in a lion's cage engineered by Crabbe's treachery, are decorative and ade- quate on the distaff side. Devotees of this type of film will find it their meat. It is ideal for the action houses and, in lesser nabor- Theic isn't enough pace or movement for the action spots, and naborhood audiences will find it a poor filler. Kent Taylor is met at the Los Angeles .-nrpo; t by detective and best friend Joe Saw- yer, rissigned to keep an eye on him while he is in L.A. Eluding Sawyer, with the aid Cf bellhop Gil Stratton, Jr., Taylor attempts to pick up Peggy Knudsen at a night club. She rebuffs him, but is forced to accept his help when a dancer who has been blackmail- ing her is killed and she is the number one surpcct. With homicide detective Walter Sande at their heels. Tayloi and Miss Knud- ,sen, cided by S>awyer, attempt to find the murderer, become involved in another kilMng and manage to wiggle out of the Situation by pinning the murders on the dancer's pai tner, Mai tin Kosleck. hoods, will lend good support on dual bills. Richard Denning, P.uster Crabbe and Mary Beth Hughes a-re starred in a lion cage act. Crabbe, harried by Hughes' amatory ad'- vances, causes her death in the cage, sets his l omantic sights on Sheila Ryan, Denn- ing's fiancee. When Ryan, who has replaced Hughes in the act, continues to be faithful to Denning, Crabbe attempts to eliminate Denning in the same way, but Ryan saves him and the owner of the circus is killed in- stead. His treachery uncovered, Crabbe es- cape.':', but returns a year later in the gaise of a clown. Again he attempts to kill Denn- ing and they come to grips, battling it out whilo the circus burns and animals escape. After a furious battle. Denning emerges vic- torious and Oabbe dies in the flames. 'MR. RECKLESS' UNDISTINGUISHED PINE-THOMAS ACTION PROGRAMMER Rates • • as dualler Paramount (Pine-Thomas) 66 Minutes WiUiam Eji^he, Barbara Britton. Walter Cat- lett, Minna Gombell, Nestor Paiva, Lloyd Corrigan. James Millican, Ian McDonald. . . Directed by Frank McDonald. Too talky for action fare, "Mr. Reckless" is ai. oil-field triangle melodrama with less of ihe customary Pine-Thomas turbulence and more dialogue. William Eythe and Bar bara Britton, who have seen better roles in quality product, supply some marquee value that makes "Mr. Reckless" adaptable to the naborhood dual bill, as well as to the action Fpous for which it is primarily intended. Ex- cept for .1 couple of sequences, which splut- ter mto forceful action, the rest is Sporadi- cally dull. The screenplay by Maxwell Shane and Milton Raison is principally responsible for this state of affairs, since it attempts to say nothing new or unusual, and director Frank McDonald seems satisfied to allow the proceedings to meander mechanically for the most part. The two high spots of action oc- cur when Lloyd Corrigan barely escapes from death in an oil tank, and a battle atop an oil rig between Eythe and Nestor Paiva, ending in the latter's long fall to his doom. Photog- iphy is satisfactory and supporting cast, v/hich includes, in addition to those men- tioned, Walter Catlett and Minna (jombell, is .'ibovc average. Devil-may care oil field workers William Eytiip and James Millican return to their former job,'? in Ponca Springs to find their old friend Nestor Paiva, restaurant owner, engaged to Eythe's jilted girl, Barbara Brit- ton.On the day of the wedding, Barbara's father, Lloyd Corrigan, fond of drinking and gambling, is imprisoned in an oil tank by Ian McDonald, enraged because of Corrigans refusal to pay his gambling debt. Corrigan is saved in the nick of time from drowning in the oil by Eythe and Paiva, but both .-ire in- jured in the attempt. Recuperating Eythe realiies that he is in love with Barliaia and decides to leave. She declares her love for Fythe to Paivi, and the latter, furious, seeks out Eythe atop an oil rig and eiigiges him in a vicious battle. Paiva falls o his death, while Eythe's safety belt save? ' ini. •SPEED TO SPARE' FAST-PACED PINE-THOMAS TRUCKING DRAMA Rates • • 4- as dualler in action houses Paramount (Pine-Thomas) 57 Minutes Richard Arlen, Jean Rogers, Richard Tra. vis, Nanette Parks, Roscoe Karns, Pat Phelan, Ian McDonald. Directed by William Berke. Pine and Thomas click once more as they unleash another fast-paced action me'o- drama, this one concerned with the truck- ing game. Director William Berke has en- dowed the interesting and thrill-packed screenplay by Milton Raison with every- thing the action fan can ask in 57 minutes, eliciting convincing performances from an expert cast, headed by the indestructible and secondary naborhoods Richard Arlen. In addition to such thrills as a runaway trailer plunging down a high- way, a truck laden with chemicals going Up in a tremendous explosion and some wild driving, the film uncovers interesting safety sidelights in the vehicle driving field. It also unreels an interest-holding story, peopled with stock but well-delineated characters. The naborhood subsequents and rurals, as well as action houses, will find it a satisfactory dualler. Former stunt driver Richard Arlen takes a job with the trucking concern managed by his old friend, Richard Travis, who is married to Jean Rogers, Arlen's former girl friend. Ian McDonald, who has been taken off the highway and made a me- dhanic, dislikes Arlen and sabotages his truck, first ca'using his tiivs to burn, later releasing f trailer from Arlen's truck. When a truck hauling cherr, icals breaks down, Af- len, now enamouret of Nanette Parks and seeking extra morry to get her to marry him, takes over t'le load, unknown to the firm. McDonald sets the thermostat on the refrigerated truck so that the chemicals will explode en route. 'W ban Arlen is hurt, his mechanic, Roscoe Karns, takes the sabot- aged truck out and is blown to bits as the truck is demoli^ed in the subsequent ex- plosion. Realizing that McDonald has been responsible for the "accidents," Arlen gives him a thorough going over and makes him confess. He relinquishes his claim to Nan- ette wthen he finds she prefers a young driver. MARCH 1, 1948 7 A COPY OF A LETTER THAT IS A.UEBABTISTS PKOB^CTIO.S.lKC. 4376 SUKSET DHIVB Mr. Exhibitor. What's wrong? . the EngllsU tax and other recent comp ^^^^l.^eally halting all ^-^^^^ro^'shefterf i^earne^^^^ farenTUative approach for the 130^^ J^^^titYo Others have x.^ «t can°V™°«* harmful. loss Of revenue have ^^egoer. business or the px ..v.ibition..f ie^^, Joo. ^^^^^^ venue ut^*- 4^ ■mreKoer. business or the pictures exhlhltion„f leW. t°°r. ^^^3, ^^ncr in the cj^iij- „ „ Ru:nors f « f^^f?-'^roduot shortages . etc. ^'?fi°'nncreafef rentals to pay for suits . l"o ^.19 down. ,a„- Mr. Exhibitor, let s .„„ that at lea No«, »r. Exhibitor, let company is ^ n vou that at lea;^ open lor a^.« letter is to tell you ^ throttle is ^^^^^i Une-up o-^Sraf im-"-5-e;:iri |.rarprosram of ^of -pT\Hrr.orctioranr^prepa^-ion. ^^^^ big P^^*"'^^^ ^ , ... ..Hedule vill She P T^fln production and prep«.-" ' lease schedule vill show you that ^"suow'bustnessl _ ,e business... sno» TVie attaciio" ;~ show business. -hpoause we business.. .show headache/or -^f/^^ollar n^Sfn^rfhl babit of Xlferfd TnTo- screen, r/ent at^Mue^ Artists is del ,„,Ush tax AU - = vou to pay ior w -ffort in sei.ii"'b «e don't «f "*/deal and f "f^'^^aSng them. asK is - f„"the public as we put into pictures to the P exchange center step ^.^^^ next time yo^, re in^^n ex .0 soreen^some^o/^est and Allied Ar*t^^,^,ffrc garnering top money fesfthtrtres m the nation, _ ^^^^^ ctions Titi^^ nationo oame ..eatres in ^^^^^ ,,ere they And take my "or-i from» Sincerely* Steve Broidy Re/eose Dates (.ment PRODUCTION ALLIED ARTISTS PRODUCTIONS, INC. Bon Defore, Ann Hard™ 'foneRichmond^Duckytoule Currenf Jon. 31 hb. 22 M GANGSTER SONG OF iWy HEART PRODUCER DIRECTOR ^oy Del Ruth Jeffrey Bernerd Pf"/ Karlson PANHANDLE fin Sepia Tone] forry Sullivan, Belita, John Ire/ond f^onk Sundsfrom, Audrey tons, S.r C. Hordwiclce, W'Khoil Rasumny Rod Comeron,Cofhy Downs, Anne Gwynne, Reed ""d'ey. Bloke Edwards Pf^esfon Foster, Bellfo, P'erre IVafkln, tarr.y B'ob, Joseph Crehon Brian Aherne, Constance Bennett, Barry Sullivan, ^'c/ioel O'Sheo Running Time 114 Minutes 89 Alinutes '^ing Bros. Gordon Wiles NoMV.Finston J- Theodore Reed Seniomin Gkzer John Chompion B/oke Edwords Lesley Selander 86 iMinufes 85 Minutes Minutes Scott R. Dunlop Jock Bernhord Wd.e Albert, Gale Storm 6''bert Roland, Wnie ' Bornes, Jomes Gleason *^o/ £. Chester Ww. A. Blatt 'fing Bros, fort Neumann JHf TENDERFOOT Of THf BAD MEN 85 Minutes 90 Minutes 86 Minutes IVi/hom Bendix A"-Sfor Cost Melford Roy Del Ruth fing Bros. JV€*tM%s ami Opinion 'O scars (Continued from Page 3) ("Miracle on 34th St."), Robert Rv-^n ("Crossfire") and Richard Widmark ("Kiss o: Death"). Best supporting actress: Ethel Barrymorc ("Paradine Case"); Gloria Gra'hanne ("Cross, fire"), Marjorie Main ("The Eg-g and I"), Miss Revere and Miss Holm. Best direction: Henry Koster for "The Bishop's Wife": Edward Dmytryk, "Cross- fire"; George Cukor, "A Double L'.fe"; David Lean, "Great Expectation.^"; and E!ia Kazan, "Gentleman's Agreement." Kearns 'Collusion' Charge Denied By Producers, lATSE Rep. Carroll D. Kearns bombshell of "col- lusion" between the producers, lATSE and Screen Actors Guild in provoking the Holly- wood citrikc in the fall of 1946 provoked a counter-barrage of bitter denunciation by witnesses testifying before the House Labor committee hearings on the jurisdictional dis- pute. Kearns, who is chairman of the com. mittee, had still not revised his charge as the hearings entered their second week last Monday (23rd). The hectic sessions, were featured by squabbles between witnesses, both for the producers and the unions, and committee members. Eric Johnston, MPAA president, denied the chairman's "collusion" charges. He reiterated his attitude that he would rather see the studios closed than suffer a jurisdictional strike. He advocated com- pulsory arbitration as a means of prevent- ing jurisdictional disputes, adding that de- spite the Taft-Hartley law, without arbitra- tion, the industry will be plagued by juris- dictional strikes. The MPAA chief pinn'-d responsibility for the strike on the AFL, parent union of both labor groups. Producerr. Denounce- Charge N. Peter Rathvon, RKO president, denied tne charges on the .stand, accusing the hear- ings of being conducted "in a manner that to me represents prejudice that I cannot con- done." RKO's decision to keep the studio open was made without consultation with any union, he said. lATSE head Richard F. Walsh echoed the producers' sentiments. He said also that the strike v/as a dead issue and that his advice to the committee way to "leave it alone." GREETINGS EiikU- I,imi i'rfsiilent .\rtliiir B. Kriiii (riKliI) welronn-s William .1. IIciii«-niiiii . C'«m|iiiii.v">. iifw vio<--|>rcsiiilii>ii, ill ]>r<)ilii< t roiiim'iMTH 111 New ^'ork. Allied to Probe 'Coercion' Presses Fight Against ASCAP National Allied will conduct an investiga- tion of "distributor coercion" to force ex- hibitors to pay liigh film rentals, it was disclosed by general counsel and board chairman A, F. Myers, presiding over the national independent exhibitors organiza- tion's board meeting in Washington, Feb. IS- IS. A special committee to investigate com- plaints of distributor tactics that are hiking film prices will be appointed shortly by the newly elected president of Allied, William L. Ai.aswoith, of Fond du Lac, Wisconsin, who is also pi esident of Allied of Wisconsin. Ainsworth succeeds Jack Kirsch, of Chicago. The Allied board also voted to continue and accelerate its fight against ASCAP, de- spite the latter's recent proposal for new rate:; which represented a sharp decrease from its original demands. Course of ac- tion, said Myers, might take the form of an appeal to the Justice Department, or a long.term fight while going along with the new rates. The organization is backing the Lewis Bill (H. R. 5014) to eliminate ASCAP theatre collections completely and if Benny Berger, of Minneapolis Allied, should lose his pending case against ASCAP, the na- tional organization would aid Berger finan- cially and legally in his appeal. The ASCAP LEVY ANSWERS MYERS Replying Ut A. F. Myers' statt'mf-iit in hif^ uiiiiital report to thi Allied board, that MPTOA Mjunsel did not inform the Suprcnn' Court at the anti-trust hearings "that th«^ MFTOA passed out of existence at the shotgun wedding- that look p'atu in Washin;;- ton last September," Herman M. I>evy, who filed the MPTOA brief with the high c«>urt, fit^d this passage in the brief: "Since its filing of a brief ami- cur. curia*> :*nd being heard in the District Court, this Association has merged with another, but its entiCy was specifically retained for the pur- pose of making this application to this Cour;." Myers also pointed out that Levy had failed to note that the MPTOA inde membership once voted in favor of divorcement, 167 to 102. "war chest " plan was approved in principle by the board, and with certain modifications, said Myers, "the plan will be financially feasible and workable in every way." MPF Participation Disapproved Participation of National Allied in the Mo- tion Picture Foundation was disapproved, al- though regional Allied units have local autonomy on this issue and can make their own decisions. The new officers elected for a one year term by the board, in addition to Ainsworth, were: Trueman T. Rem.busch, treasurer; Charles Niles, secretary, and Stanley Kane, recording secretary. Myers was re-elecced board chairman and general counsel. Ex- ecutive committee membership was expand- ed by the addition of Benjamin Berger, Ainsworth and Ray Branch. Re-elected were Sidney Samuelson, Nathan Yamins, M. A. Rosenberg, Jack Kirsch and Martin G. Smith. With the elimination of competitive bid- ding from the decree likely, and despite the uncertainty of the divorcement issue, in- junctive provisions in the decree will force the industry to undergo a period of read, justment that calls for an alert attitude by independent exhibitors, Myers cautioned in his annual report to the board. He urged independents to watch closely the workings of the ultimate decree and report to their organization. He mentioned ARMIT presi- ( Continued on Page 15) Scully Announces 24 Features for U-l Universal-International will release 24 features in the next nine months, W. A. Scully, vice-president and general sales manager, levealed at the company's regional meeting Ln New York last fortnight, last of a series, conducted by Scully on forthcoming product. scuiiy empnasized the /concentratflon of top-budget pictures which were re^y for release, pointing out that U-I has made the largest negative investment in its history in these films.. He cited such pictures as "The Naked Oty," "All (My Sons," "A Double Lifo" and "Up In Central Park," as typical of the high-budget, diversified entertainment required by theatres "to stimulate not only present moviegoers, but also that segment of the public 1« which has not yet taken up the mo\ie habit." The J. Arthur Rank pictures released by U-I will be supported by the American public "if they lare exhibited under the right auspices," Scully stated. Attending the meeting, above, were (from left) : Lewis Bhun- berg, L. J. McGinley, Prestige Pictures executives; E. L. 'McEvoy, shorts sales manager; E. T. Gomersall, assistant to Scully; A. J. O'Keefe, ass't. general sales manager; Scully; Fred Meyers, Ext- ern sales manager; John Joseph, director of advertising and publicity; Maurice A. Bergman, Eastern ad-publicity director; F. J. A. McCarthy, Southern & Canadian sales manager, and A. '\\'. Perry, Empire Universal sales executive. FILM BULLBTIIf J 'One of those bright pieces of en- tertainment which comes along all too infrequently . . . provides nothing but amusement and laughs." -M, P. Herald "Audiences looking for laughs will find them in abundance ... entertainment that ■ should result in pop- ular and profitable boxoffice." — Boxofflce "Should gaily make the big-money grade . . . loaded with everything the target demands." —Film Daily "Thereeanbeno I question of the pic- '( ture's performance at the boxoffice ... A fast- paced, volatile and highly amusing exam- / pie of how to entertain the public." ^ —M. P. Daily I* "The family aura of this I comedy should help... I' Should do okay at boxoffice.^' —WariBiy "Howls interspersed with con- stant chuckles . . . Apparently headed for top-money brackets . . . good songs and strong ex- ploitation possibilities." —Showmen's Trade Review with ALLYN iOSLYN CHARLES DINGLE BOBBY DRISCOLL Produced by EDDIE CANTOR Directed by GORDON M. DOUGLAS Original Scraen floy by Worcin Wilson ond Oicor Icodniy "If Vou "Cantor-Davis team hits comedy stride . . . bright boxoffice prospects . . . one laugh se- quence after the other." -Hollywood Reporter "Chock full of the good old kind of comedy which audiences go for in droves . . . slick entertainment." —Daily Variety OUOKS What the Neiuspaper Critics Say About Neu) F/lms 'Three Daring Daughters' Roasted The Joe Pasternak Technicolor film, "Three Daring Daufjhters," which marks the return of Jeanette MaoDonald to the screen and the emergence of Jope Iturbi as a star received a reception from the metropolitan critics which ranged from cool to a sizzling panning. In the New York Times, Boz Crowther is puzzled by Mr. Iturbi's maintaining his true identity while taking unto himself a wife, Jeanette MarDonald. He calls "this curi- ous romantic amibiguity. . .in a silly little tale ... schematically disquieting, not to mention downright embarrassing in some of the stickier scenes." "A lot of hard work . . . accomplishes very little/' says the Herald Tribunfi's Oti.s Guernsey. "The trouble is a thin, crawling story of mother-love and se(M)nd romance which leaves one blearyeyed and exhausted from bright colors and dull girlish talk." He finds Jose Iturbi's presence "only temporary relief from an over-production of emotional nonsense." The World-Telegram critic discloses the most daring thing about "Thre? Daring Daughters" is that "it pretends to be adult entertainment." He comments on the "grizzled theme, strung out to an interminable length, this time with musical Interludes." He likes the music and Jane Powell's singing and feels that if "any point after the first 90 minutes" were eliminated, it might escape the fate it "seems destined to at the moment— the second half of neighborhood dual bills." While the Post's Archer Winsten finds "good mu8.ic and warm human comedy that make occasional sparkles of equipment," he bemoans the "waste" of lavish production values on a film that "becomes embarrassingly saccharine at times ... at other times downright boring." ' Eileen Creelman likes Iturbi in his new screen endeavor, but feels that the picture's too long. She points out that "audiences who may relish the whimsy may grow annoyed at the serious music which interrupts it," while "people who appreciate the music may find the story sequences both repetitious and long. winded." The Journal American's Rose Pelswick finds it another entry in "that glossy Techni- colored dream world which M-G-M has achieved for its musical fibns" with "lavish sets and costumes and the colors are really lovely." She limits herself to reporting the story, addmg only the opinion that "some good music is .also worke On ASCAP, Myers cited Allied's leader ship in battling the Society's increase, and terrific pressure from all quarters which resulted in the new ASCAP proposals. "It is perfectly obvious that those Who now claim credit for having negotiated a settlement for less than ASCAP'S asking price merely moved in under cover of Allied's fire and that had Allied ceased firing, the settlement — if any— would have been for an even greater in- crease over the present rates," he concluded. He warned against the tendency of State and municipal authorities to increase theatre taxes, using the movies as "the whip- ping boys of the tax collectors." He placed much of the responsibility for increased taxation on the "low state into which the industry's public relations have fallen." Myers held out little hope for any decrease in the Federal admissions tax at present, adding "if there is a ghost of a chance" of a cut. Allied will make "proper repi'e- sentations" to Congress. The ultimate solution to hig'h film prices, Myers declared, is to "open up the lucrative first-run accounts, now pre-empted by the (Continued on Pagie 16) ANN DORAN Guinn WILLIAMS • Joe ALLEN, Jr. • Dick BAILEY Produced and Directed by Walter Colmes Distributed by SCREEN GUILD PRODUCTIONS, INC. MARCH 1, 1948 15 Allied (Continued from Page 15) major companies, to new producers and new distributors who will enter into competition with the established companies and thereby end the film shortage." Allied's Caravan and growth of buying combines are import- ant aids in checking rising rentals, he added. Allied's national convention date was set for sometime in Autumn in Washington. Mayer Top Earner on New List Louis B. Mayer, M-CJ-M studio chief, was high man on the supplemental list of top salary earners released by the Treasuiy last fortnight, but he bowed to National Theatres' Charles M. Skouras as the indus- try's No. 1 moneymaker. Skouias' name topped an earlier list released by the Treas- ury. The figures represented compensation for personal services for the calendar year 1945, and were befoie huge Federal income taxes. Mayer's $502,571 was the third highest salary earned in the U. S. in that year, wihile Skouras' $568,143 headed them all. The current list h-id returns from Loew's, Warner Bros, and Universal, none of which appeared in last August's returns, RKO is still to be heard from. There was an even greater preponderance of motion picture figures in the latest schedule, with 26 of those named from the industry receiving more than $200,000. Second to Mayer was Leo McCarey, with $355,427 from Paramount. Ginger Rogers was high star wage-earner with a total of $292,159. Deanna Durbin followed with $262,875. Producer Walter Wanger drew $282,000 from Universal; Warner director Michael Curtiz, $258,600. Those beating the $200,000 mark at Loew's were David Bernstein, $210,342; Sam Katz, $202,571; Al Lichtman, $202,571; E, J. Man- nix, $205,221; William F. Rodgers, $215,657; J. Robert Rubin, $215,667; Nicholas M. iSchenck, $224,885; L. Weingarten, $202,785. At Universal: N. J. Blumberg, $223,622; J. Cheever Cowdin, $223,622. At Warner Bros, none of those listed topped $200,000. Harry M. Warner and Jack L. Warner, each with $182,100, were at the head of the executive list. Inde Filnn Buyer Accuses, Pickets RKO Charging that the RKO Salt Lake City branch is "attempting to break up our or- ganization," Irving Gillman, general mana- ger of United Intermountain Theatres, Inc., an independent buying-booking cooperative, resorted to picketing as a unique form of retaliation. Since Feb. 16, and up to the past weekend, pickets paraded in front of the film office bearing signs reading: "RKO Radio Pictures, Inc. Unfair To United Inter- mountain Independent Theatre Owners." Gillman declared that while his organiza. tion has encountered no difficulties in doing business with other distributors, RKO has deliberately thrown obstacles in the way of NO POLICY ON "SONS' Apparently Universal-International's announced plan to release "All My Sons" on a roadshow, advanced ad- missions basis has come in for re- consideration. W. A. Scully, v.p. in charge of dis- tribution advised Film BULLETIN" late last week that U.I ha.s "arrived at no policy as yet on the picture." ol these exploiteers, directed by exploita- tion manager Arthur Jeffrey, under the supervision of Youngstein and his assistant, Jerry Pickman. "We will spend 90 percent of our promo- tional money right at the exhibitor's box- office," Youngstein .said last week. He asked only that theatremen give his com- pany a "square deal" in establishing their legitimate house advertising budget and offered to share costs on a 50-50 basis. AWARD SEASON OPENS I)or<» S<'h3U'> . KKO prodiii't ion riiivf, iMM-eiven tli« Look MaK:>/i>><- ;i\v:iri'foi-iiian<*4* b.v ii M're<*n ju'.tri'ss ill ■'Moiiriiintr Itet'uincs Kl<-< (ra," ndclK Iier admiru- tioii. his efforts to make deals for the 25 theatres he represents. He accused the company's local branch of trying to force shorts and insisting upon full block buying. Efforts have been made, he told Film BULLETIN, to solicit deals from individual UIT's mem- bers, Who operate theatres in Utah, Mon- tana, Idaho and Colorado. It is understood that negotiations toward a settlement of the dispute were started late last week between Gillham and the RKO district sales manager. E-L Building Strong Field Exploitation Staff In contrast to the trend in most other companies, dictated to advertising heads by economy pressures from above, toward slashing exploitation costs and leaving ex- hibitors largely on their own in ballyhooing films, Max E. Youngstein. Eagle Lion di- rector of advertising-publicity-exploitation, and recently elected vice-president, is going all out to organize a full roster of field exploitation men to push E-L pictures. While other distributors are weeping bitter- ly in their crying towels about a business slump, E-L's aggressive policy is grabbing the spotlight and paying off. In trade advertising circles, much of the credit for the phenomenal box-office sue. cess of "T-Men" is attributed to the work CLASSIFIED BUSINESS STIMULATORS Comic Books Again ATailable as premiums, give- aways at your kiddie matinees. Large variety, latest 48 - page news stand editions. Comics Premium Co., 412 F. Greenwich St., New York, N. Y. THEATRE WANTED "Will lease or buy theatre in Eastern Penna. ot New Jersey. Write FB. Box 72, Film Bulletin. SERVICE — ALWAYS! NEW JERSEY MESSENGER! SERVICE Member Nat' I Film Carriers 250 N. Juniper St., Phila. 7, Pa. LOcust 7-4«23 Republic, Warner Nets Halved Republic Pictures Corp. showed a drop gjI $52'<.740 in its net income for the 52 weeks ended Oct. 25, 1947, Herbert J. Yates, presi. dent, reported to the .stockholders last week. The 1947 net of $570,200 09, after all charges, including federal income taxes, compared with a consolidated net for the 4S weeks ended Oct. 26, 1946, of $1,097,940.41. Yates reported that in anticipation of the British tax and a possible decline in box office receipts, the company's program of economy was instituted throughout its pro- ducing and distributing organization and isi continuing.. He pointed out that while "its full benefit will appear in the final re- sult of operations for the current fiscal year ending in Oct., 1948." the program began to show its effect in the latter part of the past fiscal year, when operating costs were "substantially less" than for the correspond- ing year in the previous fiscal year. Total domestic film rentals, he noted, have in- creased by n.5% over such rentals for the preceding period. Warner Bros, net for the three months ended Nov. 29, 1947, also showed a drop of close to 50% as it reported a net profit of $3,947,000, compared with $7,203,000, for the same period the preceding year. Film, rentals, theatre admissions, sales, etc.. after elim.inating intercompany trans- actions for the three months ending Nov. 29, 1947, amounted to $38,685,000. compared with $42,636,000 for the corresponding period a year earlier. THEATRE MANAGERS and OWNERS We thank all theatre owners and managers who cooperated with us by putting return trailers in the proper addressed containers and for wrapping and addressing all return advertising. We can serve all riieotres better if they give us o copy of their program Tuesday each week. IMPORTANT Don't put your return film in the lobby until all your patrons have left after the last show. • HIGHWAY EXPRESS LINES. Inc. 236 N. 23rd St., Philadelphia 3 1239 Vine St., Phila. 7 LOcust 4-0100 Member National Film Carriers 16 FILM BULLETIN EXHIBITORS FORUM Inioni C^uifed ^rom Organization BJiet WANTED: EXHIBITOR WITH GUTS' Allied ITO of Kans. and Missouri Here is a little true story and tells .a heap. A Kansas exhibitor in a town of 1,200 said to a salesman for an independent distribut- ing company, "You have a few pictures I know v/ill make money, and your prices are 1/3 to ^-^ what I now pay, but I dare not buy them." "Why?" said the salesman. His answer — "I deal with three major companies right down the line and they have taken care of me." This exhibitor pays twenty-five to thirty dollars for ordinary westerns. If this exhibitor had the "guts" to fill a few dates; with these mdependent pictures, and tell the companies who have him in servi- tude to "go to ... " until they get right, he would soon be in business for himself and cease to be a slave of his three pat com- panies. We need mere exhibitors with "guts." — O. F. SULLIVAN, President. OUNCE OF PREVENTION Allied Rocky Mt. Independent Theatres Reports also reaching this office show that some exhibitors permit the distributor to fill in their contract with the words, "When and as available" and other such forms of nonsense. Thi? is ridiculous and practically gives legal permission to anything the distributor wants to do to you. You know what your run and clearance is to be. Insist that it be there in your contract in writing. Stop letting them pull the wool over yotir eyes. ASCAP RATES LAUDED Theatre Owners of America Robert W. Coyne, Executive Director of the Theatre Owners of America, declared that there had been an overw-helmingly fav- orable response among the member theatres to the outcome of recent negotiations be- tween TOA and ASCAP. As a result of these negotiations, no increase in rates was made for theatres with 499 seats or less, and small increases were announced for the larger theatres. The new ASCAP rates will be effective for ten years after March loth or at the expiration of current contracts. Some of the comments were as follows: "The officers and directors of the A\ri- bama Theatres Association voiced their 100 percent approval of the compromise agree, ment reached between TOA and ASCAP" — William. R. Griflin. President. "Just a 'hats off' salute to you and tho.se who worked with you in the negotiations with ASCAP. I am especially glad that the little theatres got the break which they did" — R. B. Wilby, Wilby-Kincey Service Cor- poration, Atlanta, Go. "Heartiest congratulations on wonderful SCHOENSTADT JOINS ILLINOIS ALLIED Jack Kirsch, president of Allied Theiitres of Illinois, Inc. has enrolled H. Schoenstadt & Sons, owners of 17 theatres in the Chicago area, into the association. Arthur Schoenstadt heads the Schoenstadt group of theatres which includes the Archer, Atlantic, Boule^ yard, Brighton Park, Crane, Crown (2()th Sf.), Halfield, Harper, Hyde Park, Midwest, New Regent, Olympia, Peoples, Picadilly, Radio and Shake- speare Theatres in Chicago and the Roxy Theatre, Berwyn. ini settlement of ASCAP matter"— Ben L. Stro- zier, Vice-Pres. Theatre Owners of North & South Carolina. "Congratulations. We of Arkansas appre- ciate your efforts in our behalf" — C. C. Miui- do, Sam D. Kirby, E. W. Savage and B. F. Busby, Little Rock, Ark. "Congratulationr; on ASCAP settlement" — William Crockett, Pres. Virginia Motion Pic- ture Theatre Association. SUPPORT LEWIS BILL! Allied Theatres of Michigan The chances for passage of the Lewis Bill look so good that members of the AFFILIATED THEATRE GROUPS are at- tempting now to induce independent ex- hibitors all over the country to ask their representative to withdraw his support for the bill, and you independent little fellows should not become alarmed over this action. It is perfectly obvious by the very action taken by T.O.A. in proposing that all theatres under 500 seating cipacity shall continue to pay at the o'd or same rate and not be increased, and that they, the larger theatres, will stand the increase themselves. How absurd this attitude- appears on the face of it. It only shows that they favor a continuance of the fee and are not inter- ested in the abolishment of it. My recommendation at this time is: Do not allow yourself to be stampeded into ask. ing your representative to withdraw his support to the Lewis Bill (H.R. 5014) but rather urge him to get behind this bill and see if we can't get the relief that has for so many years been sought. Don't make the mistake of agreeing that you are satis- fied, with the old rates paid for years, but insist that you want the fee abolished en- tirely. STILL AN INIQUITY Judge Joseph P. Uvick, Mich. Exhibitor ASCAP's new rate schedules obviously have created some degree of good will be- cause so many small theatres will be left where they were. For the major part the increase on the others is within rhyme and reason, since we are, under present law, of necessity forced to make a deal acceptable to ASCAP. But the main, the most im- portant, the future power to compel the exhibitor to accept a license and pay as demanded, is still there. The uselessness of the film we get unless we do pay ASCAP still remains as a stigma or stench in our industry that should be removed. Let us now hope that ASCAP directors show the same degree of good judgment and v/elcome the proposed Lewis amend- ment thereby removing the necessitv to license 18,000 theatres bv dealing with a few producers instead. The administrative costs thereby saved if ASCAP performance rights are eliminated from our theatres should inure to the benefit of all concerned. CHECK ON THE CHECKERS Allied Rocky Mt. Indenendent Theatres It's unbelievable, but it's true. When play- ing percentage pictures, some exhibitors are not insisting on an additional copy of the checking repoit for their own files. A Checker must leave r. copy of his re- port for you. If he doesn't, you don't have to sign an.vthing. Without a copy of the report, you are helpless in any future c'aims. Too many instances have popped up where a cihecker changed a report after the exhibitor signed it. DON'T PUT YOURSELF AT THE MEi^- CY OF A CHECKER. HE-MAN of the HILLS! LAUGH with Lil Abner Your favorite cartoon charac- ter., in person on the SCREEN! Right out of your favorite cartoon strip he steps to start you laughing. Li'l Abnef Based pn United F«atur« Canic by Al LI'L ABNER (GRANVILLE OWEN) DA^SY MAE (MARTHA O'DRISCOLL. (Buster Keaton) (Kay Sutton) (Al St John) (Vic Potel) (Edgar Ken- nedy) (Micky Daniels) (Bud Jam.son) (Maude Eburne) (Chester Conkim Astor Pictures Corp. 150W. 4«thSt. New York 1». N. Y. MARCH 1, 1948 17 "Adventures of Casanova" Tale of High Adventure, Homauce I -iooo'fionn5 mwAU i I m it)e tapiurf or iiip i notorious ban5U5 ; The most romantic figure in history, the man whose name has hecome synonimous with "great lover'" — Jacques Casanova — is the hero of this swashhuckling, romantic adventure from the Eagle Lion studio. Casanova was an 18th Century Sicilian patriot whose prowess with the sword, the saddle and the oppo- site sex was undisputed. In "Adventures of Casanova", all three facets of his unique ability are flamboyantly displayed. Placed in the turbulent period when the powerful armies of the King of Naples had overrun Sicily, Casanova is pictured as the spark who touched off the flame of rebellion against despotism. But in so doing, this romantic rogue did not let it interfere with his amatory pursuits. In Arturo de Cordova, producer Leonard Picker has made an ideal choice for the title role. Turhan Bey is another good choice as his young aide, while two very lovely females, Luciiic Bremer and Noreen Nash, supply the fuel for Casanova's ardor. John Sutton makes a smooth and thoroughly despicable villain and George Tobias supplies bountiful comedy as a partisan mas- querading as a monk. To insure the closest thing to authentic backgrounds, Eagle Lion sent the entire company to Mexico to make ths film, employed huge mobs of extras and even mad? use of several Mexican cavalry units for some of the epic outdoor scenes. EXPLOITATION PICTUHE Maqic Mame Df World's Greatest Lover Features E-L Campaiqn Dn "Casanova 99 WITH the magical name of Casanova, world's greatest lover and adventurer, to highlight his campaign, the showman really has somethin" into which to sink his hallyhoo hicuspids, when he sets out to merchandise Eagle Lion's "Adventures of Casanova All the title connotes is lavishlv availahle in the film-Sizzling Romance, Sweeping Action, Bold Adventure. And the slick Eagle Lion hoxofficers, under Max E. Youngstein's direction, have turned out an exploitation campaign that transforms each of these saleahle angles into a prac- tical plan of action that can make "Casanova" a Ijoxoffice bonanza. First and foremost is the campaign 4 =. DIIV COMTEST built around the name. It socks away ° *"* * WlH A Kt9 A at 'em in the ads, in contests, in radio. Second Day: in tie-ups and in stunts that are as sim- ple as they should he lucrative. Such naturals as a male "'beauty contest' ; costume stunts that are sure-eve catch- ers; tie-ups with high school and col- lege sororities to select their local Casa- nova; newspaper campaigns to tie in former screei^lovers with the "greateot of them all" and a host of others. One of the most valuable tie-ups has been arranged by E-L with Coronation Diamonds for a national "Talent Hunt" with Coronation giving away hundreds of valuable diamond rings. All the ex- hibitor has to do is to contact Corona- tion and certify his wish to participate. The manufacturer will arrange a meet- ing l>etween the theatremen and one of the 15,000 distributors throughout the country and if the local distributor wants to play ball. Coronation provides the ring. The Eagle Lion press book gives the details on all these and a veritable treas- ury of other exploitables in a clear and simple plan of action that should stir any showman into a bustle of ballvhoo. FEATURE SWORD-PLAY The rousing sword-play in "Casiinova" can be pointed up by an animated display of Arturo de Cordova and John Sutton at swords-points. A blow-up of the art supplied by E-L can be used for the display. ,r ADVENTURER- TH^^^ CASANOVAS! WIN raiiiai ARTURO DE CORDOVA ot 1h* world't gr*at«»t lovttr in ADVEIfTUaiS .1 CASANOVA- An effective 4-day contest is suggested in the press book on "Adventures of Casanova." Mats for u-e in newspapers or on your own heralds, running four days, ask contestants to name famous screen "Casanovas" from stills in which the faces of other famous screen "Casanovas" have I)een whitened out. TOEMENDOt'S'. Hu t«i-.»f ' Hu r^kung TEASERS An unusually large variety of teaser ads are available. There are two mats each containing four leasers. Two of the 2-column ads are shown in miniature above. THE MEN BEHIND THE CAMPAIGN MAX E. YOUNGSTEIN Vice-president in charge of advertising. Publicity and Exploitation JERRY PICKMAN Assistant to Youngstein HAL DANSON Advertising Manager ARTHUR JEFFREY Exploitation Manager LIGE BRIEN Assistant to Jeffrey LEO BRODY Publicity Manager NEWSPAPER ADS The variety and general excellence of the ii"v\ ?y>i:p :r ails ava hh]e on this p'cture is not - wo:l!iy. Below are three 3-coIumn m?ts s!i wn II! reduced s'zl'. GREATESI...OF ALL GREAT AoloNSPEaAS |TREMENDOUS..i„ Scop., THRILLING.., „_p„, AFLAME ,1 aX.. ^ ADVEVrURESOF CASANOVA* Jrturo De Cordova ludlle BrenMr Tuffian Bey Noreen Nash -JOHIISVTTM tfM«TOII« u*nuttu MARCH I, 1948 In the Release Chart, the date under "Details" refers to the issue in which cast, director, plot, etc., appeared. "Rel." is the national release date. "No." is the release number. "Rev." is the issue in which the review appeared. There nnay be variations in the running tinne in States where there is censorship. All new productions are on 1946-47 programs unless otherwise noted. IT) immediately following title and running time denotes Technicolor production, (C) denotes Cinecolor. COLUMBIA 1947- i8 Features Westerns Serials Completed (40) Completed (11) Completed ( 2) In Production (2) In Production (0) In Production (1) NEW PRODUCTIONS I SURRENDER, DEAR Musical — Started February 9 (Completed) Cast: Gloria Jean, David Street. Director: Arthur Dreifuss Producer: Sam Katzman Story: Girl disc jockey has ambitions to be Uroadway singer. RUSTY TAKES A WALK Drama — Started February 23 Cast: Ted Donaldson, Sharyn Moffett, Ann Doran, John Litel. Director: Will Jason Producer: Robert Cohn Stor.v: Thirteen-year-okl blind girl given dog to help rehabilitation. IN PRODUCTION T'tle — Running Time Let's Fa'l In Lovf SoFerman (Serial) COMI'LETEI) RELEASE CHART Best Man V/ins Black Arrow, The BlaiInQ Across The Pecos Blondie's Anniversary (67) Blondie's Night Out , Brick Bradford Buckaroo from Powder River (55) Coroner Creek (C) Crime Doctor's Gan-.ble (66) Devil Ship (62) Down '0 Earth (T) (101) Eternal V. flody The , F»l|pr Pru^h Man The Garant Blade (C> , Glamour Cirl (68) Hei Husbirid's ABaIrs (85) , Detail, tnder tlfi«: Lady Knnr Haw I Love Trouble (94) Detail- t 'der 'Itle C«ibl( Take It Had To Be You (S8) Po-e-s-W Hc 5-26. Key Witness (67) Beal-Marshall 4-14. Details under title: Destiny lidf Irom Shanenal The navworth-Wellet . 10-14. Last Days of Boot Hil!, The (56) Sarrett-Bornette ...6 23. Last Hou d-Un, The (77) Antry-Hcather 5 26. Little Spanish Town. * Autry- Marion 8 18 Lone Wolf In londoa. The (68) Mohr-Saunders ....5-76. Loves o( C;rmen, The Hayworth-Ford ....11-24 Belle Lamoar-MontQOmery 11-10 Man From rnlorada. The (T) Ford-Dreo Mary Lou (66) Lowery-Barton Mating o< Millie, Tha Ford Keves Cast Details . . 1-19 . . 2-16. 1947-48 . Biihop-Nanry . . . .11-10. . . 12-22 . . .11-24. . .Singleton Lake . . .9-1. . Sinfleton-Like . . . .4-14. . . Slngleton-take . . .9-29. . Richmond-Johnson .10-27. . .Starrctt-Birnette . .5 26. . . .9-29. . . .8-4. . .7-21. . Hayworth-Parks . . .4-15. . Kirro a E'g rth . .11-10. . .10-27. . Parks-Chapman . . .12-8. . . Knipa-Reed .... 9-1. 3-3. . . Tone-Blair . . .5-26. Rel. .3-25 No. 12-18. 10-16. i2-i8. 10- 14. 11- 27! 12- U. .1>29. .1-16. 11-47. .8-4 .1-48. .12-47. .10-9. .7-21 . .2-2 . .1-5 11-20. 11-47. 1113. My Dog Phantom Port Sail Prinee of Relentlrss Details Retnrn 0' Return of The Whistler, The (63) Diane-Aabert Rose of Santa Rosa (65) Hot Shots . . . . Sign of the Ram, The (84) Pcters-Knox Six Gun Law (54) Starrttt-Sainders Sea HnuMi) The (Serial) Crabke-Blaka .. Sono fit H»'-o ViactEt-Grant Strawberry Roan, The Aalry-H nry Eweet Gnnevleve (68) Portcr-lydon Snordiman, The (T) (81) Parks-Drr« Tex Graingar (Serial) Slpv«ns-";'-wart Thundrihool Fester -Bishop OetaTIs under title: Wild Fury To the Ends of the Earth (109) Pnicll-Ha5sa . . Trapped by Boston Blackle Morris-Lane Two Blondes and a Redhead (70) Pfrte'--lvil"n Wast of Sonora Starrctt-Barnettc Whlrlwl d RnHeri Starrcll-Satinders Wonan from Tangier, The (66) J^icas-Dinne Wreck of The Hosperui, Tho carlur-White .. 3-17 9-15. . 7-7 11- 24. .8-4. . 12- 22. . .1-23. Ri^ty Donaldson-Doran Valley (53) Starrctt-Burnette 8-4... 2-19. "ish'^n-Henry Thieves (72) Hall-Morison 5-12... 1-48. (93) iToung-Ci.ap.Tan .... 12-9 .. .2-48 . I der title: Three Wora Tkaro.ihireds nctob-r T-t Fnrd. Moore 9-29 .10-27. . .3-18. , . . .9-1. .12-25. 8-4. . .3-48. , ...7-7 1-9., . .5-26 9-4. . . .10-27. . .3-30. ... 7-7 , . .4-14. .10 23. . . . .12-9. . .1-48. 8-4 2-16 .2-16 ..10-27 .12-9. . .2-48 .12-22 . .4-14. . . .9-29. . . .9-15. . .9-29. . . .9-15. . .11-6. . .3-25. . 2-12. . .2-5. EAGLE-LION l!M7-48 Features Westerns C'omplet<^ (27) Completed ( 5) In Production (.3) In Production (0) NEW PRODUCTIONS LET'S LIVE A LITTLE Drama — Started February 16 Cast: Hedy Lamarr, Robert Cummings. Director: Richard Wallace Producer: Eugene FrenUe .^tory: VounB advcitisini; (jenius has breakdown attempting bUKiness deal Willi ex-wife, goes to female psychiatrist. Result: triangle. SHED NO TEARS (Equity Films) Drama — Started February 16 Cast: Wallace Ford, June Vincent, Frank Albertson. Director: Jean Yarbrough Producer: Robert Frost story: Married couple attempts life insurance fraud through use of wrons (■ orpse. RELEASE CHART IN PRODUCTION Title — Running Time Cit Deta'ls Rel. No. Re«. Hollow Triiinuh Henreid-Bennett .2 16 *-uiVlfl-i:.ltl» 1947-48 Adventures of Casanova (83) deCordova-Nash .... 5-12 ... .2-7 ... 812 2-2 Black Hills Dean-Ates 5-12. . .9-27 851 Blonde Savage (61) SherwoodErleson .... 7-7 .. 11-22 £07.. 10-13 Bory Me Dead (66) 0 Don ;ell Dan.tis . .4 14. . .9-20. .. .803. . .9-2^ Cheek Your Gons (55) Dean-Gatet 7-7... 1-24 853... 12-8 flose-iip Baxter-Gllmore ....12-22 Cobra Strikes. The Kyan-fraser 1-5 . .4-24. . . .820 Fnc*i, A ill9i Hepharn-Henreid S»ii| el The Thin Man (86) Poweii-Loy ... laaaier Nollday Reoncv-OeHaiea State Of The Union Tracy-Heoborn Tenth A«e»ioe Atnel (76) 0 Brien-Morrhy 4-1. This Time far Keens ng 9-1. Ro A T aosanil Eyee Buk.nsoo Rasieli Paleface. The (Ti ho e-Kus»ll Road To Rio (100) Tro bv-Ho « .. Ehacgy (C) Joyce-Shayne Saigon (i4) Ltdd Lake 12-9 Sainted Sitters Lake CaulncI J-Fi;z:erald 10 So ErII My Love ■ i lani- l«.id . "■-26 Soepd To Spare Arlen-Rogers 10-27. Unca qoe^ed (T) (146) 1 or>r er Co dird .. R-)9 Waterfront At Vidnhht Garran-Hcg'ies . .12-8.. Where There's Life (75) hoiit H so 4 Id Whispering Smith (T) Ladd-Marshali 4 28. Wild Harvest (92) Ladd-Lamour 9-16 .6-18. . .5-28 . .1-16. .4718 .4716 .4,08.. 12-22 .11-10. .3-26. .4712. 3-1 . . 7-7. . .9-29. . . .7.7. .8-18 . .1-6. .12 .611. , .3-12 27 . . . 4 .5-14 .6-25. .U-ii.. . .4 07. .11-24 .471-' .4710. . .2-16 ■30. . .4.15. . . .4715 , .470>. . .9-29 .4719 . .47U4. .10-13 .9-26. . .4701. . .8-18 Rcl. RELEASE CHART — 1947-48 — REISSUE Ti.le — Running Time Cast Details Alias Mory Dow (66) MiUai d-E lers Arcentine Nights Ritz Bros.-Andrews Sis Bl.ick Cat, The (72) Ladd-Pathbonc Oct. Black Friday (71) Karloff- Logos! Cct. Butch Minds the Baby (77) Bruce-Crawford Nov. Ex-Champ (72) McLaglen-Brown Ghost of Frankenstein (67) CKaney-Ankers Jan. Give Us Wings (62) l.T. Guys D.E. Khs freen Hell (87) Fai ba -ks-Bennctt Dec. Hellzapo;pin Olscn-Johnson Invisible Man, The (71) Ralis-Sti-art D c. Invisible Man Returns (81) Priee-Hardwicke Dec. Lady From Cheyenne (89) f oung-Prcston fept Lady In a Jam (85) Dmne-Knowlcs Sept. Little Tough Guy (83) L.T. Grys-D.E. Kit's Ma-. Little Tough Guys In Society (73) tit le Tough Guys Mar. Model Wife (78) Blonb(ll--owell Mommy's Ghost (65) Chaney-Carr-iiine Feb. Mummy's Tomb (61) Foran-Chaney Feb. Pittsburgh (91) Wayne-Oietrich-Scott Dec. Sin Town (74) Brnnttt Cra-fo d Jan. Son of Dracola (80) Chan-y-A!!britton J:n. Storm. The (78) Bicl;ford-Foster Feb. Tight Shoes (69) Crawford-Gwynne Nov. When Tomorrow Comes (92) Don- e-Covrr You're Not So Tough (71) L.T.Go:s-D.E.Kids No. . .736. Rev. . 1129 . .1 ^6. .1217. . .926. .1212. .1055. . 1017 . . . 623 . . 1029 . .1121. .1208. .917. . 929. .1124. . 1344 . .1246. .1270. .12 6. .19=;. .924. .113"). . . 4S. .1063. 1947-48 Features Westerns Serials REPUBLIC Completed (16) Completed ( 7) Completed ( 2) In Production (2) In Production (0) In Production (0) NEW PRODUCTIONS ALC.\TRAZ PRISON TRAIN Prison Drama — Started February 13 Cast: Wm. Phipps, Don Barry, Janet Martin. Director: Phil Ford Producer: Lou Brock story: Attempted escape of federal pi-i.ni. Waller 12-15. Bill and Coo (Tr.) (61) Burton's Birds Bold Frontiersman Lane-Waller Details under title: Cimarron Trails California Firebrand Hal'-Boolh ... rump'is Honevmnnn Crane-Wilde . . Carson City Raiders Lanc-Waller Dangers of The Canadian Mounted Bannon-Belmont G-Men Never Forget (Serial) IHoo-e-Am«s No. - .712. Rev. .1-5 .12-22. . . .4-1. . , .10-13. .10 13. 2-16. .10-27. , . . .8-4. .3-15. . .21. . .6^4. . .703. -9. . .792. .7;>1. Gallant Legion. The Elliott-Booth 1-5. Heart of Virginia Martin-Lowery I, Jane Doe H"SS»y-Carroll .. Inside Story. The H«nt-Lundlgan Details under title: End Of the Rainbow It's a Grand Old Nag (Tr.) fa-toon Feat"re Lightsin' in the Forest Roberts-Douglas Macbeth Wellej-Nolm . . Madonna of The De«ert Castle- Roberts MMn Street Kid, The Pearte-Martin . Moon-ise Clark-Russell . . Okl-ihoma Badlands Lane-Coles . . . . Old Los An-elpi El'ion McLeod 12-22 .11-24. 9-15 .4-5. .3-14. .703. . . .7';i. . . .706. 12-20. . .12 8. . .315. . . .7-7 .11-10. . .2-23 704. . .9-29 1-1 701. . . .1-5 .11-24. . .2-22 753. , .10-13 R'd Pony. The 'Tl Loy-Mlteliem 6-9 Secret Service Investigator Bridges-Roberts 2-16 Slippy McGee Barry-Evans 9-1... 1-15. Under California Stars (Tr.) Rogr 1947-48 Features Completed (44) In Produetion (3) NEW PRODUCTIONS THE LONG DENIAL Drama — Started February 16 Cast: Maureen O'Hara, Melvyn Douglas, Bill Williams. Director: Nicholas Ray Producer: Herman Mankiewicz Story: Radio singer loses voice and discovers young protese who becoir.ea lier alter ego. BLOOD ON THE MOON Western — Started February 16 Cast: Robert Mitchum, Barbara Bel Geddes, Robert Preston, Director: Robert Wise Producer: Theron Warth Story: Covvpiincher joins outfit, falls for daughter of owner, then dis- covers l)oss to be crooked. RELEASE CHART IN PRODUCTION Title — Running Time Cast Details Kel. No. Rev. Boy Wilh Green Hair (T) O'Brien-Ryan COMPLETED 1947-48 BLOCK NO. ONE Bachelor and The Cebby-Soxcr. The (94) .. .Grant-Lay 8-6 801. Cresstlre (86) Veent-Mi:choni 3-17 802. Riffraff 180) O Brim-St zak 6-24 803. Seven Kpyi to Balduate (66) Ten7-White 11-25 804. Under tde Te'te Rla (61) Helt-Leslle 1-20 803. BLOCK NO. TWO Dick Tracy Meets Gruesome (65) Byrri-Karlefl 4-14 8C9. Night Song (102) Aadrtws-tberoa 4-14 806. Details under title: Memory «( Lo«e Out of the Past (97) Mltchen-Greer 810. So Well Remembered (114) Stetl-mils 807. Wild Horse Mesa (60) Mel. -Leslie 8-4 808. . .6 9 . .7.7 . .6-9 . .6-9 . .6-9 11-21 11 24 11-24 11-10 11-24 .2-16 . 2-8 NOT DKSIGNATED Arizona Ranger, The fa't-Les'ie 11-10 Birlin Express Obe'en-RKan 9-1 Fighting Fither Dunne O'Brien- Deli 3-31 Fort Apache Fcnda-Temple 8-18 Details under title: War Party Good Sam Coot r Sheridan ....8-18 Guns of Wrath Ho.t-Ltslij 12-22 I Remember Mama Ooiine-HenioUa 6-9 if You Knew Susie (90) Canter-Oa»is 1-20 Indian Summer Knox-Sithtrn Joan of Arc Bcrjman- Ferrer ....10-13 Mae Anaut Town Cheraller-Derrler ..Ftrelfl Miracle of The Belis The MaeMe r » Valll 8-4 Mr. Joserh Young of Africa lobnson-ArmitroBg 1-5 Mystery In Mexico Lundijan-White ...10-13 rear). The IHartioes-Aniiendarii Ferelia Race Strpft Raft- Ma well 9-1 Rachel and the Stranger Voini Helden 9-1 Details u'der title: Rachel Return of the Badman SroM-Wtiite Roeghshod Stcrl'm-Grahaae . 7-7 Station West PT»;'I-Greer farzan a-'d the Mermaids Weissmnller-Jeyei ....8-4 , Tycoon IT) Wayne-Day 2-3 Under Arizona Sides Helt-Leslie 9-1 Veivpt Tovrh The Poweli-Cenn 10-13 Western Heritage (60) Holt-Leslif 2-16 Window, The Hale-Kennedy 11-24 Your Red Wagon O'Donae'l-Graagcr 7-7 SPECIALS Bishop's Wife, The (109) Grant-Youna 3-17 11-2-1 Fugitive, The (104) Fonda-Del Rio 1-6 11-10 Fun and Fancy Free (73) Disney Cartoan Featirr 891,... 9-1 Leng Night, The (101) Ftada-Bel Geddes ...9-16 861 6-9 Magic Town (103) Stewart-Wyman 11-25 862 ... 6-9 Mourning Becomes Electra (172) Rissell-Redtra«e ....4-14 11-24 Secret Life of Walter MItty (T) (105) Kaye-Maye 4-29 851... 7-21 Song Is Born, A (T) Kaye-Mayo 8-4 Details ender title: That's Life REISSUES Bainbi (70) Disney Cartoon Featere 2-1 Gun Law (60) O'Brien-Ochman 10-3 Border G-Man (60) 0'Bri-n-J»hiiston 11-14 Lawless Valley (60) O'Brien -Sutton 1-30 Painted Desert (60) O'Brien- Johnston 12-19 Troubic In Sundown (60) O'Bricn-Whitiey 3-2 SPECIALS Sett Yean of Our Lives. The (172) tnr-Mefch 4-29 751., It's A Wonderful Life (129) Stiwart-Reed 4-29 781, toni of the Sooth (T) (94) Disney Cartean Featir* 791. SInbad Thi Sailor (T) (ll7) FaWanks-O'Hara 3-4 762, ,12-9 , 12-23 .11-11 . ,1-20 SCREEN GUILD 1947-48 Features C!ompIeted (9) In Production (0) RELEASE CHART COMPLETED 1947-48 Title— Binning Tine Cast Data'ls Rel. Boy! What a Girl! (69) ■cfre Cast 9-20.. Bernini Croit, The (78) Danltlt-PaMra 6-9. .10-11.. Dragnet (73) Wllcauan-Briaa .. .4-2a. .10-25. . HellywNd Barn Dance (63) Tikk-lrrlnt 3-31. . .6-21. . Details inder title: Wiitari tu* Dum No. Rev. . .X.2 .4704 .4703 .4701 Killer Dill (71) Cwynne-A ber son . . .3-31. . .9-13 . Miracle In Haricm (71) Stepin Fetchit 2-28 Road to the Big House (72) ih I on Doran 12-27 .. Prairie, Th5 (80) Aubert-Baxler 3-13.. Trail of the Moontlsi (42) Hayden-Holi 3-29 ... 2-21 . , Details under litis: Law of the Mooatlet Where the North Begins (41) Hayden-Hcit 12-13 . HOPALONG CASSIDY REISSUES Restler'i Vallry <60) Boyd-Nayden Tenas Trill (59) . . Partaeri el the Plains (71) ...,3-15.. Beyd-Hayden 4-12.. Buyd-Hayden 4-26 Casild> el Bar 20 ( 59) Euyd H«y«en 5-10. Heart ol Arizona (68) boyd-Haytin Bai 20 Jestlet <65) Boyd-Hayden Frontiersman. The Boyd-Hayden Sunset Trail Boyd-Hayden Pride of the West BoyJ-Hayden In Old Mexico Boyd Hayden Silver on the Sage Coyd Hayden Renegade Trail Boyd-Hayden .6-14. .7-19 . 11-8 .11-25 . . .1-3 . . .2-7 . .3-6 .4-10 .4702. X-3 .4:06. .4705. .4708. .4707. .HC07. .HCOe. , H(;09 .HCIO. ,HC11, .HC12. . HC15. HC16. .Hi,13. HC14. HC17. .HC18 SELZNICK — S. Features Completed ( 5) In Production (0) RELEASE CHART COMPLETED Title — Running Time Cast Diel In the Sen (T) (138) Jen'S-Cettfn Intermezzo (70) Hergman-Howard Mr. Blandlngs Builds HU Dream Hease . . . Grant-Loy . . . . Paradine Case, The (132) fodd-Peck . . . Portrait et Jenny Mtten-Jenn .. Rev. .4-14 Petals Rel. No. . . 3-19. . .4-17 . Kelssoe .10-13 . .12-23 1-13 ....3-3.. 1 ^Oth CENTUR Y -FOX 1 1948 Features Completed (11) In Production (.5) NEW PRODUCTIONS UNFAITHFULLY YOURS Comedy — Started February 18 Cast: Rex Harrison, Linda Darnell, Rudy Vailee. Producer-Director: Preston Sturges Story: English symphony conductor marries American girl, becomes sus- picious of her wlien away. Has usual Sturges twist. RELEASE CHART IN PRODUCTION Title — Running Time Cast Details Rel. N Apartment for Pefljy Crain-Holden 1-19 For Fear of Little Men rower-Baxter Z-16 Law and Martin Rome. The IMatore-Conti 1-5 Details under title: The Chair for Martin Rome Street With No Name, The Stevens-Lawrence ....1-5 Re«. 1947-48 . .2-3 .2-17 • 2-2 .12-8 .3-31 .2 16 .12-8 11-24 .5.26 Boomerang (88) Andrewj-Wyatl 9-30... Feb 704. Brasher Ooobloon. Thi (72) Mont|omery-Giilid ... 7-22. .. Feb 707, Call Northside 777 (111) St;wart-Walker .. .. 10-13 ... Feb 8C5 Captain From Castile (T) (140) Powers-Peters 12-9. . .Jan .., .801 . Carnival In Costa RIci (T) (95) Haymes-Holm 4-29... Apr 710. Challenge. The (68) Conway-Vincent .. .11-24 ... Mar. .. .807 . Daisy Kenyon (99) Crawford-Andrews 7-7... Doc 731. Deep Waters Andrews-Peters ....1013 Escape Harrison-C>mm:ns ...9-16 Forever Amter (T) (140) Darnell-Wilde 11-11,,. Oct 733.. 10-27 Foxes of Harrow, The (118) Harrison O'Hara 4-28,.. Oct 729,,, 9-23 Fury at Furnace Creelt Matore-Gray 9-15 Details under ti la: Ballad of Furnace Creelt Gentleman's Aireemcnt (118) Peck-McGoire 6-9... Mar 8C6, Ghost and Mrs. Moir, The (104) Harrlson-Tlerney 12-9... May 715. Give My Regards to Broadway (T) Guild-Daley 5-12 Green Grass of Wyoming (T) Cummins-Coburn . . . .6-23 HMiestrstih (T) (96) Wildi-O'Hara 7-22... Il«y 713... 4-28 Ideal Husband, An (T) (96) Goddard-Wilding Mar 809 Iron Curtain, The Andrcws-Tlemey Miracle on 34fh Street (96) Payne-O'Hara . Details inder title: Big Heart I Wonder Who's Kissing Her Now (T) (104) Haver-Stevens ,, Kiss of Death (99) Mature-Donlevy Lati George Apley, The (98) Colman-Cummlns Let's Live Again (67) Emery-Brooks 11-24,, Margie (T) (94) Cralne-Tonng 2-18, Meet Me at Dawn (81) Eythe-Court Mess Rose (82) Cimnlns-Matire Mother Wore Tights (107) Grable-Dailey 11-11,, Nightmare Alley (111) Power-Blordeil 6-9. Raier's Edie, The (14«) Power-Tlerney 4-15. San Dometris. Lendon (76) Fitzurald-Yeeni ..Ferel|«.. Scudda Hco! Scndda Hay! (T) Haver-McCallister ,,,3-17,. Sitting Pretty (84) Younq-B'Hara 11-10.. Scudda Hoo! Scadda Hay! (T) (95) Srable-Haymes 12-10. Snake Pit, The deHa»llland-Genn ....8-4 Tender Years. The (81) Brewn-Hotchlnson 9-1,,, Jan 803... 12-8 That Lady in Ermine (T) Grable-Fairbanlu .,,11-10 Details under title: This Is the Moment , .12-8. . . .12-9. . . . .8-6. ..3-31.. , , . ,7-8, .June, ,Ao|, Sept, , Apr, Apr. . .Nov. .Apr. . .Jme. .Sept. , .Oct. .III. . Apr, , Apr, Apr, .Ju. .718... 5-12 .723. . .6-23 .725 9-1 .712. . .2-17 .813 ,646. .10-28 .812 . .717. , . .6-9 .724 9-1 .730. .10-13 .701..11-t5 .714... 4-14 .811 .810. .703....1-6 FILM BULLETIN Thirleen Lead Soldiers Conway-Wescott . . .12-22 . . Apr. 13 IM Maea .,, Details iinder title: Adacatmi at BL«k Bart Bush Christmas (70) RaSerty Fcrasidc Casbah DiCarla-Martla , . , Captain Boycott (S2) Danat-Cranij ... Double Life, A (105) CalBiaa-Hats* , . . Details ander title: InaalnallM Exllo. The (95) Fairkanlu-Woii'.ei . Holiday Camp (97) Robsan-Prie: .... H angry Hill (92) Lackwaol-Mca . . . Letter From An Unknowa Watua Fonlaina-Jaar^an Lost Moment, The (89) Cumaiings-Haywartf Details ander title: Tha LmI Lata Naked City, The (S6) FitsseraM-DiB . . Nicholas Nlcklrby (94) Hardwicka-Band , Man- Eaters of Komaeo Saba-Pafe Pirates of Mo-.teroy (T) (77) llantei-C«eron .. Ride the Pink Horse (101) Montginery-Hendrix River Lady (T) OeCarla-O.ntea , , . Secret Beyond the Door (99) Bennett Ketffra.c Senator Was Indiscreet, Tba (81) Po«ell-Ra:aes . . . . Singapore (79) MacM rray-Gardnar Tap Roots (T) Heflin-Hayward Tawny Pipit i81) H les Jok.i Up In Central Park Darbia-Hayaus . . . Wistful Widow at Wafoa Gap OB, .. . .AMotI- asieile ... Woman's Vengeance, A (S6) Boyer-Blytb Details under title: Tba Martal Coil Forel,n 11-10 , .6 23 . Foreign 12-8 .10-27 Foreign . . .Jan 652. . .12-1 . .6-23 1-13 . , .5 12. . Nov. . . 630. .10 27 Foreign 2-13 ForeliR 10-27 , .9-15 . .3-31. . .Dec 626. .10-2? . . .7-7 2-2 Foreign 11-24 .12-22 , . .5-13. . Dec 632. .11-24 . .5-26. . Oct. . . .625. . .i-15 ..8-4 Feb 1-19 7-7... Jan 12-22 . .3-17. . .Se.-t 622...8-1S 6-23 Fore in 9-15 .10-13 . .5 12 Oet 10-13 . . .8-4 Feb 1-5 WARNER BROTHERS 1947-48 Features Completod (2S) In Production (6) NEW PRODUCTIONS DAMES DONT TAUC Mystery Drama — Started February 13 Cast: Virginia Mayo, Bruce Bennett, Robert Hutton. Director: Richard Bare Producer: Saul Elkins Story: Night club sinser becomes involved with law. RELEASE CHART IN PRODUCTION Title— Raniriag TiiM Cast Details Rel. No. Rev. Adventures of Don Juan (1) Flyaa-LMfan 10-27 John Loves Mary Raagan-lai 2-2 Key Largo Baqart-Batall 1-5 On" Last Fling Sautb-seatt 2-16 One Sunday Aftcrnoan (T) ■argaa-Paife 2-16 Rope (T) Stewart-Cbaadler 2-2 COMPIJBTEa> 1947-48 Always Together (78) Details under title: Law at FIfst Sl|bt April Showers Big Punch, The Details ander title: The Fifbtini Tcfrar Deep I Became A Criminal (78) Life With Father (T> My Girl Tisa (95) . Details under title: Efcr Tha BatlaalBi My Wild Irish Rote (T) Wlatar ■aatlq Romance in High C (1 Sliver River Strange Meeting .... Details under title: That Hsgen Girl (83) DetalU under title: Manr Naiaa To The Victor , Treasure of Sierra Madra (126) . Two Gays Fraai Texat (T) Unsuspected, The (103) Voice of The Tartla (103) WanM la White, Tba Walllawer Whiplath REISSUES Adventures of Robin Htoi (102) » ijr»B-ianaf iiiana Keissae. Anthony Adverse (116) Marcb-DeHavllland Reiitae, Bad Men of MIssaarl (71) Hortan-Wynao ,..Relssae. Each Dawi) I Die (84) Caiaey-Ban Raluaa. Jezebel (93) Davi>-Faa4a Reissae .. 12-13 . . Slight Case of Marier, A (SS> BabiaiMi ReUsae. .12-13. . REISSUES Sea Hnk, Tha (109) FlyM-Mai Baliua. . .4-25. . Sea Waif, Tba (>7> ■aMnts-Uplaa . .Mmm. . .4-26. . KUi'i Raw (127) S»»liu-CiMlb|t lalttia. . .12-7. Wild Bill RIakaak Rl«aa (Tt) ■wiiW CitH . . .Relieia. ..U-7. . .Reynalls-Hatten . . . .6-23. . .1-10. . . .713. . 12-22 Carsm-Sathera . .9-15. , 3-27. . . .719 .Norris-Ma)cwll .. . . .2-2. Smith-Daaf!as . .9-15. .Bajart-Bacall .... .11-23. . .9-27. . . .703. . .9-15 Clark-Laplaa . . . .10-14. . . .9-1. . . .701. . .8-4 .Flyao-Lapiaa . . . .11-26.. 11-22. . ..708. 11-10 Navard-Gray Foreign. . . .3-6. . . .717. . .2-16 Wyman-Ayrei . . . . . .9-15. DanBe-Paarell . . . . ..4-15.. . .702. ..9-1 Palncr-Waaamakcr . .6-9. . .2-7. , .715. . .2-2 Morgan-Kint . . . .10-14. 12-27 . ,711. 12-22 Lla«tan-BaWM . Flyaa-Sberitaa ...5-12. .Oaalt-Datb ..10-13. .Re«taa-Taai»la .. ...6-23. .11-1. ...707, .10-2) Martan-Lladfart . . .8-18. . .Bagart-Hastaa . . .3-31. . .1-24. ,,,714. .1-19 Marfia-Cacaaa . . ...3-17. , Raiu-CaaMald .. 2-3. .10-11. ...706. ..9-29 . Parker-Raagaa . . . .3-3. . .2-21. ,..716. ...1-5 rarker-Taaai . .10-14 . .3-13. . .12-13.. ..10-4.. ..10.4., . im. . .709.. .704.. .705. . .710., .712. .618.. .618.. . .60t. MARCH 1, 1948 3S •SALUrt TO AMERICAN BROIHERHOOD WEEKI" $3 per Year 25c per Copy BULLETIN MARCH 15. 1948 ]\envs and Opinian Page Five 01* LAST YEAR IT WAS THEBESTYEMS THE MOST HONORED MOTION PICTURE IN HISTORY • • • now in its 2nd consecutive year in London, England* THE COMMAND PERFORMANCE PICTURE IN ENGLAND (the first American film in history to be so honored!) • ••now in its 13th consecutive week in New York^«* 11th week in Boston ...Sth week in Chicago. "A" \ ^ luccess Story Paramount opened "ALBUQUERQUE" at prelease World Premiere engagements in the Southwest with special promotion and star appearances . . . and as expected, it did sensational business in these home locales. But now we can report that beyond expectations y this sensational business has been maintained in every part of the country and without special promotion. "ALBUQUERQUE" IS DOING TOP "A"- PICTURE BUSINESS IN"A"TIME IN"A" HOUSES ALLOVER AMERICA! At the Paramount in Springfield, Massachusetts, its first 2 days were 2S% better than "California", hitting 60% of the first 7 days of "Perils of Pauline." Simultaneously, the Victoria on Broadway reported first Saturday and Sunday 30% over Paramount product playing that house in the boom year of 1946. Meanwhile, across the country, Los Angeles, Hollywood and San Francisco all played to business on comparable levels. In midwest cities like Milwaukee, St. Paul and Oklahoma City, "ALBUQUERQUE" led "PauHne"— and in New Orleans, its first date in the south, it beat "California" by a substantial margin. The strength it is showing in smaller situations is also important. Glens Falls, N. Y., is typical of many such spots reporting "Pauline"-plus business. PARA MOUNTS EPIC Vol. 16. No. 6 BULLETIN March 15. 1948 JVctvs aw§d Opinion BRITISH TAX SETTIEMEIVT SEEIV BOTH MOBAl AND DDLLAB VICTOBY For over a week film shares on the stock ma.-ket had been quivering like a nervous bride. Every time Eric Johnstr^n smiled as he exited from a conference with J. Harold Wilson, Britain's president of the Board of Trade, the movie stocks moved up. If he looked glum, down they went. FinaJly, last Thuiisda,y (11th) after a tough ten d.?.ys of negotiations, the good news came over the wires: the war between His Majesty's Government and the Ameri- can film industry had been called off. The British would drop the "confiscatory" 75 per- cent ad valorem, tax on American films, the Americans would lift retaliatory em.bargo on their pictures to the Empire. The market reflected a halt in the pessimism that psr- vaded the industry these past seven months. The armistice, a com.promise, of course, is to be for four years (subject to review after two). In a series of all-night transatlantic phone MPA'S JOHNSTON Deal a credit to his efforts conferences, Johnston obtained unanimous approval from all members of the MPAA. It was generally agreed that he had per- formed a good job despite the fact that one Hollywood bigwig griped: "Only a moral victory." ABOUT 25 MILLION DOLLARS An early, rough estimate was that the settlement would mean somewhere in the neighborhood of $25,000,000 in dollar revenue to the American film companies, as well as the use of another 25 millions to be spent in England. To the dollar-starved British, it spelled a new lease on life for their ambitious, but totterinc^ (since the tax was imposed), mov'o industry. In past years, American distributors have ■Deen taking approximately 50 million dollars 'A HELP' — N. M. SCHENCK An official of Loew's, Inc. quoted president Nicholas M. Schenck as say- ing about the British tax situation: "Certainly the elimination of the British tax has been a help. I believe it will prove not only beneficial to the American film industry but also to the British industry itself. Financially it has its obvious implications. From an international point of view it re- moves the barrier in the free ex- change of fihns between countries which must promote international understanding." per year out of Britain. Under the terms of the Johnston-Wilson deal, they will be allowed to take 17 millions each year, plus an amount equal to that earned by British films in the U. S., its possessions and the Philippines. The latter provision is designed as an incentive to encourage wider distribution for British films in this country. The "take" of pictures last year in this country alone was $4,000,000. This amount is expected to be increased under the in- centive of the new agreement and, added to the rentals from American possessions and the Philippines, should raise the British revenue enough to allow the Americans the estimated 25 millions. TO SPEND BALANCE IN BRITAIN The agreement, which becomes formally effective June 14, also provides that the sterling earnings of American pictures which cannot be remitted are to be spent by the American companies in several ways: — In activ'ties connected with British films business and film people, such as production by American companies in England, pur- chase of theatres there, payments to British stars, writers, directors, buys, etc. — Investments in allied fields in Britain, like radio, television, recordings. This phase will be supervised by a joint committee of four in London, two British Government representatives, two American film men. — Other uses, details of which are being worked out. SOME OPPOSITION While most of the negotiating was con- ducted between Johnston and Wilson, some of the conferences included Foreign Sec- retary Ernest Bevin, Chancellor of the Ex- chequer Sir Stafford Cripps and American Ambassador Lewis W. Douglas. The possibility that the House of Com- mons might upset the plan was minimized by ofiicial sources. When it was announced to the House on Thursday, several members voiced the opinion that the dollars ear- marked for American films could be better used in the purchase of food or petrol, but there appeared to be no danger of organ- ized opposition. Price-Fix Decisions May Hit Majors, Ascap Two decisions handed down by the U. S. Supreme Court a week ago are certain to give cold sweats to certain elements in the movie industry. They were the rulings in the Gypsum Case and the Electrical Case, both of which dealt with licensing rights of patent (or opyrig'bt) holders. In the Gypsum Case, the Court decided that the anti-trust laws were violated when a group of patents were tied into one licen- sing agreement, under which the patent holder and the licensed companies agreed to fix prices. This was held, 8 to 0, to be a conspiracy in restraint of trade. In the other case, twelve manufacturers of electrical devices were found to have violated the Sherman Act by cross-licen- sing patent rights with each other and by fixing prices for the patented products. Jus- tice Stanley Reed's majority opinion de- clared: "When patentees join in an agreement as in this case to maintain prices on their sev- ALLIED'S MYERS Sees TOA as "conspirators" eral products, that agreement, however ad- vantageous it may be to stimulate the broader use of the patents, is unlawful un- der fhe Sherman Act." MYERS POINTS TO CONSPIRACIES Alert to the significance of these decisions in relation to pending film matters, Allied's A. F. Myers promptly issued a bulletin pointing out that they might be regarded as straws in the wind. Reserving specific comment until he had studied the rulings fully, Myers was certain of one thing: "The rulings will provoke on cheers in major company circles." He also viewed the decisions as "a blow to the music trust"-— ASCAP. In Myers' opinion, "It appears cer- tain under these rulings that a great copy- riglit pool issuing uniform licenses at uni- {Continued on Page 8) nrc?pc c *" '""•'I"""''"* Motion Picture Trade Paper publislicd every other Monday by Film Bulletin Company. Mo Wax, Editor and Publisher. BUSINESS d'„o, I^'.-^-^' Trust BIdj., 1819 Broadway. New York 23. Circle 6-9159; David A. Bader, Business Manager; Dav Abrams, Editorial Representa- tive. PUBLICATION-EDITORIAL OFFICES: 1239 Vine Street, Philadelphia 7, Pa., RIttenhouse 6-7424; Barney Stein, Managing Editor; Jack Taylor. Publication manager: Robert Heath. Circulation Manager. HOLLYWOOD OFFICE: 9126 Sunset Boulevard. Hollywood 46. Calif., CRestvicw 5-6489; Sara Salzer, Hollywood Rep- resentative. Subscription Rate: ONE YEAR. $3.00 in the United States; Canada, $4.00; Europe, $5.00. TWO YEARS: $5.00 in the United States; Canada, $7.50: Europe. $9.00. Shart Subjects By BARN The repercussions of Hollywood's economy drive are really far- reaching, it seems. We learn the heartrcndinj? news from the Wall Street Journal that Hollywood's top-salaried stars an! executives have been forced to cut their jewelry purchases to the bone. A spokesman for the American Gem Society reported the decline bepan last summer after the embargo on film shipments to Britain, and by Christmas the gem salons catering to the moguls, stars, directors, et al. felt the effects to the tune of a 50 per cent cut in previous Xmas sales. We knew it was tough all over, but this — Gos^h! The Great Welsh Comics Books Drama, in which Bob Savini has played a leading role, rolls on. The Astor prexy's generosity in supplying 12-year-ol(l John Morris, Cardiff (Wales) schoolboy, with the comic books he chose to forego in order to give the 43 cents the youngster had saved for them to the British Ex- chequer to save needed dollars, has reacl-.ed the ears of Sir Staf- ford Cripps, Mr. Attlee and other British government toppers. The Cardiff (Wales) Herald picked it up, describing Savini as a "film magnate who has spent a small fortune" in cables and gifts to John. Wouldn't it be an idea to have young Master Morris in a forthcoming A.stor film based on the incident? A preacher's Invocation at the opening of the Mi-De-Ga Theatre in Waverly, Tenn., so impressed Leonard Shea, Eagle Memphis ibrancti manager, that he sent a copy of the prayer, offered by Rev. F. F. Moore, Max E. Yoimgstein. vice-president in charge of ad-publicity-exploitation who passed it on to us. Pastor Moore's prayer offered a powerful example of the inestimable value good relations in the community are to the exhibitor, des- cribing the theatre as "an institution for the benefit of the people" of the community and films as a "medium of escape from the hard, difficult places of life to recreate ourselves" and as a powerful educational force. "In this day of adverse criticism towards our industry," .said Shea, "it is refreshing to see a man of God thank an exhibitor for building a theatre in his com- munity." In one of the most super-stupendous, gigantic, colossal extrava- ganzas ever produced in Hollywood, fllmdom's bigwigs obediently paid homage to a little lady who has given her all for Holl>-wood. About 800 of the movie capital's greatest names gathered in the Cocoanut Grove last week for a testimonial banquet to Louella Parsons. Only a handful dared not (or weren't asked to) attend, among them Clark Gable, Cary Grant and rival gossiper Hedda Hopper. Louella's old boss, William Randolph Hearst, didn't make it, either. But Sam Goldwyn, Joseph Schenck, Darryl Zan- uck, L. B. Mayer and a lot of other big executives and stars were pres<|nt and most articulate in paying tribute to jolly Lolly. By the time all the gushing was over and the boneless squab picked clean, Louella's turn at the mike was beclouded by a mist of tears and benevolence. It was certainly a spectacle to make every myth of Hollywood's superlatives come to life. M-G-M's top productions aren't going to collect dust on the shelves. This was the verdict of the company's toppers, articulated by V. p. sales head Win. F. Rodgers, after recent huddles on the West Coast. Vowing not to withhold completed outstanding prod- uct for "new season" openings, Rodgers said the company will place "all available M-G-M product! in the hands of exhibitors at the earliest possible moment," and forwith announced 11 features for release between April 1 and August 30. The line-up: A.pril— "State of the Union", "B. F. s Daughter" and the Technicolor "Summer Holiday"; May — "Homecoming" (Gable-Turner) and the Technicolor "The Pirate"; June — "Big City" and "On An Island Wich You", another Technicolor titan; July — two Technicolor musicals, "Easter Parade" and " A Date with Judy", and August — "Julia Misbehaves" and "A Southern Yankee". The next six montlis will be the crisis period of the industry, Re- public president Herbert J. Yates, Sr., predicts, and those who can survive the purge of the current "economic storm" will emerge "healthier and more successful than ever before." Yates lectured the company's producers and directors on waste in production and promised that Republic could not be accused of this mal-de-movie. The New Look in screen short subjects frowns on the long shorts, demands briefer added fare, according to Oscar A. Morgan, Paramount's shorts sales head. So the company's 1948-49 lineup will consist of 70 one-reelers, including a jump in the cartoon output to 30. and the Paramount News, but no more of those big, two-reel Technicolor musicals. "Exhibitors in single bill terri- tories," says Morgan, describing the trend to one-reelers, "state they can build a better balanced program, and in double bill territories fit them more easily into their shows." Coincidental with Tschaikowsky musical, "Song of My Heart" (Allied Artists), genial Nat Finstone called the press in for a little conversational clambake. The producer talked about films for television, depicting a rosy future for both mediums when video succeeds in inducing the movie makers that it means them no harm. A former music director for M-G-M and Paramount, Finstone also talked about the importance of "integrating" music into a picture, rather than using it merely as an occasional back- ground. Rep. Carroll D. Kearns and his House committee investigating the Hollywood strike situation are getting swivel-necked following the verbal brickbats hurled by parties to the fracas. Latest ex- change is between lATSE head Richard F. Walsh and CSIT chief Herbert K. Sorrell, the latter charging Walsh with taking tainted lucre from the producers and convicted racketeers Browne and Bioff, whereupon the lA chieftain hurled "vicious lie" into Sorrell's teeth, adding the rebuttal that Sorrell's Alle- gations were designed to divert the public eye from "the moun- tain of evidence presented against him and from the sordid tale of his lawless career and pro-Communist activities." The toboggan is stiU the favorite vehicle for reporting net earn- ings. Columbia Pictures' estimated consolidated earnings state- ment for the 26 weeks ended Dec. 27, 1947, dipped to below half of its estimated net for the comparative six months in 1946, des- pite a Federal tax drop of almost half a million dollars. Net for the last 26-week period was estimated at $725, OCO, compared with $1,560,000 for the 26 weeks ended Dec. 28, 1946. Earnings per share of common stock was 90c on 638,352 shares outstanding on Dec. 27, 1947; $2.20 on 622,782 outstanding Dec. 28, 1946. Stockholders re-elected all directors of Universal Pictures Com- pany, Inc. at the annual meeting ini Wilmington, Del., last week. The renamed nabobs are Robert S. Benjamin, N. J. Blumberg, Paul G. Brown, J. Cheever Cowdin, Preston Davie, Matthew Fox, William J. German, John J. O'Connor, Ottavio Prochet, Charles D. Prutzman, J. Arthur Rank; Budd Rogers, Daniel M. Sheaffer, and G. I. Woodham-Smith. Charles M. Reagan, Paramount vice- president in charge of dis- tribution, announced the promotions of Albert M. Kane of Bos- ton new assistant to Hugh Owen, Eastern and Southern Division Sales Manager; and Harold Wirthwein assistant to George Smith, Western Division Manager. Kane has been with Para- mount since 1925, Wirthwein since 1928, their posts are newly created. Eagle Lion's sales realignment, announced by v. p. William J. Heineman, distribution chief, gives Clair Hilgers, Southwestern manager, Oklahoma City, Dallas, St. Louis, Des Moines and Omaha; Grover Parson's Southern Territory has New Orleans, Atlanta, Charlotte and Memphis; Ed Heiber's North-Central Dis- trict, Chicago, Detroit, Indianapolis, Milwaukee and Minne- apolis. Del Goodman's resignation as West Coast division heaxi cleans up that post. A Pacific Coast district manager, sui>ervis- ing L. A., 'Frisco, Seattle and Portland will be named soon. Heineman also upped Gordon C. Craddock to Indianapolis branch manager; Nelson Towler to the Atlanta branch; William Feld, St. Louis branch, and Benjamin Lander as Minneapolis office manager. Harris Dudelson rejoined United Artists as Cleveland branch manager. Paramount's Chet Bell, Denver branch manager, died last Mon- day (8th) at Burbank, Calif., where he came on a leave of ab- sence occasioned by his illness. A 25-year man with Paramount, Bell is survived by his widow, Mrs. Lida Mae Bell, his parents, and a sister, Mrs. E. P. Ketcham. 6 FILM BULLETIN ACTION SPECTACLES OF ALL TIME! mummt,.,^dvmfymof^£W0f^ ami., ARiyilO OE CORDOVA -LUCILLE BREMER-TURHAN BEY-NOREEN NASH ^"^^ JOHN SUTTON • GEORGE TOBIAS • Produced by LEONARD PICKER • Directed by ROBERTO GAVALDON Screenplay by Crane Wilbur, Walter Bullock and Karen De Wolf • From a Story by Crane Wilbur Trailers: Do They Do Their Selling Job? The doctors gathered in consultation and, at great length, prescribed an assortment of medicines, fifteen of them, no less, al- though it appears that the patient only suf- fers an occasional upset stomach from over- indulgence in adjectives. Being sp;c'.alists, they should have known better. The patient was the movie trailer and the medicos consisted of a group of theatie circuitmen, operating under Leonard Go'd- enson, chief of the Paramount chnin. The 15 pills pres.cribed to improve the condition of trailers Kfiust have s?emed a heavy overdose to the average exhibitors, who has a healthy regard for the strength of trailers as a ticket-selling mediumi. I>0'S & DON'TS A few of the self-appointed Trail3r Com- mittee's do's and don'ts made sense, others didn't. They: — Urged that trailers be made shorter. National Screen's trailers average approxi- mately 200 feet; Warner's and Metro's about 300 feet. — Suggested a short trailer for multiple- change theatres. With two n;ain titles, list- ing of cast, two or three scene clips and selling copy, Trailermen say it would be difficult to make them under 150 feet. — Recommended that trailers should arouse immediate interest, minimize superlatives, cut stereotyped jnaterial, omit critics' com- ments. It is generally presumed that the ad- vertising men who prepare them strive and succeed quite well to make them as efrec- tive as possible. They argue that superla- tives, properly used, and praise by well- known critics are valuable means of selling the public. — Advised against publicizing directors des- pite the fact that names like Hitchcock, De MiUe, and the late Ernst Lubitsch have al- ways been regarded as having real boxofiice value. — Asked that the use of costumes be avoided, whenever possible. Quipped one ad man: "The Johnston Office would never OK chang- ing of costumes in front of an audience." 41 WM. J. HEINEMAN Kiis'"" I. ion's iiniiliict ion iliii'l aiiiioiiii'p I that liis cooipan.v will ki> Io I'xliihiliiis. \\ Iid aiv "tlK- Iti'sl jiiilui-s ill llic l>iisiii<-ss of ulial i< hov- otlir*'" for Hu-ir advirc in the iirodiii'tiiin of (|iialit.v hoxoHirc pirtiireh. — Deplored the use of controversial copy in trailers on such films. The great success of "Gentleman's Agreement" and "Crossfire" was based on advertising the controversial subject matter. TR.4ILER TOP MEDIUM Generally accepted as sound reconunenda- tions were tViose against revealing too much of the plot or too many of the best gags, and against company advertising and tie-ins of more than one picture. The effectiveness of trailers as a sales medium was demonstrated by a recent sur- vey of "Woman's Home Companion" readers, which showed this form of advertising top- ping all others, including newspapers, by a wide margin. Price-Fix Decisions ^ (.i>iilini:i-ii jriiin l'iif(0 !)} form rates amounts to a piice-flxing con- spiracy." At the same time he tossed a hot coal in the lap of TOA by noting that "anyone who participates in such price-fixing is equally guilty." If an accessory to a conspiracy is a prin- cipal under our law, what of TOA's recent price-fixing agreement with ASCAP? Myers expects that t.here will be new lawsuits as a result of the Supreme Court rulings and he predicts "some new and very red faces" among the defendants. The decisions will probably be liberally quoted by Aliied's general counsel next Monday (22) on the Lewis bill to abolish all ASCAP charges to theatres. TOA Sees Rosy Future Votes Public Relations Job Bulfeted and beset though it is today, the industry looks like a good bet to go on to a rosier future, Theatre Owners of America directors, meeting in executive session in Lo.'i Angeles last week, decided. TOA, how- ever, felt that a certain amount of as- sistance from a public relations program would further that future and Ted Gamble, TOA president, was named to head a ver- satile program designed to counteract messy public relations. An educational and good neighbor policy v/as voted to spearhead the program. TOA elected to conduct campaigns, nationally and locally, to further movie-going, offset mounting public opinion that 7-follywood's product has gone to the dogs, and aid -At- torney General Tom Clark's drive to com- bat juvenile delinquency. The directorate also voted to: — Endorse plans for participation in the Motion Picture Foundation. Action with re.spect to the Motion Picture Forum, was postponed pending the Supreme Court's de- cision in the industry anti-trust case. — Petition producers not to allow their (Continued on Page 22 1 ^ METRO SETS I I FOR RELEASE IN FIVE MONTHS Eleven major features will be released by M-G-M between April 1 and August 30^ William F. Rodgers, vice-president in charge of dislribution, announced in Hollywood last week, follow- ing sales meetings at the studio. Rodgers coupled the announcement with a plea to exhibitors "for their fullest cooperation in giving these new productions the kind of support and important presentation they deserve." Above, the company's studio heads greet Rodgers and liis sales staff. Seated, from left, Edward M. Saunders, Rodgers, Lu B. Mayer, E. J. Mannix and Edwin W. Aaron. FILM BULLETIN 'I REMEMBER MAMA' TENDER FAMILY STORY SPELLS BOXOFFICE Rafes • • • generally; slightly less in BKO Radio 137 minutes Irene Dunne, Barbara Bel Geddes^ Oscar Homolka, Philip Dorn. Sir Cedric Havd- wicke, Edgar Bergen. Rudy Vallee, Barbara O'Neil, Peggy Mclntyre, June Hedin, Steve Brown, Ellen Corby, Hope Landin, Edith Evanson, Tommy Ivo. Directed by George Stevens. Everybody has been waiting for a picture like this. A tender story, brilliantly acted and handsomely produced, "I Remember Mama" will play joyous music on the heart- strings oi everyone who ever had a Mama. The play by John Van Druten was a hit, and this Dore Schary presentation is set for even greater popularity. Although it's a bit over-long, no one will complain — it's that good! The leading members of the large cast turn in fine, thre?-diniensional acting jobs. Irene Dimne, with a convinc- ing Norwegian accent, is the brave and warm-hearted Mama. Barbara Bel Geddes gives a shining performance of the young, impressionable Katrin. But it i.s Oscar Homolka who steals the show. Although littlo known to movie-goers, he is a riot as ,he roars and mugs his way through ihn part of fierce Uncle Chris, with his bristling mustache and ever-present whiskey bottle. Rudy Vallee as the stuffy family doctor and Edgar Bergen, as the timid undertaker, are important only for name value. Among the supporting players, Ellen Corby is out- ac+ion houses standing as fluttery', simple-minded Aunt Trina, and Tommy Ivo as little Cousin Arno is a pleasing and natural juvenile. Director George Stevens keeps the rather tenuoui; story deftly balanced between pathos and laughter. He likes to have sev- eral actions going on simultaneously, as in the scene when NCI's gets sick smoking his first pipe, Dagmar's dog ha.i puppies and Katrin decides to give up her literary ca- reer. The settings of this Harriet Parsons production give a realistic portrait of San Francisco in 1910, with the hilly suburbs, the old-fashioned trolley-cars and dossn't exclude the dank Frisco fog. EXPLOITATION: Spread tho word that this is a picture that the whole family will enjoy. Stress the human interest of mother- love and sell the dramatic portrayal of situations which occur in every family circle. Refer to the John Van Druten play and the K^thivn Forbes novel, "Mama;s Bank Account." Irene Dunne is the bulwark of this immi- grant Norv/egiar. family living in San Francisco. She kcepn a careful account of husband Dorn's meager earnings and a watchful eye over her four children. Tho family is comforted to know that Mama has an untouched savings account down- town. Bergen, the undertaker, is courting tho spinsterish aunt, Ellen Corby, and Dunne helps them get married over the opposition Oi' the other aunts. Youngest daughter, June Hedin, gets sick and has to go to the hospital for an operation. The 'THE BRIDE GOES WILD' GOOD QUOTA OF LAUGHS Rates • • • — where comedy clicks M-G-M 9S minutes. Van Johnson, June Allyson, Butch Jenkins, Hume Cronyn, Una Merkel, Arlene Dahl, Kichard Uerr, Lloyd Corrigan, Elisabeth Risdon, Clara Blandick, Kathleen Howard. Directed by Norman Taurog. This Metro offering is cut to fit the taste of those who want to laugh. Screenplay author Albert Beioh and director Norman Taurog have not disdained to employ any eccentric situation or even slapstick, to pro- voke laughter, and it adds tip to a rather gay 98 minutes. "The Bride Goes Wild" should roll up impressive grosses in theatres where comedy goes, but it will be weak for action houses. Van Johnson and June Ally- son are valuable marquee names and both turn in attractive comic and romantic per- formances. The support is first-rate right down the line, especially that contributed by tho reliable Hume Cronyn, young Butch Jenkins, Unr, Merkel and (mark this!) a lovely newcomer, Arlene Dahl. EXPLOITATION: Play up the romantic team oil Johnson and Allyson. Catchline: "You'll Love With Them and Laugh With Them!" Feature Van's role as a child-hater who writes children's books. Van Johnson is "Uncle Bumps," author of children's books, to tho world, but to pub- lisher Hume Cronyn he is a child-hating alcoholic with a penchant for pretty girls REVIEWS in This Issue I Remember Mama 9 The Bride Goes Wild 9 The Sainted Sisters 9 The Miracle of the Bells 13 Sign of the Ram 13 Black Bart 12 April Showers 13 Scudda Hoc 13 The Pearl 13 To the Ends of the Earth 14 Crime Doctor's Gamb!e 14 Stage to Mesa City 14 doctor, Rudy Vallee, refuses to let Dunne see her, but she poses as a scrubwoman and sneakT into the hospital at night to sing her daughter to sleep. Homolka is the uncle who lives on a ranch with his hou33- keeper, Barbara O'Neil. He terrorizps the family whenever he roars into town on his sputtering automobile. Ho finally drinks himself to deaih and Dunne discovers that he had spent all his money to cure crippled children, as he had helped little Tommy Ivo. Daugliter Eel Geddes wants to become a writer. She had developed a taste for literature at the evening readings given by their penniless boarder, Hardwicke. Dunne helps her to success by trading some Nor- wegian recipas to a famous novelist in re- turn for an interview. At tho end when all the family troubles are relieved, Dunne confesses that she never had a bank ac- coun': at all. ABRAMS and for getting into trouble. School teacher June Allyson wins an ait contest to find the illustrator for Van's forthcoming book and the first time they meet, ho gets her pie-eyed on coffee and rum. In order to prevent his author from being exposed, Cronyn borrows Butch Jenkins from, an or- phanage to pose as Van's son. Reluctantly, Van realizes he is falling in love with June, and. she already adores him. When she learns that Butch is really an orphan, June goes back to her Vermont home to marry Richard Derr, and they pU-.n to adopt Eutoh. The latter, however, prefers Van and ad- vises him ot the situation. With the help of Butch, who stalls the wedding by spread- ing ants among the guests, Van arrives in time to carry off June BARTON. home. Barry Fitzgerald lives there and, seeing the girls drying out a satchel full of money, makes up his mind to lay his hands on it. He learns of their past and induces them to turn over the money to him for safe keeping. He starts to distrib- ute it among the unfortunate townspeople, giving credit to the "sainted" sisters. Mean- while, Joan falls in love with George Reeves, tho town "tinker," who finds that he loves Veronica best. When Veronica finds out that Fitzgerald has hidden the money in a tomb in the cemetery, she forces Joan to help her. They are about to make off with the money, but repent when they realize the sorrow they would bring to Fitzgerald. The girls give him the money and return to New York to take their medicine. After serving a stretch, they come back to the town to witness all the good their money has done, and Veronica comes back to her man. BARTON. 'THE SAINTED SISTERS' COMEDY EFFORT FALLS FLAT Rates • • as supporting feature? more Paramount 89 minutes. Veronica Lake, Joan Caulfield, Barry Fitz- e:erald, William Demarest, George Reeves, Beulah Bondi, Chill Wills, Darryl Hickman, Jimmy Hunt, Kathryn Card, Ray Walker, Harold Vermilyea. Directed by William D. Russell. This well-intentioned comedy with a moral falls flat on its face with a dull thud, de- spite the heroic efforts of a fine cast. It will be a problem picture for most exhibi- tors, w*ho will do well to bolster it with a topflight action or musical feature. Rural houses should find it a fairly good attrac- tion, however. No less than five writers were associated with this attempt to make fun from the reformation of a pair of pretty 1890 swindlers in a small town, and it seems to prove the old proverb that 50 fingers are in rural areas not better than ten in writing a movie script. Veronica Lake and Joan Caulfield are an attractive couple of confidence ladies, while Barry Fitzgerald trie.", hard to make a liv- ing character out of the old gent who re- forms them — but the script weighs too heavily upon them. The rest of the per- formers, some capable ones among them, are lost in the nonsensical sihuffle. Pro- ducer Richard Maibaum should have known better! EXPLOITATION: Sell the three stars. An eye-catching, laugh-provoking lobby dis- play: an old-fashioned bustle stuffed with fake money. Display WANTED signs with photos ot Lake and Caulfield. Fleeing in horse-and-buggy from New York, where they are wanted for badgering $25,000 from amorous and wealthy Harold Vermilyea, Veronica and Joan, professional confidence women, run into a storm and put up in what appears to be a deserted MARCH 15, 1943 ' r AKTBVR RANK presentatt -THE MIRACLE OF THE BELLS' Rates • • • • everywhere RKO (Lasky) 118 minutes Fred MafMiinay, Valli, Frank Sinatra, Lee Cobi;, Harold Vermilyea, Charie«5 Mereditli, Jim Nolan, Veronica Pataky, Philip Ahn, Frank Ferguson, Frank Wileox. Directed by Irvinij Picliel. A wonderful, enthralling motion picture, "The Miracle of the Bells," it; destined to rank with the outstanding box-ofllce suc- cesscs of recent years. Jesse L. Lasky and Walter MacEwen arc entitled to the grati- tude Oi' all filmdom for coming through with thi:; great motion picture at a time when the industry i:! suffering from a dearth of good pictures. They have de- livered to RKO a love .story that is at onco inspiring and entertaining — an ideally balanced pioduction of romance, drama, humor and faith that will be enjoyed and hailed by every type of moviegoer. This reviewer recommends it without qualifica- tion to every exhibitor in the land for maxi- mum playing time, preceded by his utmost exploitation effort. It will enhance the value of every theatre it p!ays. Kudos are due all those who have con- tributed to the superb joib of translating Russell Janney's best-selling novel to the screen. First on that list must come the lovely Valli, David O. Selznick's importation from Italy, who makes Olga a beautiful A WONDERFUL PICTURE combination o! flosh-and-hloort woman and saint. It is truly a memorable p'?i formance. Applaud, too, Irving Pichel, for his fine di- rection; Ben Hecht and Qucntin Reynold.s, for a marvelous screen play that extracted the best from Mr. Janney'.s story; Fred. MacMurray, for a subdued portrayal of the press agent; Lee Cobb, who plays a movie producer like every movie producer would like to be; Frank Sinatra, for his courage in undertaking the role of the priest and making him a gentle, human being, and Harold Veimilyea, for a sound performance as the avaricious undertaker. And let u.? not overlook the first rate photography by Robert dc Grasse. EXPLOITATION: Tie in with the book, a best-seller. Feature Valli as the greatest screen discovery in a decade — she lives up to any praise. Sell the romance strongly, for it is really a great love story. Most of the story is told in flashback form, as smoothly executed as any .straight- forward plot. Fred MacMurray, well-known movie press agent arrives in Coaltown, a small Pennsylvania mining town, with a casket containing the body of the girl he loved. He recalls how he first met Valli in a burlesque chorus, helped her get a break. Inspired by a desire to reach the top as an actress, in order to bring hope and faith to the people of her drab home town, Valli, with MacMurray's aid, eventu- ally gets her big chance in Hollywood when a temperamental star walks out on her role as Joan of Arc. MacMurray convinces pro- ducer Lee Cobb that Valli can do the part. Afflicted with a bad case of tuberculosis since childhood, she fights off death until she completes the picture. Her perform- ance is superb, but Cobb refuses to release the picture with a dead, unknown girl in the lead. Carrying out her last wish to be buried among her own people in Coaltown, MacMurray has brought her body back home. Knowing what the chance to be a star meant to Valli, and to her townspeople, he is determined to force the release of the picture. He arranges to have all the churches in Coaltown ring their bells for three whole days preceding her funeral. The stunt gains nationwide publicity, but still Cobb refuses to release the film. However, the ringing of the bells brings the people of the town back to their churches, espe- cially to the little Catholic church presided over by Father Paul (Frank Sinatra), where her body rests. One day, while the church is crowded with worshippers, a slipping of the ground causes two statues to turn and look down upon the coffin. The people be- lieve a miracle has occurred. The resultant publicity from this incident finally brings Cobb to the town with word for MacMurray that the picture will be released and a promise that Coaltown will have a hospital to cure the kind of sickness that killed Valli. WAX -SIGN OF THE RAM' WEEPER WITH AN ASTROLOGICAL TWIST Rates • • "t" as dualler generally Columbia 84 minutes Susan Peters, Alexandar Knox, Phyllis Thaxtei*, Peggy Ann Garner, Ron Randall, I>ame May Whitty, Allene Roberts, Ross Ford, Diana Douglas. Directed by John Sturges. Susan Peters was an up-and-coming per- former until a hunting accident a few years ago halted her career. Now she makes a come-back in a vehicle which doesn't do justice to her abilities. Neither does it adi up to good screen entertainment. This Irving Cummings, Jr. production is a soggy affair which, possibly, may interest the ladies, but is sure to make the men squirm with boredom. Adapted from the novel by Margaret Fei-guson, it tells the story of a paralyzed v/oman who is driven by a fierce, neurotic possessiveness and almost succeeds in ruining the lives of her family. Miss Peters tries hard with this unsympathetic role, portraying overtones of malignancy imder a veneer of sweetness. She deserves a better break than this. Alexander Knox ia convincing as her bewildered husband. Ho has a knack of putting life into some very inept dialogue. Dame May Whitty's bit as a garrulous old gossip is a welcome comedy relief. The best thing about this picture is the excellf^nt photography by Burnett Guffey. It effectively creates a sombre atmosphere, but doesn't overcome the phony script and John Sturges' un- imaginative direction. EXPLOITATION: Give Susan Peter:: a big build-up for her "brave come-back." Hand out zodiac charts. Tie-in with record shop promotion oi Kate Smith's "I'll Never Say I Love You." Set up astrolog>' slot- machine in lobby which gives printed fortunes. It all takes place in Bastion, an old Eng- lish estate overlooking the sea. The nev/ secretary, Phyllis Thaxter, ia impressed by her mistress, Susan Peters, as being a very sweet and brave person. She had "once played tennis at Wimbleton" but is now hopeles.=ly crippled as a result of rescuing two foster children from drowning. She is adored by her husband, Alexander Knox, and by her foster children, Peggy Ann Gar- ner, Ross Ford and Diana Douglas. Only her doctor, Ron Randall, suspects her of a streak of viciousness and sagely explains it all by astrolog>'. He i;; in love with daugh- ter Diana. Son Ford i:: in love with neigh- bor orphan Allen-^ Roberts. Daughter Gar- ner worships her mother with what amounts to an unhealthy fixation. To further com- plicate matters, Peters is unreasonably jealous of her husband and the new secre- tary. By lies and innuendo she proceeds to break up the two romances. Finally, it dawns upon the distraught family that Peters is responsible for their troubles. Un- able to face this rejection, she rolls her wheel-chair to her death over the cliff. It was all in the stars. ABRAMS -BLACK BART' LIVELY WESTERN IN TECHNICOLOR TRAPPINGS Rates • • • for action houses; • • Universal-International 80 minuter. Yvonne DeCarlo, Dan Duryea, Jeffrey L,ynn, Percy Kilbride, Lloyd Gough, Don Beddoo, Ray Walke.v Directed by George Sherman. This period Western includes all the staple ingredients — the masked bandit, the run- away stage coaoh, flying lead and galloping horses — all wrapped up in rosy technicolor and garnished with the allure of Yvonne DeCarlo. Leonard Goldstein, on his first as- signment for Universal, has produced What looks to be a healthy grosser for all but class houses. Action galore in a setting of old California should please the oater de- votees. Dan Duryea swaggers through his part as the outlaw Black Bart with finesse, abetted by Jeffrey Lynn and Percy Kilbride -f- generally as his double-crossing partners. Kilbride is miscast as a desperado, but gives the picture a lift with his dead-pan humor. Yvonne DeCarlo, as the notorious Lola Montez, looks suitably provocative and attempts two dance routines. The technicolor camerawork by Irving Glassberg is agreeable and only oc- casionally permits a cerise complexion. A smooth Leith Stevens score helps keep thing.'! moving. EXPLOITATION: Sell the Technicolor and the California gold rush atmosphere. Feature Yvonne DeCarlo as the dancer • — "Her beauty conquered the kings of Europe . . .Her kisses betrayed the king of the out- laws — Black Bart!" Duryea, Lynn and Kilbride are three ras- cals with a penchant for robbing stage coaches. After narrowly escaping a lyncli- ing party in Nevada, they decide to split 12 up. Durj'ea tricks the others out of their share in the loot. He goes to Sacramento w'nere he poses as a prosperous and re- spectable rancher, while, as Black Bart, he preys upon the Wells Fargo gold shipments. He robs the stage which is bringing De- Carlo to Sacramento on a concert tour and which also carries his two erstwhile com- rades. Lynn and Kilbride get jobs as Wells Fargo guards with felonious intent. De- Carlo is at first attracted to Lynn, but trans- fers her affections to the more aggressive Duryea. When she discovers his identity as Black Bart, she tries to dissuade him from his risky profession, but Lynn forces him to go along on one more job. They are trapped by a posse, smoked out of a burning house, and a rain of bullets proves the moral that the wages of stage robbing is death. ABRAMS FILM BULLETIN 'APRIL SHOWERS' ROUTINE MUSICAL SHOULD PLEASE MASSES Rates generally Warner Bros. 94 minutes. Jack Carson, Ann Sothern, Robert Alda, S. Z. Sakall, Robert Ellis, Richard Robert, Joseph Crehan, Ray Walker, John Gallaudet, Philip Van Zandt, BiUy Curtis. Directed by James V. Kern. Everything that anyone expects to happen in a musical story about an old-time vaude- ville team and their hoofing young son hap- pens in "April Showers" — and that's the trouble with it. There isn't a grain of orig- inality in Peter Milne's screen play or in James V. Kern's direction; just routine, like the vaudeville that died. This might satis- fy the masses of moviegoers, but it isn't for discriminating audiences. Brightest spot in the picture is the fine performance by Ann Sothern, as a tiring song and dance girl. Jack Carson plays the blow-hard hus- band role in stock style. Young Robert Ellis tries a bit too hard as the son. Tho others are familiar characters. The title song could have been put to far better use, but it certainly gives the picture a sock sell- ing point. Other numbers include the good ballad, "World's Most Beautiful Girl," and a lullaby, "little Trouper." EXPLOITATION: Feature that title song, one of the great hits of all time. Tie up with record.'; shops. Have girls carrying lettered umbrellas promenade the streets. With their vaudeville act, The Two Tymes, finding bookings scarcer and scarcer. Jack Car.son and Ann Sotliei'n finally agree to let their 12-year old son, Robert Ellis, join them, and they become The Three Happy Tymes. Success comes and a Broad- way date, but the Gerry Society in Nev/ York stops them from going on because of the boy's age. Forced to go to San Fran- cisco, Carson's pride is hurt and he starts to drink, shows up drunk for a show. The act becomes taboo. With Ann about to take a job aa a waitress, Carson decides to havo Robert Alda, an old flame of Ann's, take his place in the act. When his wife and son object, Carson walks out on them and they are forced to accept the idea. The new Happy Tymes act becomes a big hit and gets a spot in a musical .show. Alda, meanwhile, has been urging Ann to divorce her husband and marry him. During re- hearsals, the producer decides that he wants an old routine formerly done by Carson and his son. Alda forces the boy to teach him the routine in time for the following day's rehearsal. Carson, who has been working as a waiter, comes to the hotel wit'n a Christmas gift for his son and finds Alda beating him. In a fight, Carson puts Alda out of commission for a month. Offered his spot in the show by the producer, Carson rejoins his family to again make up the Three Happy Tymes. BARTON. 'SCUDDA-HOO! SCUDDA-HAY!' ENGROSSING RUSTIC MELODRAMA Rates • • -j- generally, • • • in rural 20th Century-Fox 95 minutes. June Haver, Lon McCal lister, Walter Bren- nai:, Anne Revere, Natalie Wood, Robert Karnes, Henrj- Hull, Tom TuUy, Lee Mac- Gregor, Geraldine Wall, Ken Christy. Directed by F. Hugh Herbert. It may be difficult for exhibitors to believe that a story based on a farm lad's love for a pair of mules can make an engrossing and entertaining movie, yet "Scudda-Hoo: Scudda-Hay!" is just that. It should score where pictures like "Smoky" and "Flicka" went over. While not another "Home in Indiana," it has captured a realistic bucolic tone and can boast Technicolor in at best, subdued, and quite a gallery of uncommonly fine performances. There is Lon McCal- lister, as the intense farm youth who learns what it means to love a mule-team and a girl; Walter Brennan, as the kindly old areas farmer who teaches him the worth of mules; Robert Karnes, as Lon's villainous step- brothei', and Henry Hull and Ann Revere, both seen all too briefly in the sharply etched roles of a mismated couple. Com- petent performances are also contributed by little Natalie Wood and Tom Tully. Only June Haver appears miscast as the flirta- tious farm girl. The story follows the an- ticipated pattern, but it has several melo- dramatic high points that should please the action fans. F. Hugh Herbert, who wrote the screen Play and directed, can be cred- ited with a splendid translation oi' George Agnew Chamberlain's novel. Ernest Palm- er's color photography is outstanding. EXPLOITATION: Since the title poses a problem for showmen, it would bo well to use strong and large catchlines to over- shadow it. To play up the romantic and dramatic phases, feature June Haver as the flirt who stirs the step-brothers to violence. To rid himself of his bickering second wife. Henry Hull quits his farm to return to the sea, willing the property to his son, Lon McCallister. Lon serves notice on his shrewish stepmother, Anne Revere, and her son, Robert Karnes, that he will return some day to claim the farm. Meanwhile, he goes to work for Tom Tully, a neighboring farmer whose daughter, June Haver, is Lon's secret love. When Tully buys a mule team, w'hich refuses to work for him, Lon offers to take them off his hands for $20, plus half his $10 weekly wages for one year. He boards the team and himself on the farm of Walter Brennan, who teaches the lad how useful a mule team can be. With the help of Brennan, Lon hires his mules out for logging at $15 a day. Karnes brings Tully news of this and sells him the idea of beating Lon out of the mules. De- spite the conniving of Karnes and Tully, Lon holds on to his animals, reclaims his father's farm and finally wins Tully's con- sent to marry his daughter. BARTON. 'THE PEARL' STEINBECK MEXICAN STORY STRIKINGLY FILMED Rates • • • for select houses; OK dual RKO 77 minutes. \ Pedro Armendariz, Maria Elena Marques, Fernando Wagner, Charles Rooner, Alfonso Bedoya, GUberta Gonzalez, Juan Garcia, Maria Caudros. Directed by SLmilio Fernandez, There has been a whole cycle of pictures about Mexico from "Ride the Pink Horse" to "The Treasure of Sierra Madre" and "The Fugitive," but this one really wraps it up with a simplicity and beauty that is rare on the screen. The appeal of "The Pearl" will be strongest to patrons of class and art houses, but it is worth a spot on any double bill. Filmed in Mexico, its all-Mexi- can cast makes the most of John Stein- beck's simple and grim fable on the theme: er elsewhere great wealth can bring corruption and tragedy. Pedro Armendariz is outstanding as the simple fisherman, displaying a power- ful acting talent as well as a magnificent pihysique. It is showcased by Gabriel Figueroa's striking photography and some sharp editing, somewhat reminiscent of the lato Sergei Eisenstein. EXPLOITATION: There are few selling points other than Steinbeck as author. Dis- play a large false pearl with copy: What happened to the man that found this enorm- ous pearl?" Display the striking stills to best advantage. Armendariz is a pearl-diver Whose dreams of wealth encompass only shoes for his wife, Maria Marques, and an education for his infant son. A poisonous scorpion bites his son and the village doctor refuses to help because he has no money. The son recovers and the couple row out to the oyster beds. In an oyster Armendariz flnds a pearl that is to bring him terror and suf- fering. The villagers give a fete in his honor, with fire-works and dancing, and he is dazed with happiness. But his troubles have just begun. Almost everyone who sees the pearl is filled with jealousy and avarice. All sorts of villains cheat him, stupify him with Whiskey and try to kill him. In self-defense he kills two men in a fierce knife battle in the surf. He stubborn- ly refuses to give up the pearl and, vnth his wife and child, flees into the swamp. Enemies track them through the swamp, across the desert and corner them on a mountain top. Armendariz finally kills his enemy only after his son is dead. In a stupor of exhaustion, the couple return to the village and cast the pearl back into the sea, DAV. MARCH 16, 1948 13 'TO THE ENDS OF THE EARTH' DOCUMENTARY THRILLER Rates • ® • for action houses; slightly Columbia 104 minutes. I>icU Powel!, Sifjiie Hasso, Maylia, I.udwij; Donath, Viadinir Sr)lt()loft', Kdfiar Barrier, John Hoyi, Marcel Journet, I^uis Van Bootei;, iritz Lieher, Vernon Steele, Peter Virgro, Lou Kruffnian, Eddic' Lee, Ivan Trie- sault, Loon Lenoir, Peter Cliong, George Volk, Kobert Malcolm, Comm. Harry J. Anslinge.*. Directed by Robert Stev<'iison. Producer Sidney Buchman has; turned out an exciting melodrama in the currently popular docum.entary style. Supposedly "ibasecl on actual incidents! from the file;; of the United States Treasury Department," it purports to show the Bureau of Narcotics at work tracking down an international gang of opium .smugglers. However, the complicated story by Jay Richard Kennedy is straight out of "Terry and the Pirates" and the net impression is more fantastic than authentic. Realistic touches are sup- plied by shots of Commissioner Harry J. Anslinger and Narcotics Control Commis- sion of the United Nations in session, while less elsewhere carefully manipulated location backgrounds in Shang'hai, Egypt and Havana enhance the exotic flavor ol adventure in far-off places. Buchman i.s to be commended for not exploiting the lurid elements of the ille- gal drug traffic, since the Production Code Administration gave it."; blessings, but his at- tempt to inject the spirit of intcrnatioml cooperation i.'i unconvincing; especially when Dick Powel! is called upon to recite some synthetic speeches about "citizens of the world." Powell's performance is com- petent, following the familiar pattern of the tough, sardonic detective with the slug-proof cranium. Signo Hasso is .stuck with a part that demonstrates how Hollywood can waste the talents of a hne actress. Maylia is quite believable a.s a naive and timid little Chinese lass, but when it turns out that she is the "Dragon Lady" of the piece, it's pretty hard to swallow. EXPLOITATION: This is a natural for promotion. With a good title and Powell for the marquee draw, it can't miss after proper selling of its authentic and sensa- tional theme. "Two Years To Film in the Far Corners ol the World!" and "See How the Government Narcotics Division Smashes International Smuggling Ring!" should ring tho bell. Powell narrates tho story and introduces himself as Michael Barrows, the San Fran- cisco agent for the Narcotics Division back in 1935. Acting on a tip .about an un- chartered steamer of¥ the California coast, ho investigates and is horrified to see the Japanese captain jettison a hundred Chinese laborers who are chained together. Determined to bring this inhuman mala- factor to justice, Powell traces him to Shanghai. There, with the help of Vladimir Sokoloff, a Chinese investigator, he uncovers the existence of a network of opium smug- glers. Tho finger of suspicion is placed upon the mysterious, blonde Signe Has.so, who is traveling with her little Chinese ward, Maylia. Powell flies to Egypt where he finds the source of the raw opium and, several corpses later, he traces a shipment to Havana. He persuades the Cuban official to allow its transfer to a New York bound ship. On board he meets up again with the enigmatic Hasso and Maylia, and a suave smuggler, Ivan Triesault. After some in- genious sleuthing Powell nabs the master- mind— none other than sweet, little Maylia. DAV. 'CRIME DOCTOR'S GAMBLE Rates • ® as supporting dualler for nab Columbia 66 minutes Warner Baxter, Micheline Cheirel, Roger Dann, Steven Geray, Marcel Journet, Ed- uardo CianelU, Maurice Marsac, Henri Leton- dal, Jean Delval. Directed by William Castle. Tnis is a routine addition to the "Crime Doctor" series, with Warner Baxter contin- uing in the role of Dr. Ordway, the psychi- atrist-detective of radio fame. The story is a confused, wall-worn little fable, with hid- - ROUTINE SERIES ENTRY orhoods, action spots den motives and French accents doing little to clarify the situation, but it should hold the interest of avid mystery lovers and the Saturday afternoon juvenile clientele. The performances of Baxter and Eduardo Cia- neili, the only known names in the cast, are 'ip to the material. The Crime Doctor (Warner Baxter), on vacation in Paris, unwillingly becomes in- volved in a murder case when his old friend, Marce' Journet, chief of police, asks him to judge the sanity of Roger Dann, patricide suspect. Baxter judges Dann not only sane, but mnocent of the charge, and thereby sets out to try to prove it. He questions Dann'.s father-in-law, Eduardo Cianelli, a professional knife-thrower; his artist friend, Maurice Marsac, who skillfully imitates masters' works to be sold to American tour- ists; and Dann's wife, Micheline Cheirel, as- sistant in Cianelli's act. Lacking sufficient evidence to make an arrest, Baxter sets a clever trap for Steven Geray, Dann's lawyer and the real killer. Geray falls for the bait, but in true melodramatic style turns the trap on Baxter. However, since there are mors Crime Doctor pictures to come, justice prevails. TAYLOR. 'STAGE TO MESA CITY' ROUTINE WESTERN FOR 'LASH' LARUE Rates • 9 for western spots Kagle Lion 52 minutes 'Lash' LaRue, Al 'Fuzzy' St. John, Jennifer Holt, George Chesebro, Brad Slaven, Mar- shall Reed, Terry Frost, Carl Mathews, Bob Woodward, Steve Clark, Frank Ellis, Lee Morgan. Directed by Ray Taylor. Earm.arked for juveniles and other west- ern add;ct.s, this LaRue-St. John co-starrer is a routine sagebrush opus that should give satisfaction to patrons fond of gun-battles, fist-fights, hard-riding pursuits and outdoor scenery. Grosses will be comparable to those attained by its predecessors in the series. Joseph F. Poland's straight-line screenplay and Ray Taylor's well-timed di- rection give LaRue and St. John adequate opportunity to display their respective tal- ents. Production quality is adequate, photo- graphy and recording satisfactory. One wishes Eagle Lion's location scout would seek new locales — those in this film have been used repeatedly by the studio in pre- vious westerns. Business having fallen off because his heavily-mortgaged stage line is conitnually being held up, Steve Clark's one hope is to get a government mail contract. He writes his youngsters, Jennifer Holt and Brad Slav- en, to sell their ranch and bring him the cash. En route to meet them, he is way- laid and killed. "Lash" LaRue, assigned to the case by the U. S. Marshal, persuades .Jennifer end Brad to introduce him as the line's new manager. The attempts at sabo- taging the line continue. Twice LaRue is about to exact confessions from suspects, but his potential informant is killed before he can name the gang's members or its leader. Following repeated holdups, LaRue has a showdown gun-battle with the gang members, vanquishes them. He eventually discovers the identity of their leader and, after a pursuit and fist-fight, lands him be- hind the bars in time for Jennifer and Brad to obtain the long-coveted mail con- tract. 14 FILM BULLETIN SPRING FORECAST: sing,exhib1tors! WARMER BROaf FLOOD THE INDUSTRY WITH SUNSHINE! ROBERT ALOfl-S-MALL Screen Play by Peler Milne . Suggested by a Story by Joe Laurre, Jr. . Musical Numbers Created and Staged by LeRoy Prinz . Music Arranged and Adapted by Ray Heindorf Directed by JAMES V.K[RN —WILLIAM JACOBS EXHIBITORS FORUM Iniond C^uiied ftom Oraanizatlon i3uiielins DISTRIBUTORS' LOSSES! Allied Rocky Ml. Independent Theatres It is amazing how the distributors will tell you that the production-distribution end of the business is losinj,' money. They'll grudgingly admit that the parent company is showing a profit, but they say it comes from the company's theatres. IT IS OBVIOUS THAT THE HOME OFFICES HAVE SOLD THEIR HIRED HELP A LOT OF BALONEY. THIS "COMPANY LINE" HAS BEEN COMING DOWN FROM THE GENERAL SALES MANAGERS FOR A VERY DEFINITE REASON. 1. It's the alibi for the slashing of small fry oft' the payroll. 2. It keep'j salesmen and branch mana- gera from asking and getting raises. 3. It's a new refill for the old hypo needle which constantly needs refilling. It's clever propaganda from the Home Office;;' point of view — "Sorry, boys, but distribution doesn't make any money — you can't get a raise and you might get fired ■ — but look, it's the theatres that are making all the money... Go in there and sic 'em Fido." As planned, this new "company line" is having its effect on the sales department's ill-will toward the exhibitor. It shows up in attitudes and outrageous demands for more rental. The "company line" is, of course, pure unadulterated hog-wasb. A careful exam- ination of the film companies' profits will show plenty of production and distribution profits IN SPITE OF the most outlandish extravagances that the world has ever seen. Louis B. Mayer still gets over a half a million dollars a year despite the fact that Metro product has been getting steadily worse the past few seasons. (The Academy Award nominations even ignored Metro this year — and this from a company whose productions used to dominate the roost.) There are also thousands of lesser produc- tion "geniuses" Who draw down slightly less. Then there are the companies who spend millions of dollars every year in out- landish story buys, a large proportion of which are never used. (Mere sam_ples be- ing: IT CANT HAPPEN HERE... FORTY DAYS OP MUSA DAUGH, etc., etc., etc. bought and paid for and then forgotten about.) On top of that the producer-distributing companies have huge legal firms to w*hich they pay fabulous salaries. (Value re- ceived??? — A continuous flow of such bad legal advice that those same companies are now awaiting judgment for having violated the anti-trust laws — not to mention a rash of private law suits which are springing up all over the country.) Those are the real facts behind the pro- ducer-distributor "Overheads." Money that is poured down rat-holes and costs that are WATCH YOUR STEP We are informed that Paramount and Universal are supplying certain trailers advertising their productions free of charge to exhibitors. The main purpose of these trailers is of course to sell future Paramount and Universal releases. Obviously, it would bo most complete folly for any ex- hibitor to show these trailers unless ho has the pictures they advertise a<;tuaUy bought and under contract. —Allied ITO Kans. & Mo. padded to the moon. (Yet, their representa- tive will argue all day over a five dollar charge on your theatres operating expense.) The "costs of production and distribution" arc so extravagant that it is a miracle that production-distribution doe;i make money. BUT MAKE IT THEY DO and the profits adtl up to the millions even without th«!ir own theatres included in the total. SCREEN ADVERTISING Associated 'J Ileal re Ouners of Indiana There is wide divergence of opinion re- garding screen advertising. Without going into the pros and cons we at least suggest that those of our members who do sell their screen time be sure that they get fair terms. You knew how many people see such an ad and you are aware that no other medium can deliver as effective a message. As a start it might be well to compare what you receive per showing with the cost of a small newspaper ad for one insertion. If there ir, a radio station in town you can also compare your charge per showing with the cost of a radio spot announcement. As another check you can take note of the deal between National Theatre Circuit and Chesterfield cigarettes. If shown in all theatres of the chain, the cost is $10.00 per 1000 admissions per ad picture. It is $14.00 per lOOO when the advertiser selects certain houses to run the ad. In other words, an ad run for one week would be charged for at the rate of between Ic and 1.4c for every admission to the theatre during the week. KEEP EYES OPEN North Central Allied Believe it or not, there are some exhibi- tors in this territory who do not insist that checkers leave a copy of their checking re- ports for the exhibitor's files. Keep in mind that the checker must leave a copy of his report with you. If he does not, you are not obliged to sign anj-thing. If you do not have a copy of the report, you are helpless.. All too often checkers have changed reports after signature by the exhibitor. Why be at the mercy of a checker whether he be a local yokel or a private eye from tho big city? FIGHT I6MM. OPPOSITION Associated Theatre Ouners of Indiana We still feel very serious about our past suggestions that theatre owners, particular- ly in the smaller tovms, install 16 mm pro- jectors in the booth along with the standard gauge equipment. First there is a vast reservoir of enter- tainment features that are available that might well be drawn upon for certain oc- casions when the exhibitor might need to fill a playdate and be short on product. Second, there la a great amount of ma- terial, particularly short subjects, that is unusually adaptable for timely and local exploitation and tie-in with various com- munity groups. It would open up a new function for the theatre in its community by making available all of the many educa- tional, cultural, social welfare and training films that could be exhibited in off hours under the sponsorship of school and civic groups. Third, and perhaps most important, it would provide the most desirable and logi- cal place in town for the exhibition of nar- row gauge product, commercial or other- wise, that advertisers or other sponsors might cause to be shown in the community in spite of any opposition. Cert'iinly the theatre at times When it is normally dark can put these pictures on to better advan- tage than they can be shown in .some vac- ant .store building or meeting hall. This gives the exhibitor some control plus the benefit of any revenue that there might be. HERE'S WHY Allied ITO Kans. and Mo. A newly accepted member of Allied Thea- tres gives ten (10) reasons why he joined: 1. I feel that every business should have an organization that can act as a clearing house for the problems of its members. (Its strens'th will be .as forceful as its member- ship.) 2. Our branch of the industry need.s a solid front with good contracts both legis- latively and with our patrons to prevent us from becoming a tax-poor business. 3. Aside from the help that we can de- rive locally, Allied States A.ssociation of Mo- tion Picture Exhibitors — the national or- ganization — is the only truly militant in- dependent organization in the United States. 4. Only through the coordination of ideas with the independent exhibitor can our in- dustry finally arrive at the ends that are best for the majority. 5. As a rank outsider, I could never con- structively criticize the functions of an or- ganization. By being one of them., I can have something to say and hence become a part of the procedure that they follow. 6. Financially, I can benefit by an ex- change of information on theatre operation. I am too bright not to recognize the fact that I cannot know everything there is to know about running theatres. 7. Film Forums sponsored by Allied are very helpful to its members. I have only attended two but I can readily see that they can be very beneficial both as to finances and also pleasing my patrons by eliminating the "clucks" that my fellow members have run into and know to be such. Caravan can bo a most powerful weapon if used cor- rectly and eliminating one of my most seriou.i problems. 8. It is very convenient for me to run into our office and use the phone in privacy. I also have access to the latest publications, to say nothing of the files that run for years back on releases, etc. 9. When I am not in town it is very con- venient for me to call our office and have them make changes in my bookings for me at the various exchanges. One call to Kan- sas City will take care of all my needs that probably would necessitate several. 10. Last but not least, I have access to legal advice on almost any problem^ that comes up in our business. I have access to a capable attorney plus all the wisdom of experience that has been built up since the inception of Allied. DELAYED APPROVALS In recent weeks this office has re- ceived an increasing number of com- plaints about the practice of distribu- tors in withholding approvals on con- tracts until a few days before the opening play date. Then^ at the last minute, the exhibitor is informed that tho deal has been rejected by the home office because of insufficient ren- tal or for whatever reason. This racket is as old as the hills. In 99 cases out of 100 the contract has never left the branch manager's desk. Here is a good rule to follow: Never book a picture imtil you have an ap- proved contract. When you do book, insist on a written confirmation of the bookuig. —North Central Allied 16 FILM BULLETIN SIUOIO SIZf-UPS Behind the Scenes of Film Production COLUMBIA Parks Loses Suit ^FTER MONTHS OF battling, Larry ParJcs is back on the Columbia payroll and must finish out his contract as written. So the Federal Court decreed, but the moral victory went to Parks. The Judge Stated that he lost his suit only because he waited too long to file (since 1945), not because his ■claim was unjustified. The judge lambasted the methods of coercion (i.e. a bit part in a Boston Blackie film and other similar cast- ings). Parks will work now and it is re- ported he will even accept a $25,000 bonus "Which he refused earlier because he thought It might be considered as prejudicing the ■case. Now if all parties concerned are smart, they will forget this mess and get down to the business of making the kind of pictures that will keep Parks the valuable property he became after "The Jolson Story." Bogart Unit Organized News to settle all the rumors on what would happen to the unproduced Hellinger ^aoperties broke last week with the story that Humphrey Bogart, Morgan Maree •.Hcllinger's right hand man) and Robert Lord (who resigned from his producer's berth at Metro) have organized and will produce some of them. Only actual sur- prise in this deal is the decision to release through Columbia. It is understood that Bogart hnd a commitment to do a picture iiere and this deal grew out of it. First for the new group is scheduled to be "Knock On Any Door," with Bogart starred. However, there is a possibility that this Story may go to Metro, along with "Act of Violence," another Hellinger property. To add to their story stock, the trio made a fast buy of an original called "Tokyo Joe" at a reported price of $80,COD. As reported here weeks ago, this company • has signed a new deal with Gregor Rabino- vitzh covering the making of a series of musicals covering the simplified versions of s>me of the more popular operas. The films will be made in Italy. "Eternal Melody" (Jan Kiepura.Marta Eggerth) was the ini- tial experiment in this project. The first under the new pact will be a free version of 'Faust" which starts shooting next month. Two Shooting A Sam Katzman musical. "Sweetheart of the Blues" (Gloria Jean-Ross Ford) and Richard Quine's first production chore, "Wmner Take Nothing ' (Cameron Mitchell- Jane Nigh) are the only two films in work t'lis week. The studio story hopper is full, but the pace is slow awaiting a possible de. cision on the British tax situation (strong indication that it may be cut to 50% has most industry execs with crossed fingers and bated breath. To wind up his 1948-49 schedule, Gene Autry is going into mass production by shooting his locations on five pictures at one time. This is the first time any one has attempted to make this many exteriors at once, and Autry will sandwich this in hctM'een personal appearance tours and do the wind-up and interior portions of the fiims during the summer months when his tcui is over. TYPICAL COLUMBIA Columbia Pictures has been notor. ious for the practice of dangling im- portant properties before exhibitors as contract bait for years before they actually deliver. Such seems to be the case with "Anna Lucasta." This popular stage play has been the subject of lots of publicity from the Columbia studio for months, with production always being annoimced as "imminent," or thereabouts. Now comes word that Philip Yordan, author of the play and slated to produce the film, has decided to wait until next fall, because Paulette Goddard will not be available imtil then. Exhibitors probably can look for a couple years' siege of publicity pro- mises before thev ever see "Anna," EAGLE LION Hayward To Star W7-ALTER WANGER HAS set his first " three films for the E-L banner and has assigned Susan Hayward to the leading role in two of the trio. The actress, who seoied in Wanger s "Smash-Up," will go in "Tulsa" and "Anne of the Indies," a Tech- nicolor film. The producer has set "Bastille" as his initialer with the other two to fol- low, scheduled to be in work by late summer. "Lady At Midnight" (Richard Denning- Lora Lee Michel), currently in production, is the first of a pair of films John Suther- land will make for E-L release. Sutherland win continue his work in the 16mm com- mercial field while these two films are in work. More Documentaries ■With "T-Men" on its way to a three mil- lion dollar gross (with a production cost of $400,000), Brynie Foy has given the full- ;?pccd ahead to a program of ten more such Jocumentary-type films to be made during the next year. Foy will keep these films under his personal supervision and they will be planned for the same type of ex- oloitation value that is selling "T-Men" so big. First in this program is "Canon City." Foy has cleared technicalities at Canon City Colorido and the film will be Shot there and will re-enact the prison break there a few weeks ago. Townspeople and actual prisoners are being written into the shoot- i.ig script. Another of the documentary-type melo- dramas for E-L will be Edward (T-Men) Small's "Twelve Against the Underworld," Starring Dennis O'Keefe. METRO-GOLDWYN-MAYER Remodelling ■Vj/riTH ALL THE sales executives in town last week, the studio hummed with cjnfa.bs over the new product and promo- tion plans for it. Projection rooms went On full schedules as the back-log was un- veiled for the men who have to sell the a;erchandise, some of which is due for ex- tensive remodelling before it reaches the screens. Number one on the renovation list is "The Kissing Bandit" (Kathryn Grayson-Frank Sinatra). This one was "finished" last sum- mer, but it is in for almost a complete re- shooting, with veteran Robert Leonard handling the directing. Another one that the studio is shaky a;bout is "Summer Holi. day" (Mickey Rooney-Gloria DeHaven) com- pleted a year ago. It was decided to send this one out quick without retakes. At this writing, "Cass Tim'berlane" is the big grosser Of the year, Metro big shots and insiders are fully conscious of the fact thai one top picture out of a studio like this one is a pretty poor record. The future is brighter. Some big-time n.usicals are on tap. "Annie (Jet Your Gun" is scheduled for an early start (as soon as they can get the director they want and a cast assembled). "Words and Music " (the life story of Larry Hart and Richard Rogers) is slated for a quick beginning. "Some of These Days," the Sophie Tucker biog, is going back on the production list, too. Documentaries But all the eggs aren't going into this bas- k.'^t. Stories are being shaped up quickly f jr the "documentary" group, a quota of big dramatic films are being planned with top castings and the studio is in more inde- pendent deals than ever before in its history. He:tding the indie slate is Frank Capra'S "State of The Union," with the Sam Spiegel John Huston team signed to four pictures for the next two years, "The Search," Hal Roach's program (not yet determined) and Argosy down for "The Three Godfathers." Meanwhile, the Studio is limping along with two pictures in production (an unpre. csdented lull for this time of the year): 'The Three Musketeers" (Turner-Kelly-Ally, son) and "Julia Misbehaves" (Greer Garson- Walter Pidgeon). Ready to go is "The Story of Monty Strat- toii," with Van Johnson, Donna Reed, Frank Morgan. Roy Rowland will direct this story about the baseball pitcher who continued to play after losing a leg. Irony, Hollywood Fashion It wasn't too long ago that Fred Zinneman in revolt against the breaks he was getting .it this studio, asked for and got his release INDEPENDENTS FILM CLASSICS nPHE FOUR FILMS already com- pleted here are already set for re- lease during April and May. The films are: "Devil's Cargo" for April 1; "Money Madness" for April 15; "The Argyle Secrets" for May 7, and "Blonde Ice" for May 20. SCREEN GUILD O-G HAS SIGNED a release deal for ^ six new Lash LaRue-Al St. John westerns which will be produced by Ron Ormond. These films formerly went out under the PRC banner. First of the series is set for an April start. This company has added another group of re-issues to its list in a deal with Edward Small. Films to come are: "Runaway Daughter" (Barbara Stanwyck-Robert Young), "Duke of West Point" (Joan Fontaine-Louis Hayward), "King of the Turf" (Adolph Menjou-Dolores Costello) and an old Shirley Temple film, "Miss Annie Rooney." MARCH 15, 19 13 17 SIUDIO SIZf-UPS from his directorial contract. He floundered for a wniie and then went to Europe where ho directed "The Se-rch." This film is now gdng to be released through MOM by way of a deal with the Wechsler Company, pro- ducers of the film. It is being touted as "great" and now the director is being wooed for a return engagement. April releaocs will be "B. F.'s Daughter" (Gtanwyck-Van Heflin) and "Summer Holi- day" (Rooney). This makes a total of n^ne new releases and one reissue, "Gone With tne Wind " so far this year. MONOGRAM Expansion Here WYITH BUILDING REiSTRICTIONS lift- ing, Steve Broidy has signalled go- a.head on plans for a new studio to be lo. cated in San Fernando Valley. At least six new sou.iu Stages w.il be built and the studio rajicn, no»v used tor exteriors, will be com- pletely refurbished. With the Steady bro-d- eaJiig of Allied Artists and the fact that b:;tween this company and Monogram there are 22 prodacsrs woiking more space h.s noiv bec-me essential. Another Bioidy program which is also in. dicative of growth here is the plan to build a permanent st_r list for Allied Artists. So far the list is Gale Storm, Barry Sullivan, Castle, Rod Cameron, President Broidy plans to add at least five moie names to that list before the year is out. In addition, lie plans to continue and expand his policy of hiring solid but not too expensive names on one-picture deals. His record so far this .\ear on that sc;re: Constance Bennett and Brian Aherne for "Smart Woman"; Guy Madison and Rory Calhoun for "When a Man's a Man," and William Bendix, Claire Trevor and Charles Bickford for the forth- coming "B'ibe Ruth Story." Roddy MeDowall will star in and act as associate producer with Lindsley Parsons on ' Typee," from Herman Melville's South Seas novel. PARAMOUNT 4 Slated To Go A LTHOUGH AT THIS writing, "Isn t It Romantic" (Veronica Lake . Patric IJnowles) is the only picture in production, 3tudio spokesmen pooh-pooh the idea of a s.uinp and point to the fear pictures sched- uled to start in the next three weeks. The list is comprised of "The Tatlock Millions" (B^rry Fitzgerald), "The Great Gatsby" (Alan Ladd), "Sorrowful Jones" (Bob Hope) and Hal Wallis' "The Accused" (Loretta Young-Robert Cummings-Wendell Corey). Wallis has acquired "The Sound of Years" a first novel by Merriam Modell, and will atar Barbara Stanwyck in this dramatic Story of a married couple whose lives are complicated by the arrival of the wife's •daughter by a previous marriage. Other Wallis plans call for filming three pictures on the year's program in Europe. ■"Ropes of Sand" will be made partially, at least, in South Africa. '^September" will be done in Italy because of "native back- groiinds" and although no mention is made of lower production costs there, that is a consideration, too; the producer is trying to get Ann Todd for this film. "House of Misl" is the third Wallis film that will be maJe overseas if plans go through. This one IS scheduled for England if and when the British situation cliriiles to a point whe'.e business will resume a semtolance Of the ''as usual" appearance. Wyler Schedules "Angel" 1'he assertion and denials on the purchase of the "Look Homeward, Angel" script have garnered more free space in print than most such stories ever do. But now the deal re- ported here a few weeks back is flnclly admitted. Paramount has bought the film rights and William Wyler will direct some- time during this year. Wyler is throwing out the screen piay that was completed sev- eral years ago by Arthur Ripley and will Start from scratch with a new writer. The casting battle is on with prictically every actor in town aching for a part in this film. It is going to be a tough story to transmit to film and the odds are that when it is finished it will be a "prestige " picture. No borfo 'ooxoffice can be expected, but it could be 3 great film. REPUBLIC Slow Here AT THIS POINT in the year, the produc- tion schedule is just about at the half- way mark, perhaps a bit slow, but not far behind. Making allowance for the inevitable summer lull, the schedule will work out perfectly with the studio held at a constant level of work. Discussions are on for a number of indie productions which would perk up activity here, but thu.« far no definite p'.ans have been announced. Only film in work is a short schedule item called "The Thrill Man" (Russell-Hay- den-Lynne Roberts). RKO Pulse Stronger A LTHOUGH A TOTAL of three pictures in production is not record-setting here, the whole general attitude of the studio workers and executives seems to be much less confused than it has been for months. It is as though the dust had settled after a turbulent storm and the survivors have inspected the results and have set their plans to move on over the damage to clearer ground. Out of the melee has come some sound progress. For example, the emphasis here now is on original stories rather than higher priced novels, plays, etc. Fifteen oil the pic- tures ear-marked for this year's production schedule are originals as against nine re- writes of already used material. Another item of progress which has become routine bero i.s the pre-production planning and re- hearsal which cuts s'nooting time so drastic- ally. WT".en this process was initiated on "Crossfire" the entire industry watched with interest and doubt of its value. Now every production company in town has adopted the process to some degree, but here at RKO it is really working out soundly. ROGERS - REPUBLIC HAPPY Reports that Roy Rogers would quit Republic were set at rest at last when the company announced that any differences that existed have been "amicably adjusted" and that the cov/- boy's next musical western, "Eyes of Texas,"' in Trucolor, will roll on March 23rd. Falling boxoffice is still the big bugaboo, but even this tough problem is l)eing ap- proached with reason rather than hysterics and the results show every day. Those perennial comics, Lfon Errol and Edgar Kennedy, will continue to make two- reelers here. Their options were lifted. SAI.K OR NO SALE The RKO-Howard Hughes deal has been rated a certainty "any minute" for a month now, but is still in the negotiation starve. As one studio man put it, "Floyd Odium's stock in RKO is up for sale. Anybody who will pay the Odium price can buy it." Hughes has made an offer, but apparently not the right one, yet. Meanwhile, Robert R. Young and David O. Selznick are also re- ported bidding on the stock. FILM BULLE- TIN expressed the opinion in the Feb. 2 issue that the factor of a pos-sible Supreme Court decision ordering divestiture of theatre interests by major film companies is a bar against any deal for the Atlas stock holdings in RKO. That might be ex- actly what is delaying Mr. Hughes' antici- pated, purchase. SCHARY AWARD Hollywood and studio reaction to Dore Schary's winning the One World award was heartwarming and not without its touch of irony. The mass reaction was that this man had been justly recognized and that Holly- wood (the industry, that is) should also hon- or his achievements not with an award but with their loyalty to his thinking and his efforts. But the tinge of irony came from those sour boys v/ho were having a fine time p. few month;; ago tagging Schary anything from light pink to scarlet red. That should be the color of their faces at this point. Jack J. Gross, executive producer for the past five years here, has taken over his new duties as assistant to Dore Schary. In his new post. Gross rates a chair in Schary's "production cabinet" and will work closely with the production boss on pre-fUming analysis of costs, problems and potentials of RKO properties. SRO Sock Campaign ■pUTURE PRODUCTION PLANS here are *■ still in the "announcement" stage, all current effort going into the exploitation of "Mr. Blandings Builds His Dream House" (Carry Grant- Myrna Loy),, the next release. So far. Paul MacNamara has run his list of "dream houses" to be built across the country at no cost to SRO to about 65. His goal now is 100. The response from local newspapers, merchants and real estate oper- ators gave MacNamara the impetus to go ahead and build as many houses as the idea would take. As reported here weeks ago, the houses will be replicas of the house used in the picture and will be raffled off in each community where one is built. This promises to be one of the top ex- ploitation campaigns of recent years. PARADINE HELD The story here is that one of the prime reasons for the withdrawal of "The Para- dine Case" after the initial first run was a desire to capitalize on Louis Jourdan and Valli. Selznick feels that he has a great property in these young players, but he is showman enough to know that they will be top stars after the release of two other pic- tures. So, Selznick is waiting until U-I re- leases "Letter From An Unknown Woman," which stars Joan Fontaine with Jourdan in the leading male role. This writer saw the U-I picture last week and the Selznick move looks like a shrewd one. Jourdan's role and his performance in this one will give him a secure place with the female public, at least, and when "The Paradine Case " goes 18 FILM BULLETIN STOOIO SIZf-UPS into general run, the name of Louis Jourdan will mean something on the marquee. The same process is being worked with Valli. Most of the movie-going public will see her in "Miracle of The Bells" before they see her in Paradine and here again, her per- formance and her role will provide a tremen- dous build-up for her appearance in the Selznick picture. 20th CENTURY FOX Zanuck Active •pvARRYL F. ZANUCK is managing to '-^ keep his lot running with five pictures almost continuously the.se days. This is well ahead of Metro and Paramount, usually con- sidered his nearest competition. And what may be even more significant in this brief analysis is that the type of pic- tures now on the sound stages represents a good cross-section of entertainment value. "Apartment for Peggy" (Jeanne Crain-Wil- liam Holden) is I'ght, young romantic com- edy. "For Fear of Little Men" gives Tyrone Power a drastic switch in type from "Night- mare Alley" and "Captain From Castile;" this time, he plays a young American corres- pondent who gets mixed up with leprechauns in Ireland. "Street With No Name" (Mark Stevens) is stark, factual drama of the "Boomerang" type. "Unfaithfully Yours" (Rex Harrison-Linda Darnell) is in the typi- cal Preston Sturges idiom, combining ro- mance and intrigue in doses prescribed to get the female audience. To round out this varied program, Frank Seltzer (one of 20th's indie producers) has put "The Gay In- truders" (John Emery-Tamara Geva) into work. This is lig'ht comedy with a theatrical background. All of which indicates that Studio Chief Zanuck has also adjusted his production plans to the state of things as they are and has quit regretting the inevitable change from easier days. This makes sense I WUBTZEL SETS FIVE Sol Wurtzel has set his five remaining pic- tures for this year's schedule of release at this studio. He already has two films com- pleted. Planning to resume production after a two month lull, Wurtzel will shoot "Fight- ing Back," "Big Dan," "Trouble Preferred." "Tucson" and "Ticket To Nowhere" in quick order. No castings have been announced yet. UNITED ARTISTS Settled AT LONG LAST, the dispute between UA and the Cagney unit is settled. This company will definitely release "The Time of Your Life" and has a commitment of one more future feature from the production outfit. That appears to clear the way for the Cagneys to go through with their War- ner Bros, deal, which v/as held up pending the outcome of UA's litigation. It has been decreed by a court order that Howard Hawks must turn over his "Red River" (John Wayne) for UA release. While these two swallows don't make UA's summer, they definitely give the outlook a brighter hue for the moment. Many other, deeper factors must be ironed out by this company before the sailing is smooth. PRODUCT COMING Despite the problems still haunting UA, the company claims seven films will be in work by early summer. First to go v/ill be James Nasser's "An Innocent Affair" w I amarr-Cummlngs C»>IM1'I,KTKII 1947-48 Adventures of Casanova (83) d«Cordova-Nash BInck Hilh (53l Dean Ates .... Blonde Savage (61) Sherwood- Ericson Bury Ma Dead (66) D'Donnell-DanjtIs Check Voir Gani (55) Dean-Gates . . CiMe-up B'u'er-Gllmore Con Sirikes, The (62) Kyan-f riser Enchanted Valliy (C) (77) Cartis-Gwynne Gentleman After Dark (76) Donltvy-Hspkins Green for Danger (91) Grty-Howard Headin' For Heaven (71) Erwin-Farrell it's Htldv Swltw-Whaian . Hollow Triumph Henreid-Bennett winda Be Good (S7) Hebbard Knox Love Fiom A Strancer (81) Sidney-Hodlak Man from Taiai Craig-Bari ... Details ander title; A Taxat Stary Man In the Iron Mask (110) Hayward-Bennett Mickey (C) Bctirr-Goodwin Noose Hangs High. The Abbott-Costello Northwest Stampede Leslie-Cralg . . . Oe'alls ander title Wild Cantaait Open Secret (70) Ireland-Randolph Oat of The Blaa (91) Brtat-Maya ... Prairie Outlaw Dran Ho;t Rampaa* Mitchell-Long Raw Deal O'Kacfe-Tratar Details ander title: Corkscrew Alley Retarn of RIn-Tln-Tin, Tha (V) (65) nin-Tin-Tln-Woods Return of the lash (59) LaRoe-St. John . RuthleS". Scott-Lynn Details under title: Prelide to Night Seven Sinners (86) Dietrich-Wayne Shadow Valley (58) Dean-Atet Shed No Tears rord-Vincmt ... Smugglers. The (85) Redgrave-Kent Spiritualist. The Bey-Sari Sutter's Gold (93) Arnold T-Men (91) O'Kee-'c Take My Life (85) Eynt-Williams lamarrow toa Ui» rre ann-nyan .... Tornado Range (56) .Dean-Holt Whispering City (t2) Lakas-Dantine . . Details . 3-1 5-12 . 5-12. 7-7. . .414. 7-7. . . .12-22. 1-5. 9-1. . Raitfaa. . Fareign . . . . . .8-4. . . .5-12. . 2 16. . . 7-21. . . .3-17. . . .5-26. . Reltsae . . . . 1110. . .11-24. . ...7-21.. 9-1. . 3-3. , . . .11-10. . . .12-22. . . .11-24. Rtl. 2-7. .9-27. 11-22. .9-20. .1 24 .4-24 3-27. . .11-8. .5-13. . .1-17. . . .1-3. .11-15 10-18 No. 812 851 e07. .10-13 803. 9-2J .853. .12-8 826! 817 )35 802 .810 1-5 .808. .l')-27 806. . .12-8 815 .11-8.... 735. .4-27. .1-17. .2-15. .9-27. .9-16. '. '. .9-i '. . . Reissoe. . . . '. 3-i '. . Foreign . , . . .1-19. . Reissue . . . . .7-21. . . Foreign . . .5-1^. . . . .9-1. .10-25 . . 11-10. . . .4-3. . .3-27. . .11-29. . .819. 813 . . .2-16 801. ...9-1 .804. . .12-8 .755. . .12-8 818 848 .852. .12-22 .1-31 811 2-2 .3-27 , .1-10. . . .2-28. .2-21.'. 11-15. . 849 .809. .12-22 . .814 g54 .805 . .n-24 FILM CLASSICS 1947-48 Features Completed ( 4) In Production (0) COMPLETED Argyle Secrets Garg'.n-Lord Blonde Ice Paige-Brooks 3-1. Devil's Cargo Calvert-Hodson Completed Feb. Money Madness Rafferty-Bcaumont Completed Feb. .Completed Feb. 24 METRO-COLDWYN-MAYER 1947-48 Features Completed (33) In Production. (2) RELEASE CHART IN PRODUCTION rm*— imiv tim caet u^iu Jalla MiMharM Girwa-Pldftoa Three Muskttetrs (T) Tarner-Kelly . . lis.. ....2-16... 24 FILM BULLETIN Alias The Gentleman (74) ^ Bmy'-pftrick i/city"?;.'" ^r^rr Cass Tlmberlane (119) 0 Brien-Murphy . Bride Goes Wild, Th, „ Details eoder title: Wrt.Vai John ^n-Allyson r-Ti' •• E.sr';44r'''''^'**'"" 7° ■■■■ Sr^n Oolphln Street T.,rn,r Hrfiin Hitc:::/^' i^-™- • aor";:!]."v'^------------:- Details under tl'le: Hl'lii tf Ho„i, .5-13 Mar. . . .818. ..2-13 . .8-6. . sept . . . .803. . .2-17 8 6 ■ Apr. . .820 10-27. . .5-12. . . .Jan. . .813 .ii-io .7-7. . Mar. . . 819 . .1-5. 4-1. . .Oct. .9-29 . .12-8. . Reissue. 3-31 . 9-30. .810. .12-22 . .811 Gwenn-Leigh ■J . — .. .■■•I* VI nvma n. . . , Skelton O'Brl.n .. e. An Island With r.. Wllliaf- ' -.--■< V^h ", 'irn - ^ Abigail. Dear Heart Ralni-Hendrlx 2-2 ' 1' ' a Adfontira Island (C) («7) UUMa-Flaaloi . .".9-30 ' 10-10 ' '47f» AJberqaemoe (C) (90) Seott-Brltto. 3.3 ' 2-20 "■47W ,8-18 ..2-2 Big Clock, The (95) Milland-0'Sulliv.in ..3-17. Big Town Af.er DarK (70) Reed-Brooks 5-26. .4-9. 12-12. . .3 5. . .7-2. 10 31 .6-18 .5-28 .1-16. Bg Town Scandal Rei-d-Brnnvs 6-23., Caged Fury Cenn ng-Ryan 9-29., Co npcticut Yankee. A (T) Crosby-Kle.nino ....6-24.. Disaster Oenning-Mars: all . ..2-16.. Oreiai Girl nutton-Oariy 5-12.. fmoeror Walb, Ttt (T> Crasky-Fntalna 6-24.. Foreign Affair, A Arthur-Lur.d-Dietrlch 12-22 fioldm Earrings (95) M.liand Oietr ch 8-19. Halter's Castle Ma.on-Kerr Foreign.. Hazard Goddard C.irey .11-10.. I Walk Alone (S9) Laneasler-Scott ...12-23.. Detail) indet title: DudiMb Mr. Reckless Eythe-Critton ... 11-10 ... 3-26 . Details under title: Hard To Kill My Own True Love roo'lis-CaUcrt 7-7 Long, Grpy Line, The Lartd-roed 9-?9 Night Has A T^oasand Eyw Rok.nson-Rissell 7-7 Paleface. The (T) Ho e-Russell 8-18 RnJ To nlo (100) Crosby-Hone 1-6. .12 ?=>. Shacgy (C) Joyce-Shayne 6-11. Saigon (94) Ladd Lake 12-9. . . 3-12. Sainted' Site's, The Lakt-Caultield 10 27... 4-30. So Evil My Lovf killtanil-loil* 5-26 Sorry, Wrong Number Stanwyck- Lancaster . 2-2 Soerd To Spare Arlen-Rogers 10-27. Unco-ijnered (T) (146) I ooner-Gor'dard . . . 8-19.. Waterfront At Midnijht Garcan-Htg'ies .12-8.. Where There's Life (75) Hope Hiso 4-15 Whispering Smith (T) Ladd-Marshall 4-28. Wild Harvest (92) Ladd-Lamour 9-16. .4,13. . . .2-2 .4,06. .11-24 .4711 31 .4720 " 03 i,-x .4718 .4716 .4.08. .12-22 .471: .3-1 .407. .11-24 .471-7 4710. , .2-16 .4715 .5-14. .6-25 11-21. .4715 .4703. , ,9-23 4719 .4704. .10-13 .9-26 . .4701 . .8-13 RELEASE CHART — 1947-48 — REISSUE Title — Running Time Cast Details Rel, No, Rev. Alias Mary Oow (66) Mil!a'd-E:icrs . 736.. Arcentine Nights Ritz B:os.-Andrews Sis Bl.ick C.-it, The (72) Ladd-Pathbunc Oct ... 1129 ,. , Black Friday (71) Ka loff Lo-esi rcf...lM6.. Butch Minds the Baby (77) Bruce-Cr.-wfcrd Nov... 1217.. Ex-Champ (72) McLaglen-Brown 926.. Ghost of Frankenstein (67) Cl.aney-Aakers Jan .1212.. Give Us Wings (62) l.T. Guv< D.E. Ki ;s 1095 .. Green Hell (87) Fairbaiks-Bennctt Dec... 1017., Hellzapornin Olscn-Johnson Invisible Man, The (71) Raiiis-Stbarl D:c 623.. Invisible Kan Returns (81) Price-Harriwicke Dec.,, 1029,, Lady From Cheyenne (89) Young-Prcston Sept .1121.. Lady In a Jam (85) Dtnne-Knowlcs Sept ... 1208. . Little Tougli Guy (83) L.T. Guys D.E. Kids Mar 917.. Little Tough Guys In Society (73) Lit le Tough Guys Mar 929.. Model Wife (78) Blondtll-Powell 1124... Mummy's Ghost (65) Chaney-Carradine Feb. . .1344. . , Mummy's Tomb (61) Foran-Chaney Feb.. 1246.. Pittsburgh (91) Wayne-Dietrich-Scott Dec... 1270.. Sin Town (74) Bcnnttt Crawfod Jan ..12''6.. Son of Dracula (80) Chaney-Allbritton jEn...l795.. Storm, The (78) Bickford- Foster Feb... 924.. Tight Shoes (69) Crawford-Gwynne Nov ... 1139 ., , When Tomorrow Comes (92) Dunre-Eoycr '48.. You're Not So Tough (71) 1947-48 Features Westerns Serials L.T.Guys-D.E.Kids 1063. REPUBLIC Completed (18) Completed ( 7) Completed ( 2) In Production (1) In Production (0) In Production (0) NEW PRODUCTIONS THE THRILL MAN Melodrama — Started March 1 Cast: Russell Hayden, Lynne Roberts, Gordon Jones, John Hol- land, Grant Withers, Roy Barcroft, Stephanie Bachelor, JoVin Newland, Georg-e Chandler, Gilbert Frye, Director: Yakima Canutt Producer: Franklin Adreon •Story: The thrill.s and troubles of the movie stunt men. COMPLETED Title— Running Alcatraz Prison Train . . Bandits of Dark Canyon BItl and Coo (Tr.) (61) Bold Frontiersman RELEASE CHART 1947-48 Tlfflt Details under title: Cimarron Trails California Firebrand Campus Honeymoon Carson City Haiders Dangers of the Canadian Mounted (Seria Davedcvils of the Sky G-Min Notar Forget (Serial) Gallant Legion, Tbt Heart of Virginia I. Jane Doe Inside Story, The Details under title: End at thg BalnkM Cast Details Rel. No. 3-1. 12-15. . . .752 .Burton's Birds 3-28. . . .728 .Lane-Waller 12-22 . . .4-1. . . .754 10-13. .3-15. . . .654, .Crane-Wilde . 1013. . .2-1. . ..703, .Lane-Waller ... ...,2-16. .Bannon-Belmont . .10-27. .4-24. . , .792 Livingston-Clark ....3-11. . . 8-4. ..9-9.. . .791, , Martin- Lowery .. . .12-22. .4-10.. Hostey-Carroll . . . . .11-24 Hint-LiDdl|en ...9-15. .3-14.. . .703. Rev. MARCH 16, 1948 25 ir« A Grand Old Nag (Tr.) fa-toon Fmtoro 12-20 761 King ol thr Cambltrs wngni nariin t■^b Lightoln' in the Forest Robefts-Dooglai 12 8... 3-15 706 'Mubith W«l|««-Wol»ii 7-7 madonna of' The Desert Ca.tle-Robwi. ... 11-10. . .2-23. .. .704 Main Street Kid, Thi Fearte- Martin 9-29 1-X 701 Woonrlse Clark-Riuell 1-5 Oklahoma Badland» Lane-Coles 11-24... 2-22 753 Aid Loj Anjeln Ei:io'.t-MeLtod ....10-13 Red Pony. The (T) Loy Mlttliom 6-9 Setret Service Invcstigatir Brid;ej-Rol!orts 2-16 Sllipy Mci.oe Barry-E»»ni 9-1. . .1-15. .. .702 Under California Stan (Tr.) Rug,fs-Fraze« 11-24 Wild FiMtler. The Lane-Holt 5-12... 10-1 751.. 10-13 RKO RADIO 1948 Features Comi)let<'d (25) In Production (5) RELEASE CHART Rel. No. IN PRODUCTION Title — Ru-ning Time Cast Deta:is Blood On The Moon Mitchum-Bel Geddes . 3-1 Boy Wilh Green Hair (T) O'Brien-Ryan Long Dc iai, The O'Hara-Oouclas 3-1 COMPLETED 1947-48 BLOCK NO. ONE Baehelor and The Bobby-Soxer, Th« (94) . . .Grant-Loy 8-6 Crtisflrt (86) Young-MllchDm 3-17 RiRrafl (80) O'Brifn-Shzak 6-24 Seven Keyi to Boldpate (66) Terry-White 11-25 Undtr Ike T*nt« RIa (61) Holt Leklla 1-20 BLOCK NO. TWO Dick Tracy Meets Gruesome (65) Byrd-KarloR 4-14.... Night Song (102) Andrews-Oboron 4-14 Details under title: Memory of Lovd Out of the Past (97) Mitchu'n-Grcer 810. Rev. .801. .802. 803. .804. .805. . .8C9. ..806. . .6 9 . .7-7 . .6-9 . .6-9 . .6-9 11-24 11 24 .807. .808. 11-24 11-10 .11-24 2-16 So Well Remembered (114) Scott-Mlllj Wild Horse (Mesa (60) Holl-Leslle 8-4 NOT DESIGNATED Arizona Ranger, The Ho't-Les'lo 11-10.... Brrlin Express Oberon-Ryan 9-1 Fighting Father Dunnt O'Brlen-Dcll 3-31.... Fort Apache Fonda-Tempio 8-18 Details under title: War Party Good Sam Coop-rSherldan ....8-18 Guns of Wrath Holt-Leslie 12-22 I Remember Mama Dirnne-H»ms|ka 6-9.... If You Knew Susie (90) Cantor-Davis 1-20 Indian Summer Knox-Sothern Joan of Arc Bergman- Ferrer ....10-13 Le Silence Est D'or Chevalltr-Oerrltr ..F«r«lfi Miracle of The Bells. The MaeMirraj-Valll 8-4 Mr. Jose.:h Young of Africa Johnson-Armstrong ....1-5 Mystery In Mexico Lundlgan-White ...10-13 Patrl, The Marques-Armandarlz Forelga Race Street Raft Ma-well 9-1 Rachel and the Stranger Youni Holden 9-1 Details under title: Rachel Retorn of the Badman Scott-White Raighshod Sterllni-GrahaBa ....7-7 Station West Powell-Greer Tarzan and the Mermaldi Weissmiller-Jayie ....8-4 Tyeaan (T) Wayne-Day 2-3 2-8 Under Arizona Skits Holt-Leslie 9-1 Velvet Touch The Rossell-Genn 10-13 Western Heritage (60) Holt-Leslie 2-16 Window, The Hale-Kennedy 11-24 Voir Red Waian O'DonRell-Graagtr ....7-7 SPECIALS Bishop s Wife, The (109) Grant-Young 3-17 11-24 fugitive. The (104) Fonda-Del Rio 1-6 11-10 Fon and Fancy Free (73) Disney Cartoan Fatarr 891.... 9-1 Lanf Night, The (101) Fonda-Bel Geddes ...9-16 861 6-9 Magic Town (103) Sfewart-Wyman 11-25 862. Moirning Becomes Electra (172) Russell-Redgrave ....4-14 S«r*t Life of Walter MItty (T) (105) Kaye-Mayo 4-29 851. Song Is Born, A (T) Kaye-Mayo 8-4 Details under title: That's Lift REISSUES Bambi (70) Disney Cartoon Ftatore 2-1 Gun Law (60) O'Brien-Oehman 10-3 Border G-Man (60) 0'Bri?n-Johnston 11-14 Lawless Valley (60) O'Brien-Sutton 1-30 Painted Desert (60) O'Brien-Johnston 12-19 Trouble In Sundown (60) O'Brien-Whitley 3-2 SPECIALS Sttt Ytars of Oir LIvte, Thi (172) Loy-March 4-29 751. !fs A Wonderful Life (129) Sttwart-Rted 4-29 781. Song of the Sooth (T) (94) DIsnty Cartoon Ftattro 791. SInhad Thi Sailor (T) (ll7) Falrbanks-O'Hara 3-4 762. SCREEN GUILD .6-9 .11-24 ..7-21 .12-9 12-23 11-11 .1-20 1947-48 Features Completed (9) In Production (0) RELEASE CHART COMPLETED 1947-48 Title — Ronnlng Time Cast Details Rel. Boy! What a GIrll (69) Negro Cast 9-20. Btrnlni Cross, The (78) Danlttt-Patton 6-9. . 10-11.. Dragnet (73) Wlleoxion-Brlan .. .4-28. .10-25 . Hollywood Barn Danet (69) Tubb-lrvlng 3-31. . .6-21. . Details inder title: Wietern Barn Danto No. Rev. . .X-2 .4704 .4703 4701 Killer Dill (71) Cwynne- Alter ton Miracle In Harlem (71) Stepin Fetehit Road to the Big House (72) Fh'r.on-Doran Prairie, The (80) Aubert-Baxter Trail of the Mcintlot (42) Hayden-Holi Details under title: Law of the Mooallte Where the North Begins (41) Nayden-Holt . . IIOPALONG CASSIDY REISSUES Rittltr'i Valley (60) Boyd-Haydoa Tout Trail (59) Boyd-Hayden Partaon of the Plalat (71) Boyd-Haydta Ctuldy of Bar 20 (59) Boyd Haydtn Heart ol Arizona (68) Boyd-Hay(tn Bar 20 Jostlee (65) Boyd-Haydea Frontiersman, The Boyd-Hayden Sunset Trail Boyd-Hayden Pride of the West Boyd-Hayden In Old Mexico Bokd Hayden Silver on the Sage ISoyd-Hayden .3-31. .9-29. .913 . .2-28 . 12-27 . .313 . .2-21 .4702. X-3. .4-.0<. .4705. .4708. .12-13 . .4707. 3-15.. .H607 4-12. .HC08 4-26 5-10. .HCIO 6-14. 7-19. .HC12 11-8 .HC15 11-25 .HC16 1-3. .HC13 2-7 HC14 3-6. . .HC17 4-10. .HC18 EDWARD SMALL REISSUES Duke of WesI Point f ontaine Hayward King of The Ttrf Meiaou-Costello Miss Annie Rooney Temple Run-Away Daughter Slanwyck Yoring SELZNICK — S. F«^t tires Connpk't(»d ( 5) In Production (0) RELEASE CHART COMPLETED Title — Ronnlng Tine Cast Dcta Is DftI In the Sen (Tj (138) Jon's-Cotlen 3-19.. Intermezzo (70) Bergman-Moward ..Kelssoe... Mr. Blandings Builds His Dream Hoist Grant-Loy 10-13... Paradine Case, The (132) fodd Peck 12-23.. Porualt Of Jtnny eottea-Joait 3-3.. Rel. .4-17. Rev. .4-14 .1-19 1 20th CENTURY -FOX 1 1948 Features Completed (21) In Production (5) NEW PRODUCTIONS THE GAY INTRUDERS Comedy — Started March 3 Cast: John Emery, Tamara Geva, Leif Ericson, Virginia Gregg, Sara Berner, Roy Roberts. Director: Ray McCarey Producer: Franlt Seltzer story: Stage couiile each hires a psychiatri.st to watch the other when their quarrel.s threaten their career. RELEASE CHART IN PRODUCTION Title— Ronnlng Time Cast Apartment for Peggy Crain-Ho'den . For Fear of Little Men rower-Kaxter .. Strtet With No Namo, Tho Stevens- Lawrence Unfaith ully Yours Harrison Darnell Dcta Is . .1-19. . . .Z-lb. ....1-5. ....3-1. Rel. Ho. 1947-48 Boonerang (88) Andrtwi-Wyatf .. Brasher Dooklooa. Thi (72) Mtntgoniry-Goltd Call Northside 777 (111) Stewart-Walker . . Captain From Castile (T) (140) Powers-Peters ... Carnival In Costa Rica (T) (95) Haymot-Helm . . . Challenge, The (68) Conway-Vincent Daisy Kenyon (99) Crawford -Andrews Deep Waters Andrews-Peters Escape Harison-CimmlBs Forever Amber (T) (140) Darnell-Wllde ... Foxes of Harrow. The (118) Harrison-O'Hara Fury at Furnace Creek Matore-Gray Details under title: Ballad of Furnace Creek Gentleman's Agreement (118) Peck-McGuire Ghost and Mrs. Moir, The (104) Harrlson-Tlernoy Give My Regards to Broadway (T) Gelid-Daley Green Grass of Wyoming (T) Commlns-Coburn Homeetretch (T) (96) Wildt-O'Hirt Ideal Husband. An (T) (96) Goddard-Wilding . Iron Curtain. The Andrcws-Tlerney I Wonder Who's Kluing Her Now (T) (104) Haver-Stevons ... Kiss of Death (99) Matore-Donlevy . Late George Aniey. Thi (98) Colman-Commlns Law and Martin Rome. The Mature-Conti Details under title: The Chair for Martin Rome Let's Live Again (67) Emery-Brooks ... Margie (T) (94) rraine-Toong Meet Me at Dawn (81) Eythe-Court Miracle on 34th Street (96) Payne-O'Hara .. Details inder title: Big Htart Moss Rose (82) Cimmlni-Matora Mother Wore Tights (107) Grable-Dailey Nightmare Alley (111) Power-Blondell . Razor's Edge. The (146) Power-Tlerney San Demetrlo. London (76) Fitzgerald-Yetng Scudda Hon! Scudda Hay! (T) (95) Haver-McCallister Sitting Prelty (84) YoungOHara ... Scudda Hoo! Scudda Hay! (T) (95) Grable-Haymes .. Snake Pit. The dcHavillaad-Genn Tender Yeais, The (81) Brtwn-Hotchlnson That Lady in Ermine (T) Grable-Falrbankj Details under title: This Is the Moment ..9-30.. .Ftk. . ..70<. ...»■» . .7-22. . .Fik.. . .707. .2.17 .10-13. . Feb . . . .805. . . .2-2 . . 12-9 . .Jan. . . .801. . .12-8 4-29.. . Ar.. ..710. . .3-31 11-24 . . .Mar. . . .807. . .2 16 . . .7-7. . Dee. . . .731. . . 12-8 10 13. . ..9-16.. .11-11. !!bet.'. '.'.733. .10-27 . . .4-28. . .Oct. . ..729. . .9^ 6-9. .Mar. . . .8C6. .11-24 .12-9. .5-12. .6-23. .7-22. .May 715. . .5-26 12-8. . . .8-6. .3-31.. . .7-8. ..1-5.. .May. M^r. . ■.Aoi'. .Sept. . .Apr. .713.. .809. . .4-28 .723. . .6-23 .725 9-1 .712. . .2-17 .11-24. . ...2-18. .12-9. . . 11-11. . 6-9. ...4-15. . Foreign . . ..3-17.. .11-10. . .12-10. . . .8-4. . 9-1. ..11-10.. . Apr. . . .813 .Nov. . . .646. .10-28 .812 .Joat. . . .718. .5-12 Jone. . . .717. . . .6-9 .Sept. . . .724. . . .9-1 . Oct. . . .730. .10-13 .Jaa.. ..701. .11-25 . Apr. . . .714. ..4-14 . Apr. . . .811 Apr. . .Jan. . . .703. . . Jan . . ..803. ..12-8 26 FILM BULLETIN Thirteen Lead S«l. . .Nov. . . .630. .10 2T .2-15 .Foreign 10-27' Foreign . .g-l-i . .3-31. . .Dec 626. .10-27 Hungry Hill (92) Loekwood-Prlce . . Jafsy (95) Lakcwod-Prioe Letter From An Unknown Woman Font-ine- Jourdan Lost Moment, The (89) Citmrnings-Hayward Details under title: The Lest Ltvo Man-Eaters of Komaon Sabo-Pagc 12-22 Naked City, The (96) Fitigorald-Duff 7-7 ...Mar 2-2 Nicholas Nicklrby (94) Hardwicke-Bond ...Foreign 11-24 Pirates of Mo terey (T) (77) Montez-Camcron 5-13... Dec 632 . 11-24 Ride the Pink Horse (101) Montgjmery-Hendrlx ..5-26... Oct 625...i-15 River Lady (T) DeCarlo-Ouryea 8-4 . Secret Beyond the Door (99) Bennett- Redgra e Feb 1-19 Senator Was InJisereet, The (81) Powell-Raines 7-7... Jan 12-22 Singaporp (79) MacM.rray-Gardner . .3-17 .. .Se .t. ... 622 .. .8-18 Tap Roots (T) Heflin-Hayward ... 6-23 Ta*ny nirit (81l M.les john Fore gn 9-15 lin In Central Park Dorbin-Haymes ....10-13 W'stful Widow 0! Wagon Gap (78; .- . Abbott-Costello 5-12 Oct 10-13 Woman's Veniea'-ce. A (r6) Boyer-BIyth 8-4.... Feb 1-5 Details under title: The Mortal Coil WARNER BROTHERS UNITED ARTISTS 1947-48 Features Completed (30) In Production (4) l»47-48 Features Completed (28) In Production (0) KEY TO PRODUCERS Small (Sml); Rogers (Rgs); Vangruard (Van); Crosby (Cby); BiU Boyd (BB) ; Pressburger (Psb); Rlpley-Monter (RM) ; Bogeaus (Bog); Stromberg (Smg): Levey (Lev); Cowan (Cow) ; Stone (Stn) ; Selznlck (Szk) ; Nebenzahl (Neb) ; Lesser (Les); Loew-Lewin (LL); Eagle-Lion (GFD); Cagney (Cgy); Bronston (Brn); Chaplin (Chn); Enterprise (Ent) ; Hughes (Hgs); Comet (Com). RELEASE CHART 1947-4S Title— Running Time Cast Details COMPLETED Arch of Triumph (120) Bergman- Boyer ...7-22.. Atlantis (90) Montfz-Aumort 3-3 . Bidy and Soil (104) Gi B Id-Palmer 1-20. Chrlitmu Eve (90) MuM-Calvert For.. Dead Don't Dream Boyd. Brooks 8-4 False Paradise Boyd-Brooks 9-1 Heaven Only Knows (97) Cummings-Donlevy 12-23., ■Miy V (T) (134) Ollvier-Ncwton For.. Rel. .3-48 . 3-18 .1147 . .9-30. . . .5-12. . . .9-30. . . .10-1. . . .12-9. . . . .8-5. . .11-11. . Heppy's Holiday (60) Boyd-Ware Intrigue (90) Raft-Havoc ... L*" Time (C) Olsen-Jannsen . . Oetalli under Mlie. Ingependeatt Chart Mad Wednesday (80) Lloyd-Walburn . Rev. under title: Sin of Harold DIddiebock Man of Evil (90) Raft-Blondell .. ■Intl« Cm Mum, A All-Star Penonal Column Sanders-Ball . . Details aider title: Penonal Column Pitfall, The Powell-Scott . . . River Wayne-Clift . . . RMsevelt Story (80) Docomentary . . . Silent Conflict Boyd-Brooks . . . Sletp My Love (97) Colb;rt-Cummlngs . 6-9.. So This Is New York Morgan-Vallee ...10-13.. (tanpede Wayne-D'Sheridan .9-30.. DeUlls inder title: Ret River Strange Gamble Boyd-Clyde 9-1 Texas, Brooklyn, and Heaven Madison-Lynn 2-16 Time of Your Lite, The Cagnay-Bendix ....5-26.. Vendetta DeGeorge- Brooke ...8-19. .9-47 .9-47 .7-18 12-47 No. Ent . N*b . Ent . CFD BB . BB . Neb . GFD BB .. Us R* .. Rev. .8-18 . . .8 4 .4-29 . .5-12 . . l-i .Stg .9-47. 11-47 .7-25. ..3-3 11-10 igs ... Bag-Mer . . Smg 7-21 .2-2. 11-47. . . . . .7-21. . Hks . U-L . .BB . .ri Ent . . Hki . . BB . ..7-7 1-19 Cgy Hgt UNIVERSAL-INTERNATIONAL 1947-48 Features Completed (29) In Production (6) Rel. RELEASE CHART IN PROOUCTION Title — Running Time Cast Details •rain of Frankenstein Abbott-Costello 2-16.. Fcudin' Fussin' and Fightin' O'Connor-Main 3-1.. Details under title: The Wonderful Race at Rimrock JidH's Wile, The March-Eldredge 2-2. . Mr. Poabody and the Mermaid Powell-Blyth 1-19. One Touch of Venus Walker-Gardner ....2-16. Saxtn Charm Montgomery-Hayward 2-16. 1947-4« Alt My Son* Rablnion-Cbrlitlaiit .10-13. Aaather Part of Tha FortJt Marah-Blytb 11-10. Are Yov With It O'Caniwr-Saa Jau .11-24. NEW PRODUCTIOtIS SUNBURST Melodrama — ^Started March 3 Cast: Dane Clark, Geraldlne Brooks, S. Z. Sakall. Director: Felix Jacoves Producer: .Saul Elkin.5 story: Hit-and-run driver searclies for and fall.s in love witli liis victim. RELEASE CHART IN PRODUCTION Titia— Ranniog Time Cast Details Rel. No. Rev. Adventures of Dor Juan (T) Flynn-Lindfon ....10-27 Kay Largo Bogart-Bacall 1-5 One Sunday Afternoon (T) Morgan-Paige 2-16 COMPLETED 1947-48 Always Together (78) ReynolJs-Hotton .. Details gnder title: Love at First Sight Anril Showers (94) Carson-Sothern Big Punch, The Morris-Maxwell ... Details under title: The Fighting Terror Christopher Blake Smith-Doag'as . . Dames Don't Talk Mayo-Bennett .. Dark Passage (106) Bogart-Bacall Defp V.illcy (104) Ilark-Lupino .... Escape Me Never (104) Flynn-Lopino I Became A Criminal (78) Howard-Gray John Loves Mary Reagan-Neal Johnny BeiinJa Wyman-Ayrej ... Life w:th Father (T) (118) Dunne-Powell My Girl Tisa (95) Palmer-Wanamaker Details under title: Ever The Beginning My Wild Irish Boee (T) (101) Morgan-King NIgkt Unta Rlglit Llndfan-Saagaa . One Last Fling smitn-bco:t Romance in High C (T) Carjon-Palge ff^pf (T) Stewart-Chandler Silver River Flynn-Sherldao Strange Meeting Davii-Davls Details under title: Winter Meeting That Hagen Girl (83) Reagan-Tomple ... Details indor title: Mary Hagen To The Victor Nlorgan-L ndtors . T.-eas re of Sierra *iadr» (126) Bogart-Huston .. Two Cays Fro™ Texas (T) Morgia-Carjan .. Unsuspected, The (103) Rains-Cauldeld . . Voice of The Turf la (103) Parker- Reagan . . Woman in White. The Parker-Tauag ... Walllower Beynoldi-Hittoa . , whiplajh Clark-Smltb REISSUES Adventures of Robin Hood (102) nynn-aeMaviiiand Anthony Ad.erse (116) Mareh-OeHavllland Bad Men of Mlisourl (71) Morgan-Wyman . . Each Dawn I Ola (84) Cagaey-Baft Jeiebel (93) Davli-Fonda Slight Case of Murder. A (85) Boklason REISSUES Saa Hart, Tha (109) Fma-t«Ja» .... Saa Waif. Tlia (»7) iaHaias-Uglaa . KlH'i Rm (U7) WMTMaa-eagimlap Wlli Ull ■labaak tita (72) ..6-23. .9-15. . . .2-2. .1-10. .3-27. .713. .12-22 .719 . .9-15. . . .3-1. .11-25. , .10-14. , .11-26. Foreign . . . . 2-2 . . .9-15. ..4-15.. .6-9. .10-14. ,.9-30.. . .--i-ia. ...6-23. . . .2-2. ..5-12. .10-13. . .6-23. . 8-18. . . .3-31. . .3-17. . . .2-3. . . .3-3. .10-14. . ...3-3. ..J-31. .9-27. . .9-1. 11-22. . .3-6. , .703. . .9-15 .701 8-4 ..708.. 11-10 .717... 2-16 . .2-7. 12-27 . .702. .715. . .9-1 . 2-2 .711. .12-22 .111.. . .707. .10-2) .4-10. . . .720 .1-24. ..714. ..1-19 10-11.. ..706. ..9-29 .2-21. ..716. ...1-5 KOISSOO. Reisiia. Relsigg. Raluta. Relttga. Rcluia. leluaa. Maag. ■alitat. ■•iMaa. . 12-13.. .10-4., ,.10'4., .12'13. , ,12.13., .4-25.. .4-M.. ..12-7. .U-7.. , .718. ..709. ,.704. ,.705. ..710. ..712. .as.. .<1>.. ..609. .cot.. MARCH 16, 1948 S7 The Boxoffice Bells Are Ringing for the RIVOLI! WORLD PREMIERE UlUlnrrli 1A lor RrAfldwnv'c Famous Long-Run House! Pfes«ntj MmA by JESSE L. [MM WALTER MacEWEN • Directed tj IRVING PICHEL- Sew hi by BEN HECHTand (jyENIlN REfiOlS Released through RKO KM)K) PICIURES, Inc. 25c per Copy BULLETIN MARCH 29, 1948 JDE EXHIBITOR SPEAKS DOING HIS SHARE ? and is the distributor? Climaxing the greatest a ACADI AWAI PICTI The Academy Award For The BEST PICTURE! ,1 A I IN MOTION PICTURE HISTORY! presents ^ ]ROTfiy McGUIRE JOHN GAREIELD A' in LAURA Z. HOBSON'S ^ (jientleinaifs Agreement Celeste Anne June Albert Jane Dean Sam HOLM • REVERE • HAVOC • DEKKER -TOIT • STOCKWELL • JAFFE Produced by Screen Play by Directed by . DARRyi F. ZANOCK • MOSS HART • ELIA KAZAN \y \ CENTURY-FOX lie Academy Award '»r The Best Direction by ELIA KAZAN The Academy Award For The Best Performance By An Actress in a Supporting Role CELESTE HOLM HERE'S ONE FOlj FHE BOOKS! NAKED CITY is the BIG PICTURE with the BIG STAYING POWER ii NAKED CITY STARRING BARRY FITZGERALD and featuring HOWARD DUFF • DOROTHY HART • DON TAYLOR Directed by JULES DASSIN ' Produced by MARK HELLINGER Associate Producer, JULES BUCK Screenplay by ALBERT MALTZ and MALVIN WALD • From a Story by MALVIN WALD A UNIVERSAL-INTERNATIONAL RELEASE ii BE CANDIDATES FOR THE TEN BEST' OF 1948!" Metro-Gold wyn-Mayer and Liberty Films- present SPENCER TRACY KATHARINE HEPBURN VAN JOHNSON ANGELA LANSBURY ADOLPHE MENJOU LEWIS STONE in FRANK CAPRA'S STATE OF THE UNION Based on the Ploy by Howard Lindsay and Russel Croose Screen Play by Anthony Veiller and Myles Connolly Associate Producer Anthony Veiller Produced and Directed by FRANK CAPRA A Metro-Gotdwyn-Mayer Picture M-G-M presents CLARK GABLE LANA TURNER ANNE BAXTER • JOHN HODIAK ■ RAY C HOMECOMING RAY COLLINS • GLADYS COOPER • CAMERON MITCHEL A MERVYN LeROY PRODUCTION Original Story by Sidney Kingsley • Adaptation by Jan Lustig Screen Ploy by Paul Osborn Directed by MERVYN LeROY Produced by SIDNEY FRANKLIN A Metro-Goldwyn-Mayer Picture M-G-M presents IRVING BERLIN'S EASTEET PARADE^ Starring JUDY FRED GARLAND • ASTAIRE PETER LAWFORD ANN MILLER Cofor by TECHNICOLOR Lyrics and Music by IRVING BERLIN Musical Numbers Directed by ROBERT ALTON = Directed by CHARLES WALTERS Produced by ARTHUR FREED A Metro-Goldwyn-Mayer Picture Remember what we say here! And remember that it is stil early in the year and there are many other M-G-M Big Ones to come! That's why there's a new industry slogan: 'M*G*M GREAT IN '48' Joe Exhibitor Asks — flL Page Seven it THINK IT OVER Unconquerable Great minds have purposes, others have wishes. Little minds are tamed and subdued by mis- fortune; but great minds rise above them, — Washington Irving- BULLETIN FILM BULLETIN — An Independent Motion Picture Trada Paper published every other Monday by Film Billetin Company. Mo Wax, Editor and Publislier. BUSINESS OFFICE: Suite 622, Manufacturers Trust BIdg., 1819 Broadway, New Yorl( 23; Circle 6-9159. David A. Bader, Business Manager. Dave Abrams, Editorial Representative. PUBLICATION-EDITORIAL OFFICES: 1239 Vine St., Phila. 7. Pa., Rltten- house 6-7424; Barney Sttin. Managing Editor; Jacic Taylor, Publication Manager; Robert Heath, Circula- tion Manager. HOLLYWOOD OFFICE: 9126 Sunset Blvd., Hollywood 46, Calif., CRestview 5-6489; Sara Salier, Hollywood Representative. Subscription Rate: ONE YEAR, $3.00 in the United States; Canada, $4.00; Europe, $5.00. TWO YEARS: $5.00 in the United States; Canada, $7.50; Europe, $9.00. IS THE EXHIBITDH DOIIVG HIS SHARE? To the Editor FILM BL LLETIN Dear Sir: I never expected there would he so long a lapse between my last letter to you and this one. The reason is that I have been wallowing in a slough of despondency (is that what they call it?) and just haven't ))een in the mood to write. You see. all this depression talk in the industry these past few months and the lack of enthusiasm the film big shots have been showing for the future of this business (and even for the pictures they produce — except in the terms their salesmen ask for them) is bound to get a guy down. Especially a guy like myself, who has practically everything he owns tied up in this movie business. What's wrong with us? Have we really grown too self-satisfied and lazy? Have we forgotten that we're in show business — a business that appeals to the emotions, a business that requires constant initiative and ingenuity in exploitation? Every once in a while I read in the trade papers statements by film executives about what the exhibitors have to do to preserve this industry. They tell us we have to pay more for our pictures, that we have to give them longer runs, that we have to advertise more. They talk as if the theatre owners are just along for a free ride on the gravy train, reaping profits without any of the work or risk. Some of the criticism levelled at exhibitors is justified, no doubt. I know certain of my brethren who do nothing or very little to maintain this industry's leadership in the entertainment field and who make little or no effort to justify their mission as showmen. But, I also know many who do their job well, very well. The role of the theatreman in the development of our industry has never been fully appreciated, by the film men, I mean. The exhibitor's sweat and invention in advertising has glossed over more Hollywood failures than we could ever enumerate. If all the cases in which sheer showmanship by theatremen have pulled Hollywood's chestnuts out of the fire were laid end to end, they would reach the whole distance between one good Columbia picture and the next! Of course, most of that showmanship used to have its origin in the film companies and their affiliated theatres. But that hasn't been the case in recent years — and that is one of the main reasons for the slump we're in. Maybe we exhibitors should ask: "Are the producers, distributors and their theatre chains doing their share to preserve the industry's entertainment leadership? I say, frankly, they are NOT. At least sixty (60) percent of the pictures released come to exhibitors with practically NO ADVANCE SHOWMANSHIP. Almost no money or effort is expended at the source to arouse the interest of the exhibitor or the public in that bulk of the movie product — and lots of it could be exploited to earn far more than it does. The fact is, my friend, that the big movie companies and their theatre affiliates have gone the way of so many big businesses — bookkeepers make the decisions. With pencil on paper, they show the executives that $50,000 less spent on advertising each picture will save a million or two for the year. And $50 less spent for advertising by each of the circuit's 500 theatres will save $25,000 per week. That's the kind of penny-wise and pound-foolish "logic" that has crept into film company reasoning and is robbing the industry of its leadership in showmanship — the kind of leadership the rank-and-file exhibitors have a right to expect from the film companies. Maybe what I'm looking for is some encouragement to have faith in this business that means so much to me. Best vvdshes to you. Sincerely yours, JOE EXHIBITOR. IRENE DUNNE in GEORGE STEVENS' Production of BARBARA BEL GEDDES OSCAR HOMOLKA PHILIP DORN with Sir Cedric Hardwicke • Edgar Bergen • Rudy Vallee • Barbara 0 R K O RADIO Executive Producer and GEORGE STEV P'Oduced by HARRIET PARJ Screen Play by OeWITT BODEE Based Upon the Play by JOHN VAN C BULLETIN Volume ]6, Number 7 March 29, 1948 JVeMM^s and Opinian Myers Vows 'Unrelenting Opposition' To ASCAP Fees The Lewis bill, which looked deader than the proverbial door-nail when the House sub- committee of the Judiciary on Patents, Trade-Marlts and Copyrights voted 5 to 1 against it last Tuesday (23rd), suddenly ap- peared to have gotten a new lease on life two days later when Rep. Lane (D., Mass.) moved for reconsideration. It is likely that the measure will now come to the attention of the full Judiciary Committee, possibly this week. Regardless of the outcome of this effort to legislate the transferral ASCAP charges from exhibitors to the film producers, Allied's A. P'. Myers pledged the organization to con- tinue "unrelenting opposition' to ASCAP, as long as it retains the right to fix arbitrary rates. At hearings before the sub-comjnittee last Monday, H. R. 5014 was stoutly supported by five spokesmen for Allied, while opposition was furnished by the TOA and MPAA. It was obvious that the committee was con- fused by the conflict of opinion between the two exhibitor groups and the issue was effec- tively beclouded by claims of TOA repre- sentatives that some Allied units harbor affiliated theatres. This led to a lengthy wrangle, with the interest of the commit- tee's membership in the measure itself dwindling by th minute. FORESEES COMPETITION Myers, general counsel of Allied, told the House group that the Lewis bill would "in- ject some good, old-fashioned competition into the fixing of the public performing rates by pitting the combined copyright owners against the powerful, well-organized motion picture producers."' He termed ASCAP's recent revision of its new rate demands a "strategic retreat" to v/ard off pending litigation and legislation, and accused the TOA of having "connived with ASCAP in inflicting these increased rates on the theatres."' The memlbers of Allied, Myers said, are "willing to take their chances under the bill.'" Other Allied spokesmen: Sidney E. Sam- uelson (ASOAP rates "completely one-sided, with constant increases made without nego- tiations"); Trueman T. Rembusch (fees could be "easily absorbed" by the producers, Since ASCAP theatre collections for 1946 equalled only one-third of one percent of fllm production costs) ; Martin G. Smith, Jo- seph P. Uvick. GAMBLE OPPOSED Ted R. Gamble, president of TOA, stated that his objection to the Lewis bill is based on the fact that "the ASCAP license fee is not removed, but is merely passed on to the producers and distributors . . . and will then, in turn, undoubtedly be charged ... to the theatre owners." He argued that thousands of exhibitors are "in a better economic and political posi- tion to bargain with ASCAP than are a handful of producers and distributors. " When Gimble asserted that ;he issue was really an "internal fight," a member of the House committee inquired if it v^as his opin- ion that A.llied was using Rep. Earl R. Lewis (R. Ohio), the bill'f sponsor, as a 'sc-pe- goac." The TOA leader replied, "It amounts to that." ALLIED & AFFILIATES A row ensued between TOA and Allied repiesentatives over the question of affili- ated theatre membership. - Gamble and Her- man M. Levy, TOA general counsel, alleged DARRYL F. ZANUCK It was balm for ilson' that several Allied units have affiliated mem- bers. Smith and Uvick answered that their Ohio and Michigan regionals accept affiliates as associate members on local legislative matters, but they have no voice or vote in formulating organization policies. Also opposing the measure were Adolph Schimel, secretary of Universal and member of tac MPAA copyright committee; Abe I4ontague, Columbia s:.les manager; Edwin P. Kilroe, 20th Century-Fox and chairman of the MPA.\ copyright committee; James M. Barnes, counsel for SIMPP, and A. Julian Brylawski, TOA legislative chief. Montague : "As a distributor, I assure every exhibitor . . . not only will we want back what we pay out (to ASCAP), but the costs as well." 'Oscar' Badly In Need Of A Shot In The Arm Two surprises highlighted the 20th annual Academy Awards clam.bake. One was the selection of Loretta Young as the best actress. The other, the woeful lack of in- terest and the dismal, drawn-out handling of what w.-.s once the movie capital's most pub- licized, most elegant event. Originally a family affair, open only to bona fide members of the industry, while a popeyed public waited breathlessly — outside — Tor the momentous results, this year's Shindig underwent a marked change. It was held in the Shrine Auditorium, a dingy pub- lic hall in an out-of-the-way section of Los Angeles, and prominent studio people had to be coaxed to attend. Tickets that were al- most priceless in the past were available to almost anyone who asked and, at the last moment, more than 500 balcony seats were offered to the bleacherites gathered outside. The whole aggregation in the hall sat through three boring hours of generally pre- dictable (with the noted exception) awards. VOTE BIDDING BAD TASTE Nor was Oscar helped this year by Movie- town's press agents, whose frantic efforts to secure votes for their clients lost all subtlety and v/ere in blatant bad taste. Obviou.sly, the decline in local interest will be reflected throughout the country and will not benefit the industry. The Academy Awards have been and still could be a tre- ( Continued on Next Page) RESCIND 'FALLEN ARCH' PRICE POLICY An editorial in the February 2 issue of FLLM BULLETIN was titled "The Fallen 'Arch' Policy." It urged officials of Enterprise Productions and United Artists to reconsider their decision to insist upon advanced admission prices for "Arch of Triumph." The editorial said: "Not only will the whole industry benefit in good will by their withdrawal of the policy announced, but we are certain that 'Arch of Triumph' will profit far more by a general release at regular prices." Last week, the Enterprise board of directors took the extraordinai-y action of rescinding the advanced admissions policy. The board pointed to a recent statement (quoted in the FB editorial) by Charles M. Reagan, Paramount vice- president in charge of distribution, to the effect that upped prices dictated by distributors is an iU-advised policy, U-I STILL CONSIDERS This move leaves only one company still considering advanced admissions for a forthcoming release. Universal-International is toying with the plan for "All My Sons." However, sales chief William A. Scully is known to have cooled toward the idea in recent days, and the Enterprise action will likely prove the clincher against it. MARCH 29, 1948 I BEST ACTRESS She was a surftrise 'Oscar' i ('onti.iiied front I'lijie 9 I meiidously effective tub-thumping event, the Stunt needs a shot in the arm. Its promo- ters would be wise to return to first princi- pls^ in handling future events. I'v/cntieth Century-Fox walked off with top honors, boasting two triple-award pic- tures. "Gentleman's Agreement" was nimed be.SL pioduction of 1947, as well as supplying the lop diiector, Elia Kazan, and best sup- poi'*ing actress, Ce'este Holm. "Miracle on 31tn Street' r:ted best supporting actor (Ed- mund Owenn), best original motion picture ftor/ and best written screen play. In accepting the award for "Gentleman's Agreement," Darryl Zanuck gave voice to a matter that is known to have i-ested heav- ily on his heart for the past three years. He told the a.sssmhlage of his disappoint- ment over the failure of "Wilson" (he con- siders it his finest production) to win the award. But, embracing the Oscar he was holding, he said, "This makes up for pre- vious disappointments." ( OLBIAN CONNECTS Ronald Colman finally latched on to his VirsL Oscar after 25 years of starring roles, his performance in "A Double Life" (U-I) winning him the hest actor award. Dark horse Loretta Young nosed out the favorite, Rosilind Russell ("Mourning Becomes Elec- tra"), for the best actress award with her adroit performance as the Swedish-American politician in "The Farmer's Daughter " (RKO). 20th Profit Down, But Still Healthy 14 Millions The drop in 20th Century-Fox profits for 1947 was about eight and a-half million be- low the '46 net, but it still left a handsome S14,(XX),000 to show for last year's labor. Gross income from film rentals and the- atre receipts (subsidiaries National Theatres and Roxy Theatre were included) was esti- mated to be $174,400,000 for the fifty-two weeks ended last December 27, about 10 million less than the year before. The tax bite was about 9 million, compared to $14,- 650,000 for the previous year. The 14 million net is equivalent to $4.81 per share on the outstanding common stock, after preferred dividends. In 1946. about 40,000 less shares of the common earned $7.90 r. share. 1« General Approval Of British Tax Deal Here Neither the British nor the Americnns in- volved in the pact for the removal of Eng- land's 75"/^ tax on our films de.'^ire to give anybodv the impression that they are happy about the terms of the settlement. Both sides, as a matter of fact, are going to great pains to make it clear that the compromise is not what they wanted or exppcted. In this country, the film moguls have been uttering only the most Ciutious .statements, all in the tone: "It's the best of a bad situation." In London, isolated squawks continue to be heard in the House of Com- mons and in the press, but a great deal of the oppo.-iition to the pact appears to be an effort to m;jke political capital against the Government. The London Financial Times hit a high comedy no*e in its complaint: "We couldn't 'lave come off worse in the negotiations if we had been represented by the four Marx Brotheis." REALLY S.\TISFIKD Confidentially, most American film execu- tives might admit that they are quite happy about the solution, even though it isn't all they would ha\ e liked to have. It eases the financial situations for their companies con- BEST ACTOR After 25 long years siderably, and they feel that certain long- range benefits, such as prudence in produc- tion, might prove to be valuable by-products of the seven-months' war with the British. In New York, the Motion Picture Ebcport Association, foreign arm of the MPAA, formally approved the agreement after hearing Eric Johnston's report of the settle- ment and voted to lift the embargo on film shipmfents to Britain as soon as Parliament ofRcially ratifies the pact. It is scheduled to be among th? first items for considera- tion by the British legislators after the Easter recess, probably before the end of this week. Johnston was accompanied on his return to this country by James Mulvey, president of Goldwyn Productions, who represented the Society of Independent Motion Picture Producers in the negotiations. Mulvey was lauded by Johnston as "indispensable" in the settlement and responsible for many of the concessions accorded the independent producers. MAKES PREDICTIONS Among the predictions Johnston made: — A substantial increase in American film production in England as one v/ay of put- ting frozen funds to work. — Distribution of British pictures in this country will be stepped up considerably. (British inogul J. Arthur Rank promised to ship in 30 features this year.) —A theatre building boom both in the U. S. and abroad. - Little or no reduction in Hollywood pro- duction schedules as a result of the anti- cipated flood of British films and increased AmericEyi production in English .studios. The reduction in the revenue American producers can take out of England requires Hollywood to cut operating costs, but it "isn't going to sacrifice quality," Johnston told the radio audience over a national NBC hookup. He said that the months of im- passe forced Hollywood to concentrate its efforts on the production of better Alms, and predicted that the coming months will see the release of "an increa.sing number of superior pictures." i Goldman Continues To Take 'Licking' in Philly Wili'am CJoldman, Philadelphia independ- ent, is apparently content to take all the "licking" the Warner Circuit and the major I di.;tribiitors want to give him. His Erlanger Theatre in downtown Philly, ' already awarded $375,000 by Federal Courts as damages for being .-^hut out of first run product, and with another anti-trust suit for $8,0(X),000 pending, was reopened for a .■^uccessf-ul Seven-weeks run with Metro's "Cass Timberlane," then promptly shuttered again. Next day, th's advertisement appear- ed HI the local newspapers: "We regret we must again close the Er- l.i.nger Theatre due to our inability to ob- tain suitable motion pictures. "We wish to thank all of our friends for tueir patronage and when suitable pic- tures are made available, the Erlanger 1 heatre will reopen with the same person- alized service, free parking facilities and fine entertainment for your pleasure. 1 "WILLIAM (50LDMAN THEATRES "(A Philadelphia Owned and Operated Company)" Hollywood Labor Scene ^ Not Clarified By Hearings The month-old Congressional investigation of Hollywood's muddied labor scene was temporarily adjourned (until May 17) with only one point definitely proved — that it is all veiy confusing, (Continued on Page 26) JOHNSTON & MULVEY They ivere indispensable FILM BULLETIN J 'STATE OF THE UNION' CAPRA DELIVERS A SMASH HIT! Rates •••-{- generally; slightly less in Metro-GoldwjTi -Mayer (Liberty* Films) 120 Minutes Speimer Tracy, Katharine Hepburn, Van Joiinsonj Angela Lansbury, Adolphe Menjou^ Lewis Stone, Howard Smithy Charles Dingle, Maidel Turner, Raymond Walbum, Margaret Hamilton, Art Baker, Pierre Watkin, Flor- ence Auer, Irving Bacon, unctious youngsters, Robert Young and Maureen O'Hara advertise in the neighboring city's papers and receive a re- sponse from a "Lynn Belvedere. " They are flabberg.^sted when it turns out to be a man, a self-styled genius, who detests children, Jlifton Webb, but he soon makes them real- ize he is worth his weight in gold as he tames the youngsters, cures the baby of sprinkling everyone with oatmeal by dump- ing the bowl of cereal On the baby's head, and generally makes himself indispensable L.round the house. He insists, however, that tney never enter his room. When Young is called out of town, O'Hara, to forestall jcrndal, moves into friend Louise Allbrit- toi.'s home. However, one of the children is taken ill and she rushes over in the middle of the night. Richard Haydn, a prissy gos- sipmonger, sees Webb and O'Hara in their nightclothes and spreads scandal around town. Young and O'Hara separate, but are reunited when Webb comes out with a best- seller, a satire portraying the town's leading residents, which he had been writing secret- ly in his room. Threatened with suit by the aroused natives, Webb calmly points to Hc-.ydn as his chief informant and their ire is vented on the unhappy snooper. With a fourth child coming, Webb announces he will continue his job since he is contemplating a trilogy on the town. BARN. 'HAZARD' ROLLICKING POPULAR COMEDY Rates • • • — less for action houses Paramount 95 minutes Paulette Ooddard, Maodonald Carey. Fred Clark, Stanley Clements. Maxie Rosenbloom. James Millican, Percy Helton, Charles Mc- Graw. Frank Faylen, Frank Fenton. Directed by George Marshall. Paramount has delivered a Spring tonic that is better than sulphur-and-molasses. It is a rolli.'iking laugh-fest in which Paulette Goddard transmutes her passion for gam- bling into a yen for Macdonald Carey. The laugh-hungry section of the putolic will take to this comedy in a big way and grosses should be good in all but action houses. The story, remindful of the famous "It Hap- pened One Night," maintains an under- current of seriousness that prevents it from bcooming completely farcial, but George Marshall's dirertion is angled for laughs all the way and shows a sure mastery of split- Second timing. "Hazard" launches Carey as a leading contender in the heart-throb sweeipstakes. He's handsome, he's husky, Vie can act — he has what it takes to cause feminine palpitations. Goddard has a light- weight role which suits her perfectly. She is vivacious and comical as the jittery gal with the gambling bug. Fred Clark makes a smooth, menacing mobster, and Faylen and Clements contribute neat characterizations. List but rot least, Slapsie Maxie Rosenbloom IS effectively cast as a dumb truck driver. EXPLOITATION: Values to plug are the romance, the cock-eyed comedy and the thrills of a cross-country chase. Present Macdon.ild Carey as the ladies' new heart- throb. Catch-lines: "She Gambled Her Love on the Turn of a Card!" (More Reviews on Page 16) Paulette Goddard is heart-broken by the death of her fiance overseas. She buries her ^rrief in the excitemnt of gambling — cards, dice, roulette. She winds up in debt with a bum check in the possession of gambling boss, Fred Clark. He bets her on the turn of a card to either cancel the debt or marry him. She loses and skips out. Clark hires Carey, a private detective to bring her back. This initiates a series of hilarious episodes from New York to Los Angeles and back. The two battle each other in hotel-rooms, jails and auto camps — and gradually suc- cumb to romance. Carey saves her life in an auto crash and gets badly burned. They are about to be married at the hospital, •.vhen Clark appears and takes her to New York. She thinks Carey has double-crossed her, but he arrives to rescue her in a rough .Tiid tumble brawl that provides a boisterous finale. ABItAMS. 12 FILM BULLETIN Shart Subjects Bv BARN "We make pictures for entertainment, not to deal with sociological problems, religion or education — that is what we have co'- leges. schools and churches for," Paramount board chairman Adolph Zukor told reporters in Hollj'wood, where the dean of the industry was hosted at a reception by studio boss Henry Ginsberg-. After viewing Paramount's forthcoming releases, as well as other studios' effoits, Zukor predicted "a flow of strong box-ofiice product" for the new season that will meet the producers' "obligation to the theatres that we serve." The Paramount exec was particularly heartened by Hollywood's "devoting more thought r.nd careful attention to producing pictures than in the lush times." Typical of the slapping around the movies is getting these day.s from tlie press is this blurb by Alan McPaige in a recent issue of PM: "To solve the housins? shortage, some theatres shou! " be made into living quarters. They've been flop houses long." Nate J. Blumberg, U-I president, distributed a few posies when he arrived from Europe aboard the liner America, accompanied by Joseph Seidelman, U-I foreign department topper. The first bouquet was flung to Eric Johnston, MFAA president, and James Mulvey. SIMPP head, whose job on negotiating the Anglo-American film agreement was described by Elumberg as "wonderful." Both U-I execs bubbled with enthusiasm over the tax settlement. A lion's share of Blumberg's encomiums went to Laurence Olivier for his direction and performance in the J. Arthur Rank production of "Hamlet." If there is such a thing as a genius, Olivier's it, the U-I prexy eulogized.